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Archive for the ‘Film & TV’ Category

[WATCHED: 2012-2013] Bunheads

bunheadsIt’s no secret that Gilmore Girls was one of my favorite shows.  It was well-written and funny, often sweet but sometimes not and with a liberal dose of quirk.  The show was Amy Sherman-Palladino’s baby and over the seven years it developed an awesome cast and was easily one of the most consistently enjoyable shows on TV.

But all good things must come to an end–and as in the case of Gilmore, often times it must come to an end before its natural arc has finished.  This led to a rather forced and frankly unsatisfying conclusion to the show.

But ASP is back on TV on, of all places, ABC Family (which has some astonishingly mature shows for a “family” network).  Her new show (which began last year) is called Bunheads.  It’s a terrible name for a TV show.  Even if it is an actual slang term used for ballet dancers (which the show features), it’s still a terrible, unappealing name.  There’s also the opening credits–also terrible.  The Gilmore credits were fun–a new version of Carole King’s “If You Lead” playing behind scenes from the show.  The Bunheads opening is a black and white scene of ballet dancers (again, it’s what the show is about, but blah), with a color ribbon swirling around them until it lands on Sutton Foster, the lead actress, who explodes in a frame of color looking a little stunned.

Neither of these two things (title and credit sequence) should impact your decision to watch the show, which is delightful–heartfelt, funny and with a healthy dose of quirk.  And like Gilmore, the show is very women-centric, rather a rarity on TV.  I feel it’s very subtly done as well–in this case, the show is about ballet dancers who are predominantly girls, so it makes sense.  And since ASP writes mother-daughter situations very well, it’s also a natural fit.

So yes, the show feels a lot like Gilmore Girls.  The amazing Kelly Bishop is back as the matriarch (she’s much the same character although she is a bit more fun in Bunheads).  Sutton Foster plays her daughter in law.  Foster looks so much lie Lauren Graham that she may as well be her. What’s cool here and what makes it not just Gilmore redux is that the dynamic is not mother-daughter-daughter, it’s widowed mother-in-law–daughter-in-law–four teenagers so while the roles are almost the same, ASP is not simply rewriting what has happened before.  As for the young characters, we have four teenagers–the bunheads.  From the get go they formed a believable foursome–sometimes annoying, and over the top, but never unreal. (more…)

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tobo3SOUNDTRACK: iMOGEN HEAP-Speak for Yourself (2005).

heapI really liked Heap’s first album i Megaphone, but I didn’t really think to much about her after that.  Sometime last year I heard a track she was in with Frou Frou, which I liked.  So I thought I’d get this album which was highly regarded.

The problem with it is that I have listened to it a bunch of times, often several times in a row and it really just never sticks with me.  I keep relistening to see if it ever does but it’s just a kind of nebulous dancey pop.  Heap has an interesting voice–she can hit major highs, but she can also do a raspy voice that is unusual and intriguing.  But I suppose the problem is that there’s so much going on that she is effectively lost in the sound.

The standout track is “Hide and Seek” but that’s because her voice is manipulated by a vocoder, making her sound like a machine. It’s a very cool effect, especially when she hits a very high note, but it can’t really be a good sign that the most memorable track on the album is the one where you sound like a machine.

This is not to say that the album is bad–there are a number of interesting moments on it, unfortunately there aren’t a lot of great songs.  When I was looking this disc up to see other comments about it, I see that it was very highly regarded in the dance genre.  And maybe given those parameters I should revise somewhat as well.  As dance music this is more interesting than your average four on the floor stuff.  I can see how it led to the duet of Frou Frou.  And yet, compared to i Megaphone, I fear that it’s a lot less exciting.

[READ: January 12, 2013] The Dangerous Animals Club

I don’t often read autobiographies or memoirs.  I really never even look for them.  But I was waiting online at the library and this book jumped out at me.  I don’t really know why.  The title is kind of interesting and catchy.  And the author’s named seemed, if not familiar, then at least compelling in a very-long-and-Polish-or-Russian way.  So I started flipping through it.  And it sounded interesting.

But who the hell is Stephen Tobolowsky?  Well, if you have seen just about any movie or TV show, you have seen him.  He has been in a ton of things.  He was in Groundhog Day, he was in Heroes, he is in Glee, he was in The Mindy Project briefly.  Community? yup.  The New Adventures of Old Christine?  you bet.  Deadwood for a lot of the show.  That 70’s Show for one episode.  He was in the unaired pilot of Buffy the Vampire Slayer.  He was even in a 1976 movie called Keep My Grave Open!

