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Archive for the ‘Cute’ Category

moomin5  SOUNDTRACK: JAMES VINCENT McMORROW-Tiny Desk Concert #151 (August 25, 2011).

mcmorrowI don’t know McMorrow. He is an Irish singer who plays acoustic guitar.  His singing voice switches between a kind of raspy voice and a keening falsetto.

He plays four songs and his style and voice reminds me a lot of Bon Iver.

I don’t find any of his song especially compelling. They’re all nice–the humming part of “This Old Dark Machine” is pretty memorable.  As the part in the middle where he seems to get pretty intense.

“Sparrow And The Wolf” has some nice chord changes.  I think my favorite song is “Follow You Down To The Red Oak Tree,” which opens a little differently.

I have to say it’s a little awkward watching him up close as he does some pretty unusual things with his face when he sings.

The final song, “Red Dust” really shows off his falsetto.  I found his songs to be entirely pleasant and think they would sound great in a coffeeshop on a Sunday afternoon.

[READ: February 3, 2015] Moomin Volume 5

Moomin Book 5 is composed entirely of strips written by Lars and drawn by Tove.  These are the final strips that she contributed to.  And, as such, there are only three chapters in the book.  As with the others these stories originally ran in the Evening News, London 1953-1959.

The chapters are called “Moomin Winter” “Moomin Under Sail” and “Fuddler’s Courtship”

(more…)

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moomin3  SOUNDTRACK: THE BLIND BOYS OF ALABAMA-Tiny Desk Concert #139 (July 5, 2011).

bboaI have of course heard of The Blind Boys of Alabama, but they only came on my radar maybe a decade or two ago.  And I never knew these things about them:

  • They formed under a different name in 1939.
  • The band has understandably experienced many lineup changes in the 72 years since.
  • Singer Jimmy Carter is the only participant in this lineup billed as a founding member, and even that term is up for debate.
  • They have released 60-plus albums and received a Grammy Lifetime Achievement Award
  • And that wherein these Blind Boys are young and old, blind and sighted.

There are six players for this Tiny Desk–a guitarist, a bassist and a barely visible drummer as well as three singers.

It makes me laugh that the guy on the far left sings much less than the others and seems to be less happy about being there.

They play four songs and, no surprise, they sound fantastic.  Their harmonies are outstanding and the music is quiet and subtle–a mellow accompaniment for this soulful music.

But their rendition of “Amazing Grace” is indeed amazing–they do it to the tune of “House of the Rising Sun” and it must be heard to be believed.  I happen to really like the original of “Amazing Grace” and I hate when it is done poorly.  But I love this interpretation–it’s original and still moving.

  • “Take The High Road”
  • “I Know A Place”
  • “Jesus Built A Bridge To Heaven”
  • “Amazing Grace”

[READ: January 23, 2015] Moomin Volume 4

Moomin Book 4 changes things pretty dramatically.  Because starting with this book, the stories were written by Tove’s brother Lars!

The colophon explains “[Chapters 14-17 were written by Lars [Jansson] and drawn by Tove.  Chapter 18 was to be run before Chapter 14 and be Tove’s farewell strip but she stayed on to draw 7 more chapters].”

So that means that the first four chapters in this book were written by Tove’s brother but she drew the art.  How fascinating.

This book contains the stories: “Moomin Goes Wild West,” “Snorkmaiden Goes Rococo,” “The Conscientious Moomins,” “Moomin and the Comet,” and “Moomin and the Golden Tail.”  As with the others these stories originally ran in the Evening News, London 1953-1959. (more…)

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moomin3  SOUNDTRACK: PAUL JACOBS-Tiny Desk Concert #148 (August 12, 2011).

pauljacobsPaul Jacobs is an organist.  In fact he heads the Julliard School’s organ department.  For this Tiny Desk Concert they moved in Jacobs’ massive organ–complete with foot pedals.  I feel like he should have played for an hour for all the work that must have gone into moving this.

I had thought about describing the way the Tiny Desk Concert has changed as I went through the Concerts.  But I have gone out of sequence so often that it’s kind of moot.  Nevertheless, it’s fun to marvel at how in the first few shows, it was one camera, there was little editing and what you got is what you saw.

Well, for this, the 148th Concert, they have three cameras.  And that is perfect because one is on Jacobs’ face.  One is on Jacobs’ hands as he plays these amazing Back pieces.  But the best one is on Jacobs’ feet.  Jacobs play a melody with his hands and a separate melody with his feet.  Watch as he looks like he’s tap dancing all over these massive foot pedals. The mind boggles watching him.

