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Archive for the ‘Mental Floss’ Category

SOUNDTRACK: FLEET FOXES-Live at The Black Cat, Washington, DC, July 7, 2008 (2008).

I still love the Fleet Foxes debut album, and I listen to it quite often.  One of the most impressive aspects of the band is their amazing harmonies.  So how does a band that is so vocal-centric perform live?

In an interview included with the concert, Bob Boilen asks that question.  They explain that the bigger venues are a bit harder because they have to crank up their monitors.  They also try to stay close to each other to be able to hear the harmonies clearly.  Well, they did something right because the harmonies sound very impressive here.

The main problem comes because lead singer Robin Pecknold is sick.  As in, just getting over a major cold, sick. As in, he admits that their last few shows were something of a rip off for the attendees.  Tonight’s show, he says is half a ripoff.  And that is most evident in my favorite Fleet Foxes song, “Mykonos” in which Pecknold’s voice cracks with abandon.  I would feel bad for the audience if the band wasn’t so personable and friendly and generally cool.  They make the best of a rough situation, and again, the backing vocals sound fantastic.

There are also a ton of delays in this show.  Most of them seem technical, although there seems to be a lot of tending to Pecknold’s voice, too.  But as I said, the band is engaged with the audience, telling stories (someone in the band is from DC and he asks if anyone went to high school there), and generally keeping everyone entertained.  It’s probably not their best show ever, but it still sounds great.  You can listen and download at NPR.

[READ: March 27, 2011] Miss Peregrine’s Home for Peculiar Children

Quirk Books, publishers of mash-ups like Pride & Prejudice & Zombies (as well as many other, well, quirky, titles) has published this fantastically exciting novel.

The cover depicts a creepy girl who is hovering off the ground.  But the girl herself is SO creepy that I didn’t even notice the hovering part.  She is just one of the peculiar children within the book.  And this picture is one of 50 included within the book (I’m only bummed that two pictures were not available in my copy).

So the story opens with Jacob Portman talking about his grandfather.  His grandfather (Abe) was a young boy in Poland during the 1940s.  When the Nazi’s invaded, his family was killed and he was sent to Wales, to the titular Miss Peregrine’s Orphanage (not widely known as a home for peculiar children).  But as details emerge from his grandfather’s version of the tale, things seem not right.

Abe talks about the monsters that chased him out of Poland–but he wasn’t describing Nazis, he was describing actual monsters, with multiple tongues and horrifying faces.  They followed him to Wales and were actually chasing him to that very day, in America.  And when he talked about Miss Peregrine’s house, he talked about the special kids who live there: the girl who could call forth fire out of thin air, the girl who could levitate, and the boy who had bees living inside of him.

Of course, that was all nonsense, just post traumatic stress from being attacked by Nazis, right?

That explanation works until the night that Abe is murdered.  He calls Jacob for help (they think he is going senile).  When Jacob gets to his house, he finds the screen door torn open and Abe missing.  The follow a trail and find Abe, bleeding in the woods.  Jacob thinks he can see the same kind of monster that Abe had always described lurking right nearby in the woods.  Although Jacob’s friend (who drove them to Abe’s house), didn’t see anything.

And now, Jacob’s dreams are plagued by scary monsters.  And he can’t get his grandfather’s cryptic last words out of his head.  Time to see a therapist, obviously. (more…)

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worstMental Floss has been one of my favorite magazines for about four years now.  It only comes out every two months, but it is just chock full of all kinds of weird information.  Sarah and I fight over who will read it first.   And then later we say, Oh, I read somewhere about X, and the other will say, yes, I saw it in Mental Floss too.

A bunch of friends and I used to do the Mental Floss Quiz of the Day which is good random trivia fun.  And I think that’s how I learned about the magazine.

So the magazine is designed to be read in easily digestible nuggets.  None of the articles are overlong.  Even the cover article, which tends to run for several pages, is broken down into bite-sized sections.  And each and every article makes you go, Huh or WOW.

