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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: October 6, 2023] Gladie

I saw Gladie open for Otoboke Beaver late last year and really enjoyed their set a lot.  I would happily see them again, although a Free at Noon didn’t really seem like a worthwhile trip.

Here’s the blurb from the show and what I missed

After a successful tour with Jeff Rosenstock, today’s Free at Noon performer Gladie made a pit stop at the World Cafe Live stage to dazzle fans with their indie rock magic. Performing songs from their last album Don’t Know What You’re in Until You’re Out, along with a few favorites from other projects, the band truly came to impress.

The stage was decked out in the best gear, necessary for a classic Indie Rock experience. Guitarists Pat Conaboy and Matt Schimelfenig had full pedal boards, and used them frequently throughout the show, conjuring waves of distortion, their eyes were glued to the floor in true shoegaze fashion. The band started with their song “Mud,” immediately exploding into the room with a beautiful wall of sound that demanded the attention of everyone — a common theme that remained through the entirety of the show.

Lead vocalist Augusta Koch sang with intense power. She was able to strongly project (and even scream during some songs) her voice over the volume of the band, and listeners could also eel the emotion within her voice, whether the track had a somber energy or an exasperated energy. Koch’s lyrics were very impactful, influencing the tone of her vocals, as we heard during “20/20” where she and Schimelfenig harmonized to sing “I am angry, I am lonely, but I’m optimistic too.” Later, Schimelfenig took over vocals for “Fixer,” a song where he sings lead with a bit of a country twang from the band’s 2022 album Don’t Know What You’re In Until You’re Out.

Drummer Miles Ziskind was astounding to watch. The movement of his hands was difficult to track throughout the show due to his fills being so quick and precise. At stage left, bassist Liz Parsons accompanied the music with interesting lines throughout the set, especially on “Hit the Ground Running,” which was a bit groovier than the rest, allowing her to show off her skills. As the set came to a peak, “When You Leave The Sun” from Gladie’s 2020 album Safe Sins was the most commanding part of the set. It was faster, heavier, and built up a breathtaking ending with the band members blaring their instruments, hitting the crowd once again with that wall of sound.

That’s a lot of blurb for this fairly short set.  Here’s the setlist and you can listen to it here

  • Mud
  • 20/20 §
  • Hit The Ground Running
  • When You Leave The Sun §
  • Fixer
  • Nothing
  • Chaos Reigns [new single]
  • Born Yesterday

When I saw them they played:

  1. When You Leave The Sun §
  2. thank you card ¥
  3. Mud
  4. Twenty Twenty §
  5. …Heaven, Someday
  6. Hit the Ground Running
  7. Nothing
  8. Born Yesterday
⇔ Don’t Know What You’re in Until You’re Out (2022)
§ Safe Sins (2020)
¥ thank you card EP (2020)

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[ATTENDED: October 5, 2023] Everything Everything / Pierre Kwenders

I recently heard of Everything Everything in glowing terms and when I saw that they were playing locally I made a note of it.  They are an

English art rock band from Manchester that formed in late 2007. Noted for their eclectic sound and complex, sociopolitical lyrics.

Their music is interesting and they remind me of a few bands that I like, but I wasn’t blown away enough to want to check them out.

Pierre Kwenders is the stage name of José Louis Modabi, a Congolese-Canadian musician. His 2014 album Le Dernier empereur bantou was a shortlisted nominee for the Juno Award for World Music Album of the Year at the Juno Awards of 2015, and a longlisted nominee for the 2015 Polaris Music Prize.

he has a good vibe and nice flow, but I’m not sad to not see him.

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[ATTENDED: September 29, 2023] Tasha

I had been wanting to see Margaret Glaspy for a pretty long time.  She last played Philadelphia in 2016, about two months before I heard her album.  She was supposed to headline a tour back in 2020, but that show was postponed, so it’s not all her fault that it took me so long to see her.

And now, I’ve seen her three times in a year and a half.

Tonight I had tickets to see Explosions in the Sky, a band I loved seeing live and who I’ve wanted to see again (and again).  But when Margaret Glaspy announced her show for tonight, after careful consideration, I decided to see Margaret. The first time I had seen her was as an opener.  The second time was for a short free at noon.  So I had never seen her as a headliner, and that won out.

