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Archive for the ‘Halloween’ Category

SOUNDTRACKPHISH-“Martian Monster” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

“Martian Monster” is the final song in the Phish Halloween set.  It’s a funky clavinet-fueled rocker and the longest track at 14 plus minutes.  Page is having a lot of fun on this song, both playing the riffs and sampling portions of the narration.

The song is meant to be a trip to Mars.  Because of the speed of your rocket, your trip is short.  It as described as

a filthy, original Phish groove mixed with spoken word quotes, sound effects and vocal warbles as actors performed zombie-fied dances in the space surrounding the haunted house. McConnell’s funky clavinet leads were at the forefront of the deliciously weird “Martian Monster.”

There are dozens of samples of “your trip is short.”  By the middle of the song, Trey starts reciting “your trip is short” which is getting manipulated crazily.  They are processed and robotic as we hear the Martian chewing and chewing (chewing you, obviously).

The song builds and builds and builds to a big blast off climax and then it returns to the funky keys and lots of “your trip is short.”

It’s a great ending to this surprising original set.

[READ: October 25, 2017] “Shadetree”

Just in time for Halloween. from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  Lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no “order” to these books, so I’m reading them in what I think was the order they were boxed (or at least the order I last put them back in the box).

This is the final book in the box and it’s a doozy.

There was a lot of this story that made me really angry and I’m trying to decide if it’s a misogynist story or just a powerful story where a woman is the victim (subtle distinction, I know).

The story is about a girl named Colly Sue and a boy named Shadetree.  They enjoyed listening to the stories that Shadetree’s great-uncle would tell.  They were spooky supernatural stories about ghosts, witches and haunts.  He had a dry whispery voice and it made the stories seem very real. Colly Sue was frightened but never stopped coming to hear.  Shadetree enjoyed spooking Colly Sue.  He would grab her during the story or claim that he was a spook or a haunt.  One day he told Colly Sue that he was a swapchild–a small haunt that was exchanged for a human being.  And Colly Sue didn’t doubt it.  Shadetree asserted, “I’d never hurt you, Colly Sue.” (more…)

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SOUNDTRACK: THE ENFIELD TENNIS ACADEMY-“My Missing Eye” (2017).

The Enfield Tennis Academy is one of the major locations in David Foster Wallace’s Infinite Jest.  So, of course, a band that names itself after it must be listened to.

This is the first release by the band (which states “The Enfield Tennis Academy is TR.”

The bandcamp site describes this song as

“Garbage thrown together on a free trial of Reason. Song’s about missing a fucking eye. Real music soon.”

This is two minutes of noisy instrumental metal math rock.  There’s a lot of different sounds in this two minute song.

It opens with some staccato pummeling sounds–the guitars are interesting in that they sound like they are chords yet ringing out at the same time.  The middle is a really fast pummeling section that reminds me of Ministry.  Those opens stringed chords come back late in the song, and they sound really cool.

I’m curious to see what TETA’s “real music” is going to sound like.

[READ: July 20, 2017] Reheated Liō

I have really enjoyed the Liō books (going forward, I’m leaving off that line over the o, because it’s a real pain).

The strip has been going on for some 12 years now, which is pretty amazing.  And yet, there don’t seem to be any new or recent collections out.

So Lio is strip about a boy named Lio.  Lio is a dark, dark kid.  He has a pet squid, he loves monsters and he’s delighted by chaos.  Over the years his character hasn’t changed much but Tatulli has given him some surprising tenderness, which is a nice trait. (more…)

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SOUNDTRACKPHISH-“The Chinese Water Torture” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

“The Chinese Water Torture” was scored with an upbeat groove that almost seemed like a mix of “Cars Trucks Buses” and “Axel F.” There was a familiarity to all the progessions Phish debuted in the Haunted House, but this was Phish drawing on their influences and own music to create something completely new and original. “The Chinese Water Torture” also contained a potent jam filled with bombastic leads from Trey.

There’s a cool key board melody while Trey is doing so solo bends.   And then he starts taking off on his solos.  There’s a wailing solo by the end with some great drums from Fish.  I like that the drop from the record is sampled throughout.

And I guess we’ll just leave out that this is all pretty racist.

[READ: October 16, 2017] “Opening the Door

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

I’m intrigued that older stories seemed to want a kind of narrative device to tell stories like this.  Whether it was the radio station in “The Night Wire” or the way “The Clock” was told in response to another person’s story, there’s seems to be a need to frame these stories. (more…)

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SOUNDTRACKPHISH-“The Unsafe Bridge” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

“The Unsafe Bridge” was Phish’s version of a Spaghetti Western soundtrack with elements of Genesis and The Beatles worked in. While the band played these songs, lasers and other effects not usually seen at a Phish show were added to the insane spectacle.

This song definitely a spaghetti western vibe from Mike and some appropriate piano from Page.  Trey plays some simple guitar melodies.  And then a pretty solo.

