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Archive for the ‘Food’ Category

SOUNDTRACK: REAL ESTATE-“It’s Real” (2011).

Right from the start, the combination of the fuzzy guitar picking and the whacking drums was a major draw for me.  Finding out that these guys are from Ridgewood, NJ (a town away from my hometown) was a little icing.

This is a charming little pop ditty.  It propels along at a nice clip, it’s got a catchy chorus and it makes me feel warm and sunny.  And for all of that it’s not even three minutes long. That’s a nifty little trick.

Interestingly, in NPR’s discussion of the song, the guys play the song “Easy,” but for some reason the full length song is for “It’s Real.”  And I actually like “It’s Real” more, so good for the mix up.

[READ: September 15, 2011] “The Patented Peanut Butter and Jelly Sandwich”

I actually read this Gastronomica article before the other one, but this seemed like a good Saturday subject.  This article is the kind of thing I don’t normally write about.  I read a bunch of non-fiction and for the most part I don’t bother ever posting about it because, really what’s the point of summarizing a nonfiction piece.  Most of them I don’t have an opinion about, I just say hmm, interesting.  But since I’m doing some special articles that were pointed out to me from JSTOR, I’m going to include this one for historical amusement (even if unlike the hobo memoir, this article is less than ten years old).

Anyhow, this brief article looks at the patented Smucker’s Uncrustable Sandwich.  At the time, these were novel, but now they are ubiquitous.  Smucker’s had taken two discs of white bread, filled them with an inner casing of peanut butter and then stuffed the PB with a splooge of jelly.  It’s the shell of PB, which keeps the jelly from touching the bread and the crimping method to squish the breads together that really seal the patent.  And, I admit, that despite the mockery they received for patenting a PB&J, I think they did hit on some novelties and have earned their unique status.

But the article proceeds to tell how other companies tried a similar idea and were summarily sued.  So Shih unpacks the patent to see what Smucker’s has protected and how a lawsuit might be avoided (in short, Smuckers covered their bases really well (as you’d expect from a corporation), so it’s unlikely that a mom and pop PB&J machine will withstand the scrutiny).  (more…)

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SOUNDTRACK–LOS CAMPESINOS!-“By Your Hand” (2011).

I’ve enjoyed Los Campesinos!’s records in the past and I’m pretty excited about the prospect of a new release.  This song doesn’t deviate too far from their previous releases although to my ear it sounds a bit more musical (more instruments, more vocals) and less abrasive.  The basic elements are still there:great lyrics delivered in a more or less spoken way, followed on its heels by big shouty sections (and the whole band seems to be shouting along on this one).

This song also feels a little warmer, although the lyrics “by your hand is the only end I’ve foreseen” is either really dark or really naughty depending on how well it correlates to the verses.  Regardless, the chorus is catchy and fun to sing and the lyrics are wonderfully twisted.  Los Campesinos! have done it again.

And here’s the video.

[READ: September 16, 2011] “Jean-Baptiste Labat and the Buccaneer Barbecue in Seventeenth-Century Martinique”

I was interested in this article because it talked about the boucan and the buccaneer, and both of these things were mentioned in Book 9 of The 39 Clues.  It was a weird sort of coincidence that the boucan which I had never heard of before should appear in two things that I read about week apart (and then this weekend the Pa Renaissance Faire was pyrate themed!).   I was also interested because of the way this article was presented in the email to us: “if you have ever wondered on what foods a seventeenth-century missionary from the island of Martinique dined, check out this article from Gastronomica. (Hint: They include manatee, lizard, and parakeet)” made it a must-read.

While the article does, indeed make mention of these foodstuffs, it is by no means the extent of the article.  Rather, Toczyski looks at what Labat, a French priest and a missionary, wrote in his extensive chronicle about his stay in the Caribbean.  In particular, she focuses on the amazing breadth and depth of his gastronomical accounts (which includes details about all the meals they ate en route (the ship was amazingly well stocked–they even had a garden on board, which was under guard day and night (!); and then on the island he also talks in loving detail (with recipes) of all of the native dishes that he would eventually consume (including turtles, frogs and the palm worm (see picture at right (the picture and an awesome description of eating the palm worm is here at Boots in the Oven, at the bottom of the page).

