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Archive for the ‘Amon Amarth’ Category

[DID NOT ATTEND: May 13, 2024] Amon Amarth / Cannibal Corpse / Obituary / Frozen Soul

When this tour was announced I had the choice of seeing them at The Wellmont in NJ or the Fillmore in Philly.

I chose the Wellmont because it is smaller and I thought it would be more fun.  I see too many shows in Philly anyway.

It worked out for the best as my wife and I were going to see Neil Young on Sunday night, so this left the rest of the week free.

I’ve really enjoyed Amon Amarth in the past and since my son and his friends enjoyed them when we saw them last year, it was a no brainer for the fur of us to see them headline.

I wasn’t to thrilled with the rest of the lineup, honestly.  I’ve seen Cannibal Corpse a few years ago and once was enough (although now that I heard what a genuinely nice guy Corpsegrinder is, I certainly like them a lot more).  It’s fascinating though that they’ve been a band since 1988 (and appeared in Ace Ventura Pet Detective!  They were an integral early band in the Tampa death metal scene.

Obituary is another super old school band from Tampa (formed in 1984, so even older).  It’s kind of weird that Amon Amarth, who is a Swedish band and not really a death metal band (they’re all about Vikings, but they do sing in a growly way) would invite two early death metal bands.

I know of them (their logo is very familiar) but I guess I never listened to anything they did.  They are heavy and fast but the singer actually does a kind of high voice when he sings (as well as some growling).  It’s a different vibe to be sure and more of what I think about with 80’s metal bands.

Frozen Soul is a death metal band from Texas.  They formed in 2018.  I had not heard of them and wasn’t really that interested in seeing them anyway.  They are heavy death metal with growling vocals.

If it weren’t for the headliners I ‘d have had n interest in this tour at all.

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[ATTENDED: May 9, 2024] Amon Amarth

My son and his friends saw Amon Amarth open for Ghost last summer.  So when they announced a headlining tour, I grabbed us tickets.

I thought it would be really fun to see them headline (although their set was actually smaller than when they opened, probably because it was a much smaller venue).  I also thought it would be really cool to see them in a smaller venue and to be on the floor.

The Cannibal Corpse crowd really took up the whole pit, but when they ended a lot of people left, I guess.  The floor opened up and we headed down there.  The crew went to the front right and I stayed in the center back assuming it would be far enough from the pit but still a great view.

Well, it turns out that at an Aman Amarth show, the pit starts pretty far back and I was pretty much right in the middle of it (cane and all).  I quickly made my way out of that area but was pushed and shoved through most of the show as people tried to get into the pit.

There was a lengthy intro (after a few verses of Iron Maiden’s “Run to the Hills”) while their logo swirled around on stage.  And then the curtain dropped and there was the giant Viking helmet drum set.  That’s when the pit started and I didn’t focus on much of the first song as I tried to clamber over people to safety.

It was pretty great seeing them from this close. You could see singer Johann Hegg ((who had a horn of mead (I assume) on his belt and a swagger in his walk) smile as he welcomed the crowd.  And the songs were so much more visceral with the crowd pulsing around us.

One of the best things about an Amon Amarth show is the theatrics.  The stage set was a little smaller (no giant inflatable vikings), but the participation on stage was full-on.

I didn’t get to fully appreciate the first song as I was getting bumped around. But for Tattered Banners and Bloody Flags two gues stood on either side of the stage and waved giant flags.

I really enjoyed the way the various band members walked around the stage visiting all the people in the front and acknowledging everyone.  Hegg encouraged everyone to do a circle pit (and everyone obliged. (more…)

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[ATTENDED: May 9, 2024] Cannibal Corpse / Obituary / Frozen Soul

My son and his friends saw Amon Amarth open for Ghost last summer.  So when they announced a headlining tour, I grabbed us tickets.

