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Archive for the ‘Drinking’ Category

uriSOUNDTRACK: TINDERSTICKS-Waiting for the Moon (2003).

moonThis Tindersticks disc shows a bit of a departure for them.  Two of the first three songs are not sung by Stuart Staples (which is nice for diversity, but it is shocking to hear the first sung words on a Tindersticks disc be in the relatively high register of Dickon).  Not to mention, the song opens with lines about killing someone (!), which is a bit more drastic than most of their lovelorn lyrics.

The fourth song “4.48 Psychosis” is the most guitar heavy/rocking song in the band’s catalog, I think.  And the rest of the disc falls into a fairly traditional Tindersticks camp.

I’ve read a lot of reviews of this disc that describe it as a grower.  It’s entirely possible that I haven’t allowed this disc to grow on me enough, but I’m not as enamored of this one as I am with the rest.  The problem for me is that the first batch of discs are so magical that it just feels like this one is simply not as exciting.  Of course, any Tindersticks record is a good one, this one just isn’t quite as good as the rest.

Mayhaps I need to go back and try it a few more times?

[READ: October 31, 2009] Etidorhpa

I found out about this story when a patron requested it.  I’d never heard of it, and when I looked for it, it was very hard to find in our library system.  But when I Googled it, it was available as a Google Book.  They had scanned the entire thing and (since it was old and out of copyright) it was available free online!  Awesome.

I printed out the whole thing (double sided) and figured I would read it fairly quickly.  [Oh, and just to ruin my cool story about Google books, I see now that it is available in paperback for about $10 from Amazon.  Doh!]

Of course, I’m not just going to read something because it’s available as a Google Book.  The patron said that it was like Jule’s Verne’s Journey to the Center of the Earth.  I had just read “Symmes Hole” in McSweeney’s #4, so Hollow Earthers were already floating around my mind.  It all seemed to work out quite well.

By the time I started reading it, I had forgotten about the Hollow Earth ideas.  Which is fine, since the first 100 pages or so are given up solely to the ideas of occult sciences.  But, let me back up a bit first.

First there is a Preface.  Lloyd claims to have found this manuscript which was hidden by Llewellyn Drury.  Before he gets to the manuscript, though, he gives a little background about himself.   He also relates a lengthy story about the value of libraries and shared knowledge.  He concludes with speculation about Drury, and the revelation that although he is unwilling to specify how he came into possession of the manuscript, he has had it for seven years (as of 1894) and is finally convinced that it’s time to get it published.

My edition also contains a Preface about Daniel Vaughn. Vaughn is mentioned as a character in the story (but he was a real person as well).  In the story, Drury sought Vaughn’s assistance with some scientific matters.  So there’s a brief biography about the man.

AND THEN, there is a section called “A Valuable and Unique Library” which is another preface about the value of libraries.  I’m not even clear about who wrote it, if it’s supposed to be a plug for this book itself or if it’s just an ad for something.

Finally, the story proper begins.  But not without a preface by Drury himself, giving his own life story (his full name is Johannes Llewellyn Llongollyn Drury) but he decided to remove those two ugly names. (more…)

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walrusoctSOUNDTRACK: THE TREWS-House of Ill Fame (2003).

trewsAfter listening to the new Trews disc, I popped in their first disc.  Mostly because I thought their first one sounded rawer.  And it does.

House of Ill Fame has the same rock feel as the new one does, but it also feels a lot more garagey.  It rocks harder, with more edge.  The songs are more memorable to me, mostly because they are a little more distinctive.  There’s some songs where the basslines really stand out (when the guitars either drop out or play some lighter riffs).

But overall the disc just feels less polished.  And it’s all the better for it.

Especially because my disc comes with a live EP.  And the band really rocks live.  They play louder, grittier, and with more energy.  These songs really come alive  on the disc.  “Tired of Waiting” one of my favorite songs on the disc, segues very nicely into the Na Na part of “Hey Jude” which is a highlight on the live disc as well.

