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Archive for the ‘Drinking’ Category

David Foster Wallace–[Week 12] Infinite Jest (1996)

Posted in Bewitched, Big Books, Boredom, Canadian Content, Cheers!, Consumerism, David Foster Wallace, Death, Demons, Dreams, Drinking, Drugs, Funny (ha ha), Funny (strange), Infinite Summer, M*A*S*H, Marriage Trouble, Meta, Neurotics, Postmoderism, Ren & Stimpy, Seinfeld, Set at School, Short Films, Suicide, Supernatural, Technology, Tennis, The Mighty Mighty Bosstones, Violence on September 12, 2009| Leave a Comment »

ijSOUNDTRACK: THE MIGHTY MIGHTY BOSSTONES-Don’t Know How to Party (1993).

mmbI’ve always had a thing for ska (although even I got sick of it when No Doubt took over the airwaves, thanks Gwen).  When ska gets added to blistering metal, well, it’s hard to resist.  And so we get Boston’s own Mighty Mighty Bosstones.

This was the first Bosstones’ record I’d heard and I fell for it immediately.  I also really appreciated the aggressively green plaid that the band sported at the time (although they have since denounced the look).

A horn section can be a tricky thing in a rock band, with many using it to very poor effect. But the Bosstones used it wonderfully, complementing the heaviness and adding a cool skanking sound to the metal chops. And the songs are fantastic and fun.  “Someday I Suppose” is just one of the great rocking anthems from the 90s.  “Illegal Left” is wonderfully catchy and funny.  And “Issachar” is just blistering punk.  These three songs show the rocking and skanking range on the disc.  All of this is wrapped around Dicky Barrett’s rough, growling, heavily-smoker-sounding voice.

The Bosstones would go on to write some hugely popular tunes after this disc (with each disc getting progressively more recognition and sales) but for me, this is what ska is all about.

[READ: Week of September 7, 2009] Infinite Jest (to page 876)

Infinite Tasks drew my attention to a new comment regarding the Joelle timeline that we’ve been concerned about.  Greg Carlisle responded to it at Infinite Summer. And so Infinite Tasks updated an older post here.  I’m willing to accept Carlisle’s word as he did write Elegant Complexity after all.

And yet there’s another interesting time line issue that I bring up below about a chapter heading and an electronic calendar that Hal looks at.

ijdot1I’ve also decided that, since the story is steamrolling to an end, and since so many of the end days are coming along, I’m going to update my own calendar (but just the November info).  I’m putting it at the end of the post to include this week’s information.

In general, I’m a little bummed to see so many people have completed the book early, tempting as it is to do so (although obviously that’s better than not finishing at all, right?).  I’m nevertheless enjoying my routine and I think I’ll actually miss it when it’s over.

ijdot1

elizThis week’s reading is almost entirely focused on Gately in St Elizabeth’s Trauma Wing.  He is stuck staring at the ceiling which is breathing at him.  It reminds him of a holiday in Beverly, Ma in which the beach house that they rented had a hole in the roof. The hole was covered by a plastic sheet which flapped and pulsed with the wind.  His crib was placed under the hole and it freaked him out (although what is a 4 year old doing in a crib?  Well, Gately’s mom is clearly not the best parent.) (more…)

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David Foster Wallace–[Week 11] Infinite Jest (1996)

Posted in Big Books, Canadian Content, Colin Meloy, Consumerism, Contests, Corporate skewering, David Foster Wallace, David Lynch, Death, Demons, Dreams, Drinking, Drugs, Eschaton, Funny (ha ha), Funny (strange), Infinite Summer, Marriage Trouble, Meta, Neurotics, Noir, Postmoderism, Set at School, Short Story, Smarty Pants, Sonic Youth, Sports, Sports Illustrated, Suicide, Technology, Tennis, The Future, Violence, Wikipedia, Work, Yuck! on September 4, 2009| 5 Comments »

dfwSOUNDTRACK: SONIC YOUTH-NYC Ghosts & Flowers (2000).

nycIn the midst of all of the experimentation with the SYR discs. Sonic Youth released this “proper” release.

At the time, it was actually the impetus for me to stop buying Sonic Youth records.  Between the experimental discs and the expanding palate of 1,000 Leaves, it felt like Sonic Youth were sort of drifting away from rock altogether.  It was certainly a way to alienate fans of Goo and Dirty.

You get two two songs over seven minutes and three over five (there are two short blasts in the middle which add some heaviness to the proceedings). But for the most part, this is a very spare, almost atmospheric affair.

Prior to recording the disc, the bands custom gear was stolen.  So they started from scratch for this recording.  And that may have something to do with the ambient, almost spatial sound.  It is quite mellow, (although still angular and dissonant) with a number of spoken word/beat poetry vocals.

