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Archive for the ‘Philadelphia, PA’ Category

Mike / 454 / Niontay / El Cousteau (Union Transfer, Philadelphia, PA, April 17, 2024) [DID NOT ATTEND]

Posted in 454, El Cousteau , Mike, Niontay, Philadelphia, PA, Union Transfer on April 17, 2024| Leave a Comment »

[DID NOT ATTEND: April 17, 2024] Mike / 454 / Niontay / El Cousteau 

This one is embarrassing for me because I bought a ticket for this show thinking that Mike was somebody else.

I’ve wanted to try to see a few more rappers live–I really enjoyed Open Mike Eagle there’s a few alt-rappers who I like.  One of them is DAVE, from England.  Dave sold out TLA pretty quickly when he came two years ago.  So when it was announced that MIKE was playing, I bought a ticket thinking that a) the show would sell out and b) that MIKE was DAVE.

I had never heard of Mike and didn’t know there was another rapper with an insanely common first name as his rap name.  Obviously I should have confirmed that I wanted to see Dave not Mike, but I was caught up in the excitement.

Mike’s sound is pretty good although he’s a but of a mumbler.  I still figured that I’d go until Girl in Red announced a show for the same night and there was no way I was missing Girl in Red with my daughter. (more…)

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Momma (The Met Philadelphia, Philadelphia PA, April 17, 2024) [GIRL IN RED]

Posted in Girl in Red, Momma, Philadelphia, PA, The Met Philadelphia on April 17, 2024| Leave a Comment »

[ATTENDED: April 17, 2024] Momma

As soon as Girl in Red announced these shows I grabbed a ticket for my daughter and I.

I was super excited that Momma was the opening band because their song “Speeding 72” is one of my favorite songs of the last couple of years.   I’ve heard it on the radio enough that I checked out their debut album and I love the whole thing.  They’ve got a 90’s alt rock (Veruca Salt) vibe that I’m thrilled to hear again.

I would normally have snuck closer to the stage, but my daughter’s not a close-up fan, so we hung at the back of the pit (which in The Met is not far at all).

I enjoyed Momma’s whole (but rather short) set.  They played four songs from Household Name, including Medicine, the show opener and Speeding 72.

They played two new songs which sounded like they are mixing their sound up a little going forward.   And they played a single from last year, which also sounded really familiar.

Center stage with newly died red hair was Allegra Weingarten, and off to her right was Etta Friedman.  They sang together perfectly in that close harmony, almost whispered vocals that are a little hard to hear (especially in a bigger venue).  But they sounded great.

The band is always described as just the two of them, but thee were two other people on stage too, a drummer and a bassist.  Toward the end of the set, Etta switched instruments with the bassist.

I was pleased that the crowd reacted positively to them (being an opening act can suck) and I’m glad I got to see them before they totally take off.

  1. Medicine
  2. Bang Bang §
  3. Lucky
  4. Ohio 2 [new]
  5. Rodeo [new]
  6. Motorbike
  7. Speeding 72

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Swans (Union Transfer, Philadelphia, PA, April 13, 2024)

Posted in Kristof Hanh, Philadelphia, PA, Swans, Union Transfer on April 13, 2024| Leave a Comment »

[ATTENDED: April 13, 2024] Swans

I have been a fan of Swans since 1988.  I have a lot of their records on vinyl.  I have more on CD.  I went through a deep dive of Swans fandom  after college and then pretty much drifted away from them.

I’d been kind of intimidated away from seeing them live for years–I heard their shows were punishingly loud and that Michael Gira could be a rather contrary front man.

But my pal Phil Puleo has been playing drums with them for years and I thought it was time to see him and them.  (I had tickets to see them in 2021, but COVID).

So here they were back again.

The biggest surprise to me was that they were not as loud as I suspected.  That may not have been everyone’s experience, but I really expected to be knocked back by the sound and yes, it was loud–without earplugs I ‘d have been crying–but not THAT loud.

Early Swans albums were full of slow, loud, pummeling songs.  The songs are still slow and are still loud, but there’s a lot more subtlety (relatively) in them.

I also had some idea of what this show was like–all new songs–but I genuinely didn’t expect the first song, “The Beggar” to run over an hour!

It began very quietly with leader Michael Gira strumming one chord on an acoustic guitar.  For about five minutes.  He made some vocal sounds which I don’t think were words and then, ever so slowly, the rest of the band joined in.

Kristof Hahn on lap steel was right in front of me and it was fun watching him as he added all kinds of ambient sounds–from quiet to outrageous.

Behind him was Dana Schechter who played a lap steel (possibly modified, I couldn’t see it by she seemed to make different sounds) and occasional bass guitar.  For most of the set I could see her pretty clearly (although not her lap steel), but toward the end a tall person blocked her from me. (more…)

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Jhariah / Pollyanna/ Save Face (Milkboy, Philadelphia, PA, April 13, 2024) [DID NOT ATTEND]

Posted in Jhariah, Milkboy, Philadelphia, PA, Pollyanna, Save Face on April 13, 2024| Leave a Comment »

[DID NOT ATTEND: April 13, 2024] Jhariah / Pollyanna / Save Face

I saw Jhariah earlier this year open for Pinkshift.  I loved his set so much.  Everything about it was great.  I thought my daughter would love to see him as well, so when they announced a show at Milkboy, I grabbed tickets for both of us (after discovering that she was allowed to be in the over 21 club as long as she stayed with me the whole time).  Then it turned out that she was invited to a birthday party and she chose to go to that instead.  Which, fair enough.