While No Time for Later is certainly enjoyable, I simply prefer the rawer sound of House of Ill Fame. I’ve not heard the middle disc, Den of Thieves, so I’m not sure if it falls somewhere in between the two or not.  I’m sure the songs are solid though.

[READ: October 12, 2009] “Long Live Annie B.”

This is a dark story set in the winterlands of Saskatchewan.

Annie B. grows up in a destitute part of town with a destitute mom.  With few choices, Annie B., at fifteen, decides to get involved with an older guy.  Just for sex; a non-meaningful relationship.  But despite the casualness Annie B. seems to get a lot out of it, at least in terms of cinematic education.  She and her man watch all kinds of films (primarily horror films, but also foreign ones).

But with one action for him, she decides that she has had enough and breaks up with him. (more…)

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walrus-99SOUNDTRACK: NEKO CASE-Middle Cyclone (2009).

nekoI first learned of Neko Case through The New Pornographers.  Their song “Letter from an Occupant” blew me away.  But when I’d investigated her solo work, I learned she was more of a country singer than anything else.  Reviewers said that Middle Cyclone broke from that mold a little into more rock territory.

I don’t know her early stuff, but I can attest that these songs are mildly rocking. However, it’s hard to take the country out of the singer.  There’s something about Neko’s voice on this disc that screams country (even as her songs get faster and more furious).  But, much like k.d. lang who won me over when she broke away from her country roots, so did Neko Case.

Rather than explicit country, Neko case seems to be filling in the shoes of the sorely missed Kirsty MacColl, another great singer-songwriter who melded genres like so much fondue.

Case never hits the manic intensity of “Letter from an Occupant” (she admitted on Wait Wait Don’t Tell Me that her vocals were sped up for that song), but she proves to be a powerhouse singer.  And once I got over the fact that this album didn’t ROCK, I accepted that it was very good.  I don’t know if I have a favorite track, although I do like her cover of Sparks’ “Never Turn Your Back on Mother Earth.”

I finally managed to listen to the last track, “Marais la Nuit” all the way through on my lunch the other day.  It is, literally, 30 minutes of frogs and bugs chirping away.  It’s quite relaxing, but not really worth listening to all 30 minutes.

[READ: October 8, 2009] “Summer of the Flesh Eater”

The title is not misleading exactly, but it may make you think zombies are afoot.  But they are not.  (I debated about revealing this, but figured it would win more fans of people who don’t like zombies than lose people who do). (more…)

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walrus1I found out about The Walrus while watching an interview with Noah Richler on Book Television (back when I had Canadian satellite).  During the interview, they mentioned that the first issue of this cool new magazine, The Walrus, had just come out.  I was very intrigued; amazingly, the local Barnes & Noble had a copy!  I was delighted.  And since then The Walrus has become one of my favorite magazines.

In fact, in comparison to similar magazines (Harper’s, maybe The New Yorker) it is the only magazine that I read cover to cover.  I’m not sure why I insist on this (it’s probably got to do with it being an import from Canada, but really it’s just so well written that I enjoy everything), but I never regret reading every piece.

The magazine has recently had a face lift, a new cover design and, what seems to me to be a little more white space…it feels like each issue is a little less text-heavy.  Which is obviously a little disappointing, and yet when you have a lack of free time, as I do, it makes it a bit easier. (more…)

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adidasSOUNDTRACK: TV ON THE RADIO-Dear Science, (2008).

sciencThe problem with TV on the Radio for me is that their first EP is so damned good that anything else they do pales in comparison.  Having said that, Dear Science, comes really close to topping that EP.  I liked Cookie Mountain (their previous disc) but I felt like they put so many elements into the mix that it detracted from the best part of the band: Tunde Adepimbe & Kyp Malone’s vocals.