She was terrific. (more…)

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[DID NOT ATTEND: September 29, 2023] boygenius / Samia

Boy I tried so hard to get tickets for this show.

My daughter has become a huge boygenius fan in the last few months and when this show was announced I was sure I’d be able to get us tickets.

But indeed, they sold out instantly.

Since then, I have entered many contests, and have done everything short of actually shelling out $400 a ticket to go to this show.

The only saving grace of the whole debacle is that boygenius is playing the All Things Go festival Sunday night, so we will at least see them–even if it may be from a mile away.

And just to rub this in, I also couldn’t get tickets to the Hozier show yesterday, and here’s a picture of the four of them hanging out in Boston.  Since he’s playing in Philly Friday, I wouldn’t be surprised if they showed up to his show too.

Oh and Samia is also playing at All Things Go. She plays poppie indie rock.

I keep thinking that she is Sammus the rapper, who I am quite interested in seeing.

Enongo Lumumba-Kasongo, better known as Sammus, is a nerdcore music artist who raps primarily about video game topics.

Samia is not her

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[DID NOT ATTEND: September 30 & October 1, 2023] The Front Bottoms / Vundabar

I saw The Front Bottoms in 2021.

Since then we have tried and failed to see them several more times.  Most of the reasons were our own fault–my son being too tired or us just being very busy.  But so many missed opportunities that I pretty much gave up on the thought of seeing them again.

Then they decided to play two nights at Franklin Music Hall with an opening band that I want to see.

I might actually try to…

Ah, both nights are the same nights that my daughter and I are going to the All Things Go Festival.

Oh well.

Interestingly, Vundabar is also playing the All Things Go Festival.

Furthermore, they are playing Saturday night in Philly, then driving the two hours to Maryland to play at 12:30 in the afternoon at All Things Go and then driving the two hours back to play in Philly again Sunday night.

Impressive.  Hope they still have energy in the middle of the afternoon!

 

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[DID NOT ATTEND: September 30, 2023] Royal Blood / Bad Nerves

I have been interested in Royal Blood for a few years.  I don’t really remember when they first hit my radar, but I think it was their debut album.

I had heard that their live show (for just two guys) was really impressive.

Apparently everyone else thinks so too as they have played a few different Philly festivals over the last few years.  I wasn’t interested in seeing them at an all day festival, and this was their first time playing a club in Philly since 2017.

At the time I was really intrigued by them being a duo and rocking out.  But since then, there have been so many duos who absolutely kick ass, that the novelty isn’t that great anymore.  I never really listened to much of their music anyway, so it’s no big deal that I’m not going because this show is the same weekend that my daughter and I are going to the All Things Go.

Bad Nerves is new to me, but they seem like a fun pop punk band from England.  They have one album of frenetic punk that reminds me of The Dickies.  Sounds fun.

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[DID NOT ATTEND: September 29, 2023] Slowdive / Drab Majesty

Slowdive is one of the classic shoegaze bands.  I didn’t really get into them back in the 90s as they were a little too slow for my liking (I mean, it’s in their name after all).  But I have since revisited my opinion.

Then, twenty years after they broke up, they reunited and made some more music.

I missed their show back in 2017 and would have been interested to see them this time (especially since their new album is really good).  But this show sold out before I even knew about it.  I’m not sure how I missed the announcement but there it is.

Alas.

Drab Majesty is opening for them.  I thought they might have been a band from the 90s as well, as their name sounded strangely familiar. But they actually formed in 2011

Drab Majesty is an American musical project founded by Andrew Clinco the drummer for the band Marriages.  Clinco adopted the androgynous character of Deb Demure for the project. Keyboardist and vocalist Mona D (Alex Nicolaou) joined the band in 2016. Drab Majesty combine androgynous aesthetics and commanding vocals with futuristic and occult lyrics, a style Demure refers to as, “tragic wave”. To create his imposing stage presence, Demure employed costumes, makeup and props to accompany his lush, ’80s-influenced soundscapes.

They sound perfectly retro (ala early Depeche Mode or Erasure).  It’s pretty tasty.  This would have been a good show.

