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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: October 29, 2023] Hooveriii

When this show was announced, I was excited because I found out that it was a Hooveriii show.  I didn’t even realize who the headliners were.  I was a little torn because I thought a Mudhoney show might not be that much fun, but I ‘ve been wanting to see Hooveriii for quite some time and I wasn’t going to miss them again.   I was supposed to see them in February and I didn’t go.  Still regretting that decision.

I’ve really enjoyed Hooveriii psych-rock albums, although their latest veers much more synth heavy (just like spiritual brethren King Gizzard).

But live, they simply rocked the fuck out.

Bert Hoover on lead guitar and vocals was a maniac.  I was in front of Kaz Mirblouk on bass and drummer  Owen Barrett was also pretty close up front.  I’ve really be enjoying seeing drummers closer, and Barrett had a lot of styles in his arsenal.

I was also more aware of James Novak’s contributions on keyboard.  He played some solos and probably had more impact on the newer songs, but it fit in perfectly with the overall vibe.  (more…)

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[DID NOT ATTEND: October 28, 2023] My Morning Jacket / Madi Diaz

I saw My Morning Jacket twice in 2015.  I’ve been wanting to see them again ever since but things always seemed to come up when they were nearby.

They played the Mann Center in 2021 but I didn’t feel like going there (that was probably a mistake).

When they announced this tour, I was psyched.  Two nights!  Then I saw that it was the same weekend as parents’ weekend at my son’s school.  Oof.

So we couldn’t go Saturday night as that was the big night of the weekend.  But Friday night looked like it was geared more toward alumni, so we were given permission to go the Friday show and to blow off this show. (more…)

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[ATTENDED: October 27, 2023] My Morning Jacket

When I told my son that we were going to see My Morning Jacket he said, “you’ve seen them a lot.”  And I kind of think that too.  But this was only our third time seeing them and the last two times were in 2015.

This tour was sort of announced as a twenty year anniversary tour of their album It Still Moves.  They were playing the album–but not at all locations.

And not at our location.  MMJ were playing two nights at the Met.  Ideally we would have gone to both.  But both nights were scheduled for the weekend of my son’s college Homecoming weekend, so we didn’t think we’d go to either.  But he was cool with us not visiting him on Friday so I grabbed tickets for this show.

Of course, seeing the setlists from both nights, I would have preferred the second night, but only slightly and only because they played a song that I really wanted to hear (“Wordless Chorus”) and that my wife really wanted to hear (“One Big Holiday”).

However, both nights were a fascinating mix of fan favorites and deep cuts.  So on our night I got to hear a couple other favorite songs, too.  So no complaints about our night at all.   Well, actually a couple of complaints about the losers who shared the box with us and who talked a lot through the show and who almost got into a fight at one point.  VIP indeed. (more…)

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[ATTENDED: October 27, 2023] Madi Diaz

Madi Diaz was on my list of artists to see live.  Although I couldn’t remember why exactly.  She’s opened for a few shows that I hadn’t gotten the chance to see yet, so I was excited to see her for this one.

This show turned out to be kind of weird for us for a number of reasons.  The first was that we arrived stupidly early.  For various reasons we left earlier than anticipated and there was no traffic on a Friday night (what?) so we had so much time to kill.  We thought about going for food, but we changed out minds.  And it’s good we did because on the way to The Met we noticed that there was a VIP entrance for box seats.

I happened to buy box seats for this show because they were cheaper than the resale GA tickets.  I also assumed that all MMJ tickets would be very expensive, although I later saw that there were some pretty cheap tickets left.  But I hate the back area of the Met, so I was happy to get these box seats.  So it turned out that the box seats are super swank.  You have a private (for about 14 boxes each with about 12 seats in them) bar and bathroom.  Dang.  As well as lots of room and, in our case, high chairs that allowed us to see over the people in front of our box (how psyched were we that the people in the front row didn’t stand, and we could sit for the whole show–normally not my thing, but I was pretty tired).

We could also move our chairs around which was nice.  Not as nice is that the people in our box were obnoxious.   I don’t know what t heir deal was but they talked and talked and talked.  I realize that it didn’t upset Madi Diaz at all, but it sucked to have her songs ruined by idiots talking.

Diaz came out on stage and for whatever reason she looked REALLY tall to me.  I never really got past what had to have been a trick of the light.  She played a song solo with acoustic guitar (“Man in Me”) and she had a lovely voice.

And then she brought out a drummer.  I didn’t catch his name and I can’t find it online, but holy cow did the addition of drums make these songs intense and magnificent.