And so, on Dear Science, the vocals are back up front where they belong.  This disc is a lot less busy, which may seem a little like selling out, but instead, it just heightens the complexity and originality of the band’s work.  The disc rocks hard but it also heightens some really cool jazz and dance elements.    But it all comes back to the melodies and vocals for me.  And on Dear Science, they pretty much outdo themselves.

And you can dance to it!

[READ: September 30, 2009] Shiny Adidas Tracksuits and the Death of Camp and Other Essays

After reading David Foster Wallace’s essay in this book, I looked at the other articles here and decided to read the whole thing.  And I’m really glad I did.  It’s an interesting book full of, funny and often thought-provoking pop culture articles circa 1996.  As with some of the other pop culture/political books that I’ve read several years after they were relevant, it’s often weird to look back and see what things fully occupied the popular landscape at the time.  And, when a piece is completed dated, it’s pretty obvious, and sometimes unintentionally funny.  But there are many pieces here that are timeless (or at least hold up for a decade), and those are still really good reads.

This book also does a good job of summarizing the tenor of the defunct Might magazine.  A dose of irony, a splash of humor and a lot of criticism of what’s trendy.

The strange thing to me about this book, though is the targets that they chose to go after sometimes.  Rather than critiquing right-wing attitudes or corporate shenanigans (which they do touch on), they really seem to be after pop and rock celebrity.  For instance, there are two separate articles which take a potshot at Eddie Vedder (this was around the time of the Ticketmaster fiasco which didn’t put him in the best light but which could hardly be seen as only self-serving).  This seems rather unfair, unless his sincerity could really be called into question by a bunch of ironic jokesters.  Magazines like Radar and Spy used to do snarky articles like this. I’d always thought that Might was a little better than that.  But indeed, there’s one or two pieces here that have a holier- (or perhaps indier)-than-thou attitude.   Which may have been fine in the 90s but which seem petulant now.

But aside from those, the irony-free pieces are very enjoyable.  (more…)

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genxSOUNDTRACK: THE DEAD SCIENCE-Villainaire [CST054] (2008).

villainThis is probably the most fascinating album that Constellation has released recently.  I’d never heard of The Dead Science, but evidently they have a few disc out already.

The main thing one notices about this disc is the lead singer.  His voice is fascinating: a sort of slow, whispered falsetto laced with an incredible vibrato.  It almost sounds like he’s struggling to sing (although clearly he isn’t).  So take this delicate voice and put it over a series of songs (each one very different) that feature rapid time changes, punk breaks, mellow guitars and/or a harp.

The music is definitely strange and yet I found it very engaging.  I also thought that I wasn’t really absorbing the music since it was so esoteric, and yet after listening to it again today I realized I knew when all the breaks and interesting bits were coming up.  The disc definitely needs repeated listens to get what’s going on, but it is a fascinating collection.

[READ: September 23, 2009] Generation X

As with many books with multiple covers, I never seem to be able to find a picture of my cover online (my copy is a nuclear green, which I’m sure I spent a few minutes selecting back then).  I bought this book in November 1992 (I know this because that was back when I wrote the date I bought a book on the inside cover of the book). I know that I loved the book when it came out because it made me an instant fan of Douglas Coupland (I bought Shampoo Planet just one month later).

And Gen X is a generation-defining book. The margins of the book are filled with cartoons and slogans and definitions of Gen-X speak.  Now, I’m not sure if anyone ever used these definitions or if Coupland made them up.  I certainly never heard anyone say them.  Nevertheless, real or not, they work well as a frame of reference for the way (some) 20somethings in the 90s thought about culture and their place in it.

And so, by proclamation, this book speaks to every slacker and is ever so grunge and slacker and ironic and slacker and…well, no.

