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Archive for the ‘Pulp Fiction’ Category

Gabriel Kahane (State Theatre, New Brunswick, NJ, December 7, 2015) [PUNCH BROTHERS]

Posted in Blade Runner, Die Hard, Loudon Wainwright III, New Brunswick, NJ, Pulp Fiction, Punch Brothers, Set in New Jersey!, State Theatre, Sufjan Stevens, Tiny Desk Concert on December 8, 2015| Leave a Comment »

[ATTENDED: December 7, 2015] Gabriel Kahane

2015-12-07 20.42.05After seeing Punch Brothers on NPR’s Tiny Desk Concert, I found out that they were playing at State Theatre in New Brunswick (a great venue that often has amazing bands, but also has seats so its, you know, dignified).

I found out the day before the show that the opening act was Gabriel Kahane.  I was under the impression that I had never heard of him.  Well, technically I had never heard of him, but I had heard him as he has done arrangements for Loudon Wainwright III and Sufjan Stevens.  And, it turns out he wrote a song that Punch Brothers sing on their new EP.

Anyhow, I got to the stage about one minute late, so I missed the proper introduction.  I walked in as Kahane was standing on stage with his guitar.  And what he played sounded…nice.  He has a pleasant voice and was playing interesting chords.

I anticipated 40 minutes of pleasant, if unremarkable, solo songwriting stuff.  Then he sat at the piano. (more…)

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Kurt Vonnegut–Fates Worse Than Death: An Autobiographical Collage (1991)

Posted in Blivit, Books about writers, Boredom, Communists, Essays, Funny (ha ha), History, Hitler, Holocaust, Humiliation, Interviews, Kurt Vonnegut, Mark Vonnegut, Marriage (Happy), Marriage Trouble, Morality, Nazis, Pornography, Pulp Fiction, Religion, Suicide, Technology, The Future, The Statler Brothers, Violence, War on June 2, 2013| Leave a Comment »

200px-FatesWorseThanDeathSOUNDTRACK: THE STATLER BROTHERS-“Flowers on the Wall” (1965).

flowersonthe Vonnegut mentions this Statler Brothers song in Palm Sunday as well.  I know this from Pulp Fiction–a song that I found very amusing and never would have guessed was a classic country song.  Country music was very different in 1965 than it is now.  I don’t even know if there was a folk or bluegrass category back then, and this song, with its banjo and bouncey acoustic guitar is a great example of the kind of country music I like.  And those harmonies!

This song certainly seems to be about insanity–about a man counting flowers on the wall, playing solitaire with a deck of 51 cards, smoking cigarettes and watching Captain KAN Kangaroo.  Don’t tell him he’s nothing to do.  What a weird little song.  And man is it catchy.  No wonder it was a #1 hit.

[READ: May 31, 2013] Fates Worse Than Death

After reading Palm Sunday I learned that Fates Worse Than Death was a kind of autobiographical sequel to that non fiction book.  I also learned that the two essays that make up Nothing is Lost Save Honor which is impossible to find (and for which I can’t even find a cover) are available in FwtD.  However, since there is no real contents or index, you do have to read the whole thing to find out which chapters contain the essays.  Or you can just look here and see that “The Worst Addiction of Them All” (which was published in The Nation) is in Chapter XIV and “Fates Worse Than Death” appears in Chapter XV.

The last time I read a bunch of Vonnegut together I got a bit burnt out on him and the same thing happened here.  The problem with Vonnegut’s nonfiction is that he tends to repeat himself.  A lot.  And while this book is ostensibly about the 1980s, he talks an awful lot about his family and his friends from the war and his other literary acquaintances., like he did in Palm Sunday.  In a number of places, he says that he doesn’t like to read himself in English, and it would seem that he doesn’t proofread to see if he said something already either.

This is not to say that the book is not worth reading.  Indeed, if you read Palm Sunday in the 80s and then this one in the 90s, you might not remember all of the details that pop up again, but when you read them days apart…well. (more…)

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Kurt Vonnegut–Palm Sunday: An Autobiographical Collage (1981)

Posted in Arthur C. Clarke, Blivit, Bob Elliot, Books about writers, Boredom, Communists, Daily Sun, Essays, Funny (ha ha), Gore Vidal, History, Hitler, Holocaust, Humiliation, Interviews, Jonathan Swift, Joseph Heller, Kurt Vonnegut, Louis-Ferdinand Céline, Mark Twain, Mark Vonnegut, Marriage (Happy), Marriage Trouble, NASA, Nazis, Pornography, Pulp Fiction, Ray Goulding, Religion, Short Story, Technology, The Future, The New York Times, The Statler Brothers, Violence, War, William F. Buckley on June 1, 2013| Leave a Comment »

PalmSundayFrontandBackSOUNDTRACK: THE STATLER BROTHERS-“Class of ’57” (1972).

stalerI don’t know much about The Statler Brothers.  They are considered country, although this song is hardly country–it’s more folk with some bluegrass and, the real selling point–great harmonies (especially the bass singer with the big mustache).