This piece is nicely catchy but also really short at only 3 minutes.  I could have listened to this one for longer.

[READ: October 16, 2017] “The Late Shift

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

This story started in an amusing way–kids returning from a 2 AM screening of The Texas Chainsaw Massacre stop at a convenience store to but some alcohol.  It’s Macklin and his friend Whitey (who is Native American–real name is White Feather).  At the store, the clerk is acting really weird, just repeating “Please, thank you, sorry” and seeming to be really out of it.

They recognize him as Juano, a guy they know from another store, but he seems to have really hit the skids as they say. (more…)

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SOUNDTRACKPHISH-“Shipwreck” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

The story behind “Shipwreck” is that you are on a holiday cruise when you encounter a dense fog.

“Shipwreck” was similar to other songs performed during the set as it started with a spoken word soundtrack from the original album as the zombiefied actors danced around stage and led into original music. This time around, the quartet unveiled a dreamy progression.

The song is slow and trippy, like a slow sea journey.  And then the samples come in: “Are you too near the shore?” (played forwards and backwards).  Then repeats of “jagged rocks jagged rocks.”

Phish followed the spoken word section with a gorgeous piece of ambient music that was reminiscent of studio jams of the late ’90s.

There’s a kind of threatening low keyboard note while Trey was playing feedback noises.  Then page started a series of fast keyboard trills with many sound effects.

[READ: October 21, 2017] “Savory, Sage, Rosemary and Thyme”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

I though that this story took a really long time to get where it was going, but once it got there it was really interesting. (more…)

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SOUNDTRACKPHISH-“Your Pet Cat” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

“Your Pet Cat” was a funk workout with a “Tube”-like beat from Fish and staccato synth stabs from McConnell as the sounds of cats shrieking poured out over the PA.

The announcer says, “From the time of the ancient Egyptians until today, many people have been cat fanciers.”

With a screeching cat sound and a repeating keyboard motif Trey plays five chords in rapid succession with a little air to breathe.  There’s a funky bass from Mike and some grooving from Page.

The song came to a climax when Trey played some wild solos and adding some cat-like noises of his own to the mix.

[READ: October 16, 2017] “Pumpkin Head”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

I really enjoyed this story although there were so many elements that just seemed so wrong (in 1982!). (more…)

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SOUNDTRACKPHISH-“Timber” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

This song is not to be confused with “Timber Ho!” the wonderful cover of the Josh White and Sam Gary song.  That one is also known as “Timber (Jerry)” and “Timber (Jerry the Mule).”   This new song is a chilling thrilling track in which “you are an expert woodsman.”  You climb up the branches of a tree and you begin to saw

“Timber” was another guitar-heavy rocker.  It uses the back-and-forth of the saw to set the beat before stating a five note guitar/bass riff with echoes attached on the piano.   The shriek of the plummeting woodsman is added from time to time for dramatic effect.  There’s some good soloing from everybody here, especially when Page and Trey trade off on leads.

[READ: October 16, 2017] “The Pear-Shaped Man”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

I have not read anything by George R.R. Martin (surprisingly).  So I don’t know how this fits into his general oeuvre.

I actually thought it might be a recent story (I don’t know why I though that).  But there were two things that made it feel dated.  It had a casual sexism that made me bristle.  Nothing too over the top, but just a mild amount that I was surprised by (and which I don’t think I see too much recently) and the guy plays the “new Linda Ronstadt album” (that dated it even more to me).

So this story is long (unsurprisingly). The plot is actually quite simple and easy to encapsulate in a shorter story  But Martin does wonders with ambiance and tension. (more…)

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SOUNDTRACK: PHISH-“The Dogs” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

A little over ten minutes into the set, after the explosion, the walls of the Haunted House were exposed to show the band dressed in white tuxedos with zombie makeup.

Phish’s contribution to “The Dogs” was a catchy arena rock progression.  This song opens with the narration that as a child you were frightened by a huge snarling dog.  And as the dogs start barking, the band starts rocking.  It’s a big riff jam with some funky bass moments and rollicking piano.

But this is  rocking guitar song with raw chords that really move along and a great solo from Trey.

It ends with the squeaky door closing and a scream.

[READ: October 16, 2017] “N0072-JK1”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order.

This was the least satisfying story in the collection.  I read it twice and I still don’t really “get it.” (more…)

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SOUNDTRACK: PHISH-“Intro” (MGM Grand Garden Arena, Friday 10, 31, 2014).

In honor of Halloween, these Ghost Box stories will be attached to a recent Phish Halloween show [with quoted material from various reviews]. 

Known for dawning musical costumes to celebrate [Halloween], Phish broke with tradition last year to offer a set of original music.  The Phish Bill read that Phish’s musical costume would be a 1964 Disney album of sound effects – Chilling, Thrilling Sounds Of The Haunted House.  But it wasn’t a cover set. Phish played original music set amongst an incredibly psychedelic, theatrical graveyard stage accentuated by zombie dancers and a ghoulish MC.  At the start of the set, the stage was cleared before a graveyard came to the foreground.  Smoke filled the air, zombie dancers appeared, and music filled the venue. A haunted house was brought to the front of the stage, which eventually exploded, and all four-band members appeared, dressed in white like zombies. 

