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Archive for the ‘Film & TV’ Category

SOUNDTRACK: Odds-nest (1996).

My friend Amber from Vancouver copied this disc onto cassette for me sometime around when it came out.   I had heard “Heterosexual Man” when it was a minor novelty hit in the early 90s, but Amber wanted me to hear more from this Vancouver band.

Since the Odds dissolved, Craig Northey has become a proficient soundtrack man (Corner Gas, Kids in the Hall, and much more). But back in the 90s, Northey was simply put, a great pop songwriter (his bandmate Steven Drake was no slouch either).

“Someone Who’s Cool” is a fantastic song that should have been huge: powerful pop with a hint of 90’s rock added to keep it from being treacly.  And, of course, Northey’s voice is great.  There’s nothing particularly notable about it: it’s not whiny or deep or twangy or anything, it’s just a good singing voice (which is kind of unusual these days).

“Make You Mad” and “Hurt Me” have really catchy opening guitar riffs (and are a bit heavier than “Cool,” and yet they feature choruses that are full of harmonies and sing alongs.

“Tears & Laughter” has a jagged, wild guitar sound that, while not overtly heavy or anything, really rocks on this disc. “Nothing Beautiful” should have been a huge indie rock hit, but maybe it was too polished for indie cred.  It’s a great minor key song with, yes, a very catchy chorus.

This was the final Odds record.  It’s a solid collection of songs.  Of course, the band has recently sort of reunited as the New Odds, so we’ve not heard the last from them.

[READ: September 11, 2010] “My Kushy New Job”

This article sees Wells Tower heading off to Amsterdam for a crash course in learning to sell drugs.  He is assigned a two-week job as a dealer in a Dutch coffeeshop.

I’ve been to Amsterdam and I checked out a coffeeshop while I was there, but this article provides more information than I ever knew about them (and suggests that they are trying to spruce up their image since then). It seems that the selling of pot in Amsterdam is still a nebulous area, legally.

Shops can only have a certain amount of supply on hand (which means that most stores have offsite premises where they keep their extra stash; they house more than the legal amount and are therefore illegal.  And, technically, the people who transport the stash from offsite to onsite can be arrested up until the moment they enter the shop.  Customers can only by a small amount at time and, strangely enough, coffeshops cannot advertise (more on this later).

Tower finds the whole experience to be far less “woah, cool man” than everyone who hears about the job thinks it will be.  First, he finds that the buyers are really intense (and don’t appreciate how long it takes him to measure a gram of hash).  But by the end, he finds most of them to be simply rude and a little dead inside. (more…)

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SOUNDTRACK: ODDS-Bedbugs (1993).

This CD features the minor “novelty” hit “Heterosexual Man” (the video featured some of the Kids in the Hall in it).

This disc feels like a big step forward from their first disc.  It isn’t radically different, but it feels more accomplished and maybe more confident.

The bluesy tracks feel bluesier (“Car Crash Love”), the rocking tracks feel more rocking (“The Little Death”) and the acoustic songs feels more substantial (“What I Don’t Want”/”Fingertips”) with really nice harmonies.

And of course, there’s “Heterosexual Man” a great, funny rocker with a fantastic sing-along chorus.  Odds are still doing poppy, slightly alternative rock, but they’ve simply gotten better at it.

[READ: September 13 2010] Light Boxes

I received this book from the Penguin Mini at BEA.  It’s been sitting on my shelf tempting me since then and I decided that I would give it a read (even though I am anxious to start the two books that are next on my list).  Well, it was certainly a good book to read first as it is even shorter (and faster) than its tiny size suggests (it’s 150 pages).

I’d never heard of Shane Jones before (he’s a poet and this is his first novel), but the premise sounded so intriguing: a small town is experiencing perpetual February (going on some 900 days now).  It is cold and dark and depressing and for many, sunlight is but a distant memory.

And plotwise, the story is interesting: a spirit/god/being (let’s call him February) is playing tricks on the townsfolk to keep them in this state of February.  He convinces them that someone in town (let’s call him February) is causing the perpetual cold.  He also seems to be inspiring the town’s children to go missing.  And all of this is a punishment for men’s attempts at flight: kites, balloons, even birds are now verboten (and the priests enforce the rule). (more…)

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SOUNDTRACK: LUTHER WRIGHT AND THE WRONGS-instrumentality (2006).