The rest of the lineup didn’t thrill me though.  I mean, I guess, yes, Amon Amarth is a death metal band, but not REALLY.  The rest of the lineup was all (mostly old school) death metal bands.  Once I found the details of the settimes, I let the rest of the party know and we agreed that we could easily skip the first  two band and show up sometime in the middle of the 45 minute cannibal Corpse set.

Frozen Soul is a death metal band from Texas.  They formed in 2018.  I had not heard of them and wasn’t really that interested in seeing them anyway.  They are heavy death metal with growling vocals.  I give them props for the whole “frozen” vibe that they have going on.  One of their songs i called “encased in ice” and I was amused to see that were selling shorts that said “encased in ass” which doesn’t make any sense, but is still funny.

Obituary is another super old school band from Tampa (formed in 1984).  I know of them (their logo is very familiar) but I guess I never listened to anything they did.  They are heavy and fast but the singer actually does a kind of high voice when he sings (as well as some growling).  It’s a different vibe to be sure and more of what I think about with 80’s metal bands.

I feel like the addition of this band would be a nice change from the deep growling voices of the rest of the 4 hours of music. I didn’t care if we arrived in time for them and no one else did either.

I wasn’t really that interested in seeing Cannibal Corpse again.  I saw them open for Slayer five years ago.  They played a twenty minute set and I was glad to have seen it, but 20 minutes was plenty. (more…)

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[ATTENDED: August 25, 2023] Ghost

My son and I have now seen Ghost 4 times in about 4 years.  Interestingly, these previous three times have all been based around their last album, last year’s Impera.  My son is rather tickled that he has a short from the Pre-Imperatour, the Imperatour and the Re-Imperatour.

It’s fairly ballsy to tour the same album three times in a year and a half. But in this time their fan base seems to have grown quite a lot.

The Freedom Mortgage Pavilion seats around 25,000 people.  I know it didn’t sell out, but I have to assume there were at least 10,000 people there.   Which is pretty awesome, and makes Papa Emeritus IV very happy.

The set is largely the same as it has been for each part of the tour, with the stained glass windows in the back and the tiered risers.  The Nameless Ghouls were out in force.  And it felt like there might be a few more of them than usual.

LIke thre previous two shows, the opening music was classical.  Klara stjärnor (Jan Johansson song) and Miserere Mei, Deus (Gregorio Allegri song) before the strains of “Imperium” wafted from behind the giant curtain at the front of the stage.

The curtain came down and Papa strolled out as “Kaisarion” played.  And like each show before, it was followed immediately by “Rats.”

Even though I have seen this particular opening, I never get tired of it.  The crowd is nuts, the band is on fire, there’s lights and explosions and everyone is singing “RATS!” at the top of their lungs.

I was pleased that the setlist wasn’t exactly the same as the previous tour, as it mixed in with the Pre-Imperatour as well. (more…)

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[ATTENDED: August 25, 2023] Amon Amarth

I saw Amon Amarth open for Slayer back in 2019.  At that time I didn’t know them, but I really enjoyed their show–they were melodic and the singer was kind of growly, but he was understandable, and that makes a big difference.

I didn’t realize it had been so long since I had seen them and I kind of expected the same basic show.  But since 2019, they have put out a new album (and have a brand new single out as well).

So while they did play six of the same songs as last time, the order was different and their stage show was HUGE!

Last time they had a ship on stage that they climbed all over.  This time, there was a giant mask on stage and two massive statues of warriors on either side of the stage.

The band sounded huge.  I have now seen them twice in the same venue and would like to see them with a better sound system. (more…)

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SOUNDTRACK: DANKO JONES-Garage Rock! A Collection of Lost Songs From 1996-1998 (2014).

Danko Jones has released nine albums an a bunch of EPs.  Back in 2014 he released this collection of songs that he wrote and recorded before his first proper single (1998).

This is a collection of raw songs, but the essential elements of Danko are in place. Mostly fast guitars, simple, catchy riffs and Danko’s gruff voice, filled with braggadocio.  With a cover by Peter Bagge!