(more…)

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SOUNDTRACK: RUSH-“Not Fade Away” (1973).

I never understood this song.  Grammatically it drives me nuts.  “Love is real, not fade away.”  Why would someone write that?  Anyone with even a rudimentary grasp of English would know that that is just a horrible way to speak.  Okay, I got that off my chest.

So this is the first single that Rush ever released.  You can find out information about it on the web (of course, I didn’t know it existed until a couple of days ago).

What we get here is a pretty rocking version of this rock n roll standard.  The band has some nice group vocals on the chorus.  I like the echoed chanting of the chorus before the solo kicks in.  And I love the rough sound that Alex’s guitar has as the song opens.

As I noted the other day with the concert from circa 1974, the band was really all about Alex’s guitar work back then.  Geddy doesn’t do anything impressive on the bass (a couple of fills, but nothing special).  But Alex’s guitar solo is amazing (and you can hear snippets of future guitar solos buried in this solo).

It’s funny to me that when they recorded their covers EP Flashback, that they didn’t include this song, too.

Check it out:

The B-side comes tomorrow!

[READ: March 12, 2011] Babymouse: Skater Girl

Well, fair enough, I said that I liked Babymouse: Dragonslayer because it had a plot.  This story has a plot, too.  Interestingly, it ties in kind of nicely to the Dragonslayer story, too.  (It’s all about winning something).

As the story opens, Babymouse feels bad because she never wins anything.  She’s looking at all of the trophies which she has not won; then there’s an amusing fantasy of all the things she has won (honorable mention for spelling the word “the” correctly; honorable mention at the swim competition for “getting wet”; and amusingly, archenemy Felicia Furrypaws’ trophy for worst whiskers).

But despite her complaints about not being good at anything, we quickly see that she is actually very good at ice skating.  She rules the pond in town–until the big hockey players crash into her, that is).  She even daydreams of winning a skating trophy. (more…)

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SOUNDTRACK: STARS-Live at the 9:30 Club, Washington DC, October 20, 2007 (2007).

Thanks NPR for this unexpected concert.  Unexpected because Stars is a wonderful band but I think they’re largely unknown (I could be wrong about that, but it’s not like you hear them on the radio or anything). 

This show was during a tour for In Our Bedrooms After the War, which was one of the best albums of the year as far as I’m concerned.  

It’s an intimate album, with all kinds of styles in it: whispered confessions, dancey pop songs, synthy tracks and also some solid alternative rock.  The unifying theme for Stars is beautiful, often super catchy songs that are filled with melancholy and sadness (and occasionally, hope: “at least…the war is over”).  But the key to their beauty is the wonderful harmonies that the singers give us.

Musically the things that surprised me most during this show were the singers’ speaking voices.  Torquil Campbell’s speaking voice is quite a high register and yet his singing voice is low and soothing.  The opposite is true for the other singer, Amy Millan who has a kind of gruff peaking voice but whose singing voice soars to the heavens.  It’s fascinating.  Torquil is also a gushing frontman, thanking the audience so much for coming and even asking “Don’t your friends have bands that are playing whose shows you should be at right now?”  He also thanks Ben and the rest of Death Cab for Cutie for being so very nice to them.  A very nice chap it seems.

The bands sounds quite good live, but my only problem with the show is that as i mentioned, Stars’ music is very intimate, sometime whisper-quiet, and it doesn’t always translate very well in a live setting (even a relatively small club like the 9:30 Club).  Sometimes it feels like they’re singing too loudly to match the music.  Now, it’s entirely possibly that this doesn’t come across when you see them live, that this soundboard recording picks up every flaw. 

Despite that, there’s undeniable energy here and some really great moments where the bands switches direction at the drop of a hat.  And, overall, this is an excellent introduction to the wonder that is Stars’ music (or a big treat for established fans).