Whether it’s pretentious or artsy depends on your take for recited lyrics (and SY’s lyrics are inscrutable anyhow).  Although Lee’s piece “NYC Ghosts and Flowers” seems to fit the style best (he has done a number of spoken vocal pieces in the past).  And “Nevermind (What Was It Anyway)” has a sort of commercial appeal.  The closing tack “Lightnin'” even features a trumpet, which I assume is played by Kim.  It’s the most noisy piece on the disc, with all kinds of fun sound effects showing up.

I’ve been listening to this disc a lot lately.  I think because I’ve revisited the experimental discs, this one makes more sense.  It’s not what I’d call a typical Sonic Youth album, or even the best Sonic Youth album.  It is certainly their most jazzy/mellow experiment (especially compared to the noise of says the SYR discs) and is about as far from their commercial peak as they could get.

The strangest thing to me though is that, despite all of the experimentation and slow-building songs, the whole disc is under 45 minutes.  So, they aren’t just making noise to fill space.

[READ: Week of August 31] Infinite Jest (to page 808)

In all of the talk about DFW’s “psychic” abilities with regard to technologies, one thing no one has mentioned–that I’ve seen–is his love of Venus Williams. Her name keeps popping up (I’d say at least a half dozen references so far).  And in many ways one doesn’t think too much of it (she is the #3 player right now, bested by her sister Serena who is #2).  But the amazing thing about his embrace of Venus is that as venusof 1996, when the book was published, she had barely played any pro tournaments.

Look a these tidbits from Sports Illustrated:

October 31, 1994: Venus wins her first pro match, defeating Shaun Stafford at the Bank of the West Classic in Oakland. … Venus faces Arantxa Sanchez Vicario, the No. 2 player in the world, in her next match. Venus races out to a 6-3, 3-1 lead but then folds as Sanchez Vicario wins 11 consecutive games. In an interview after the match, Venus is asked how the loss compares with previous defeats. She answers bemusedly that she has never before lost a match.

May 22, 1995: Reebok announces it has signed Venus to a five-year, $12 million deal. Thus far, Venus has played in one pro tournament.

Although much has been speculated (by me and others) about when he was actually writing this book (and when he was able to send in last minute changes), she would not break into the Top 20 until 1998.  He clearly saw something in her.

ijdot1

I write these posts as I go along.  So, I read the day’s pages take notes and then type them up.  This is why I get moments of speculation in the posts.  But mostly it means that when I start writing I don’t know how much there will be in total.  This is now the second week in a row where the early reading started off, if not slowly, then certainly without all too much happening.  The notes I took were very simple, along the lines of: Marathe in Ennet House or Kate & Marathe talk.  I knew I could remember what they were talking about, but there wasn’t a lot of notable moments.

And then, we get the trifecta of Endnotes and Tine’s interview. Holy cow, a torrent of information flooding out at once.  It doubled my word count almost immediately. Phew.

ijdot1
As this week’s reading starts out we see Marathe trying to check into Ennet House.  Okay, actually he’s there as the final part of his recon looking for the veiled girl who was in the Entertainment and is now in rehab.

His new-eyes-looking-at-the-place is rather enlightening as I hadn’t realized just how dreary and drab the House is (nor just how weird most of the residents would be).  The supporting cast is in good form: some of them sleeping, some of them talking loudly, others just staring.  And Marathe takes it all in. (more…)

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David Foster Wallace–[Week 10] Infinite Jest (1996)

Posted in Adventure, Big Books, Boston, MA, Canadian Content, Consumerism, Corporate skewering, David Foster Wallace, Death, Demons, Dreams, Drinking, Drugs, Eschaton, Esquire, Funny (ha ha), Funny (strange), Gangsters, Goonies, Infinite Summer, Marriage Trouble, Meta, Oddities, Political Humor, Postmoderism, Religion, Set at School, Smarty Pants, Suicide, Technology, Tennis, The Future, Toilets, Violence, Yuck! on August 29, 2009| 8 Comments »

dfw-title-pageSOUNDTRACK: GARBAGE-Garbage (1995).

garbageI was thinking about how IJ reminds me so specifically of a place and time (I instantly think of the apartment I was in when I started reading it).  And there are also some discs that I was crazy about at the time too.

I very distinctly remember when the first Garbage single “Vow” came out.  I remember seeing it in Newbury Comics [the absolute best record store chain, ever] on Newbury Street and it was plastered with stickers about how it was the new band from Butch Vig and he had produced every popular alt record in the 90s and blah blah blah.  But so I basically got Vigged out and didn’t bother listening to it.

Strangely, I don’t remember what changed my mind about them.  I assume I heard the first proper single “Queer” and instantly fell in love with the band.