Diaz switched between loud guitars and acoustic ones and the drums punctuated them perfectly.  Her voice was familiar (I wanted to say Phoebe Bridgers at her more powerful, but I’m not quite sure that’s right) and she had a great range.  On a couple of songs she raged and hit some great high notes.

I felt a little distanced from the show being in this weird box seat, so I’m not sure i fully appreciated Diaz’ set.  But she’s a powerhouse with some intense lyrics.

  1. Man in Me
  2. Woman in My Heart
  3. Everything Almost
  4. New Person, Old Place
  5. Do It Now
  6. Obsessive Thoughts
  7. Don’t Do Me Good
  8. Get to Know Me
  9. Think of Me
  10. Same Risk

 

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[DID NOT ATTEND: October 27, 2023] Vagabon / Nourished By Time

I was planning in seeing Vagabon in March 2020, but her show was cancelled, of course.

I really enjoyed Vagabon’s debut album.  It had a great indie rock sound, but the fact that Lætitia Tamko is originally from Cameroon gives her music a unique quality that makes it stand out.

Back in 2021, I chose to see Dinosaur Jr instead of Vagabon, a choice I regret a little.  When this show was announced, I grabbed a ticket right away.  Honestly it has been many many years since that debut came out–she could sound very different now, I’m not sure.

Anyway, I was excited to see her and then My Morning Jacket announced a show on the same night, so my wife and I are going to that instead.  I’m not sure if I’ll ever see Vagabon.  She might get put on my “missed too much list.”

I saw Nourished by Time open for Palm last month. Nourished By Time is producer Marcus Brown, with a laptop on the floor and keyboard on a stand.

He played about six or so catchy songs.  They were kind of a blend of new wave and R&B.  His vocal delivery differed for each song, which I really liked.

At the end of the show he said he had some shows coming up that he wasn’t looking forwars to.  I hope it wasn’t these.

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[DID NOT ATTEND: October 26, 2023] Spencer Krug / Greg Mendez

I was excited to see Sunset Rubdown last year.  I wound up talking to this guy who was a MASSIVE fan of Spencer Krug–seen him many many times.  He also insisted that I had to see Spencer solo.  That his solo shows were the best in business.

But I prefer spencer for all of his sounds and instrumental noises.  I feel like I would not enjoy the solo show all that much.  So I’m not going to this one.

As the Canadian musician behind Sunset Rubdown and Moonface, co-frontman of Wolf Parade, songwriting member of Swan Lake, and keyboardist for Frog Eyes and Fifths of Seven, Spencer Krug has been a major player on over twenty-five releases within the past two decades. He currently writes and releases music under his own name, and performs a mix of new and old material on stage.

I had not heard of Greg Mendez until two weeks ago when I could have seen him open for Tigers Jaw.  It always amazes me how certain people make the rounds as an opening act with entirely different bands.

Here’s a crazy blurb from the artist

For Greg Mendez, reflection doesn’t mean a static image in a mirror, or even a face he recognizes. It’s more a kaleidoscopic mirage, where paths taken shapeshift with the prospect of paths untread, and the subconscious merges with the intentional. On his self-titled new album, the Philadelphia-based songwriter and multi-instrumentalist investigates the shaky camera of memory, striving to carve out a collage that points to a truth. But there isn’t a regimented actuality here; instead, Mendez highlights the merit in many truths, and many lives, and how even the hardest truths can still contain some humor.

I had written Greg Mendez plays mellow folk music with a gentle voice.  According to Bandcamp Daily, he is

one of the Philly DIY scene’s best-kept-secrets, the soft-spoken songwriter with a preternatural ability to craft brief yet powerful songs is enjoying a raised profile with the release of his self-titled full-length. On the strength of a few early singles, the initial run of vinyl sold out within a month of the album’s announcement, but with releases and demos dating back to 2006, Mendez is hardly an overnight success.

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[DID NOT ATTEND: October 25, 2023] L’Rain / Flanafi

I saw L’Rain open for Animal Collective and loved her whole set.  She was charismatic and her band was incredible.

I would have liked to see her headline a show, but I already had tickets to see Les Claypool.

Her blurb says

L’Rain is the musical project of multi-instrumentalist, composer, performer, and curator, Taja Cheek. Alongside Andrew Lappin and Ben Chapoteau-Katz, she has developed L’Rain into a shape-shifting entity that blurs the distinction between band and individual. At once personal and collaborative, it mirrors the journey that brought L’Rain into being to begin with.
L’Rain’s sonic explorations interrogate instead how multiplicities of emotion and experience intersect with identity. The experimental and the hyper-commercial; the expectation and the reality; the hope and the despair. L’Rain is searching for balance in the obliteration of binary logic.