So who is he?   (more…)

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weltySOUNDTRACK: PAT JORDACHE-“Radio Generation”/”Radar” [CST074] (2010).

jordache“Radio Generation” appeared on Jordache’s album Future Songs in 2011.  This 7″ single has an otherwise unreleased B-side called “Radar” as well.

I think of “Radio Generation” as an unusual “single from the album because, as I wrote of the CD: It opens with “Radio Generation,” which has a really cool bouncy guitar riff and bassline.  It doesn’t quite display the signature sound that I think of this album as having but it certainly points to it.

“Radar” has even less of the Future Songs feel.  It is very sparse, with guitars that sound almost like a Western.  The vocals are slow and drawn out and then the spoken word section begins–continuing the meandering nature of the song.  The melody is pretty, but this is justifiably a B-side.

[READ: January 7, 2012] “Why I Live at the P.O.”

I read about this story in the D.T. Max David Foster Wallace biography.  I’d never read anything by Welty before, and I have no idea if this story is representative of her work.

There’s not a lot of plot to the story, which is probably why it is so successful.  Welty constructs a very funny home scenario (one that I actually had a hard time understanding at first because the names of the characters are rather odd–although perhaps not odd to Southerners?)  I had to read the first sentence a few times before I could really parse it.  It’s not complicated but the names and the dialect are…odd.

I WAS GETTING ALONG FINE with Mama, Papa-Daddy and Uncle Rondo until my sister Stella-Rondo just separated from her husband and came back home again. Mr. Whitaker!

The narrator is Sister, the older and much aggrieved sister of Stella-Rondo.  As the opening says, Stella-Rondo has moved back home.  And she has arrived with a baby (which she swears is not hers).  Sister is put out by the intrusion because she says that Stella-Rondo has always gotten everything she wanted (unlike Sister).  We have no direct proof of that although, if Sister’s telling of this story is to be believed, Stella-Rondo is a major instigator  trying to get Sister in trouble as soon as she returns.  Of course, Sister also tries to get Stella-Rondo in trouble, but her parents don’t seems swayed by her complaints. (more…)

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[WATCHED: November-December 2012] Sherlock & Elementary

sherlockThis has been the year of Sherlock Holmes for us.  We loved the first Robert Downey Jr Sherlock Holmes movie.  Sarah loved the second one (I fell asleep, but I don’t blame the film).  And then U.S. TV began airing Elementary this year.  It’s a contemporary version of Sherlock Holmes in which Watson is played by Lucy Liu–she is his “sober companion” trying to keep him off drugs and alcohol.  I kind of like this conceit–it’s a fun twist on Watson, and yet it loses some of the interplay that is fabulous between Watson and Holmes, especially since Holmes (played by Johnny Lee Miller) seems to be trying to get away from Watson.  Nonetheless, the show is quite enjoyable and is quintessentially Holmesian.

elementryA back story note: Sarah and I do not like police procedurals.  We don’t watch anything with any of the initials: SVUL&ONCISCSIER5-o, none of it.  Even if t he show is supposed to be awesome, as soon as I hear “police” I refuse to watch it.  And yet here we are hooked on Holmes.  So what is it about these shows?  Well, they focus on little clues (impossible clues, frankly).  They rely on being really smart.  And, this may be the key, they don’t rely on guns, police, judges, or any other tropes of police shows.  They’re like puzzles…puzzles that you don’t mind not being able to figure out yourself because Holmes is so damned smart.  I guess these are technically mysteries rather than cop shows, and that’s pretty cool. (more…)

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greatSOUNDTRACK: PHINEAS AND FERB-“We Wish You a Merry Christmas” (2010).

pfholidayThis song takes the music of We Wish You a Merry Christmas and modifies it to fit the show.  Several characters get a verse, with my favorite coming from Isabella:

Oh, come tell me what’cha doin’ / All my relatives just flew in /From Mexico and Jerusalem / For the holidays
Both Christmas trees and menorahs / It can be confusing for us  / When we break into a chorus / Of “olé” (¡Olé!) and “oy vey” (¡Oy vey!)

Although I usually find Doofensmirtz’ lines to be the best, I don’t care for his verse–it is forced and not terribly funny.  But that is more than made up for with the end as it revisited the beloved figgy pudding:

All: We wish your every endeavor
Makes this the best Christmas ever
And we’re all so glad that we will never
Mention figgy pudding…

Dr. Doofenshmirtz: Oh, great. Well now we’ve mentioned it.
Major Monogram: You know, no one would have noticed if you’d have just kept your mouth shut.

