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Archive for the ‘Funny (ha ha)’ Category

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SOUNDTRACK: OS MUTANTES-“Fool Metal Jack” (2013).

Iosmut have known about Os Mutantes for years.  I never knew anything about them (and never really understood their name–although now that I have been working with Brazilian books at work I realize that their name is Portuguese for The Mutants (it was the Os that always threw me off).  I had no idea that a) they’d been around since the 60s and were part of the psychedelic scene or b) that they were still around (after some breakups and with a largely new lineup) or c) that they sang in English (which they do on several songs on this album) or d) that their new album kicked so much ass.

The album is called Fool Metal Jack and it is a fantastic mixture of fast heavy rock, Brazilian traditional sounds, what I assume are Native Brazilian chants and a heavy dose of weirdness.  All wrapped up in an anti-war stance, like on this track “Fool Metal Jack.”

A creepy, distorted  bassline introduces this song which sounds like the guy from Gogol Bordello singing a Tom Waits march.  It’s about a soldier in the middle of a war.  The bridge means more voices come in, bringing in an even more disorienting sound.  And the chorus chanted “Yes.  No More War” completes the song.  By the time the wailing guitar solo comes in the chants of “This is the war of hell” have even more impact.

This stomping song was a great introduction to this band who I now need to explore further.

[READ: April 18. 2013] The Last Interview

I enjoyed Kurt Vonnegut’s “Last Interview” and since I had always intended to read Bolaño’s I was delighted to see that our library had it.  Bolaño is a fascinating interview subject because you never really know what he is going to say.  There are even serious questions about the veracity of his life story which many people believe he fabricated for more dramatic effect.

But the one thing that is absolutely consistent about Bolaño is that he always praises writers whom he respects (and will trash those he doesn’t, although that seems to come more from the interviewer’s  instigation (not that he needs a lot).    So the last interview that he did is the one from Mexican Playboy which has been collected in Between Parentheses.  But the other three are earlier and, it seems, a little more “truthful” or at least less naughty-seeming.

What’s fascinating about this book is that the introduction by Marcela Valdes (“Alone Among the Ghosts”) is over 30 pages long!  The article originally appeared in The Nation on Dec 8, 2008 (read it here).  As such it’s not an introduction to this book, it’s introduction for English readers to Bolaño circa 2666.  And it’s a great read.  It is primarily about 2666, which Valdes has read many times.  She goes into interesting depth about the story but mostly she relates it to Bolaño’s own experiences while writing the book.  It focuses especially on his research about the real murders.  His interest was genuine and he sought help from a reporter who was doing genuinely decent work (ie. not accepting the word of the state about what was going on).

Bolaño has said he wished he was a detective rather than a writer, which explains The Savage Detectives and Woes of the True Policeman.  But Valdes also points out how almost all of his shorter novels have some kind of detective work involved–seeking someone who is lost or hiding.  The article was really great and is worth a read for anyone interested in Bolaño, whether you have read him or not. (more…)

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peach6SOUNDTRACK: THE DICKIES-“Eve of Destruction” (1979).

dickiesI didn’t know the original of this song until I listened to it just now (man it is depressing).  I have known this Dickies cover since the 90s, which speeds up the original almost twice as fast and makes the lyrics pretty much inaudible (which makes it less depressing).

The Dickies have done a lot of great covers, and while this one was never one of my favorites (I’m a “Town without Pity” and “Hair” man, myself), I always enjoyed the “over and over and over again my friend” part (and the squeaky guitars).   And now after listening to the original, I really prefer the cover.

[READ: April 2013] Lucky Peach Issue 6

I haven’t been reviewing Lucky Peach issues in their entirety because they are mostly about food and cooking and recipes and I don’t really have anything to say about that (I enjoy the articles a lot, but I don’t need to comment on them).

But I wanted to bring special attention to this issue, which is all about the Apocalypse.  And there’s a couple reasons for that.  Zombies are huge, that Mayan end of the world business was all fun, and of course everyone seems to think that Obama will cause the end of the world.  But on a more serous level, global warming is unchecked and no one seems to care about the environment at all, and with the weather being as crazy as it is, all bets are off as to what our world will look like even ten years from now.  So why not read a magazine that has recipes for all kinds of things that might still be around in a decade.