It makes me laugh that the band was initially marketed as Butch Vig and two other high-profile producers got together and made this great music and they found this unknown Scottish woman to from the band.  And then, shortly there after the band was Shirley Manson and three unknown guys.  Heh, prettiness wins out.

Garbage was at a record store in downtown Boston that year.  I went down, but went to the wrong location (Doh!) and by the time I got to the right one, the line was too long and I was told I wouldn’t get in.  Alas. (Hey, I’ve still got my autographed poster from The Verve before they released “Bittersweet Symphony.”)

This album was in very heavy rotation at my house at the time.  I must’ve listened to it 1000 times.  But this is the first time I’ve listened to it in awhile.  It’s hard for me to be critical of it since I know every nook and cranny.  But listening to it today I think it is still pretty damned awesome.  The vocals are tight and creepy/sexy.  The songs are all solid rocking/catchy.  And the production is superb (obviously).

Not a bum track on the whole release, even 14 years later.

[READ: Week of August 24] Infinite Jest (to page 729)

There has been much discussion here on the forums and here between me and Infinite Tasks about the IJ timeline.  There is the pretty glaring observation that M.P. tried to kill herself  on November 7th, was in the hospital for five days and then appears in Ennet House on November 8th.

In last week’s reading, the WYYY engineer is musing about M.P.  He was told that she was hospitalized, and I considered that maybe that five day gap came BEFORE she tried to kill herself (for otherwise, how to explain that Mario missed her radio show sometime in late October?).  And yet that doesn’t seem to jibe with the fact that she’s apparently in there for an overdose.

A new timeline issue may be cropping up in this week’s reading.  A green Nunhagen-sponsored car appeared during the Escahton match.  We learn this week that Steeply is driving a Nunhagen-sponsored car.  But she arrives during the Hal/Stice tennis match, three days after Eschaton.  Has she been trying to get into E.T.A. for three days?  But, also, note that she left AZ, and Orin met the Swiss hand model (and Orin is having his second go -round with her during the match), early on the 11th (I think).  So I don’t think Helen could have been at ETA during the Escahton match.  Is there a second gunman green car?

This timeline stuff bugs me mostly because I feel like IJ is really fantastic.  And I assume that DFW spent a lot of time on it. (Certainly more time that I am spending reading it!). I imagine him with charts and graphs and circles and arrows explaining where everyone is at any given time.  Now, there are a number of conceivable explanations for the mistaken timeline:

  • Most of the stories about Madame Psychosis are second-hand, so they could be wrong.
  • There is ample evidence that people in this book are crazy and therefore not to be trusted.
  • And of course, there’s always the possibility that DFW just screwed up.

If this final option is the reality, I won’t be devastated.  I don’t think the book hinges on a few minor timeliness issues.  But I will be a bit surprised.  DFW seems like such a meticulous guy (I mean, geez, look at the detail he puts into his scenes) so it would be really surprising if he got timeline issues messed up.

There is always the possibility that these issues will be cleared up, after all, he ties up so many loose threads, but I suspect they won’t.  And that’s okay.  I won’t turn into Steeply’s father poring over every page and keeping a journal in little notebooks (that’s what the blog is for!)

ijdot1It is incredible serendipity that I did the JOI filmography during this week as this week’s readings actually count on knowing a bit about it.  And since I had just reevaluated it, I was aware of a thing or two during Hal’s viewing scene.

ijdot1Week 10 starts off seeming like a lot of nothing is happening.  There’s a few post-Event scenarios.  Until we get to November 14th, and a whole lot goes on.  A whole lot! (more…)

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Bryan Lee O’Malley–Scott Pilgrim vs The Universe (vol. 5)

Posted in Adventure, Books about music, Bryan Lee O'Malley, Canadian Content, Canadian Music, Cibo Matto, Contests, Death, Drinking, Fantasy, Free Kitten, Funky Web Sites, Funny (strange), Graphic Novel, Ikue Mori, LGBTQ, Magic, Oni Press, Robots, Romance, Scott Pilgrim vs. the World, Sex, Sex Bob-omb, Short Books, Sonic Youth, Supernatural, Threats, Video Games, Violence, YA Books on August 28, 2009| Leave a Comment »

sp5SOUNDTRACK: SONIC YOUTH-SYR 5: Sonic Youth Featuring Kim Gordon/DJ Olive/Ikue Mori (2000).

syr5The fifth SYR disc is rather different from the others in that the only SY member is Kim.  This is a sort of side project for Kim, Ikue Mori and DJ Olive. They’ve played shows together as well.

This disc is also different because it features a number of short songs rather than a couple of long ones.  It also features a lot of different instrumentation: turntables, keyboards, that sort of thing.  Most of the tracks are instrumental (more or less) although a few have Kim’s vocals on it.  And Yuka Honda from Cibo Matto does vocals on one track.