He plays four Bach pieces:

  • J.S. Bach: “Gigue” Fugue
  • J.S. Bach: Arioso
  • Bach/Reger: Invention in F Major
  • J.S. Bach: Fugue in A Minor

The Arioso is recognizable to me as a familiar piece.  It’s low and beautiful with washes of foot pedals.  But even more familiar is the Invention in F minor which most piano students try to play.  This version was arranged by Max Reger who turned the left hand melody into a foot pedal melody–so Jacobs is all over the keyboard on this one.  It’s stunning.

The final piece is somewhat recognizable (well, to me its recognizable as Bach, since his stuff is so elaborate and cool).  This piece is really fun to watch his hands and feet at work.  Especially at the end when he plays an intense “foot solo” before returning to an incredibly fast finger coda.

It’s such a neat instrument and he’s an amazingly talented player.

I prefer to watch on the NPR site, but its easier to embed the YouTube version:

[READ: January 13, 2015] Moomin Volume 3

Moomin Book 3 is slightly different n that it has four stories instead of three.   The stories feel shorter too, although I don’t have the other books handy to compare.

This book contains the stories: “Moomin Falls in Love,” “Moominvalley Turns Jungle,” “Moomin and the Martians,” “Moomin and the Sea,” and “Club Life in Moominvalley.”  As with the others these stories originally ran in the Evening News, London 1953-1959. (more…)

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milos moo2SOUNDTRACK: MILOŠ-Tiny Desk Concert #138 (June 30, 2011).

Miloš is Miloš Karadaglić, a 28-year-old from Montenegro.  He says he wants to bring classical guitar to a younger audience–to make it cool.

The first piece is a lovely ballad called “Romance” although the author is anonymous.  It is sweetly pretty and everything you might expect from a slow classical guitar piece.  It rings familiar to me, although it’s hard to know if I’ve heard it before or not.

The second piece is where his guitar really comes to life.  Asturias by Isaac Albeniz which Miloš describes as most flamenco and most familiar.  Interestingly, eh says that this was originally written for piano. The introductory riff should indeed be familiar and Miloš plays it passionately.

For the final piece he plays the first movement of a piece by Carlo Domeniconi: “Koyunbaba – moderato.”  This piece has a strange tuning: C sharp minor.  It’s a Turkish song with extraordinary techniques.  He says it reminds him of home–the song is about the sea and the waves by his home.  Whether it’s the tuning or the structure of the song, it is enchanting and exotic and really lovely.

[READ: January 13, 2015] Moomin Volume 2

I enjoyed Moomin volume 1 so much that I was excited to read vol 2.  And it did not disappoint.  This volume was full of the same whimsical, often bizarre stories that were sweet and funny (and a bit cruel, which makes them funny).  It also added some new characters.

This book contains the strips: Moomin’s Winter Follies, Moomin Mamma’s Maid, Moomin Builds a House and Moomin Begins a New Life.  Each one seems to tackle a big idea and pushes it to crazy conclusions.

These stories originally ran in the Evening News, London 1953-1959. (more…)

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SOUNDTRACK: BALLAKE SISSOKO AND VINCENT SEGAL-Tiny Desk Concert #104 (January 17, 2011).

moomin 1sissokoBack in April 2010, another kora player with the same last name (Yacouba Sissoko) played a Tiny Desk Concert with Regina Carter.  Sissoko plays the kora and he is mesmerizing to watch (and to listen to).  Vincent Segal plays the cello and he does things with that instrument which I’ve never seen anybody do before.  It’s a great duo.

Together, the play some beautiful music.  On the first song, “Chamber Music,” Sissoko provides both the lovely backing music as well as some fast plucking.  And Segal keeps up and often outplays his partner.

For the second song, “Balazando,” Segal plays the cello like an upright bass and even plays a little bass solo (including some harmonics).  Then when Sissoko starts playing Segal, plays such high notes that it sounds almost like a flute and even has a Chinese feel to it.

Before the third song starts watch as Sissoko tunes the kora (by twist ting the ropes that hold the strings in place).  “Niandou” opens with Sissoko playing a fast melody (with an up close camera to really show his fingers).  Then Segal play a lovely riff of high notes on the cello.  The song ends with a very fast section–some quick bass playing on the cello followed by some very fast bowing before returning to the slow opening.