I loved Luther’s Rebuild the Wall, and I kind of thought of him as country, but not really country.  A sort of punky country (his song “Broken Fucking Heart” lead me in that direction, too).

But this album is all instrumentals (hence the title) and it’s very traditional bluegrass/banjo-fueled tracks.   Eleven tracks in all (totaling about 22 minutes).  There’s even a cover of “Yankee Doodle Dandy.”  Listening to this I realized that I like banjo music (not as my favorite type mind you, but certainly more than a little).  Steve Martin (an excellent banjoist himself) once said:

“You just can’t sing a depressing song when you’re playing the banjo. You can’t go– [grins, plays and sings] “Oh, murder and death and grief and sorrow!”

And there’s something to be said for that.  With this fun collection of mostly 2 minutes songs, you’ll smile for twenty minutes or so.  (And the playing is top notch, too).

[READ: September 11, 2010] Handle Time

When I wrote about One Night @ the Call Center, several readers said I must read Handle Time, that it was the consummate Call Center novel and that it was much better than One Night.  So I tried to find it.  No libraries in New Jersey carried it.  And although I could get it at Amazon, there was precious little other information about it.  Well, I finally decided to add it to our library collection (so I didn’t have to pay for it) and to read it for myself.

My first surprise came when the first line of the text has the word embarrassed written in a super large font.  The font is so large in fact that it put a pretty sizable space between the lines of text (that’s called leading).  My second surprise came when I saw that littered throughout the text were a whole bunch of large words and crazy fonts and a bunch of clip art pictures that showed what was happening.  (I was especially surprised when one of them turned out to be Mr Burns from The Simpsons!).

So it turns out that there are different fonts throughout the book, some of them large and crazy, others fancy and scripty.  But the long and short of it is that this book is really only about 50 pages long (I mean I read the entire 188 pages in about 2 hours).

Okay, but what about the content.  Well the plot itself is fairly brief.  Chase gets a job at a call center.  She sits through orientation, begins working, gets demoralized and has a panic attack about her job.  That’s pretty much it.  But really what you read the book for is for the side bits, the comments, the snark, the sympathizing with call center workers.

Except that I’ve never worked in a call center and yet I have experienced many of the things in the novel.  So, this book, much loved by call center workers, could be about pretty much any shit job (except for the part about keeping your numbers up (and the part about not actually helping people because it skews your average handle time)).  But bad cafeterias, microwaves, bizarre HR nonsense, stupid powerpoints, they’re part of any corporate job.  And she does a good job in skewering them, they’re just not specific to call centers.   (more…)

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[WATCHED: September 5, 2010] I’m Here

I’m Here is the new short film that Spike Jonze directed.  (You can read more about the story behind the film at my post about the accompanying book There Are Many Of Us.) And you can see the whole film and much more at the official site.

The film is 30 minutes long and it is surprisingly touching.  Surprisingly especially because the main characters are robots.  The robots are wonderfully designed (they’re not animated, they are people with plastic coverings and fantastic heads–the main male robot’s head is made from an old Macintosh computer).  I assume there is CGI for the mouths (they look too fluid to be anything else), but the rest of the movie is very old school.

As the film opens, we see Sheldon, who works in a library (as a shelver) who seems content and who seems to be making the best of things.  The other robots that we see live in what seems like a kind of narcotic state (plugging themselves in to recharge at night).  One morning, while he’s waiting for the bus (because robots can’t drive), he sees a robot driving a car.  She is a beautiful robot, and we see them share a moment across the busy street.  And since this is short film, you know they are destined to be together.

The robots share tender moments (their substitute for kissing is very sweet) as well as rocking moments (they go to a Lost Trees concert together).  We get to see a bit of their inner lives as well.  And the two form an intense bond.   (more…)

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SOUNDTRACK: Soundtrack to “I’m Here” (2010).

This soundtrack comes with the book mentioned above and below.  It is the soundtrack to the film “I’m Here” which also comes with the book mentioned above and below.

I haven’t watched the film yet, so I don’t know how well the music works.  But the book explains how many of these songs came to be in the film.  And the organic nature of the compositions sounds like they are very suitable.