Kim’s side projects (like Free Kitten) are usually pretty abrasive. She lets her freak flag fly with her vocals.  And that in a nutshell will determine whether you like this or not.  Kim is playing mostly guitar, so the other instruments tend to take over a bit.

It’s always interesting when SY mixes it up with another band or solo artist.  But it doesn’t really make it a SY record, proper.

Oh, and all of the writing on the disc is in Japanese.

[READ: August 25, 2009] Scott Pilgrim vs the Universe

There’s a new Scott Pilgrim website which lets us know that Volume 6 will be out in 2010.  I can’t wait that long!

This 5th volume seemed a bit different from the other four.  The lines were crisper, it seemed like Ramona looked a little bit different (her eyes were bigger or something) and overall, the volume was a lot darker (in tone).

Today is Scott’s 24th birthday (he’s now the same age as Ramona, yup he finally asked her).

But at a party Steven Stills tells Knives that Scott had cheated on Knives with Ramona and on Ramona with Knives (which wasn’t true exactly), which sets Knives off again.  She violently confronts Ramona and when she says why, Ramona gets pissed too.

At this same party, Ramona’s evil ex-boyfriends (the twins Kyle and Ken Katayanagi) show up.  Scott prepares to fight them, but they send their robot after him instead.  The fight continues downstairs while everyone pretty much goes to other rooms, kind of bored with the whole escapade.

We also see a bit of Ramona and Scott’s domestic life (Ramona runs errands all day and Scott does, well, nothing). (more…)

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David Foster Wallace–[Week 9.5: J.O.I.’s Filmography] Infinite Jest (1996)

Posted in Big Books, Canadian Content, Corporate skewering, David Foster Wallace, Death, Drinking, Drugs, Eschaton, Film & TV, Funny (ha ha), Funny (strange), Infinite Summer, John Cage, Kronos Quartet, Marriage Trouble, Meta, Political Humor, Postmoderism, Sex, Short Films, Smarty Pants, Sonic Youth, Sports, Suicide, Supernatural, Tennis, Threats, Universities, Violence, War, WMDs, Yuck! on August 26, 2009| 8 Comments »

blackSOUNDTRACK: SONIC YOUTH-SYR 4: Goodbye 20th Century (1999).

syr4This SYR recording consists of Sonic Youth’s interpretations of 20th century composers’ works.  Some of the composers are obscure, but a few are more or less household names: John Cage, Yoko Ono, maybe Steve Reich.  I knew a few of these composers from Kronos Quartet, but for the most part the pieces are all new to me.  Since I don’t know the original pieces I have no idea how faithful they are.

The most fascinating thing about the disc is the CD-ROM video of “Piano Piece #13 (Carpenter’s Piece)” which shows the band performing.  The “song” is literally the band nailing the keys of a piano down.

There are a number of guests on the CD, including the first (I think) performance by Coco Haley Gordon Moore (on the 17 second “Voice Piece for Soprano”).  And, the liner notes are all in English.

This is the longest SYR disc (at over an hour and a half) and it is a fascinating mix of noises and sounds and screams and spoken bits (okay okay okay okay okay okay okay).

This is not for everyone, not even the average Sonic Youth fan.  There’s absolutely nothing in the way of “songs” here.  The abstractness of the disc is palpable.  And, clearly, just knowing that one of the pieces is a bunch of people nailing keys of a piano, you get a fair idea of the breadth of “music” that the disc covers.

[RE-READ August 19th] J.O.I. Filmography

Before reading this week’s section, I had noticed that many people on Infinite Summer (and elsewhere) have discussed James’ films and how they relate to incidents in the overall story.  So, I decided to go back and re-read his filmography Endnote, just to see what else I could learn.

In general, with more background, the Endnote is much more interesting. The first batch of films are more amusing to read about just to see the emphasis on pain and disfigurement.  We also see that he had been using students and teachers from E.T.A. in his films for a while.

We have had an in-depth look at some of these earlier films: The Medusa v. The Odalisque; Homo Duplex, The Joke, The ONANtiad (which the endnote describes as unfunny).  But the ones we haven’t seen show distinct commentary about the state of the country since the Reconfiguration (it’s clear that J.O.I. was against it).  The American Century As Seen Through a Brick deals with anti-O.N.A.N. riots; The Universe Lashes Out is about the evacuation of New Hampshire during the Reconfiguration; Poultry in Motion concerns the toxification of Thanksgiving Turkeys; and No Troy is about miscalibrated Waste Displacement Units that crashed into Troy, NY (which was mentioned in the scene about people looking for entertainment outside of their living rooms).