The first half of the magazine is all about preparing for the apocalypse.  There’s a degree of tongue in cheekedness in it but it is entirely sincere: there’s plenty of recipes for canning, there’s information about seed savers and a fascinating article about Seafarming, which I seriously hope takes off, as it sounds like it could be a real solution.  There’s some fascinating information about Shelf Life and even a recipe entitled “pollution” which looks like a polluted sea but seems very expensive to make.  I also really enjoyed the brief story about the couple who won a honeymoon in a bomb shelter for two weeks (compete with all of the canned food they could eat–oh, the Fifties). (more…)

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cpatain 10 SOUNDTRACK: “WEIRD AL” YANKOVIC-Bad Hair Day (1996).

bad hair dayBad Hair Day is an uninspired album title, especially given how great of an album it is.  As I posted last week, “Amish Paradise” is great, (I forget to mention the funny Gilligan’s Island verse in the middle.  “Everything You Know is Wrong” is just a magnificent They Might be Giants parody.  Now, TMBG and Weird Al are pretty kindred spirits (they both use accordions and sing silly songs).  In that respect, this song isn’t that different from a typical Al song, but there are so many great musical nods to TMBG that the song is just awesome.  And it’s very funny too.

“Cavity Search” is a parody of U2’s “Hold Me Touch Me Kiss Me Kill Me” and it works very well, both as a great soundalike (Al’s vocal tricks get better with each album) and the way he plays with the original (the drill solo is great) are really clever.  “Calling in Sick” is a kind of Nirvana parody, although I don’t hear it as well as other band parodies.  It’s certainly a grunge song and, as such it works.  But it was “The Alternative Polka” that proved to be my favorite of his medleys so far.  “Loser,” “Sex Type Thing” “All I Wanna Do” “Closer” (hearing him do Nine Inch Nails is hilarious–especially this song!), “Bang Bang Blame” (so much R.E.M. lately), “You Oughta Know,” “Bullet with Butterfly Wings” (Weezer’s song was supposed to be included here but they asked it to be removed and he did at the last minute–see the video below).  “I’ll Stick Around,” “Black Hole Sun” and “Basket Case”–a great mix of songs that I loved at the time and still do, this song is like reliving the mid 90s.

“Since You’ve Been Gone” is a fun a capella band version of a funny break up song.  He gets better and better at this kind of lyric (“a red hot cactus up my nose” is particularly wonderful).  “Gump” is a very funny parody of “Lump” by Presidents of the United States of America.  Evidently they liked his parody so much they used some of his lyrics in the final verse when they played it live.

“Sick of You” has a fun bass line (reminiscent of Elvis Costello) and a great chorus.  And “Syndicated, Inc.” is a very funny parody of that overplayed Soul Asylum song “Misery.”  It’s a very funny song about syndicated TV shows.  “I Remember Larry” is a pretty funny original about a prankster, although it’s the weakest song on the album.  “Phony Calls” is a parody of TLC’s “Waterfalls” and it’s pretty funny (especially hearing Al do TLC vocals).  The parody works pretty well, and it’s certainly helped by the sample of Bart and Moe on the Simpsons.  “The Night Santa Went Crazy” is a pretty funny twisted take on Santa.

This album is definitely one of his best.  Just about every song is a winner.  And it’s his best-selling album too.

[READ: February 22, 2013] Captain Underpants and the Revolting Revenge of the Radioactive Robo-Boxers

Clark was pretty excited when this book came out.  He had just finished up book #7 or 8 when the book was published.  And so it didn’t take too long for him to get caught up with the series.  I was also pretty lucky to have just finished book nine so this “last” book (although not really) was very well timed.