[READ: July 25, 2011] Five Dials 18

Five Dials 18 is unique in the history of the journal.  This entire issue is given over to the memory of SYBILLE BEDFORD.  It is written by ALIETTE MARTIN (there’s not even a Letter for the Editor).

Martin writes about Bedford’s love of wine and fine food.  It was pretty funny to read about her detailed love of meat after reading all of the vegetarianism promoted in the Five Dials news pages (Jonathan Safran Foer’s Eating Animals was just published by Hamish Hamilton). (more…)

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SOUNDTRACK: BARENAKED LADIES-Live at the NJ Festival of Ballooning, July 30, 2011 (2011).

I ‘ve loved BNL since their first album.  I’ve even seen them live a few times.  And “One Week” was a huge hit, not to mention they did the theme for The Big Bang Theory.  So, imagine my surprise to see that they were playing at the Festival of Ballooning in an airport near my house!

I thought perhaps their star had fallen on hard times.  Ever since Steven Page left, I haven’t been too sure what the band has been up to (their post-Page release is kind of bland).  And maybe they didn’t get very much for their performance (no way of knowing of course).  Nevertheless, the audience was packed with fans and, in what must have been a cool site for the band, hot air balloons filled the field, many of them lighting up their balloons in sync with the music.  It was very cool.

It was great to see that the Ladies were still fun live–one of the best things about their shows is their spontaneity.  They play tight songs and they sound great, bu they also goof around.  Like with this Ballooning Rap

I was also impressed that without Page–their primary lead singer (and one of the best voices in music)–the band was still able to play their old songs that Page sung.  Now lead vocalist Ed Robertson (who does the fast part in “One Week”) manages a remarkable approximation of Page’s voice.  Indeed, a few times, I forgot that he was gone.  Check out “The Old Apartment”, which Page used to sing:

There are some notable differences of course, “If I Had $1,000,000” misses the repartee between Page and Robertson.  But in fairness, drummer Tyler Stewart more than makes up for it (he even does lead vocals on one of the songs).

There were a number of newer songs which I’d never heard (I don’t have the newest album), and they were pretty uniformly mellow.  But they sounded great. And when the band played some of their older tracks (“Falling for the First Time”?!) it was magical. And I’ve had “Brian Wilson” in my head for three days now.

Sarah took a brief video of the balloons lighting up, to “Light Up My Room”.

And here’s mine at the end of “Brain Wilson”, the bass solo! (sorry it’s sideways, I’ll try and fix it).

[READ: March 12, 2011] Babymouse: Dragonslayer

This has been my favorite Babymouse so far.  Perhaps it was because there was more of a “story/plot” than in the other stories–and the other stories were fine without a real plot, but this one was more focused.  Also the fantasies sequences were wonderful referenced to great stories like The Lion the Witch and the Wardrobe and The Lord of the Rings.

I honestly couldn’t imagine what the title of dragonslayer would refer to.  I mean, aside from the animals, the story is pretty accurate to a middle school life. I assumed there’d be fantasies, but what could ground a dragon story in middle school? W ell, the big surprise for me is that the “drgaon” in the story is actually math.  Babymouse hates math and has just failed a math test with an F-!  The teacher says that she will overlook the test if she joins the mathletes (okay so maybe it’s not ENTIRELY based in reality). (more…)

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SOUNDTRACK: BASIA BULAT-“The Shore” (2010).

I loved Basia Bulat’s “In the Night” which wa s fun, uptempo folk rocker.  “The Shore” is a hauntingly beautiful, wistful ballad.  “In the Night” featured the autoharp as its main instrument, but “The Shore” features the pianoette as its sole instrument (on this recording anyway, I haven’t heard it on the record).

Listenin to the song is great, a wonderful expereicen.  But once you watch her play it, the song is even more powerful.  This video in particular is enchnating–where is this beautiful open room?  How did she learn to play the pianoette?  What is that little hammer she’s using?  Is anyone not blown away the first time she hits a string for multiple notes and the song goes from simple to majestic?