I’m actually surprised that I enjoyed this story as much as I did back then, because I’m not sure how it spoke to my 23-year-old self.  And from a vantage point of 17 years later, I’m surprised at how earnest and honest the book turns out to be. (more…)

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inf sum

Okay, now that I’ve had time to digest the book (and to cope with the ending) I wanted to give some final thoughts on the book.  I also wanted to tie up some loose ends by posting my original response to the Salon.com questions as well as my letter to the posted article (keeping all my IJ stuff in one place).  I also found a map of Enfield that places things nicely in context.  I’ve included that at the bottom of the page.

But on to the book:

My previous post ended with what feels like a somewhat bitter taste in my mouth.  And yet I the disappointment I felt at the end of the book was not so much at what was said, but was actually a sort of disappointment that the book is over.

The book, the world, these characters became a part of my life.  I know for a fact that I have never spent this much time and effort on a book before (I didn’t even spend as much time on Ulysses, which I’ve read twice for a class).  And I think having the book left so open keeps the characters floating around in my head without actually letting them rest.  (Wraith-like if you will).

When I finished the book, the first thing I did was to go back to the beginning and re-read the Year of Glad section (now, for the third time!) [And I now I’m not the only person to have done so….just how many posts will say that that’s what they did?]. And I know that’s sort of the set-up of the book, like Finnegans Wake or even Pink Floyd’s The Wall.  And, in re-reading, even more gaps were filled in.  And that is, of course, why people read it multiple times.  And yet, do any of the multiple-times readers come any close to filing in the gaps of that lost year, or do they just find more and more awesome details to obsess over (or both)?

But before I get wrapped up in trying to “figure out what happened” I have to mention just how much I enjoyed the book.  I’ve never read anything like it.  The details, the quotes, the laughs, the pain.  It all sounds so trite (“It was better than Cats!”)  And yet, whether it’s the work itself or the amount of time spent on it, these characters are now with me.

So, I had read IJ when it came out.  And sometime in 1997 or 1998 after DFW published A Supposedly Fun Thing… he did a promotional tour stop in Boston.  And I recall getting up there and getting his autograph and saying how much I loved IJ and how it has stayed with me two years later. And that was true then (of course, if you’ve read me fumbling around and not remembering anything, you’ll know the details didn’t stay with me for 13 years, but that’s okay…the writing and the imagery stayed there somewhere.)

I think also, given the amount of time I spent on the book, and the amount of effort I expended keeping track of things, having this vacancy (both in the fact that the book is over and in the gap of one year) is really weird.  I’ve since read a bunch of reviews of IJ and the one thing I cannot imagine is how anyone with an advanced readers copy of this book could hope to read it in a few days (typical reviewer turnover time) and actually have something useful to say about it in time for a slated book review date?  I would think that if you weren’t following quite so closely you wouldn’t feel the sense of loss at the end of the book.

But enough pontificating.

Let’s think about what happened from 11/20 YDAU to Whataburger in late November, Year of Glad. (more…)

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finSOUNDTRACK: SONIC YOUTH-“Rather Ripped” (2006).

rippedWhen Rather Ripped came out, I was really excited by it.  It rocked heavy, it was catchy and it featured a lot of Kim.  I listened to it all the time, and would have said it was my favorite SY disc of this era.  However, listening to Sonic Nurse reminded me how much I liked that one too, so I’m unclear now which one I like better.

Jim O’Rourke left the band, so they’re back to a 4 piece.  And the overall sound of the album is more minimal. There’s less squalling feedback (although there are noisy parts).  And the song structures are tighter.  It sounds more like a punk album that a jazz album.  It’s a great release.

“Reena” is so instantly catchy, it’s an amazing opener.  And it’s followed by “Incinerate” which might be even more catchy.  A simple guitar riff and a beautiful chord progression.  “Do You Believe in Rapture?” is a delicate guitar-harmonics filled song.  The only thing that keeps it from being totally poppy are the off-kilter harmonics between verses.