We recently added the entire Phineas and Ferb Holiday Favorites album to our Christmas music collection.  Thanks, Swampy.

[READ: end of 2011-beginning of 2012] Great Expectations

I started this book over a year ago–Christmastime 2011 and I finished it in January of this year.  And I imagined writing a grand, eloquent post about the book, so I bided my time, and have now delayed for almost a year and have basically forgotten everything significant I thought about saying about it.  Never put anything off in the hopes that genius will strike.

So I read this book because my former coworker Stephanie talked about how much she liked it.  I had never read any Dickens before (possibly Tale of Two Cities but that would have been in High School and doesn’t count).  And Nick Hornby raves about Dickens in the pages of The Believer, so it seemed like a time to try him out.  Back when I was in college I joined a book club and received The Oxford Illustrated Dickens–30-some volumes of all of Dickens’ work in beautiful hardcover editions.  And I have lugged them with me to all my homes.  And now I have finally read one.

I was as surprised by how surprised I was by the story.  I knew the very basic outline and character names (thanks South Park), and from what I knew of Dickens, I thought I had the whole story figured out pretty early on.  But no, there was more afoot than I would have ever guessed.

So, the story: Phillip ‘Pip’ Pirrip is a blaksmith’s apprentice.  He was orphaned as a young babe and is currently living with his (terribly mean) older sister and her husband, a kindly blacksmith named Joe Gargery.  One dark and spooky night (as only existed in 19th century England), Pip is out in the swampy foggy graveyard visiting his parents’ graves when he hears a fight.  Two convicts have escaped from a prison ship and are fighting amidst the marshes.  The “winner,” spies Pip and threatens him–unless he brings a nail file and food, he will kill the young boy.  Pip is freaked and runs home to steal one of Joe’s files and a piece of pie that his sister has baked.  The next day the police capture the criminals, and the one whom Pip helped gives Pip a long look and says that he stole the pie, which lets Pip off the hook from his sister’s wrath.

Meanwhile, up the road a piece, there’s an old dilapidated house with an old dilapidated woman living in it.  She is Miss Havisham.  The delightful thing about Dickens is that Miss Havisham is crazily over the top and yet, because of the time it was written, she is totally believable.  (She may indeed have been based on someone Dickens knew).  No one like Miss Havisham could exist now–she would be institutionalized in a heartbeat, but back then, this woman could be head of a household and have servants and simply be spoken of as a bit odd.  For odd she is. (more…)

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grantladn4SOUNDTRACK: PUBLIC IMAGE LTD-“Poptones” and “Careering” on American Bandstand (1980).

abThe Dick Clark article below alerted me to this bizarre gem–PiL “playing” on American Bandstand.   The article talks about John Lydon ignoring the lip synch, climbing into the audience and generally disregarding the show’s script. The video suggests something sightly less sinister (although maybe for 1980 it was outrageous–do you really cross Dick Clark?).

Dick Clark himself announces the band nicely, and then the crazy off-kilter bass and simple guitar of “Poptones” kick in.   Lydon runs into the bleachers with the kids (most of whom are dressed in New Wave finery not unlike Lydon).  They shriek with glee when he comes nearby (do any of them know who he is?  I have no idea).  When Lydon’s spoken rambling come in a little later you can’t help but wonder what the hell they are doing on AB.

Then, Lydon starts grabbing people from the audience and pushing them towards the stage–something I believe was unheard of on AB.  The fans dance around to the impossible-to-dance-to “Poptones.”  The song ends and Dick asks John if he wants the kids out there for song two.  Yes, song Two!  He does and John faux lip synchs through “Careering,” avoiding cameras at all costs and dancing with the kids–one of the most egalitarian performances I can think of from Lydon.

And listen for Dick asking Jah Wobble his name (reply THE Jah Wobble) and him saying, nice to meet you Wobble.  What a surreal moment–wonder what Dick thought of it.

Enjoy it here:

 

[READ: December 28, 2012] Grantland 4

Grantland continues to impress me with these books (and no, I have not yet visited the website).  My subscription ran out with this issue and I have resubscribed–although I take major issue with the $20 shipping and handling fee.  I even wrote to them to complain and they wrote back saying that the books are heavy.  Which is true, but not $5/bk heavy.  The good news is that they sent me a $10 off coupon so the shipping is only half as painful now.