When we left off in Book Nine, Tippy Tinkletrousers had inadvertently destroyed the earth and the giant zombie George and Harold were stomping through the town.  And, shockingly, they had just crushed Tippy in his robo-pants.   But as this book opens, Pilkey gives us the truth about zombies.  They are really slow.  So slow that Tippy was able to get out of the way of the giant foot (and do lots of other things) and put a giant ketchup packet under the foot so it got squished instead of him.

The rest of the book is simply chock full of time travel, overlapping people and all kinds of paradoxes.  I have to wonder if Clark got it, but he just read it again and he did seem to have decent understanding of what happened. (more…)

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[LISTENED TO: March 30, 2013] Knucklehead

knuckleheadWe were looking for a good audio book for the kids and I stumbled upon this, an autobiography from Jon Scieszka.  We love Scieszka’s books (Stinky Cheese Man and the Time Warp Trio among others) and figured that this autobiography had to be good for a few laughs too.  And we were very much correct.

This is a funny book about what it was like to grow up as the second oldest of six brothers in Flint, Michigan.  It’s not really about being an author (although he does talk about where he gets ideas), it’s really about his childhood.  Most of the anecdotes in the book are things that he and his brothers got up to and how his father used to affectionately call all six of them knuckleheads.

The book has almost 40 chapters, all of them very short (as befitting the author of books for reluctant readers).  And each one has a pretty good set up and punchline.  Like how the older brothers used to tease the youngest ones or how Jon and his brother burnt a dry cleaning bag because it dropped little plastic bombs onto a battlefield–in the basement.  Or how he and his brother peed on the space heater because they thought that would put it out (that seems suspect, but it could have happened. (more…)

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xxSOUNDTRACKQUEENS OF THE STONE AGE-“My God is the Sun” (2013)

qotsaAfter a six-year hiatus, QotSA is back with this slinky song.  It has the sleazy feel that Homme does so well (how does he do that?).  This song feels a little more guitar based (meaning it is a bit more trebly–with interesting echoes on the guitars).  It’s not as immediately catchy as their bigger hits, but it’s got all the elements you look for from QotSA.

It opens with some slashing sounds and then the riff kicks in.  The song is propulsive but somehow doesn’t feel as fast as some of their earlier tracks.  Which is not to say it’s mellow at all.  And once Homme starts singing, well, it’s like they never went away.  There’s a lengthy middle instrumental section which is quite interesting and otherworldly, but it never gives up the propulsion, especially as the end gets faster and faster.

[READ: April 8, 2013] The Mays XX

This is another book that I saw at work and wanted to read (this job is wrecking my already long list of books to read).  I had some difficulty cataloging it (for various reasons), which meant I had to pour over contents.  And the more I looked it over the more I realized that I wanted to read it.

So The Mays Anthology publishes the best new student writing and art from Cambridge and Oxford Universities.  Read more about it at their website.  I’d never heard of The Mays before, but when I saw that John Darnielle of the Mountain Goats was a guest editor, I thought it might be a fun collection tread through.

Issue 20 features poetry, a graphic novel, photography and prose.  The other editors are Andrew Griffin (general), Sebastiano Barassi (Visual Arts), Tao Lin and Toby Litt (Prose) and of course, Darnielle (Poetry).

I was really delighted with the prose in this issue.  None of the stories are more than 1,000 words, which I decided is a wonderful length for a story.  I’m going to talk about the stories, but not so much about the poetry or art.

Darnielle’s introduction to the poetry section was excellent and really resonated with me because of my ideas and fears about poetry (how we feel stupid if we don’t get poetry).  He then explained the things that he looked for in this poetry and I imagined that i would love every piece here.  I didn’t, but on the whole I really liked the poetry. (more…)

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seminarbookSOUNDTRACK: BOBTOWN-“Don’t Fear the Reaper” (2012).

bobtownI heard this song on the radio today.  When it started I didn’t think much of it–a nice acoustic guitar which… suddenly sounded familiar.  And then, no doubt, it was “Don’t Fear the Reaper.”  With banjo!  A good song can be played in any genre, and while I never would have guessed that this song would work in this genre, man, Bobtown knock it out of the park.