[Unrelated to the story, on page 990 of my paperback IJ (with forward by Dave Eggers) every italicized word contains a superscript 1 after it (indicating, what? more footnotes?) It is an astonishingly weird glitch/typo and I can’t believe that it wasn’t spotted before going to print as it makes the titles actually harder to read.] (more…)

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David Foster Wallace–[Week 9] Infinite Jest (1996)

Posted in Big Books, Boston, Canadian Content, Dave Eggers, Death, Demons, Drinking, Drugs, Eschaton, Funny (ha ha), Funny (strange), Humiliation, Infinite Summer, Meta, Millennial Fizzy, Mystery, NASA, Neurotics, Postmoderism, Set at School, Smarty Pants, Soiled Underpants, Sonic Youth, Sports, Suicide, Supernatural, Tennis, Threats, Universities, Violence, Virginity (Loss of), WYYY 109 FM: The Largest Whole Prime on the FM Band, Yuck! on August 21, 2009| Leave a Comment »

ij9SOUNDTRACK: SONIC YOUTH: A Thousand Leaves (1998).

1000This CD actually ties to the book because the crossed out title on the CD is “mille feuille” and the first song is called “Contre le Sexism.”

This opening song is weird and lets you know that this disc is not going to be a friendly listen.  Over some feedback and scratchy noise, Kim whispers and hollers, most notably that “it’s just a kitten.”  But just when you think that the disc is going to be a crazy noise experiment, the next track “Sunday” proves to be another one of Thurston’s supremely catchy singles.

The back and forth continues with Kim’s abrasive “Female Mechanic Now on Duty” and Thurston’s delicate “Wildflower Soul.”  But the pattern is broken with Lee’s spoken-word over simple guitar lines piece, “Hoarfrost.”  It lacks Lee’s usual catchiness, although his later song “Karen Koltrane” more than makes up for it.  Then Kim surprises us by giving us the catchy “French Tickler.”

To me, “Hits of Sunshine” is the centerpiece (literally and metaphorically) of the disc.  It’s 11 minutes long and ranges through the main stylistic feelings of the disc.

The whole disc is over 70 minutes long and it feels meandering.  This is not to say that it has no focus, it’s just not full of pop gems.  And yet for all of its wandering, it hasn’t lost the tunes.  Mixed reviews abound for this disc with everything from 1 to 4 stars coming from the pros.  And, I think depending on my mood, my overall rating could be just as diverse.

I admit that at the time I was starting to lose my adoration for the band.  These longer, more abstract pieces were less enticing than the noise of yore.  But now that I’m a bit older, I can appreciate what they were doing.

[READ: Week of August 17] Infinite Jest (to page 651)

I was planning on starting this week’s write up with a bit about J.O.I’s filmography, which I delved back into and found some fascinating information.  But this week’s write up is pretty long already, so I’m going to do a mid-week (but still spoiler line approved) retrurn to the filmography shortly.

So until then, let’s get back to the book:

This week’s reading gets off to some detailed viewing of the Incandenza men’s psyches before launching into an adrenaline fueled rush.

Mario is still freaked out about Madame Psychosis not being on the air.  He’s not sleeping well at all, and when the insomnia hits him, he goes for walks (even though he knows, and is worried about, how much it freaks out the Moms).

Mario is slowly turning into the absolute heart of the book.  He absolutely and without question loves Hal, and he is concerned for him because he’s been acting differently lately (Mario himself never changes).  He also prays nightly, and in a serious way, talks to God (although he doesn’t expect any one to answer…he’s not crazy).  And, in a very touching scene, which seems to resonate so well with late 1990s America, he is troubled that no one can talk about things sincerely without it being ironic.  (Pemulis wants to set up a prayer hotline for atheists that would just ring and ring). (more…)

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David Foster Wallace–[Week 8] Infinite Jest (1996)

Posted in Big Books, Boston, MA, Canadian Content, Corporate skewering, David Foster Wallace, Death, Dreams, Drinking, Drugs, Funny (ha ha), Gangsters, Garbage, Infinite Summer, Marriage Trouble, Meta, Paul F. Tompkins, Prison, Set at School, Sonic Youth, Sports, Suicide, Technology, Tennis, The Future, The Sound of Young America, Violence, Yuck! on August 15, 2009| 5 Comments »

ij8SOUNDTRACK: SONIC YOUTH-Experimental Jet Set, Trash & No Star (1994).

ejstns“Bull in the Heather” is one of my favorite Sonic Youth songs.  I love everything about it (even if I haven’t got a clue what it’s about): the simple opening, the switch to harmonics, and, my favorite part, the drum break that leads to the chorus (who ever heard of getting a drum break stuck in your head?).