The song is a wonderful coming of age song, sad and funny with a list of what happened to everyone in the class of ’57.  Like:

Betty runs a trailer park, Jan sells Tupperware,
Randy’s on an insane ward, Mary’s on welfare.
Charlie took a job with Ford, Joe took Freddie’s wife,
Charlotte took a millionaire, and Freddie took his life.

John is big in cattle, Ray is deep in debt,
Where Mavis finally wound up is anybody’s bet.

But the kicker comes at the chorus:

And the class of ’57 had its dreams,
Oh, we all thought we’d change the world with our great words and deeds.
Or maybe we just thought the world would change to fit our needs,
The class of ’57 had its dreams.

And then at the end:

And the class of ’57 had its dreams,
But living life from day to day is never like it seems.
Things get complicated when you get past eighteen,
But the class of ’57 had its dreams.

Vonnegut quotes the entirety of this song in the book and I’m glad he did, it’s a very moving song and really captures American life.

[READ: May 26, 2013] Palm Sunday

After writing several successful novels, Vonnegut paused to collect his thoughts.  And Palm Sunday begins: “This is a very great book by an American genius.”  It is also a “marvelous new literary form which combines the tidal power of a major novel with the bone-rattling immediacy of front-line journalism.”  After all the self praise, he decides that this collage–a collection of essays and speeches as well as a short story and a play which is all tied together with new pieces (in TV they would call this a clip show)–this new idea of a book should have a new name and he chooses: blivit (during his adolescence, this word was defined as “two pounds of shit in a one-pound bag.”  He proposes that all books combining facts and fiction be called blivits (which would even lead to a new category on the best seller list).  Until then, this great book should go on both lists.

This book is a collection of all manner of speeches and essays, but they are not arranged chronologically.  rather they are given a kind of narrative context.  What’s nice is that the table of contents lists what each of the items in the book is (or more specifically, what each small piece is when gathered under a certain topic).

Chapter 1 is The First Amendment in which he talks about Slaughterhouse Five being burned and how outraged he was by that–especially since the people so anxious to burn it hadn’t even read it (and the only “bad” thing is the word motherfucker).  The first speeches included are “Dear Mr. McCarthy” to the head of the school board where his books were burned and “Un-American Nonsense” an essay for the New York Times about his book being banned in New York State.  The next two are “God’s Law” for an A.C.L.U. fund raiser–it includes his confusion as to why people don’t support the A.C.L.U. which is working for all of our own civil liberties. (more…)

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John Layman & Rob Guillory–Chew: Volume Three: “Just Desserts” (2010)

Posted in Food, Graphic Novel, John Layman, Marriage Trouble, Pulp Fiction, Reservoir Dogs, Rob Guillory, Sex, Sloan, The Doors, Violence, Yuck! on December 30, 2011| Leave a Comment »

SOUNDTRACK: SLOAN-The Double Cross (2011).

Sloan never fail to make enjoyable punky pop songs.  Surely it has something to do with having four songwriters in the band (which must minimize clunkers).  I can never decide who my favorite songwriter of the group is as they all do fairly varied work.

“Follow the Leader” is a fast rocker (with a very cool guitar solo bit and a nice acoustic break in the middle).  While “The Answer Was You” is a bouncy piano-based song that starts out fast and then settles into one of the more recognizable Sloan voices (I wish I knew who was who–even after twenty years I have never quite determined who was singing what).  This song also has a great third part, minor keys and very dramatic structure.  It’s the first of several songs that hover around the 2 minute mark, as well.

“Unkind” is a simple guitar based song and man is it catchy, with a chorus that sticks with you.  “Shadow of Love” is a great fast rocker and even at only 2 minutes long it has several great parts.  “She’s Slowing Down Again” has some great bah bahs and a strong chorus.  “Green Gardens, Cold Montreal” actually slows things down, with a gentle acoustic ballad.  But it’s followed by one of their screaming punk tracks, “It’s Plain to See,” simply put, it’s two minutes of adrenaline.

The album changes somewhat with “Your Daddy Will Do,” a catchy disco song.  Yes, disco.  How else do you explain those keyboards riffs?  And man is it catchy.  “I Gotta Know” may be the stupidest song they’ve recorded yet.  How many times is the phrase “I gotta know” repeated in 82 seconds?  Still, you can’t deny how catchy it is.  “Beverly Terrace” returns to that cool pizzicato piano that they do so well.

“Traces” is the longest song (almost 5 minutes) and is one of the longer Sloan songs in general.  It feels like  an old classic rock song for many reasons (including Doors-y keyboards), and yet it doesn’t feel retro at all.  Neat trick, that.  The disc ends with “Laying So Low,” a piano ballad with a great catchy melody.  It slows the album to a nice ending.