He describes it:

Back in the 90’s,the Garage Rock scene, as I knew it, was a warts-and-all approach that favoured low-fi recordings and rudimentary playing over any modicum of musical prowess in order to glean some Rock N’ Roll essence. However, once a band got better at their instruments, songwriting and stage performance, the inevitable crossroads would eventually appear. Deliberately continuing to play against their growing skill would only evolve into a pose. There were a lot of bands who did exactly this in order to sustain scenester favour. We did the opposite.

What you hold in your hands is a document of what we were and where we came from. We didn’t know how to write songs and could barely play but we wanted to be near to the music we loved so badly. We ate, slept and drank this music. We still do. That’s why we have never had to reunite because we’ve never broken up. After 18 years, we’ve stayed the course, got tough when the going did and, above all else, we have never stopped. This album is the proof.

The first two songs are the best quality, with the rest slowly deteriorating with more tape hiss.

1. “Who Got It?” a big fat bass sound with lots of mentioning of Danko Jones in the lyrics. [2 minutes]
2. “Make You Mine” is 90 seconds long.  With big loud chords and rumbling bass Danko says “one day I’m going to write a book and let everybody know how to do it.  Seems to me there a lot of people around who want to see if I can prove it.  I been a rock prodigy since the age of 20 and my proof… my proof is right now.”
3. “I’m Your Man” is a bit longer.  The quality isn’t as good but the raw bass sound is great.
4. “She’s Got A Bomb” is good early Danko strutting music.
5. “Rock And Roll Is Black And Blue.”  He would name an album this many years later.  This song is fast and raw and only 90 seconds long.
6. “Dirty Mind Too” This is a fast stomping one-two-three song that rocks for less than a minute.
7. I’m Drinking Alcohol? This is funny because later he says he doesn’t drink.  I don’t know what the words are but the music is great–rumbling bass and feedbacky guitars with lots of screaming.
8. “Love Travel Demo” and 9. “Bounce Demo” are decent demo recordings.  “Bounce” has what might be his first guitar solo.
10. Sexual Interlude” “ladies it’s time to take a chance on a real man.  I’m sick and tired of seeing you women selling yourselves short, going out with a lesser man.
11. “I Stand Accused” Unexpectedly he stands accused of “loving you to much.  If that’s a crime, then I’m guilty.”
12. “Best Good Looking Girl In Town” a fast chugging riff, “oh mama you sure look fine.”
13. “Payback” This one sounds really rough but it totally rocks.
14. “Lowdown” Danko gives the lowdown: “You want a bit of romance?  I got you an bouquet of Flowers and a box of chocolates.  Why you crying for?  That ain’t enough?  Me and the fellas wrote this song just for you.”
15. “One Night Stand” garage swinging sound: Danko is a one woman man and you’re just his type.
16. “Instrumental” is great.
17. “Move On” is a long, slow long bluesy track about love.

It’s not a great introduction to Danko, but if you like him, you won;t be disappointed by this early baby-Danko period.

[READ: August 10, 2019] I’ve Got Something to Say

In the introduction (after the foreword by Duff McKagan), Jones introduces himself not as a writer but as a hack.  He also acknowledges that having something to say doesn’t mean much.  He has too many opinions on music and needed to get them out or his insides would explode.  He acknowledges that obsessing over the minutiae of bands is a waste of time, “but goddammit, it’s a ton of fun.”

So this collection collects some of Danko’s writing over the last dozen or so years. He’s written for many publications, some regularly.  Most of these pieces are a couple of pages.  And pretty much all of them will have you laughing (if you enjoy opinionated music writers).