There’s a lot to speak for this disc even though it seems to be overlooked (as the empty spot between Dirty and Washing Machine).  Take the absolute variety of textures, and the almost surreal mixtures of styles within (short) songs (like “Bone” which opens with super fast paced drumming and howls from Kim and then breaks into a very mellow (and catchy) chorus).

For sheer variety: the disc opens with an acoustic guitar strummer by Thurston (“Winner’s Blues”), and then, after the single “Bull in the Heather,” there’s the 2 minute noise-fest “Starfield Road.”  This is followed by the cool and catchy “Skink,” which is like Kim’s version of the slinky and cool “Self-Obsessed and Sexxee.”  This is definitely Kim’s disc, she sings about half of the songs, and shows a great variety of styles here.

“Androgynous Mind” is one of those weird songs that has a wonderfully catchy vocal line but where the music is pretty much abstract nonsense.  And speaking of catchy, this disc continues with SY’s notion of sing along choruses (even if what you’re singing doesn’t make a lot of sense (“Screaming Skull” fits that bill perfectly)).  And then “Quest for the Cup” does a 90 degree turn after the intro.  All of these shifts and changes occur in less than half an hour.

The last 20 minutes or so settle the disc down somewhat (except for the brief “In the Mind of the Bourgeois Reader,” but the 7 minute closer “Sweet Shine” ends the disc on a mellow note.

This is also the last SY disc produced by Butch Vig.  Vig’s production is often described as clean. But Vig doesn’t clean up the noise that SY makes, he just makes it, I guess, crisper would be a better word.  Compare the way that Garbage’s “Vow” opens with a big grand noise and then stops dead after a few seconds.  Vig seems to be a master of controlling noise to make it stand out more.  And in that respect, his technique really shines through on this disc…it feels almost mechanical in its precision.

From this point forward, Sonic Youth would break away from this style of music into a freer and looser almost jazz feel, so even if the album title doesn’t make literal sense, it describes the disc quite well.

[READ: Week of August 10] Infinite Jest (to page 589)

Last week, showed Gately’s car speeding through Cambridge.  He runs over a discarded cup which we follow as it sails down the street and hits the Antitoi’s door.  It was very cinematic.  Discussions abound about whether IJ could (or should) be filmed.  I’m not going to add to that discussion but I did want to mention what I see as the filmic way the book written.

In many movies you are introduced almost casually to many of the protagonists, seeing them in their most typical place of employment or hang-out spot or some such thing.  And in films, it doesn’t seem that weird to get a two minute or even 30 second establishing shot of character A before jump cutting to character B.

And that’s how IJ starts, with all of these jump cuts, establishing shots, of characters.  Clenette’s scene is hard to read, but if you saw it in a movie, you’d say, okay that’s her character.  And, for the most part you would expect her to reappear later in the movie. I’m not sure what anyone expects to happen in IJ, so who knows what we think the Clenette scene is about, but realistically, the character has to come back, even if what she said didn’t make any sense at the time.

And as movies go, so does the book, cutting back and forth between scenes building the stories along as they inevitably intertwine.

It’s also not unheard of to have what seems like it may be the end of the chronological story appear first (we haven’t seen any return to the Year of Glad yet).

And so, yes I will say a thing about the filmic possibilities of  this book.  Sure the book is long, and yet so much of the book is description, stuff that in a movie can be done with an establishing shot, even a slow one.  The whole Joelle/overdose scene which covers so many pages could be filmed rather quickly.  So could Eschaton. The question of course is how much would be lost in translation.  And that I can’t answer (although I expect quite a lot).

Be a hell of a film, though.

ijdot

So, in a few places, especially on Infinite Tasks, people have been mentioning some crucial information that happens on Page 17.   I felt bad that I didn’t recall anything that happened on page 17, so I went back and re-read this section (and how weird is it to re-read parts of a book that you haven’t even finished yet?)

And so Page 17 feels like a major spoiler!  It feels like so much is given away!  It feels like such an essential part of the story that it’s amazing how it’s sort of tossed off in a hallucinatory sequence.

I think of John N.R. Wayne who would have won this year’s WhataBurger, standing watch in a mask as Donald Gately and I dig up my father’s head.  There’s very little doubt that Wayne would have won.

Wow.  So much packed into those two sentences!  Holy cow.

And, the end of that sequence has an orderly ask Hal, “so, yo, then man what’s your story?”

Is that the device that sets up that Hal is telling this whole book?  I just blew my mind.

ijdot

This week’s reading begins with the aftermath of The Escahton debacle.  Or the precursor to the aftermath, anyway.  And it features the color blue. A lot.

