SOUNDTRACK: RHEOSTATICS–The Media Club, Vancouver, BC, (October 23, 2004).
Every year, the Rheostatics would perform what they called Green Sprouts Week in Toronto. In 2004 they did a West Coast version. Five nights in a row at The Media Club (with each show being crazier than the last). There aren’t always recording available for these shows, but on this leg there are recordings from the third, fourth and fifth nights.
This recording is the best of the 3 available shows. Although in the notes, Tyson reveals that he had technical difficulties and was only able to record about an hour of the show. In addition to the songs he missed for technical difficulties, there were also some quieter acoustic songs “Don’t Say Goodnight and “Joey” which he couldn’t get.
And yet, this is an amazing set of music–outstanding by any barometer, with great sound quality (aside from a few drop outs) and an amazing collection of songs. The final night of a run is usually really long, so it’s fun to imagine how much more they would have thrown into this set.
The 7 songs included are “Shaved Head” which is slow and amazing. A raw and raging “Feed Yourself” with a dash of The Jam’s “Eton Rifles” and The Tragically Hip’s “Bobcaygeon” thown in. “Saskatchewan” is broody but also great. “Horses” is intense and goofy at the same time, with someone on the voice modulator doing a computerized “Play that funky music, white boy” recitation.
Torben Wilson from the Buttless Chaps plays drums on “Claire.” “A Midwinter Night’s Dream” is one of those rare songs that the band throws out once in a while, and it sounds great here. They invited the crowd on stage to sit around campfire style.
And “Fan Letter to Michael Jackson” is great here too.
It’s a fantastic collection of songs, leading me to think the entire show must have been amazing.
[READ: May 11, 2015] The Strange Library
I saw this book when we were in a bookstore in Denver. I mentioned it to Sarah and she clearly bought it then and gave it to me for my birthday.
It wasn’t exactly risky because it is by Murakami with art direction and design by Chip Kidd (how could you go wrong?) but the book was shrink wrapped in the store, so you couldn’t flip through it.
Imagine my surprise when the slipcase proved to be not a slipcase at all, but a double flip cover that does not get removed but opens up like a secret document. And every (or every other) page is chock full of art from Kidd. My guess is that all of the art is found (rather than created) by Kidd as it appears to be old Japanese pictures and designs. And they reflect (more or less) the action of the story.
The story itself is one of Murakami’s more surreal ones. (more…)