It’s followed by the screaming noise guitars of “Sleepin’ Around.”  This has some amazing tom-filled drums from Steve Shelley which really propel the song along.  It eventually morphs into a pretty straightforward chugga-chugga song until the noise solos in the middle.  “What a Waste” is a lo-fi rocker with Kim singing angrily.  It’s followed by Kim’s more delicate/sexy “Jams Run Free,” a rather tender guitar line.  And, with Kim playing more guitar, I’m wondering if she’s writing these more delicate guitar riffs?  They seem kind of bass-like rather than the complex lines that Lee typically writes.  I’ll never know.

“Rats” is a noisy Lee song that I’m quite fond of.  It’s immediately followed by an even more delicate Kim song, “Turquoise Boy.”  This is a slow ballad that is quite surprising.  “Lights Out” continues the quiet mood with Thurston’s own brand of sinister/seductive singing.

“The Neutral” continues Kim’s delicate singing.  While “Pink Steam” is a beautiful six minute near-instrumental that Thurston reins in with great vocals at the end.  “Or” ends the disc in a quiet frame of mind.

I’m still undecided if I like Nurse or Ripped better.  But I am delighted by this new style that SY has been playing with.

[READ: September 17, 2009] Infinite Jest (completed!)

Hal is remembering the ’98 blizzard (which I actually tried to remember if I had been in Boston for and then realized that ’98 came after the book was written…Doh!)

It was the year that E.T.A. opened and they moved from Weston to E.T.A.  The Moms was attached to the Weston house so she dragged things out. (more…)

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ijestSOUNDTRACK: SONIC YOUTH-Sonic Nurse (2004).

nurse

After the glorious Murray Street, SY return with an even better disc: Sonic Nurse.  This is probably their most overtly catchy (and therefore in my opinion wonderful) record since the Goo/Dirty period of 1991.  (Can it really be 13 years between these discs?).

This disc features Jim O’Rourke as well.  I’m led to believe that he has been playing bass with the band in order to free Kim up to do other things.  Although what she is doing I can’t really imagine.

“Pattern Recognition” opens with the most catchy guitar line in Sonic Youth memory.  Such a great and easy guitar riff.  Kim’s voice is sultry and wondrous.  And Steve Shelly really gets a chance to shine with some fun drum parts.  And, as is typical lately, the catchy songs get some lengthy end treatments, so this song ends with a 2-minute noise fest.  But it’s a good one.  “Unmade Bed” is one of Thurston’s special mellow-singing songs but the guitar solo is weird and wonderful.

“Kim Gordon and the Arthur Doyle Hand Cream” was originally called “Mariah Carey and the…” (and I have no idea if the original was different).  Is one of those noisy Kim-sung jams that SY are known for. But it also features a “Hey hey baby” sing along chorus too.

“Stones” continues this midtempo catchiness with another amazing guitar riff that runs throughout the song.  While “Dude Ranch Nurse” is another mellow Kim piece that has a great riff and wonderfully noisy bridges.  And of course, Lee is awesome on “Paper Cup Exit,” yet another fatastic song.  The cool breakdown in the song is a nice unexpected twist.

“I Love You Golden Blue” may be the most beautiful song the band has ever done.  Kim’s voice is delicate and delightful as she whisper/sings over a gorgeous guitar line.  The final song is another of Thurston’s beauties: “Peace Attack” a slow builder, complete with verse ending guitar solos.

Sonic Nurse is a beuaty.

[READ: Week of September 14, 2009] Infinite Jest (to page 949)

Flying in the face of potential spoilers, I was looking for any evidence of there ever being a “unedited Director’s Cut” version of Infinite Jest.  There is, supposedly, one copy of the full text floating around, and I’m actually quite surprised no one has tried to capitalize on DFW’s death by releasing it (I’d rather see that than another “This is Water” type publication).