It also gets to a question I’ve been puzzling about for sometime: why isclouds every IJ book jacket/promotional material designed in a sort of cloud motif. Well, in the section we lean that Uncle Charles’ office is decked out in an unsettling cloud wallpaper (which is coincidentally the same wallpaper as Hal’s dentist).  It has only appeared briefly so far, so it seems odd that it would take on such an iconic feel.  But we’ll see if it comes back.

(more…)

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Sherman Alexie–“War Dances” (New Yorker, August 10 & 17, 2009)

Posted in Cancer as plot device, Death, Drinking, Funny (ha ha), Military, New Yorker, Sherman Alexie, Sonic Youth on August 13, 2009| Leave a Comment »

nySOUNDTRACK: SONIC YOUTH-Dirty (1991).

dirtyI think of Dirty as a pretty commercial album.  I mean, it’s got Butch Vig as a producer for crying out loud.  And, it has three singles released from it.

The lead off track “100%,” and track three “Theresa’s Sound World” are as catchy as anything.

And of course, Lee’s “Wish Fulfillment” is just an amazing track, and is certainly a nod to a more poppy sound.  But it is “Sugar Kane” that strikes me as their most commercial attempt yet. Of course, saying all this, one must remember that Daydream Nation & even Sister had tracks that were short and catchy.  Dirty almost feels like a condensation of that sound.

“Orange Rolls, Angel’s Spit” is one of those songs that mixes catchy sections and utter noise so successfully.  And “Youth Aginst Fascism” has a wonderfully catchy vocal line but it is backed by the squeakiest most unmusical guitars on the record (and has the memorable “I Believe Anita Hill” line).

But despite all that, there’s also two completely un-Sonic Youth songs on the disc: “Nic Fit” is a one minute hardcore punk blast while “Creme Brulee” is a solo guitar (a sort of out-of-tune, cheapo amp effect) strumalong sung by Kim.  Kim also gets “Drunken Butterfly” which is certainly not easy listening, (although the mocking of The Door’s lyrics is pretty funny).  And “Shoot,” which is one of Kim’s menacing spoken-wordish pieces that changes the overall temperament of the disc.

But, yea, there’s no denying that this is a commercial album. It features some of their catchiest and easiest-listening tracks.  And yet, the disc is certainly done on SY’s terms.  For even if they did make it onto the Billboard charts (#83), they certainly never got played on Top 40 radio.

[READ: August 6, 2009] “War Dances”

I wasn’t sure if I was going to read this short story or not.  But then this story is broken down into multiple small sections and the heading on the first was My Kafka Baggage. Now, I like Kafka, but Kafka can also be an “lazy” indicator for “weird stuff ahead”.   Nevertheless, I read the opening and I was intrigued. By the end of that section I was hooked.

And even though I felt the second section wrapped up things really nicely (it wraps up a story about the narrator’s father, but not the whole story itself), I pressed on.

All of this sounds like it’s not a strong vote of confidence for this story, but that’s far from the truth. The story was fantastic. I couldn’t get enough right up until the end, which was very satisfying.

The story concerns a forty year old Native American Indian guy. He has two kids and his wife is away in Rome on vacation. When his kids start clamoring for food, he realizes that he can’t hear them very well.  And sure enough, when he goes to the doctor, his hearing has suddenly dropped to about 30% of his normal ability. (more…)

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David Foster Wallace–[Week 7] Infinite Jest (1996)

Posted in Big Books, Canadian Content, Canadian Music, Consumerism, Corporate skewering, David Foster Wallace, Death, Dreams, Drinking, Drugs, Fables, Funny (ha ha), Infinite Summer, Set at School, Smarty Pants, Suicide, Technology, Tennis, The Future, Threats, Violence, Voivod, Yuck! on August 7, 2009| 8 Comments »

ij7SOUNDTRACK: VOIVOD-Nothingface (1989).

nothingfaceIn light of Marathe and the Antitois, and Quebec separatists everywhere, I figured I’d mention my favorite CD by a rocking Quebecker band.  When Voivod started they were a rumbling thrash band.  They put out an album with the wonderful title of RRRÖÖÖAAARRR.  They were very fast, very loud, and their singer had a really peculiar delivery style.  I later learned that this was because he’s a Quebecker and French is his first language.  Since he sings in English, his stresses and emphases are off-kilter, (and the guitarist seems to play to this particular feature, so the music is off-kilter as well) making for a very surreal experience.

They were probably my first inroduction to really cool French names.  Because even though they had stage names (Piggy, Blacky, Snake, and my personal favorite: Away) their real names were foreign and cool like Denis D’Amour and Jean-Yves Theriault.

Nothingface is the pinnacle of their prog-creative energies.  It is a fantastic progressive-rock/heavy metal hybrid.  There are fascinating time-changes, with cool atmospheric aspects that counterpoint the heavy sections.  And the overall theme of the album is technology gone awry.