Bobtown has five members–two men, on bass and banjo, and three women who sing in gorgeous harmony.  And if you know “Don’t Fear the Reaper” you know that there are various vocal parts, which these woman tackle beautifully.  Their version gave me chills.

Now, befitting a bluegrass band, they did not play the super fast part (in fact they ignored that entire section of the song–the didn’t use cowbell either).  I was initially a little disappointed because I wanted to hear what they would do with it.  But it was truer to their version to leave it out and by removing it, they made the song a little different–more sombre, less wild.  And it was really good.

This version below is not the studio version, it was recorded in a stairwell.  But the band sounds great in this unlikely location.

[READ:April 7, 2013] Seminar

I grabbed this book at work (just like Cousin K).  This book was also short, which was a plus since I knew nothing about it.  It was also a play and it listed the cast from the opening on Broadway.  And I was rather surprised.  Hamish Linklater (the brother on New Adventures of Old Christine), Jerry O’Connell and..Alan Rickman!  I hadn’t heard of either of the women (Lily Rave–she’s been in nothing I’ve seen and Hetienne Park–her first role).

The story is a one act play about four college-aged writing students taking a seminar with a former great writer and current old man.

The four students are Douglas, a cocky writer who has connections and talent and who has been published in Tin House and is soon to be published in The New Yorker.  Martin, a shy writer who is rather insecure, although he proves to be very talented.  Kate is a girl who Martin knew from high school.  She has been writing the same story for six years and is outraged at the way her fellow students and their teacher behave.  And Izzy (who I thought was a man for a few pages) is a sexually adventurous woman who seems to be willing to do anything to succeed. (more…)

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exbabySOUNDTRACK: “WEIRD AL” YANKOVIC-“Amish Paradise (single)1996).

amishAl took some time off between Alalpalooza and Bad Hair Day and he roared back on the scene with “Amish Paradise,” a wonderful parody of Coolio’s “Gangsta’s Paradise.”  There’s a funny saga about how Coolio didn’t appreciate the joke and Al (who always asks permission even if he doesn’t need to) was really upset because he thought he had the green light.  For awhile there was an unpleasant scene between the two (not like they were in the same circle or anything) but when they finally patched things up Al admitted he could stop wearing a bulletproof vest.

The song is a spot-on recreation, (Al has totally upped his game in the studio bu this point) and while the Amish jokes are easy, they’re still funny   This single (yes, I was buying singles at the time) contains three other songs, “Everything You Know is Wrong” a great style parody of They Might be Giants and very funny song in it own right.

It also includes “The Night Santa Went Crazy (Extra Gory Version).”  I recall thinking it was very funny but now that I have kids I’d hate for them to hear it.  The extra gory part is actually the original final verse which the record company asked to tone down a bit.  So he released it here.  The last song is a very strange  an instrumental version of “Dare to Be Stupid.”  What a random song to strip words from.  Although granted, the music is pretty cool.  But still…weird.

[READ: April 7, 2013] Extreme Babymouse

I was excited to see that book 17 of the Babymouse series had come out.  This one is called Extreme Babymouse and, as you can tell from the cover, it is about extreme sports, specifically snowboarding.

What was fun about this one is that Babymouse’s fantasy dream sequence involved Sean White (for who else would you have in a snowboarding book?)  She even has crazy hair under a toque.  But what is all this extreme talk all about?  Well, everyone in her class is headed to the mountain to go snowboarding this weekend (including her locker!) and (naturally) Babymouse wants to, needs to, simply must go!  (Even if she has never been snowboarding before).

After dying inside because she can’t go, the fates align and Babymouse is able to go (her family is given a cabin for the weekend–which sounds great except that everyone else is staying at the beautiful chalet!). (more…)

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ricky1.2SOUNDTRACK“WEIRD AL” YANKOVIC-Alapalooza (1993).

Weird_Al_Yankovic_-_AlapaloozaAlapalooza came out hot on the heels of Off the Deep End.  I was in college, the perfect time for a “Weird Al” rebirth.  And the fact that “Jurassic Park” and “Bedrock Anthem” had a great videos (and my college cafe played MTV), meant I got to see these videos quite a bit.  (So I was surprised to read recently that this album didn’t sell like gangbusters (it went gold whereas Off the Deep End went platinum)).