12 songs in 33 minutes.  Multiple genres, multiple styles, multiple singers.  All of it wonderful.  Just an other typical Sloan album. Great jobs guys, here’s to twenty more years.

One word to yeprock records, though.  If you offer “free bonus” songs for purchasing their album, I would suggest in the strongest possible terms that the four bonus songs should not be one song each from their previous records.

[READ: December 29, 2011] Chew: Volume Three

We were quite excited to get this book–we were on the Hold list forever at the library.  So I’m surprised to see it came out back in 2010!  I assumed it was much newer than that.  I guess there’s a Volume Four out already (yes it came out, and they have just published issue 22 in single issues).  Volume three covers issues 10-15.

This mini-arc, as they call it, isn’t so much of an arc as a continuation of the awesome story line.

For those in the dark, read the first two posts.  But in a nutshell, Tony Chu is a Cibopath, which means that anything he tastes he knows the entire history of, be it vegetable, meat (ew) or, since he is a cop, human (bleagh, but hey it’s a comic book, right?).  His partner, John, is part machine now, having been practically blown up and then put back together.  And, as we start Chapter One (Issue #11), Tony is out on his first date with Amelia Mintz (alright, they got together!).  Amelia Mintz is a Saboscrivner which means she can write about food so wonderfully that you can literally taste it. (more…)

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Georgi Gospodinov–Natural Novel (2005)

Posted in Books about music, Dystopia, Foreign Books, Funny (strange), Georgi Gospodinov, Marriage Trouble, Meta, Minnesota, Natural Novel, Postmoderism, Pulp Fiction, Quentin Tarantino, Reservoir Dogs, Short Books, The Replacements, Toilets, Unreliable narrator on June 20, 2009| Leave a Comment »

gospodinovSOUNDTRACK–THE REPLACEMENTS–All Shook Down (1990).

shookAnd here we come to the end of the recorded history of the Replacements.  7 albums (and an EP).  4 and a half hours of recorded music.  And a steady maturation from drunken punks to elder statesmen.  Or really statesman (Paul Westerberg at the ripe old age of 31!).   All of the reviews state that this was originally designed as a Westerberg solo album, and that the band barely played together on it at all. And it shows.

To me, this album just isn’t very good.  It’s not that the songs are bad…I ‘ll always admit that Westerberg is a great songwriter.  I’m just not inspired by them.  The single, “Merry Go Round” is the most (there’s that word again) mature sounding rock tracks that Westerberg has written.  And “Nobody” is a decent acoustic type rocker (although the drums are kind of boring).  “Bent All Out of Shape” shows promise but never lives up to it.

“Sadly Beautiful” is another of Westerberg’s solid ballads.  But it doesn’t stand out because the rest of the album isn’t that radically different.  “Someone Take the Wheel” and “When It Began” are decent rockers, but the rest of the album is just sort of…there (except for the awful duet with Johnette Napolitano (whom I used to like but who i just find annoying all these years later).

Westerberg went on to do about a half dozen solo albums but I haven’t heard any of them.

There’s nothing wrong with a songwriter maturing, especially if you get to mature along with him or her.  It’s just such a surprise to see it happen so quickly.

[READ: June 15, 2009] Natural Novel

My coworker and I were experimenting with our library’s catalog.  We started searching for books in specific languages.  We noticed that Bulgarian was one of the languages, and were surprised that our branch had anything in Bulgarian.  It turned out that there was one book that was originally written in Bulgarian but which had been translated to English.  It was this book. It sounded bizarre and fascinating.  And it was only 136 pages.  How could I pass it up?  And what would it be about?

Well, that’s hard to answer.

The premise of a “natural novel” is that it is meant to be a man’s attempt to deal with the dissolution of his marriage.  He starts to talk about the divorce several times, but he can’t really come to terms with it, and so, rather, he gets involved with other things. (more…)

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Jamie S. Rich–Twelve Reasons Why I Love Her (2006)

Posted in Canadian Content, Canadian Music, Corner Gas, Graphic Novel, Jamie S. Rich, Oni Press, Pulp Fiction, The Kinks, The Tragically Hip on June 5, 2007| Leave a Comment »

12.jpgSOUNDTRACK: THE KINKS-Come Dancing with the Kinks (1986) & THE TRAGICALLY HIP-World Container (2006).

kinks.jpgTHE KINKS-Come Dancing with the Kinks: I’m not sure if I’m getting older or more maudlin, but I recall being younger and really disliking “Come Dancing,” the song because it was wimpy. Then as I got a little older I liked it because it was fun, with the surprise “swing” section in the middle. Now, I find I’m really moved by the song. So, yes, I’m getting older. That’s okay.

(more…)

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