And what do you suppose uwolnijmuzyke means?  I don’t know, but it’s a really cool music site from Poland.

Pretty good, huh?

[READ: July 13, 2011] Dining with the Tiger

I wasn’t going to talk about this “review” either.  But several things stood out for me:  John Banville!  It’s hard to pass on him.  I also seem to be talking a lot about food this week (what with Will Self, Jun’ichirō Tanizaki and Lucky Peach in general).  And because I have to wonder if my friend Lar knows of any of restaurants that Banville mentions (now that he is a landed, married gentleman and not the post-graduate guy who would take an American mate to an “American” diner on Grafton Street–which was lorryloads of fun, make no mistake).

So Banville gives a brief run through of the state of Irish restaurants circa the end of WWII–as in, there were none.  Then came the 1990s and the critical moment in Irish culture–the scandal of Bishop Eamon Casey and his unexpected son. The scandal seemed to rock the country, but mostly it made them let fall the shackles of conformity across the country.  Banville suggests that such a major event could have shaken a Catholic country to the core, but in Ireland, it seems to have just woken everyone up to the possibility of making money. (more…)

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SOUNDTRACK: BASIA BULAT-“In the Night” (2008).

I recently came across Basia Bulat via NPR.  She played a Tiny Desk concert and I discovered that she had several other entries in the NPR canon.

Basia is Canadian (of Polish descent); she has a beautiful strong mid-range/throaty voice and a great sense of melody.  She also has a bit of a gimmick: she plays all kinds of instruments (guitar, piano, sax, etc) including some really weird and unexpected instruments: Zither, pianoette (!) and autoharp–a couple of years before PJ Harvey brought it back to the mainstream.

pianoette

“In the Night” is a wonderfully chipper poppy song.  And that autoharp gives it just a tinge of “huh?’ that makes it more than just a simple pop song.  The beat is fast and energetic, the harmonies are wonderful and the melody is top-notch.

I really like this song a lot, and the other snippets of songs that I’ve heard from her are equally wonderful.   I’ve even noticed that lately she’s been singing a song in Polish!

[READ: July 12, 2011] “Gastronomania”

I’m not going to go crazy reviewing all of the book reviews in Harper’s (that way lies madness), but occasionally an author I like writes a bit that I want to mention.  So Will Self, who I like but have not read a lot of, wrote this essay/book review about food.  He reviews three books, but what I especially liked about it was his introduction, which uses Luis Buñuel’s Le fantôme de la liberté [The Phantom of Liberty] as its starting point.  In the film (which I have not seen), the house’s dining room is actually a well…watch this clip:

It’s a wonderfully bizarre introduction to an essay about food.

It was unclear to me what made Will Self suitable to review three books about cooking.  And then (news to me) he revealed that he used to be a food critic (columns are collected in his book Junk Mail) and that Anton Ego in Ratatouille (yes that Ratatouille) bears “an uncanny, if not legally actionable” resemblance to him.

This essay was so much fun.  Self is as viciously negative about these books as he apparently was about food back in the day.  But he’s not dismissive of them as cookbooks per se, he’s more about trashing the current worship of food (and many other things too of course). (more…)

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SOUNDTRACK: BLACK MOUNTAIN-Live at Sasquatch, May 30, 2011 (2011).

The previous Black Mountain live show I downloaded from NPR was a real disappointment.  For me the major problem was Amanda Webber’s voice–she applied a really harsh vibrato to the end of every single line.  It was so pronounced it sounded almost like a stutter.  I found it very distracting.

She doesn’t do that here, which automatically makes this set 100 times better (she has a minor vibrato on a few places, which is totally fine).  This Sasquatch concert covers songs from all three of their albums, which really showcases the diversity they explore within their trippy, space-rock, metal sound.  It works like a (brief) greatest hits for the band.

And the band sounds comfortable and fresh in this live setting (the guitars are fantastic and the keyboards add a wonderful spacey feel to the mix).  The two tracks of “Wucan” and “Tyrants” is particularly amazing; it’s interesting that they play four songs from their middle album and only three from their most recent.