“Jurassic Park” is a crazy wonderful parody–a spoof on the crazy song “MacArthur Park,” a song that I like a lot because it is over the top and absurd, although truth be told, I like “Jurassic Park” better.

“Young Dumb and Ugly” is a heavy metal song this is certainly dumb.  This is one that parodies a style so well that it’s actually not a very fun song to listen to.  “Bedrock Anthem” is a Red Hot Chili Peppers mashup/parody with the intro from “Under the Bridge” melding into a rocking parody of “Give It Away.”  I’m not exactly sure that it works as a parody (the Yabba Dabba part is a wee bit forced) but the song rocks well and Al and co. do a great job with it.

I never much liked “Frank’s 2000″ TV.”  I’m surprised to read (Wikipedia) that it’s a style parody of early R.E.M.  I can kind of hear it but compared to some of his other style parodies, I don’t think it really works.  “Achy Breaky Song” is the most apt song, lyrically, ever: “Don’t play that song, that achy breaky song, the most annoying song I know.”  It’s surprisingly mean about the song it is parodying and it turns out the proceeds from the track were donated to United Cerebral Palsy, as both Cyrus and Yankovic felt that the song was “a little bit, well, mean-spirited.”  “Traffic Jam” is a synthy number that sounds like it’s from the 80s.

“Talk Soup” was commissioned as a new theme for the show Talk Soup.  Although the producers approved the lyrics and enjoyed the final result, they decided against using it.  Which I can understand as it would make a terrible TV theme song.  It sounds a bit like Peter Gabriel’s Sledgehammer.

“Livin’ in the Fridge” is a fun parody of Aerosmith and it really sounds like them.  This parody works both as a twist on the original and lyrically–it’s very funny.  “She Never Told Me She was a Mime” is a weird original.  It doesn’t sound like any other bands, and is kind of a classic rock type of song.  The lyrics are pretty funny, but not all that funny.  And there’s not all that much to enjoy musically.

“Harvey the Wonder Hamster” is an awesome anthem which at 21 seconds, can be enjoyed again and again and again.  It’s funny that I felt that “Talk Soup” sounded like Peter Gabriel because “Waffle King” is actually a style parody of Gabriel.  This is a weird song because the verses are good, but the chorus falls kind of flat.  But the final song is a wonderful twist on Al’s usual polka medley.  This is a polka version of “Bohemian Rhapsody.”  I read complaints that it sounds too much like the original (which it doesn’t) but it’s a testament to Al’s skill as a mimic that he can make his crazy polka version (which is much faster and with lots of his silliness thrown in) sounds so much like queen.  It’s certainly an Al highlight.

After this release, Al put out Al in the Box a 4 CD box set and then a series of greatest hits type albums–an actual Greatest Hits and then a collection of Food Songs and TV Songs.  I would never have bought the Food album except that I got to meet him after a show and I wanted something for him to autograph (which he did).  He was super duper nice and very cool.

[READ: February 22, 2013] Ricky Ricotta Books 7

Dav Pilkey planned to do nine books in this series (with Martin Ontiveros adding pictures).  According to Wikipedia, he had serious family emergencies for a while, which is why such a prolific author had literally no output for a number of years (from 2007-2010).  It also explains why book 7 is the last book that Pilkey has written in the series.  But the good news is that he’s back writing and that the eighth book is due out in December.

Of 2014.  Oh.

Well, in the meantime we have this book to enjoy.  Ricky and the Mighty Robot are learning what is fun and what is not fun (most of the things that Ricky likes to do are too small  for the robot to do and are consequently not fun for him).  Meanwhile, Uncle Unicorn lives on Uranus.  And he has turned it into a universe-wide dumping ground for toxic waste. I really liked seeing that all of the other bad guys from the series had a cameo dumping their stuff on Uranus.