But while looking around, I got this pleasant surprise from the Howling Fantods–these are comments on a first draft of IJ (without too much unpublished work shown).  But there’s also this disturbing (to me) item:

(N.B.: Wallace made numerous corrections for the paperback edition of 1997, so that edition is the one scholars should use. Put a Mylar cover on the pretty hardback and leave it on the shelf.)

Great. So I read the wrong copy?  Twice??

ijdot1
I haven’t said very much in any of these posts regarding DFW himself.  I don’t feel it is my place to comment on the man or his situation.   However, through a nice shout out to me, I found this really cool site: The Joy of Sox.  It’s primarily about the Red Sox but it has a delightful side venue in DFW information.  There’s not a ton, and he quotes extensively from others who have done more research than he–he’s a fan of DFW, but this is a sports blog after all.  But it is a delightful collection of miscellanea.  And he pointed me to this article, “Democracy and Commerce at the U.S. Open“, which I had never read (so thank you!).   So, do check out the site, he’s not doing Infinite Summer, but he’s likely going to read IJ again in the fall.

ijdot1
As this almost-final week opens, the book is flying downhill like an AFR wheelchair, paralleling Gately’s literal inability to talk with Hal’s metaphorical? literal? we’ll see? one.  But it really is the Gately show.  We learn more and more about him, and his back story makes him more and more likable.  Who ever would have guessed? (more…)

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maileSOUNDTRACK: BEN FOLDS-Stems and Seeds (2009).

benI enjoyed Way to Normal, although not as much as previous Ben Folds CDs.  I was listening to Pandora Radio at work and I heard a version of one of the songs from Way to Normal, but it listed it as coming from Stems and Seeds, which I hadn’t heard of.

Stems and Seeds is a sort of fan club release of Way to Normal.  That whole album is remixed, remastered and in a different track order.  It also features B-sides and the “original leaked versions” (ie. not real versions at all) of several of these tracks.

The second disc (actually the first disc) is a collection of audio files that you can upload to the GarageBand program where you can manipulate the files yourself.  I have not even popped the disc in the computer to look at this yet, and I don’t foresee myself doing it any time soon.

But onto the music.

The differences are not vast in the remixes and yet I like them better.  Some excessive bits are lopped off (the “Japanese doctor” voice before “The Bitch Went Nuts” is thankfully gone) as well as a few bits that dragged out “Free Coffee”).   I don’t think of myself as a massive audiophile, but in a side by side comparison the new songs (which are apparently uncompressed like radio-ready songs are) sound cleaner, brighter and just better.  (Which again, is weird since Way to Normal was released just months before this.  Why bother releasing that version at all, I have to wonder.)

There’s also something about the new track order that I like better.  It just flows more smoothly somehow.

And the bonus tracks are also fun.  There’s a live version of “You Don’t Know Me” from a pre-show at Conan.  They practice it without the curse in the lyrics, but they all get a hearty curse-laden shout out at the end.  The “leaked” tracks are also fascinating. Even though they are lyrically not quite up to snuff, they’re not that far removed from Ben’s sillier songs.  But it’s the idea that he wrote these entire songs just to jam the leakers is fascinating to me.  He wrote new melodies and recorded entirely new songs that aren’t real.  And yet now he’s officially released them and they are real. Trippy.

So, if you haven’t yet, skip Way to Normal and get Stems and Seeds. If you already have Way to Normal and didn’t like it, try a track or two from this one, it may turn you around.

[READ: September 13, 2009] Both Ways is the Only Way I Want It

In his Infinite Summer post Colin Meloy plugged the new book that his sister had just written. I wasn’t aware of the book coming out so I was pretty excited to hear about it.  I picked up a copy and finished it in like 2 days.

This is Meloy’s 2nd collection of short stories.

The characters in almost all of the stories are failures. Not losers, mind you, but failures. They have failed at jobs or love or with their family, and the storylines show them coping with the aftermath of their failures.  And note that the failures are never because of inaction, they are because the characters are stuck between two impossible choices or literally insurmountable problems. (more…)

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