I already had a ticket for Swans for this evening, which I figured I’d blow off to go out with my daughter.  When she opted for her party, I figured I’d go to the Jhariah show–I was more interested in it that she was.  I really enjoyed his set a few months ago and would have loved to see him again, especially headlining.

Milkboy is a great venue but it is a massive pain in the butt to get to.  I also started to think about how young the crowd would be for this show.  Since I had just had surgery, the last thing I needed was to be in a crowd with people slam dancing and shoving.

So I decided to go to the Swans show as I had originally planned–the music would be louder, but much slower.

Pollyanna was supposed to open for Pinkshift along with Jhariah.  But for whatever reason they did not play that show.  But I really grew to like them a lot.  So when they were announced as a last minute third band at this show I was super excited to finally get to see them live.

Save Face is a Jersey-based band who were signed to Epitaph but are now independent (which is pretty fascinating).  I’d never heard of them, but apparently they did a song with Jhariah in September (which is really good), so that certainly explains the touring together business.   They come from the screamo/post hardcore scene, although to me they sound a ton like My Chemical Romance.  Their last Epitaph album features a guest vocal from Thursday’s Geoff Rickly.

 

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Marco Benevento / Ghost Funk Orchestra (Ardmore Music Hall, Ardmore, PA, April 13, 2024)

Posted in Ardmore Music Hall, Ardmore, PA, Ghost Funk Orchestra, Karina Rykman, Marco Benevento, Philadelphia, PA on April 13, 2024| Leave a Comment »

[ATTENDED: April 13, 2024] Marco Benevento / Ghost Funk Orchestra

I have seen Marco Benevento three times live.  Every time has been a wonderful, joyous experience.  And I promise myself I’m going to see him again soon.

I didn’t go to his shows last year because I needed a break from shows that week.

This year, I already had a ticket to see Swans and then my daughter and I were going to go see Jhariah, so I couldn’t go to see Marco this time.    But he’s always playing shows and I’m sure I’ll see him again pretty soon.

Ghost Funk Orchestra has a name that I was bound to love.  And yet when I listened to them I found that i didn’t really like them at all.

Ghost Funk Orchestra is the brainchild of composer/multi-instrumentalist Seth Applebaum. The band draws heavy influence from the worlds of soul, psych rock, salsa, and beyond.

Even that description is perfect for me, but I feel like they take my least favorite elements from all of the genres and I instantly bristled at the vocals and the recording style.

They’re probably a lot of fun live, and I’m sure I would have enjoyed them opening for Marco, but I did not enjoy the album at all.

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Kristof Hanh (Union Transfer, Philadelphia, PA, April 13, 2024)

Posted in Kristof Hanh, Philadelphia, PA, Swans, Union Transfer on April 13, 2024| Leave a Comment »

[ATTENDED: April 13, 2024] Kristof Hanh

I have been a fan of Swans since 1988.  I have a lot of their records on vinyl.  I have more on CD.  I went through a deep dive of Swans fandom  after college and then pretty much drifted away from them.

I’d been kind of intimidated away from seeing them live for years–I heard their shows were punishingly loud and that Michael Gira could be a rather contrary front man.

But my pal Phil Puleo has been playing drums with them for years and I thought it was time to see him and them.  (I had tickets to see them in 2021, but COVID).

So here they were back again.

I wasn’t sure who the opener, Kristof Hanh, was.  But when I looked him up I saw that he has been a member of Swans on and off since 1989.  He mostly plays lap steel guitar but also plays other guitars.  He has, in fact, played lap steel on the most recent album and some other recent releases as well.

Wikipedia says

His approach to the lap-steel guitar is non-traditional, often devoted to playing drones that can serve as either supporting background elements or take a more prominent role in the band’s music.

He came out and sat at his lap steel which was right in front of me.  He started playing and then smiled and said he was demonstrating the importance of electricity.  He turned on his gear and started playing.  He uses lots of effects and his sound was, indeed, full of drones.  He played melodies but also kept a large sound in the overall chords that he played. (more…)

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Destroyer (solo) / Lightning Dust (Johnny Brenda’s, Philadelphia, PA, April 4, 2024) [DID NOT ATTEND]

Posted in Black Mountain, Destroyer, Johnny Brenda's, Lightning Dust, Philadelphia, PA on April 4, 2024| Leave a Comment »

[DID NOT ATTEND: April 4, 2024] Destroyer (solo) / Lightning Dust

Back in 2020, Destroyer was the last show I saw before everything shut down.  I bought tickets for them the last time they came to Philly (2022) but wound up going to Pup with my son that night instead.