The fourth song features some cool harmonic bowing, the likes of which I’ve never seen on a cello before.  The end of the song sees Segal strumming the bowl like a guitar–he can do it all.

Together, they make some beautiful music.

[READ: January 5, 2015] Moomin Volume 1

Inspired by reading the D&Q 25th anniversary book, I decided to check out the books that have been sitting in the children’s section of my library every time I go–Moomin!  They are oversized and lovely books and since I’ve paused on Peanuts I thought I’d read some Moomin–which I have never read before.

It was fascinating to read in the D&Q 25th Anniversary book that Moomin started because Jansson tried to draw the ugliest creature she could think of.  And it eventually morphed into the adorable round creature that we know as Moomin.

This book contains four stories.  I feel like the strips are printed like an every day four panel strip.  Each four panel strip is signed and numbered (but not dated) and most of them (but not all) read like they have a punchline at the end.  So I’m not entirely sure what to make of the publishing run.  Although the front pages state that it originally ran in the Evening News, London 1953-1959.

The four stories are Moomin and the Brigands, Moomin and Family Life, Mooim on the Rivera and Moomin’s Desert Island. (more…)

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tibSOUNDTRACK: INDIGO GIRLS-Holly Happy Days (2010).

hollyhappyI know I bought this for Sarah for Christmas a few years ago (I like that it looks like a present).  Sarah and I have both been fans of the Indigo Girls (and we’ve both seen them, but at different events).  This seemed like an obvious fun record for the holidays.  But we both felt a little let down by it.

I’m not exactly sure what’s not quite right, but after listening  again, I think the record is just too much of a downer for Christmas.  I mean even the Indigo Girls’ more serious songs counterbalance with lively singing, but much of this album feels very dirge-like to me.

The main unexpected thing for me is that the record is largely bluegrass-inflected–not something I expect from the Indigo Girls–or Christmas music.

But that’s just how it opens–banjos and fiddle and whooping on “I Feel the Christmas Spirit” a song I didn’t know before.  It’s fun, just unexpected.  “It Really is (a Wonderful Life)” reminds of Barenaked Ladies for some reason (not their voices obviously). It’s folky and is another a song I didn’t know.  I like it–it’s fun having new Christmas songs.
“O Holy Night” has a very weird quality to it.  I usually love this song, but I don’t really care for the way they did this one–it feels flat or something.  Or maybe it’s the violins and folk trappings?  Actually, the middle part (with their great harmonies) sounds really good–I guess it’s just the opening I don’t like.

“Your Holiday Song” sounds more like  a”real” Indigo Girls song–great harmonies, cool chord progressions.  (This one was written by Emily Saliers, so that makes sense).  It’s the first song I really like on the disc.

It’s the middle of the disc that really loses any steam it had.  “I’ll be Home for Christmas” is certainly a sad kind of song, but their version is practically suicidal.  Oh it’s such a downer with that slow violin solo.  Who would want to listen to this version of this song?
“Mistletoe” is an Amy Ray original.  Coming right after the downer of “I’ll be Home” this one is also slow and a downer.  I find that Ray’s voice also sounds really different on this song–I would never have guessed this was her.
“Peace Child” is the third downer in a row, and you just want to give up on your festive mood after this one.

But it picks up with a rollicking bluegrass “The Wonder Song” (written by Amy Ray).  It’s the most fun song on the disc and while it doesn’t scream Christmas, it is a holiday song.

Obviously no one is making “In the Bleak Midwinter” into an upbeat poppy song.  Their version is quite pretty, and their harmonies are wonderful.

Perhaps the strangest song is their cover of Woody Guthrie’s “Happy Joyous Hanukkah.”  It feels very Guthrie, which means it should be done in a folk style (which it is).  The surprise is the full bluegrass rendition of a Hanukkah song (how many Hanukkah songs have whooping in them?  It’s fun, though.

“Angels We Have Heard on High” sounds great with their harmonies.  Although the mandolin solo kind of brings the song down to earth in a weird way.

The disc ends as it middled, with a slow, mournful song,”There’s Still My Joy.”  While I know that not everyone is happy at Christmastime, this record goes a bit too far into the darkness for my liking.