This issue’s endpages were “hypothetical baseball wheel-guides created by JASON OBERG–they were pretty cool and a fun idea.  They look very retro, but use contemporary batters, pitchers and catchers.  I’d like to see them for real.

Each issue makes me like sports a little bit more, but not enough to actually watch  them.

(more…)

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3rdSOUNDTRACK: PHINEAS AND FERB-“I Really Don’t Hate Christmas” (2009).

doofenI have grown to love Phineas and Ferb ever so much  in the past year.  Holy cow it makes me laugh so much  that I would totally watch  it even without the kids around.

This song, sung by the evil Dr Doofenshmirtz, explains how he has a backstory that makes him hate every holiday except Christmas–he just has a burning indifference to it.  The song is catchy and funny.

Of course since he is an evil scientist, he finds a reason to hate Christmas and launch his naughtyinator.  When carolers come to his door and repeat over and over that they want figgy pudding, he begins to get quite annoyed.  And we get this hilarious exchange:

CAROLERS: (singing) We won’t go until we get some, we won’t go until we get some….

DR. DOOFENSHMIRTZ: What? Are you threatening me? How dare you! No one barges into my home and demands desserts! What sort of plan is that anyway? “Let’s go to a stranger’s house, sing songs to him, and refuse to leave unless he hands us a food dish no one’s prepared since the 16th century!”

Just in time for the holidays:

[READ: December 20, 2012] Diary of a Wimpy Kid: The Third Wheel

Clark was more excited for this book than I was!  As soon as he saw it, he grabbed it and ran into his room to read it (for which I was both proud and a little annoyed as I wanted to read it).  I’m not sure how much he could have enjoyed it as it is all about going on a date, but he seemed to like it.

It’s not all about a date though.  It begins with Greg reminiscing about his time in the womb (a very odd thing for Clark to read, I’m sure).  rtHis mom listening to Mozart and just how much he could hear while in there.  Then he talks about his life as a wee one, which is very funny–he learned how to take the batteries out of the remote so his mom couldn’t put the educational shows back on (he’s also annoyed that Manny gets to watch whatever he wants now–no educational TV for him).

But Manny doesn’t come out on top all the time–there’s the boy who acts like a vampire at Sunday School and scares Manny to bits.  This may be why Manny only has imaginary friends (well, that and the fact that their mom reads Manny the children’s book she wrote about the boy who used to bite Greg–it  terrifies Manny).  Of course, the imaginary friends get in trouble for all the things Manny does (maybe Manny does come out on top all the time after all).

One of the funnier aspects of the Wimpy Kid series is the locations that they go to.  Like Corny’s, the family restaurant where the key is fun (not food), and the first time they went Greg almost sat on a PB&J sandwich that was never cleared away.  (And wait till you see what the family next to them are doing!). (more…)

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SOUNDTRACK: PHINEAS AND FERB-The Twelve Days of Christmas (2009).

12daysTo get you in the mood for the holidays, I present The Phineas and Ferb Twelve Days of Christmas.  Each character gets a wish, even Perry.  And of course, Ferb’s wish on the 12th day is great.

Obviously, Doofenschmirtz is the comic relief of the song (although most of the wishes are funny in themselves).  Doofenshmirtz hilariously wishes for the entire tri-state area and then slowly backs down to one state, admitting he was overreaching at the beginning.

I can’t find a video from the show, but there are plenty cobbled together on YouTube.  Like this one.  Enjoy!

 

[READ: July 2012] Time Surfers series

We’re still working through all of the different Tony Abbott series.  And this series, Time Surfers, is another early collection of eight books about young kids going on adventures.  This series was also difficult to find (although it has recently come back into print (with much better illustrations).  The think I have yet been able to figure out about Abbott’s earlier series–they seem like he planned to do more.  Or more specifically, they seem unfinished.  I wonder if he gave up or if the publishers gave up on him.

So this series seems to have a few arcs in it.  New villains emerge, which is interesting, although as C. pointed out, what happened to Vorg from the first four books, he just seemed to go away.