But then Uncle Unicorn has had enough of the trash and he wants to leave.  He plans on going to Earth, but he knows that Mighty Robot is his major enemy.  So he sends Mighty Robot a gift–a Ladybot who immediately hypnotizes him and chains him up.  And now Ricky is alone. (more…)

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loveindeSOUNDTRACK: KURT VILE-“Wakin on a Pretty Day” (2013).

Kurt Vile_CVR-31981badf76ce6680de293138b7fbf1807fe323f-s1I don’t really know that much about Kurt Vile.  I’ve been hearing about him for a while. I assumed his name was a kind of joke–like he was a comical metal guy, maybe like Alice Cooper.   That appears to be far from the truth.  I also wasn’t sure if he was well-known outside of the Philly area, but I do know that NPR has championed him for a while.

Well, he has a new album out and since NPR was streaming it, what better time to hear what the long- haired dude is all about.

There is much talk bout his voice (NPR says: There’s something about Kurt Vile’s voice that transcends whatever comes out of his mouth.).  But the whole time I listened to this song (which was a while, as it is over 9 minutes long), I kept thinking that he sounds just like the guy from House of Love, an underrated band here in the States. (He sounds even more like him in Kv Crimes”) It’s not necessarily a bad thing to sound like someone else (often times it can’t be helped I suppose), but it is a little distracting to me.

So this song is kind of groovy.  I like it musically more than vocally (there’s so many “Yeah…yeah yeah yeahs” that I lost the point of the song).  But the music is really good, including Vile’s lengthy guitar solos.  Interestingly, I was kind of bored by the song after about 45 seconds, but by 8 minutes I was really grooving it.  Subsequent listens have made me like it more, it has a kind of Neil Young or maybe Meat Puppets vibe.

My head says there’s really nothing special about this guy and yet after more and more listens, there’s something that draws me to him.  Weird.

[READ: April 2, 2013] Love, An Index

The back of Lindenberg’s book explains that the man she loved, poet Craig Arnold, disappeared in a volcano while traveling in Japan.  For such a very specific kind of event, I don’t think I would have gotten anything quite like that from these poems.  Indeed, for a book that is so specifically created about this man, there’s very little sense of the exact nature of the loss.  In some ways that’s good, it could have been a very maudlin, ungraceful collection of poems if she explicitly talked about volcanoes, but at the same time, the feeling of loss that comes across is less about death and more about abandonment (I would have presumed that the guy had left her).

I really enjoyed these poems even though I have a  really hard time accepting the bulk of these, in particular the thirty-four page title poem, as poetry.

“Love, An Index” is thirty-four pages and it is an index.  Literally, she lists words alphabetically and writes a little “definition” for each one.  There are arbitrary line breaks in the definitions but in no way does it feel like a poem.  Even the individual entries are not very poetic.  Like “Compromise, I will get up early with you/so long as you’ve made coffee.”  Okay, so that’s funny/sweet, but it’s not a poem.  But then what it is?  Yes, it is part of a greater whole and removing part of it diminishes that whole.  But again, what is the whole?  Genre defying I suppose.  Which is cool.  And despite my criticism, I really enjoyed this index.  There were personal notes that I would have no idea about, there were commonplace ideas that are familiar to all.  There’s also a ton of quotes from other poets.  And it all works together to create a beautiful portrait of a relationship. (more…)

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wz1 SOUNDTRACK: “WEIRD AL” YANKOVIC-Off the Deep End (1992).

Weird_Al_Yankovic_-_Off_the_Deep_EndIt was this “Weird Al” album that brought me back into the fold.  His parody of “Smells Like Teen Spirit” (“Smells Like Nirvana”) was hilarious.  And the video was even better.  It was enough for me to get this album (the cover of which even parodied Nevermind) and was a huge seller for Al.  This great cover makes the rest of the parodies seem so strangely one-hit wonderish (which is, of course Al’s bread and butter), but when you read the other parodied songs, it’s so amusingly “who?”