[READ: December 2, 2014] Tib and Tum Tum

Here is another translated comic.  It is done with great flair by Carol Klio Burrel who also did Nola’s World.  This story is aimed more at kids though (but is not existential at all–see yesterday’;s post about translated stories).  The biggest surprise for me with this is that it is actually a series of one page strips rather than a long graphic novel (I think).  Well, there is a long story arc, but every page seems to have a “punchline” as if the story was sequential rather than continuous.

It’s a very simple premise. The book is set in caveman days.  Tib is a small boy with a giant birthmark on his face.  The other kids make fun of him for this.  His mother is overprotective (the joke about him always being safe is very funny) and his father is an oblivious storyteller (whoppers of tales, I must say).  In that first strip, Tib runs into Tum Tum, a baby dinosaur.  He is adorable (and a little scary too, of course).  And Tib decides that this red guy is pretty cool.  Tum Tum spends most of his time chasing (an eating) butterflies.

When Tib tells the elders about the dinosaur they tell him of course that dinosaurs are extinct.  (I love that the story is set in caveman times but that they talk in a more or less contemporary way (no grunting) and are knowledgeable (there’s a sewing joke which is very funny).  When he tries to show Tum Tum to them, the dinosaur hides so no one can see him.  Eventually his mom thinks he has an imaginary friend. (more…)

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harpjuneSOUNDTRACK: みっちりねこマーチ – MitchiriNeko March (2013).

mitchiBecause Lewis-Kraus mentions “the most important internet cat band of our day” in this article, I did a search for such a thing and came across this.  This is an adorable cartoon of cats marching (and playing along to the music).

I didn’t look into this too hard, and I don’t really know MitchiriNeko, although the video says that “MitchiriNeko” is a cat-like cartoon character who is always in a group to hang out so closely with each other wherever they go.

I’ve listed below more stuff about MitchiriNeko, but really I just enjoyed watching the video.

Evidently there is a web comic for this fella:
Manga Box! English editions are coming soon.
https://www.mangabox.me/
https://www.mangabox.me/reader/247/

There are apps for this character:
iPhone
https://itunes.apple.com/jp/app/mitch…
Android
https://play.google.com/store/apps/de…

And this song “MitchiriNeko March” is now on sale.
https://itunes.apple.com/jp/album/mit…

[READ: November 17, 2014] “Story A”

I enjoyed Gideon Lewis-Kraus’ previous Harper’s essay about Japan: “Sleeping Together.”  I thought it would be fun to tie it to this one which is also about Japan.

He says that for a time, he was drawn to “particular breeds of the Japanese trivial” like “the “most important internet cat band of our day” and the cafe that he describes in “Sleeping Around.”  Thus he was immediately drawn to the Japanese hole-digging contest.  He decided to go see it, which would also allow him to visit his brother Micah in Japan.

The title of the article, “Story A” refers to a journalistic practice in which “essays purport to be about one thing but reveal themselves to be about some other, profounder thing.  Story A might be about the game of Monopoly but its real role is to give cover to Story B which is about the decline of the American city.”  He imagined that the nonsense of hole digging could lead to something incredibly profound. (more…)

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kawaiiSOUNDTRACK: BOB ATCHER AND THE DINNING SISTERS-“Christmas Island” (1950).

xmascocktailThere is something so charming and wonderful about white people co-opting Hawaiian music in the 50s.  I know fully well that there is nothing ‘authentic” about the whole AH-LOH-HA-AY business and that they have made it smooth and “sexy” for “bachelor pads” and all of that.  I know that I should be offended on everyone’s behalf.  And yet I can’t be.

I find bachelor pad kitsch to be fun (Esquivel’s Christmas Album is a perennial favorite), and so I was delighted to be introduced to this song from the 2007 NPR Holiday show.  I actually don’t know anything about Bob Atcher or the Dinning Sisters, but this song is a delightful trip through faux Hawaiian music–slide guitars and a very hula-feeling rhythm.

It even features Santa arriving on a canoe.  Yup, the whole simplification of Hawaiian/island culture is in poor taste, but man, it’s such a swinging and trippy take on a Christmas song.  And I’m sure no islanders were hurt in the making of the recording.  Aloha-ay.

[READ: December 15, 2013] Kawaii!

I’m fascinated by manga and the whole, as the subtitle says, Japanese culture of “cute.”  I don’t really get it.  I mean, I get it, that cute things are cute, but the whole cultural love of cute is so peculiar to me–especially when reading this book and seeing that it is a cultural explosion of cuteness.  This book was a great introduction to so many different aspects of this culture. (more…)

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