“Vibing for Thin Lizzy” [Rock Hard magazine, March 2015]
Danko says he was lured into rock music by the theatrics of KISS, Crue and WASP.  But then he really got into the music while his friends seemed to move on.  Thin Lizzy bridged the gap by providing substance without losing its sheen or bite.  And Phil Lynott was a mixed race bassist and singer who didn’t look like the quintessential rock star.  What more could Danko ask for? (more…)

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[ATTENDED: May 24, 2019] Slayer

I have been a fan of Slayer since their debut album, Show No Mercy.  I was a major metal head in high school, always searching for heavier and heavier music.  Metallica was great but then came Slayer.   I more or less stopped listening to them after college.  Although in 2001 (with the release of God Hates Us All on 9/11) I reintroduced myself to their newer stuff.  And since then I have been checking out each release.

Their final album, Repentless, came in 2015 and they have been touring it ever since.  This is–and I assume it’s true–their Farewell tour.

They’ve had a remarkably stable line-up over nearly 40 years.  Drummer Dave Lombardo left and then came back and then left again.  I would have loved to see Slayer with Lombardo, but I was able to see him (and actually see him) when he played with Dead Cross (I was five feet from the stage).  I would never have actually seen him with Slayer (so much stuff on stage.  I never saw Paul Bostaph behind the kit).

The only other line up change came when guitarist Jeff Hanneman died.  That was pretty major, since Hanneman co-wrote so many of the songs.  But Exodus guitarist Gary Holt filled in and has been in his place for six years (he recorded Repentless).  Holt has a different playing style (his solos are more structured), but he comes from the same heavy, dense guitar background and fits in just fine.

I had actually been intimated about going to a Slayer show, especially as an adult.  I have seen my fair share of metal shows, but I assumed the Slayer audience would be a step more intense.  Just waiting online was intimidating with every other person shouting “SLAYER!” at the top of his lungs.

I finally decided to see them in 2017 at The Electric Factory, but when I called on the night of the show to secure my ticket it had literally just sold out.  So I figured I’d never see them live.

Then they announced this farewell tour.  It was going to be at an arena (which would be less insane than a club, in terms of fan behavior) and I was able to get decent seats.  [This show was better than that one for setlist, and I have to assume pyro as well]. (more…)

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[ATTENDED: May 24, 2019] Lamb of God

I had an idea of what Cannibal Corpse and Amon Amarth were all about before this show, but Lamb of God proved to be elusive to me.  Not that it was hard to figure out they played heavy music. but i didn’t know if they had an “angle.”

I had read that they were in the mold of Slayer and the song or two that I listened to before the show bore that out.

I had no idea they were going to be quite so intense of that singer Randy Blythe would have so much freaking energy.

By this time in the night, the crowd was pretty full.  The pit was writhing and the lights were in full use.  Lamb of God came out with a bang and a lot of red and blue lights (the hardest to photograph).

I was in front of lead guitarist Mark Morton, who was fun to watch.  And I really enjoyed seeing bassist John Campbell and his long grey beard (he never got close enough for a clear picture).  Rhythm guitarist Willie Adler did come over to our side once or twice, but he was hard to get a picture of.  And of course, excellent drummer Chris Adler was behind the kit most of the time and therefore invisible. (more…)

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[ATTENDED: May 24, 2019] Amon Amarth

I was aware of Amon Amarth but really didn’t know anything about them.  I had no idea that they were Vikings from Sweden!  Or that their name came from J.R.R. Tolkien (but I should have guessed that).

I had left the seats after Cannibal Corpse and when I came back, there was a ship on the stage!  And the backdrop had been replaced by this giant warrior dude.

I had listened to Amon Amarth a few days before the show, so I had an idea of what they were about–heavy riffs and lots of chanting.  Lead singer Johan Hegg was something of a growler, but the lyrics were pretty audible.  They were quite different from Cannibal Corpse.

First out was drummer Jocke Wallgren (they’ve had a lot of drummers since they formed in 1992).  Then the rest of the band followed.

Finally singer Johan Hegg came out with a horn on his belt and a swagger in his walk. (more…)

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