We have  “I Can’t Watch This” (“Can’t Touch This,” MC Hammer).  This parody is pretty funny as his TV stuff is usually very good.  “The White Stuff” (“The Right Stuff” New Kids on the Block–really??) is very very funny.  It works on a parody level and it works so well internally including the way the O-O-O-OREO fits in in both respects.  It’s probably his best overall parody for a song whose original I dislike.  “Taco Grande” is a parody of Rico Suave” (does anyone remember that song?).  This song also happens to be a favorite of mine–the way he says “Taco” in an oddly sexy way makes me laugh every time.  And, internally it works really well, too.  “The Plumbing Song” is a parody of Milli Vanilla.  While the plumbing  jokes are good, the actual chorus, the “punchline,” really doesn’t work.  Just like Milli Vanilli.

The originals are quite strong on this disc, too.  “Trigger Happy” is a Beach Boys style parody which actually is quite relevant in the big gun debate of 2013.  “I Was Only Kidding” is one of his anti-romantic songs, in which he says all of these romantic things and then takes it back.  It’s pretty funny, even with the Wayne’s World joke.  Wikipedia suggests that it’s a style parody of Tonio K, but I don’t know who that is or what he sounds like.  “When I Was Your Age” sounds a lot like a song from the UHF soundtrack–that same musical style, I wonder if the band works on the music together. It’s a funny song that’s all about old people yelling about how easy young people have it.  It’s a good one.

“Airline Amy” is an original song about a stewardess which doesn’t really do much for me.  But the final song on the disc “You Don’t Love me Anymore” is just outstanding.  It’s a funny acoustic ballad, an anti-romantic song with some very funny lines.  The video parodies Extreme’s “More Than Words,” even though the original song wasn’t a parody of that song (but since people thought it was he made the video reflect it). The video is awesome.

And of course, the polka medley is wonderful.  There’s such a weird mix of songs, and this one really dates the record (not in a bad way).  The previous medleys mixed a lot of different eras, but the songs in this one are of a very specific time: “Cradle of Love,” “Tom’s Diner,” “Love Shack,” “Pump Up the Jam,” “Losing My Religion” (the second R.E.M. nod from Al), “Do Me” (I don’t know the original but I love that he throws in a yodel at the end of it), “Cherry Pie,” “I Touch Myself,” “Dr Feelgood” and the unforgettable “Ice Ice Baby.”  It May be the only place where Metallica and “The Humpty Dance” play next to each other, too.

In a final nod to Nirvana, Al tossed in a 5 second piece of noise after ten minutes of silence which he called “Bite Me” (because Nevermind had a very noisy song called “Endless, Nameless” after some 30 minutes of silence).  My friend Matt has a very funny story about not knowing that “Bite Me” would come on and getting the crap scared out of him by it.  Al makes us laugh in many different ways.

[READ: February and March 2013] The Weird Zone series

wz2Readers will know that Clark and I love Tony Abbott.  We keep looking for his older, somewhat harder to find series, and this past month the library came through with The Weird Zone, eight books set in the small town of Grover’s Mill.  There’s a Secret Government UFO testing base at the north of the city, a dinosaur graveyard to the west of the city and Humongous Horror Movie Studio to the east.  Living in this weird triangle between these oddities can mean only one thing–Grover’s Mill, is known to the kids as the Weird Zone (their school is even call W.Reid Elementary).  The adults in town don’t seem to realize what’s going on (although, clearly they must) are called Zoners.

The Humongous Horror Movie studio is run by Mr Vickers.  His kids, Sean and Holly, are two of the five protagonist.  Although it’s a little funny that in book one, Sean is away at camp.  Mr Vickers makes a horror movie every week–they are terrible  but he shows them at the drive in and people come (perhaps because of the huge searchlights he waves around through the sky).  But having this crazy creature shop in town means that things are very rarely normal anyway.

In Book One, Zombie Surf Commandos from Mars!, Liz Duffey, Holly Vickers and Jeff Ryan are enjoying a day at the beach of Lake Lake (named after someone named Lake) when a tidal wave surges forth from the water.  Riding that wave are a bunch of Martian zombies.  They march after the kids looking for brains! (more…)

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