When the lights went down for the second set, attendees witnessed a crazy scene on a stage set up to look like a graveyard. During the intro, a Haunted House was pushed out by stage hands as dancers dressed in ghoulish attire paraded around. It soon became clear the band was setup within the Haunted House and just like the famed Storage Jam from the group’s Super Ball Festival, the crowd couldn’t actually witness Phish performing.

Opening with a few spooky synth notes, a guitar and drum melody rises out of the waves.  It is spookyish, but feels more comically spooky–just like the Disney record..

After nearly a minute Trey begins his solo which feels less spooky and more like an introduction to some thing epic.  This intro piece lasts about two minutes before an exaggerated squeaking door sound and the narration for the second song began.

[READ: October 16, 2017] “The Clock”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar comes The Ghost Box.

This is a nifty little box (with a magnetic opening) that contains 11 stories for Halloween.  It is lovingly described thusly:

A collection of chilly, spooky, hair-raising-y stories to get you in that Hallowe’en spirit, edited and introduced by comedian and horror aficionado Patton Oswalt.

There is no explicit “order” to these books; however, on the inside cover, one “window” of the 11 boxes is “folded.”  I am taking that as a suggested order

This was a good story to start with.  Not super scary, but nicely creepy. (more…)

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 doubledownSOUNDTRACK: JAKE SCHEPPS’ EXPEDITION QUARTET-Tiny Desk Concert #187 (January 19, 2012).

jakeJake Schepps’ Expedition Quartet is a somewhat unusual string quartet in that the instruments are violin and upright bass (normal) but also guitar and banjo.  And so the songs have a classical feel–melodies repeated in a fugue style, but with the prominence of the banjo, it feels more like a folk song.  The violin takes on a kind of fiddle sound.  And that’s interesting enough, but it’s the story of the music that they are playing which makes it even more fascinating:

About 100 years ago, Béla Bartók was traipsing through his native Hungary (Romania and Slovakia, too) with a bulky Edison phonograph, documenting folk songs and dances. There’s a priceless photo of the young composer, his contraption perched on an outside windowsill with a woman singing into the horn while anxious villagers stare at the camera. By 1918, Bartók had amassed almost 9,000 folk tunes. He made transcriptions of some; others he arranged for piano, while elements of still others found their way into his orchestra pieces and chamber music.

This was the country music of Eastern Europe, and its off-kilter rhythms and pungent melodies continue to captivate music lovers and musicians like Colorado-based banjo player Jake Schepps, who has recorded an entire album of Bartok’s folk-inspired music.

For this concert, with fellow members of Expedition Quartet — violinist Enion Pelta-Tiller, guitarist Grant Gordy and bass player Ian Hutchison, they played a Bartók hoe-down of sorts.

They play three pieces:

“Romanian Folk Dances: ‘Stick Game'”  Bartók (arr. Flinner).  This is a quieter piece with moments of bounce.  Indeed, Schepps doesn’t feel like the leader of this group because everyone shares the spotlight.  The guitar takes a lengthy solo–its got a very jazzy feel (which is a little weird on an acoustic guitar).  The violin takes a pizzicato solo, which is neat.  When Schepps finally does do a solo it’s not a showoffy banjo solo, it just fits in well with what everyone else is playing.

“For Children (Hungarian Folk Tunes): ‘Stars, Stars Brightly Shine'” Bartók (arr. Schepps).  This is a slower tune and it is much shorter as well—it doesn’t really lend itself to soloing.  Although the violin takes on the lead melody and it sounds mournful and beautiful.

“Mikrokosmos No. 78 / ‘Cousin Sally Brown'” Bartók / traditional (arr. Schepps).  Before this track, when someone tells Schepps that No 78 is his favorite of the Mikrokosmos, he says that he prefers 79.  The bassist says that 79 has gotten too commercial.  The end of the song has a tag of “Cousin Sally” a rollicking traditional dance number.  The four seems to play somewhat at odds with each other briefly and when they all rejoin for the end—it’s pretty great.

[READ: December 27, 2016] Diary of a Wimpy Kid: Double Down

I keep expecting the quality of the jokes in the Wimpy Kid books to decline.  But rather, this book was not only hilarious, but it worked really well as a book, too.

What I mean is that, I know that the Wimpy Kid series is online and that Kinney does a new story every day (or at least he did , I don’t know if he still does).  These books had always been taken from the online site (and I assume they still are).  But somehow, this book has jokes that circle back to jokes earlier in the book.  There’s at least a half a dozen callbacks which makes this book more than just a collection of diary entries…it’s a perfectly contained unit with a satisfying ending.

(more…)

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