On their previous records, melody was not really evident.  And it’ hard to believe that a disc that is so full of time changes could still be melodious.  Yet the bridge of “Nothingface” is quite pretty, which, again, counterbalances the weird chord structures of the solo section.  There’s even an awesome cover of Pink Floyd’s “Astronomy Domine” that adds some cool metal guitars to an already trippy song  The Floyd version is spacey and psychedelic.  Voivod add an element of menace to the song.  Very cool.

And then there’s a song like “Missing Sequences” which has 4 different sections in the span of less than two minutes.  An opening that is slow and spacey, interrupted by a loud “Now!” which brings to a weirdly chorused verse that morphs into a rough staccato bridge followed by a speedy guitar break and then yet another verse style.  By the time we hit the 2:30 mark, the song breaks down into a bass-only sequence.  And then it mostly repeats itself. That is, until the ending minute which is something new entirely.  It sounds impossible on paper and yet it is done seamlessly and is one of my favorite tracks on the disc.

There’s also the weirdly propelling and compelling “ground and rock and sand come crumble tumble down” sequence of “Pre-Ignition” that throws a cool catchy riff in the midst of a fast charging song.  And “Into My Hypercube” has some fantastic riffs, including another really cool bass-only section.

And the whole album works great with headphones.

In the 1990s, metal bands experimented with lots of different genres and effects, but it was this 1989 release that really highlighted what kind of fantastic music you could make within the strictures of heavy metal.  Voivod makes some pretty unusual sounds with their instruments (guitar most of all), and the album can be a challenge, especially if you like you music light and easy), but for me, this is one of the best discs around.

[READ: Week of August 2] Infinite Jest (to page 508)

50% through.
Halfway House, er, I mean Half Way Home.
Thoughts:

The rewards are coming quickly now.  There seems to be a payoff every few pages.  I am totally loving this book and the environment it has created.

Since the Boston Marathon is mentioned in the book, I’ll say that we are currently at the 14 or so mile point (downtown Wellesley).  Congratulations, you have just made it through “Screech Tunnel.”  [See the Boston Marathon route here.]

ij

I’ve been going on and on about chronological years and when exactly Subsidized years started.  I even quoted other people who had calculated the actual year that Subsidized time was set up.

And, of course, all this time, all we had to do was to look at the NAME of the Year of Yushityu 2007 Mimetic-Resolution-Cartridge….  As this clever thread shows, others figured out pretty early in the reading that the 2007 in the year was a pretty big clue as to what year Subsidized Time began.

(Presumably non O.N.A.N. countries do not follow Subsidized Time?  And the, again, presumably Japanese made Yushitsu is on numerical-year-time.  Or is that a thread that has already been discussed already?).

I am pretty embarrassed to have realized this at this late a date, and I’m delighted that everyone let me figure it out for myself (and that no one was cruel enough to rub it in.)

Now if you wanted to argue against the Yushityu 2007 as a dead giveaway to the year, you could say that, for instance, Microsoft Products don’t always indicate the year that they came out.  But for confirmation of Yushityu, we can use a perpetual calendar.

We learned that November 7th is the the day of the exam that Schacht is taking.  This is a Saturday class.  The perpetual calendar show that Nov 7th falls on a  Saturday in 2009.  Therefore YDAU=2007.   I’ve been trying to use all this logic to puzzle this information out, and here the author basically just TELLS us it from–well, not the get go exactly–but from a pretty early point.

All of this self-flagellation is also because of my own lack of clock-watching in the book.  I have somewhat obtusely not been following the chronological dates very carefully.  It was only when I consciously realized that Marathe and Steeply are having their mountainside chat in April/May of the YDAU when all of the events at E.T.A. and Ennet House are taking place in November that it dawned on me that the time line was not only present, it was pretty important.

So, I spent some time crafting a general timeline of events–something I haven’t seen anywhere else, (but then I haven’t actively been looking for it because I don’t want to get Spoiled).   So at the end of this post I’m going to put my timeline of events thus far. I’ll see how important it is to update it in future posts.

But now on to the book:

This week’s reading jumped back and forth between topics a bit more frequently. (more…)

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Periodical: Radar

Posted in Books about music, Britney Spears, Consumerism, Corporate skewering, Drinking, Drugs, Funky Web Sites, Political Humor, Radar, Technology, The Future on August 5, 2009| Leave a Comment »

radarRadar Magazine has folded.  Yet again.  They launched the magazine a few years ago, and I subscribed.  And it folded.  Then they relaunched it a second time, and they continued my subscription (wasn’t that nice).  And now it folded again.  They still have an online presence, but I’ve never looked at it.

Whatever you say about the magazine itself, they sure had fun with their covers! (more…)

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