The first track (and “theme” of the movie is by Aska & The Lost Trees.  The Lost Trees are a factious band made up for the film.  Aska wrote the song (and there’s sheet music for it in the book).  She has a second song called “Y.O.U.” later on the soundtrack.  It’s a synthy dreamy song.

Gui Borrato’s “Beautiful Life” is an 8 minute techno song.  It seems like an instrumental, but there are eventually lyrics.  And it is rather catchy.

Then there’s a number of bands who I have heard of but don’t know these songs: Sleigh Bells: “A/B Machines” (which is on their debut Treats–a loudly mixed, increasingly noisier and noisier dance track, which is strangely addictive); Animal Collective: “Did You See The Worlds” (which is on Feels and gets better with each listen); Girls: “Hellhole Ratrace” (which is on their debut Album and which sounds like a distortion-free Jesus and Mary Chain) and Of Montreal who remixed “The Past is a Grotesque Animal” from Hissing Fauna… so that The Lost Trees could “cover” it in the film.  I don’t know the original but this has punky abandon and distortion and rocks pretty hard.

The final two tracks are by Sam Spiegel: “Lonesome Robot Theme” and “There Are Many of Us (Electric Dream Reprise).”  They are both slow keyboard washes–delicate songs that close the disc nicely.

It’s an enjoyable soundtrack, a little heavy on the electronics–which makes sense for a movie  about robots, right?

[READ: September 2, 2010] There Are Many of Us

[UPDATE: September 6, 2010] Just watched the film….  Reading the book first will definitely lessen the emotional impact of the film.  So, be sure to watch the DVD, then read the  book.

This book came the other day in the mail as part of my McSweeney’s Book Club.  It’s funny to get a book that is a companion piece to a film you’ve never heard of and which you will likely never see.  And that’s why it’s great that the book includes the film on DVD!  (Along with several bonus features).

I really enjoy short films. And that’s why I like the Wholphin Series as well as the DVDs of Academy Award winning shorts.  I only wish there was more access to them.   I mean, frankly, where would I ever be able to see this film but here?

As I write this I haven’t had the chance to watch the film, so maybe it’s awful.  But I have liked everything that Spike Jonze has done, so I don’t expect to be disappointed.

The stills in the book are fantastic, and the robots look incredibly lifelike.  I’m not sure if it’s better to read the book or watch the film first.  The book doesn’t really give much away about the story (except that it says that the film is inspired by The Giving Tree).  And whether or not I should have watched the film first, the book has me really excited to watch the film soon. (more…)

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[WATCHED: August 26, 2010] Everything’s Gone Green

I’m including this film because it was written by Douglas Coupland (and he’s one of those writers that I read a lot).

Everything’s Gone Green is a story of suburban life in Vancouver.  As the film opens the main character gets dumped by his girlfriend and loses his job.  And he hasn’t won the lottery (this sequence with his family is hilarious).  However, calling the BC Win line (is this what you do when you win the lottery?) gets him a job at the BC lottery.  [This entire job and company absolutely fascinated me.  It was an excellent location for a film].

From there the movie settled into Douglas Coupland territory: scenes from Vancouver, working in a cubicle, scenes from Vancouver, unattainable love, scenes from Vancouver, the Asian community of BC, and more scenes from Vancouver.

We had recently watched the TV series of JPod (based on his book).  Steph Song from JPod is in this film (and it’s nice to see her with a different type of character).  But what’s surprising (or maybe it’s not?) is how much of this film he recycled into JPod (or actually, they seem to be written concurrently, so I’m not sure which came first). (more…)

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SOUNDTRACK: PAN SONIC & KEIJI HAINO @ Volksbühne Berlin 15.11.2007 (2007).

My friend Lar wrote an awesome review of the Pan Sonic & Keiji Haino live album (with the greatest title ever) Should I Download a Black Hole and Offer It To You? Read it here.

In the post he embedded the clip that is the soundtrack (which you can see here).  I don’t really know either of these artists, but I know they play extreme music (a new genre, I am told).  This is a wonderfully noisy track.  Keiji Haino plays a squalling noisy feedback filled whirl of a guitar solo.  After a few minutes the noisemakers Pan Sonic seem to manipulate the noise that Keiji was making, adding all manner of more noise to it.  (And a very large green square behind them).

The biggest surprise is how in tune his guitar is at the end of the track.