I had never heard of.  The blurb says

Flanafi is the musical nom de plume of songwriter and guitarist Simon Martinez. As a guitarist, Martinez has played with everyone from Jazmine Sullivan and Marsha Ambrosius to Derrick Hodge and Salami Rose Joe Louis. 3 years ago, Martinez debuted the Flanafi moniker with a barrage of releases that combined beautifully written indie-soul songs with intriguing electronic production.

Listening to a couple of songs, they are pleasant enough, soft and delicate.

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[ATTENDED: October 25, 2023] An Evening with Les Claypool’s Flying Frog Brigade

I have seen Les Claypool play with a variety of other people.  I’ve been a huge fan of Primus (although not their fans) and have always been interested in whatever Les has to offer.  I have seen him with the Claypool Lennon Delirium twice.  I really don’t need to see him any more, but there was one draw to this show–the band was going to play Pink Floyd’s Animals album straight through.

That’s one of my favorite albums and I knew that they would do a great job with it.

With the hindsight of two shows after this,  I can say that either I have no tolerance for people anymore or that people just have no clue how to behave at a concert.  This is Les Claypool, I expected lunacy and zaniness.  Costumes were encouraged for crying out loud.  It was supposed to be fun.

But there was a woman with calf-length dreadlocks slam dancing with nobody.  She just whipped her hair around and made everyone miserable.  I mean have fun, but don’t shit on everyone else’s party.  And there were two different men with deep booming voices on either side of me who just wouldn’t stop talking “No, that’s a bass saxophone.”  “Have you ever seen Claypool before?  He’s really good.”  During the freaking songs!

Holy shit.

So the band was pretty interesting.  Sean Lennon on guitar (so it was like seeing the Claypool Lennon Delirium, Harry Waters (Roger Waters’ son) on keys, the legendary Skerik on saxophone, Paulo Baldi (from Cake) on percussion, primarily vibes and a revelation on these songs.  And Mike Dillon on drums.

So pretty much all Claypool adjacent songs sound similar-thumping weirdo bass, varying guitar weirdness and everything else thrown on top.

They actually played songs from the Frog Brigade album, but I hadn’t listened to that in a pretty long time.  So I didn’t know the first two songs, but they were Primus-adjacent and there for interesting.

Their cover of The Beat’s “Mirror in the Bathroom” was super fun.  An early highlight of the night.  “That was worth the price of admission,” one of the loud jagoffs said loudly possibly three times, certainly twice.

There was the lengthy, trippy “Blood and Rockets” from the Delirium records.  And then an old Claypool song that I knew: “Hendershot.”  This is a simple straightforward song, a surf rock song that’s not all that weird.

However, the one big difference between the Frog Brigade and Primus is that the Frog Brigade is a jam band.  And they are more like a jazz jam band in which everyone gets a solo (except the drums, mercifully).   That meant that if one of them got a solo, you knew there were going to be three more.  Ho hum.  The saving grace was that they were chatting during the solos and Les is hilarious so any chat is good for me.  They were talking about surf rock with Les teasing Shiner (Sean) asking if that was the best surf rock guitar solo he had ever played.  Then he asked Harry about his surfing experiences and it was all in good fun.  But the loud jagoffs around me started complaining about this talking business.”  Play fucking music.”  I was pretty peeved by the end of the first set.

I seriously considered packing it in and going home.  But I knew the next set started with Animals and I really wanted to see that.

And I’m glad I didn’t leave because Animals was outstanding.

The set opened with Sean on acoustic guitar (on a stand) and Les singing Pigs on the Wing.  They jumped right into Dogs, the most rocking of the songs.  Sean’s guitar was great and Harry’s keys were perfect.  Paulo Baldi added delicate vibes here and there which really fleshed out the high notes wonderfully.  And Les’ bass was louder in the mix, letting us hear those bass lines properly.  Skerik was not included, which was great because there’s no sax (or need for it) on these songs.

In Pigs (Three Different Ones), everything was right on (even the crowd mostly settled down for these songs–except for the guy who kept bumping into me and the apologizing profusely.  Relax dude.  When it came to Dogs, everyone sang.  Sean sang the first line and when the long vocal note was held in the record, Les took over from Sean–sounding seamless and perfect.  It was really impressive.  Harry added vocals as well, and really, it was all a great exercise.