Book #1, Space Bingo starts the series in an interesting way (Tony Abbott’s exposition is always interesting–indeed all of th ebooks open up with a scene the seems to be one thing but is revealed to be something else).  Ned Banks has moved to a new city far away from his home and his best friend.  He has to start a new school and he’s not too happy about it.  His sister has been calling him Nerd instead of Ned and the nickname is starting to spread, especially since such bad luck things are happening to him in school.  So he does what any clever kid would do–he creates a communicator (and tells his best friend Ernie how to make one) so that they can talk to each other whenever they want (and not have phone charges!).  When Ned turns the communicator on, however, it opens a time portal in his closet and two kids from the year 2099 come flying out. (more…)

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CV1_TNY_12_03_12Thiebaud.inddSOUNDTRACK: BEIRUT-Tiny Desk Concert #159 (September 21, 2011).

beirut tinyI don’t know a lot about Beirut.  NPR seems to like them and all I know about them comes from the shows NPR streamed.  This Tiny Desk concert is only 12 minutes long and the band doesn’t chat very much.  But they play three songs: “East Harlem,” “Santa Fe,” and “Serbian Cocek.”  This last song was meant as kind of a goof, a treat for the people who showed up (Beirut had just come back from Bonnaroo and were exhausted), but they allowed NPR to include it in the stream, which is a fun treat.

Beirut play a kind of jaunty horn-fueled eastern European-flavored music.  “Serbian Cocek” has a very tradition feel–an instrumental fueled by trumpets that’s very hard not to dance to.  They are certainly not to everyone’s cup of tea, but if you like some Europe in your rock, they are worth checking out.  Even if in this set they aren’t hitting the highest notes that they might otherwise hit.

[READ: December 1, 2012] “Literally”

This story runs a gamut of ideas in a very short span–death, race, marriage, public transportation, soft serve ice cream and the misuse of the word literally.

And perhaps there is too much crammed in here.  It’s not that the story suffers but by the time you get to the end of the story, the title seems irrelevant.   It refers to paragraph five in which Richard “liked to make his son smile by using his favorite word incorrectly.”  And then it’s not used again (unless you want  to argue that the end is somehow a literal moment, but I really don’t).

The story switches back and forth between Richard’s daughter Suzanne who works at the Dairy Queen and Richard’s son Danny, a smart alec kid who engages in the time honored tradition of mocking his sister (although she is completely oblivious to his taunts).  The story is also about Bonita, Richard’s housekeeper.

Every since his wife died (recently, in a car crash), Richard has become painfully aware of how much his wife did–even simple acts like communicating with Bonita.  Richard knows very little Spanish, while his wife was fluent.  His wife also helped out with Bonita’s son Isaac, who is “nervioso.”  So Bonita brings Isaac over most days.  Indeed, because of the districting, Richard and his wife agreed that Isaac and Bonita could claim that they lived with them, so Isaac could go to the better school.  Danny and Isaac get along very well, and often get absorbed in a game called “town” (which helps Isaac to relax). (more…)

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SOUNDTRACK: MICHAEL HAGGINS-“Daybreak” (2004).

If you’re a fan of the show Community, you know that they play around with all kinds of conventions.  If you follow Community closely, you know that there are many recurring gags.  If you really pay attention, you may have heard a recurring gag.  There’s a song that has appeared in a number of episodes and each time it is heard, it is because a cast member is singing or hummng it.  The first time I encountered it was in the Halloween Episode where Abed is telling a story.  In his version, the kids turn on the radio and rather than hearing an immediate late breaking news story (which would never happen in real life), a song comes on the radio.  When they flash back to Abed telling the story, he hums the tune that goes on longer than you might think.  [I love that someone created an looped version of it].

The song appears again in various spots including at the end of an episode where Annie is on Troy and Abed’s show and she rearranges their bedroom.  Troy puts up a technical difficulties sign and hums the song too.

Well, it turns out that it’s a real song.  Forbes magazine (!) describes it as a relaxing number that could easily be played on any adult contemporary or smooth jazz radio station across the country.  It’s by Michael Haggins and it’s called “Daybreak.”  In the pillow forts and blankets episode when Real Neal plays the song over the radio, he announces it as “Daybreak,” which I guess is the real clue people needed to finding out the song (I assumed it was just something the staff made up).   So the next time that someone on the cast whistles or hums a song, there’s a good chance it’s this.

Here’s a clip of all the uses of the song on the show:

[READ: November 20, 2012] Hand Glider & Mud Mask

Brian McMullen is the guy behind the McSweeney’s McMullens childrens book imprint.  And this is his first book (I have no biographical info on Jägel).

This book has a terrific gimmick.  It was bound like a letter S, so there is a front cover, a middle cover and a back cover, but when you get to the back cover, because of the design, it is once again a front cover.  In other words, there are two short stories in this book Hang Glider and Mud Mask and when you get to the end of Hang Glider, the cover has turned so that you can now begin Mud Mask (no flipping necessary).  And the stories are connected, so it all works together very nicely. (more…)

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