This show was a solo show which, despite how much I enjoyed Dan Bejar, I was 100% not interested in.

I genuinely can’t imagine Destroyer without the rest of the band (doesn’t matter who is playing, I just want the extra musicians).  So I had no intention of going to this one.

Lightning Dust is a band I had forgotten about.  The band is a side project of Amber Webber and Joshua Wells, both members of Black Mountain, who I saw open for Primus a few years ago.

Unlike the heavy Black Mountain, Lightning Dust plays haunting, minimalist instrumentation with spooky, goth-like lyrics.

I have their 2013 album Fantasy, but honestly haven’t thought about them in about a decade.

I’ll bet it was a quiet, minimalist night.

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Arlo Parks / Chloe George (Union Transfer, Philadelphia, PA, March 29, 2024) [DID NOT ATTEND]

Posted in Arlo Parks, Chloe George, Philadelphia, PA, Union Transfer on March 29, 2024| Leave a Comment »

[DID NOT ATTEND: March 24, 2024] Arlo Parks / Chloe George

I had been trying to see Arlo Parks since 2021 when she sold out The Foundry (and I found out that there were tickets available day of, boo).  How weird that a year later, she was headlining Franklin Music Hall, one of the larger venues in Philly.

Arlo Parks was supposed to open for or co-headline with Clairo at the Fillmore on February 26 2022, but the show was cancelled and when Clairo came back around in July, she had a different opener (my daughter and I went to that show).

I was looking forward to seeing Arlo even if I don’t love Franklin Music Hall, but as the show approached, I was feeling less excited about the prospect.  I listened to her album and liked it, but didn’t know if I wanted to go all the way there for it.

Then I saw her at All Things Go (after I had the tickets for this show).  I enjoyed her set, but I wasn’t really blown away by it.  I assumed that it was because we were really far away and her songs are rather intimate.   I was pretty insistent that I was going to make this show, but as the day drew closer, I lost my motivation.

I didn’t feel all that great and I wasn’t especially interested in Chloe George.  Arlo’s set is barely over an hour, which gave me the split feeling–it’s not that long, I should go and I’m not driving an hour just for an hour show. Ultimately, I decided I didn’t feel like going out to the show.  But I did manage to sell my ticket!

I think this means I’m not going to be seeing Arlo live.

I hadn’t heard of Chloe George.  I don’t normally care so much about being “the old guy at shows geared to the youth, but occasionally I realize that I’m way older than everyone else at the show.  That’s how I felt when I read this about Chloe George

Chloe George, born Chloe Gasparini, is an American musician from Los Angeles. George rose to fame after a cover of “Ghost Town” she posted on TikTok went viral. George has co-written songs with artists such as Dua Lipa and Normani.

I listened to a few of her songs and didn’t think much of them.  So that made it even harder for me to want to go to this show.  I’m a little bummed but not terribly bummed that I didn’t go.

 

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The Rural Alberta Advantage (The Foundry, Philadelphia, PA, March 27, 2024)

Posted in Julianna Riolino, Philadelphia, PA, The Foundry, The Rural Alberta Advantage on March 28, 2024| Leave a Comment »

[ATTENDED: March 27, 2024] The Rural Alberta Advantage

I saw a video of The Rural Alberta Advantage at Massey Hall in 2018 (it was from 2014).  This was the first real exposure I had to the band and the first time I saw how intense they were live.

Since then, they have played Philly three times.  I don’t think the first one registered.  But the second time I was ready to see them. But I already had  tickets to a different show that night.  I decided, however, that I’d rather see RAA, but when I went to get a ticket, it was sold out! (good for them).

But this time, there was no way I was missing them.  I arrived early, got on the barrier and marveled at the stage set up.  Keys, guitar and drums, with the drums on the right side and the drummer facing the other two.

The came out of the mystery door at the side of the stage and immediately started playing FSHG as they walked into the crowd.   Nils Edenloff walked around and sang while Amy Cole sang backing vocals.  I’m not sure if Paul Banwatt played any percussion as I couldn’t really see him.  But soon enough they were marching the song up to the stage. (more…)

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Julianna Riolino (The Foundry, Philadelphia, PA, March 27, 2024) [THE RURAL ALBERTA ADVANTAGE]

Posted in Julianna Riolino, Philadelphia, PA, The Foundry, The Rural Alberta Advantage on March 27, 2024| Leave a Comment »

[ATTENDED: March 27, 2024] Julianna Riolino

Julianna Riolino is a Canadian alt-country singer.  I had never heard of her before.

She came across as more country on some songs than on others.  She has a bit of a snarl and can really belt out some notes.

She was a little overly goofy, I thought, between songs.  She said her name between every song (which I liked and was kind of funny), but it also felt like she was trying a little too hard.  Which is odd because she’s been doing this for a while.   But she was certainly memorable.

When she said she was from a small town outside of Toronto (and outside of Buffalo, NY) I was surprised, and I think she guessed it right because she joked about being Italian, so people think she’s from New York. (more…)

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