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[DID NOT ATTEND: September 29, 2023] Explosions in the Sky / Draag Me

Explosions in the Sky twice.  After that second show, I promised myself that I would see them any time they toured.   It has been a few years and they announced their new tour was called The End.  It was wildly speculated that they were breaking up after it (and why wouldn’t people speculate about that).  So I made sure to buy a ticket immediately.

But after months of speculation, it was revealed that The End is just the name of their new album.  It doesn’t make the tour any less exciting, but it leaves a but of a bad taste.

This is the largest venue that I would have seen them play at–and I wasn’t all that excited about that either.

Well, when Margaret Glaspy announced  that she was playing a show at Underground Arts on the same night, at first I was bummed to miss her.  Then I decided that I had seen Margaret twice, but both were short shows and that I’d really like to see her headline.

So, yes, I’m giving EITS a pass.  It’s kind of a shame that bands aren’t postponing shows anymore (bite your tongue).

EITS said that they’d be having local bands open for them throughout this tour.  According to Pitchfork:

Draag Me started as the solo project of Zack Schwartz, one of the driving forces behind Philadelphia psych band Spirit of the Beehive. His first record under the Draag Me moniker, i am gambling with my life, was a collection of warm, hazy electro-pop with an undercurrent of anxiety.  With idle time during the pandemic, Schwartz started emailing scraps of songs to his Beehive bandmate Corey Wichlin, including some taken from Beehive’s ENTERTAINMENT, DEATH sessions. The two passed files back and forth, arranging and mangling them until full compositions emerged, ones more metallic and jittery than their predecessors.

The music is weird an unsettling–chopped up and stripped down.  It’s the kind of music that would be really hard to play live if it wasn’t all prerecorded in some way.  I’m curious how well they will be received–although a Philly show with a Philly band should probably be okay.  Interestingly, they are also opening for DIIV in Jersey City on Nov 1.  I don’t know DIIV at all, but I wonder how well they work with these two different bands.

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[ATTENDED: September 29, 2023] Tasha

Tasha is a Chicago based singer songwriter.  I hadn’t really heard her, but she opened for Nilufur Yanya on a night that I, coincidentally, went to see Spoon’s rescheduled show (for whom Margaret Glaspy opened(!)).

About her then I wrote: She has a lovely voice and sings a blend of folk and torch song.

And that was still true a year and a half later.  Although it was a bit more folk than torch.

On stage was Tasha and Emma (no last names given).  Emma played lead and backing guitar lines while Tasha sang and played guitar.

Tasha had a strong presence despite the low turnout so early.  She even made a comment about being from Chicago and no one reacted–“Not a single whoo?”  She later joked that she was going to say that Chicago was the Philly of the midwest but she was afraid to.

Tasha’s voice is really resonant and lovely.  Her songs were slow and thoughtful and combining that with her voice, I felt like some of her songs sounded like 60s British folk songs–an unusual touchstone for a young person from Chicago.

Some songs rocked a little harder and Emma played some cool feedbacking effects on a song or two.  On another song, she played keys which fleshed out the song pretty nicely.

I really enjoyed her set a lot, and by the time she was finishing up, the crowd had built some more and she received some loud applause.  Someone even asked me what her name was (she had forgotten to say it again later in the set).

  1. Dream Still
  2. Lake Superior
  3. Bed Song 1
  4. History
  5. new song
  6. Michigan
  7. Would You Mind Pulling Me Close? §
  8. Year From Now

™ Tell Me What You Miss the Most (2021)
§ single (2021)

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[DID NOT ATTEND: September 29, 2023] Hozier / Madison Cunningham

Back in March, Hozier announced a new tour for his new album.  My son is a huge fan and I was sure I could get tickets.  But I was shut out almost instantly.

Luckily, we scored tickets to the World Cafe Live smaller pre-tour show.  Which was awesome.

So I didn’t even bother trying to get tickets on any kind of resale site, especially since he’s not here at the moment.

But man, that’s two nights in a row at the Mann that I failed to get to tickets for popular shows. (boygenius tomorrow.

Madison Cunnigham is a young singer with a song “Hospital” that I absolutely love.  I don’t know much else about her, but I’ll bet she is a great opening act for this show.

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