Regardless, this release has won back my faith in Black Mountain live.

[READ: July 13, 2011] “The Gourmet Club”

I’d never heard of Tanizaki before and I haven’t really read that much Japanese fiction.  This translation by Paul McCarthy was really fantastic, and I never felt like I was reading a translation.

When I started this story (the first fiction from Lucky Peach), I was concerned that it was going to be the same kind of story as Neil Gaiman’s “Sunbird” (I realize “Sunbird” was published much later than “The Gourmet Club” originally written in 1919), but I’m glad it didn’t.

Essentially, this story focuses on five Japanese men who live to eat.  They are Epicurean to the highest degree, eating only the best at least once a day and often to bursting.  They go through all of the restaurants in Japan, traveling across the island to find new foods.  But they soon reach the end of their new food options. (more…)

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SOUNDTRACK: WYE OAK: “The Alter” (2009).

NPR has introduced me to Wye Oak (with two concert downloads).  This is the official single from the recent album Civilian.

It is a cool swirly track which avoids being ethereal because of the rocking drums.  It feels a bit like the Cocteau Twins without being otherworldly.  And then there’s Jenn Wasner’s voice which is deep in a kind of Alison Moyet way.  This song features an awesome guitar swirl in the center which is sort of a guitar solo but isn’t.

The song builds over the course of the three minutes with more instruments and more voices layered over and over–there’s no real chorus.  Not bad for a duo.  Soon they’ll be some full concerts reviews of the band.

[READ: June 29, 2011] Babymouse: Queen of the World!

So this is the first Babymouse book: Queen of the World.  This one sets up the series and satisfies so many unanswered questions.  No, not really.

This first book has all of the trappings of the other two books that I read: fantasy sequences drawn in pink (good diversity here–a horror story, a space story, Cinderella), the same cast (including the arch-enemy Felicia Furrypaws), and more humorous interactions between Babymouse and the narrator (and a lot of Babymouse’s slogan: “typical.”) (more…)

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SOUNDTRACK: ROCKWELL KNUCKLES-“Silly Human” (2011).

This song was NPR’s song of the day on July 7th.  I’d never heard of Rockwell Knuckles before.  He’s a rapper from St. Louis and has at least one other album out as far as I can tell.  I was rather fond of this song for, as the NPR page says, he often prefers to be absurd.

This song has fast, manic music–jittery and confusing and the rap over the top of that music, especially the chorus, is equally frenetic and hard to fathom on one listen.  But the chorus has a interesting twisty melody and the lyrics (the ones that I can follow) are bizarre and thoughtful and not typical “street life” lyrics.

I listened to this sevral times in a row, and will defitely check out his full length (which you can stream here, and the songs I listened to are equally weird and catchy).

[READ: July 6, 2011] Lucky Peach Issue 1

McSweeney’s has yet another new periodical to occupy my ever diminishing reading time.  This one is a food magazine which, as the cover states is “the new food quarterly from Momofuku’s David Chang.”  I don’t especially like food magazines (Sarah subscribes to several, but I just can’t get into them–reading recipes to me is the equivalent of looking at XHTML code for most people).  I mean, I like to cook sometimes, but I don’t look for new recipes or anything like that.  So, I am probably the least likely recipient of this magazine.  Not to mention I’ve never heard of David Chang and only know about Momofuku because of the Elvis Costello album.

And then geez, the first issue is about Ramen?  Who gives a fuck about Ramen?  It’s that crappy stuff you buy 10 for $1 at the supermarket.  And you’re really going to devote 174 ad-free (except, obviously lots of mentions of Momofuku) pages to ramen?

Well, yes they are.  And holy shit if it wasn’t amazing.  David Chang is a really funny guy and co-editor Peter Meehan is a great foul-mouthed humorist.  [I have never seen so many “fucking”s in a cooking magazine before–in fact I suspect I’ve never seen any in a cooking magazine before].  The articles were funny and a little low brow (I doubt most cooking magazines mention people throwing up either), but they were engaging and interesting too. (more…)

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