The magazine even starts out great.  On their copyright page they list their errata which they call Mental Flaws.  And their corrections are just as funny as the rest of the magazine.  I think they had one issue with no Flaws and they were very excited about it.

mistakesNext comes the ubiquitous letters.  This also contains the occasional feature of Readers and Their Famous Friends, which shows pictures of readers celebrities (pretty much the only celebrities they ever talk about).  This is followed by the letter from the editor.  Neely Harris (I have yet to determine if Neely is a boy or a girl and I’m not going to look it up either, somehow it’s more fun trying to imagine) is very funny and always sets a good tone for the magazine. (more…)

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SOUNDTRACK: WEEZER-Weezer (Red Album) (2008).

So hooked was I by the video for “Buddy Holly” that there was little chance of me ever disliking Weezer.  When Pinkerton came out, it quickly became one of my favorite records.  “Pink Triangle” is such a great song about unrequited love for a lesbian.  And of course, “El Scorcho” is a wonderfully off-kilter single.  Since then, Weezer have put out a bunch of albums, some with titles and some without.  This is their 3rd record called Weezer, but it’s the Red Album because its cover is red (duh).

I know that many people can’t stand Weezer (or at least couldn’t back the last time I bothered to check what the pop culture world was thinking…although I think they may be cool now).  They have an uncanny sense of pop melody even when their songs are weird or funny or even seemingly out of tune.  I think that’s why I like them so much, because their songs sometimes start out of tune and the ultimately wind up being super catchy.  I also like them because Rivers Cuomo went back to Harvard to get his degree in English (one wonders of course, why he chooses to write such pedestrian rhymes, but that’s another story altogether), and because he’s a geek in general.

No doubt you’ve heard at least one Weezer song, and you’d be living under a rock if you haven’t heard their new, ubiquitous single “Pork and Beans.”  And “Pork and Beans” is as good a place to start as any.  It’s got fairly heavy guitars, it’s catchy as all get out, it’s rather anti-authority, and parts of it don’t make any sense…that’s Weezer for you.

This record is pretty strong overall.  The first 5 songs are pretty standard Weezer.  There’s a really heavy start song, a sentimental song “Heart Songs” which name checks some of Rivers’ favorite songs growing up, and what has become my favorite song on the record: “The Greatest Man that Ever Lived.”  This is a long song (for Weezer) at nearly six minutes.  What’s cool about it is that every verse is done in a different style of music: there’s a metal verse, a choral verse, a spoken word verse etc.  And the chorus is simple and wonderful.  It could go on for twenty minutes and would still be great.

“Everybody Get Dangerous” is a weird song to me.  It doesn’t quite sound right. It’s still catchy, but I think maybe saying the word dangerous makes a chorus sound weird.  (How’s that for subjective?).  Or, which is more likely, the verses are the catchy part and the chorus is the off-kilter section.

The second half of the record strikes a few firsts, in that the other members of the band sing lead vocals on a few tracks.  Even though the songs are good (and when I heard “Automatic” on the radio the other day on WRXP, it sounded great by itself) there’s something off about them being on a Weezer record.  I think maybe I associate Rivers’ voice with their style so much that any other voice just makes things seems askew.  That said, the songs are good, they’re just not “Weezer.”

I have to get back to the lyrics though.  Rivers is more about harmony and melody, I know, but sometimes those lyrics are so simple as to be almost a joke in themselves.  Maybe that’s the point.  (And as an English major myself, I secretly believe it is the point).  After a few listens I stop cringing about the lyrics and I just start enjoying them.

The last song gives me some problems because it runs nearly seven minutes long.  Obviously not a problem in itself, but the last two or two and a half minutes are just the song fading out, which…come on.

[DIGRESSION] I think I’m probably the only person who gets bothered by songs that fade out too long or songs that I think should be a minute shorter than they are.  And I realized it’s because I have a limited time where I can listen to music carefully.  And so when I do, I don’t want it wasted with silence or fade outs or final choruses that repeat sixteen times. On the other hand, if I just have music on in the background (which is how most people listen to music) you will hardly notice those extra 45 seconds.  But when you’re in the car, and you know you’ll be at work in exactly 3 minutes, you don’t want 2 minutes of fade!

[READ: August 14, 2008] One Day in the Life of Ivan Denisovich

My first real awareness of Solzhenitsyn actually comes from the Moxy Fruvous song “Johnny Saucep’n”:

Well he was just some Johnny Saucep’n when he walked into that kitchen.
And the chef picked up the order and put down his Solzhenitsyn (more…)

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