The ended as they begin with Pigs on the Wing and it was a glorious 40 minutes of music.

From there, they got back to the wild business of Claypool.  Precipitation was a rollicking fun song.

But I was thrilled to hear them play “Riddles Are Abound Tonight” a great song from Les’ first spin off band Sausage.  I never imagined that I’d get to hear this song live and it was absolutely great to sing “huh, hoy yo!”

I also really enjoyed Les’ first solo album the Holy Mackerel so it was fun to hear “Running of the Gauntlet.”

There was more soloing from each member and Skerik came back for the last few songs.

I didn’t recognize immediately when they started “Cosmic Highway.”  I knew it but wasn’t quite sure how well knew it.  But a soon as that cool riff started–and genuinely sounded like a sitar–I really enjoyed the lengthy jam.

And then Les left the stage for a minute or so.  And he came back with … the Whamola–essentially a metal stick with a bass string on it.  You hit it with a drum stick and change pitch with a handle at the top.  I’ve seen this in videos but it was amazing to see him play it live.  The song “Whamola” is weird and fun and invites participation from everyone.

I had originally thought I might leave early but I’m so glad I stayed to see Whamola!

I could have gone to the show in Montclair the night before instead of this one.  But upon seeing the setlist I’m glad I didn’t choose that one.  Yes, they got Thela Hun Gingeet as an opener, which would have kicked butt.  But I much preferred Mirror in the Bathroom, plus we got the Sausage song, a great Cosmic Highway and the exceptional Whamola.  So the crowd may have sucked but the music was pretty great.

 

  1. David Makalaster [with Southbound pachyderm tease]
  2. Lust Stings §
  3. Mirror in the Bathroom [The Beat cover]
  4. Blood and Rockets: Movement I, Saga of Jack Parsons – Movement II Too the Moon Æ
  5. Hendershot Ψ
    Pink Floyd: Animals
  6. Pigs on the Wing, Part 1  @
  7. Dogs @
  8. Pigs (Three Different Ones) @
  9. Sheep @
  10. Pigs on the Wing, Part 2 @
    SET TWO
  11. Precipitation Ψ
  12. Riddles Are Abound Tonight
  13. Running of the Gauntlet Ψ
  14. Rumble of the Diesel §
  15. Cosmic Highway
  16. Whamola


@ PINK FLOYD: Animals (1977)
℘ SAUSAGE: Riddles are Abound Tonight (1994)
Ψ Les Claypool and the Holy Mackerel: Highball with the Devil (1996)
⊗ THE LES CLAYPOOL FROG BRIGADE: Purple Onion (2002)
§ LES CLAYPOOL: Of Whales and Woe (2006)
Æ THE CLAYPOOL LENNON DELIRIUM: South of Reality (2018)

 

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[ATTENDED: October 21, 2023] Genesis Owusu / Godly the Ruler

My wife and I joke about how we don’t really like Genesis Owusu but he is so damned catchy that it’s inevitable  to become a fan.  When his show was announced I grabbed a ticket and then forgot about it because it was months away.

I realize that he’s Australian and may not come to the States that often, but when the Wax Jaw show was announced, I was sure that I could get to the Genesis show after the Wax Jaw set.

Wax Jaw was finishing at 9:30 and most Underground Arts shows start at 9.  So, I’d miss Godly the Ruler and be there in enough time to catch the Genesis set.

But for reasons I cannot imagine, Godly went on at 8:30! (more…)

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[ATTENDED: October 21, 2023] Wax Jaw 

Wax Jaw has only been around for a little over a year.  In that time, they have released a couple of singles and amassed a huge local following.

Wax Jaw was born out of the summer-time daydreams and blossoming friendship of Greg Blanc (bass) and Sean Vannata (guitar) in June 2022. They immediately shared a vision of writing lively, upbeat tunes that would make even the most reserved audience member come alive during their shows. Keeping this priority in mind, a five-person lineup was curated one member at a time until the band reached its final form in January 2023. Since then, Wax Jaw has wasted no time sinking their teeth into the bleeding hearts of Philly audiophiles through their animated stage presence, vintage visuals, and high-energy performances. They recently played back-to-back sold out shows at Silk City and PhilaMOCA – most notably sharing a stage with nationally acclaimed acts Wine Lips and Acid Dad. With a six-song EP set to release in September, Wax Jaw is the innovative, all-gas-no-breaks band to watch!

I could have seen them open for Acid Dad a little while ago, but decided to stay home that night. (more…)

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