I can’t even imagine how intense of a live show this must’ve been.  And I think I’m afraid to listen to Black Hole.  Although I am very curious to hear Track 8.

[READ: August 19, 2010] “Keep Doing What You Are Doing, James Franco”

This issue of Esquire features James Franco on the cover.  There are five ways of viewing Franco presented in the feature story (online there are 8).  The trange thing is that the interview with him is actually quite short, with these other things taking up a lot more real estate.

I have not enjoyed Percy’s stories in the past, but I like Franco so I of course read this one.  It starts out amusingly enough with Franco watching himself on TV (a not unreasonable assumption).

Percy pushes the story to its illogical extreme in which everyone in the world is James Franco.  And that’s pretty much it.  (Thankfully it is short). (more…)

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SOUNDTRACK: THE GUILD “Game On!” A Bollywood Musical (2010)

There’s an awesomely wonderful Bollywood-esque musical promotion video thingy for The Guild.  It’s really great.  The production looks like it cost more to make than the entire series of the web-show.

It’s full-on Bollywood with lots of extras, a crazy sequence with Vork as Vishnu, and a nice Real-Life fight.  The music is infectious with lots of Indian trills and frills.

It’s a great set piece and a terrific promotion for the show.  Well done.

Read all about it here.

And watch it now.

[READ: July 25, 2010] “The Guild”

I love the web-show The Guild.  Felicia Day is brilliant. I was even more delighted to hear that it was being done as a comic book–the perfect medium for her quirky and funny style.

Imagine how much more excited I was to find out that the timeline is BEFORE the Guild members met!  It’s a prequel! (more…)

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SOUNDTRACK: ARCADE FIRE on THE DAILY SHOW: “Ready to Start” & “Month of May” (2010).

My friend Lar recent wrote a scathing review of Arcade Fire’s new album.  I haven’t heard it at all, so I can’t talk about it.  However, these two songs are from the new disc.

I have to say on first listen neither one wowed me the way their earlier tracks did.  However, as I’ve mentioned in a previous post, their live show is really incredibly energetic and fun (even confined to the small set of The Daily Show).

This was especially evident with the second song, which opens with a megaphone and features lots of screaming.  The live set up includes two drummers and two violins. They are truly a band to behold onstage.

We’ll just have to see about The Suburbs though.

[READ: August 15, 2010] “The Orphan Lamb”

I was pretty turned off by the opening paragraph of this story (a rather over-the-top gruesome account of bloodletting).  But since the whole story is only three paragraphs, I decided to proceed.

And I’m glad I did.  The second paragraph gives a nice twist to the bloodletting of the first, adding a huge dose of humanity. (more…)

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SOUNDTRACK: RHEOSTATICSBathurst Street Theatre Toronto ON October 7 1994 (1994).

I have been listening to a bunch of the Rheostatics live downloads as of late.

This is one of the first concerts they have available on the Rheostatics Live website (there’s a 1991 show as well).  But what’s especially nice about this one is that it was broadcast (and taped) on the radio, so the sound quality is quite good.

The show is from just before the release of Introducing Happiness, so the band is trying out some of those tracks.

I’ve never seen the band live (and of course, now I never will) but these recordings show how much fun they had live.  They were never afraid to experiment or to make jokes in their chatty sections (original drummer Dave Clark was also a lunatic–it often seemed like he wasn’t taking things seriously at all, and yet he never missed a beat).

The shows from 1996 & 1997 also showcase a lot of these songs too, but having the crisp recording of the radio (and the reasonably short set) makes this a good place to start if you want to hear some Rheostatics live.  Some of those other early shows are recorded in the audience, so the fidelity isn’t always 100%.

All of the shows are available at the Rhesoatics Live site (thanks all contributors).  This show is available here.

[READ: July 27, 2010] “The War Between Sylvania and Freedonia”

Your enjoyment of this story depend a lot on whether or not you have watched (and enjoyed) the Marx Brothers’ Duck Soup.  The reason is that this is a retelling of Duck Soup–sort of from the perspective of the mayor of Sylvania and sort of from an impartial observer who is on the side of Sylvania, or more specifically, anti-Firefly.

What Coover does is simply present the audacity and insanity of Groucho’s character, Rufus T. Firefly, as if it were a historical account.  Any reasonable person could see what a terrible mayor he would make.  And this accounts for the amusement in the story. (more…)

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