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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: March 18, 2024] Black Belt Eagle Scout

I was pretty excited to see that Black Belt Eagle Scout was going to open for Sleater-Kinney.  I’ve wanted to see her /them for a while and this was a great opportunity to see them.

I had heard a few songs by them a couple of years back but I had also heard that the live show was terrific.

The band came out–a trio.  There were two guitars and drums.   Singing was Katherine Paul, a Swinomish/Iñupiaq singer-songwriter and multi-instrumentalist based in Portland, Oregon.  Paul blends the vibe of Pacific Northwest rock with elements of Coast Salish traditional music

Her music is grungey in its tone, but it is also pretty slow, with Paul’s voice soaring in wonderful and at times unexpectedly places.  She is also an amazing guitar player, jamming out some killer solos as the songs (and the set) wrapped up.

I enjoyed the way “My Blood Runs Through this Land” got bigger and bigger, with her singing wordless lines (again, such a good voice) and cool lyrics like

I know you speak through me IFeel it in the sound of waterTouching all the rocks I feelNo one can takе this moment away ’causeMy blood runs through this land IFind it in the land and sеa

“Treeline” opened with Camas Logue playing big soft drum with mallets–yes it felt tribal, but not like a stereotype.  Fancy Dance followed and it was faster and much shorter (barely 2 minutes) which came as a but of a surprise after the first two five minute songs.

What was really interesting to me about their set is that there was no bass player.   It was like they took a page out of the Sleater-Kinney playbook: two guitars and no bass.  (apparently there is typically a bass player, but they were not missed in this set).  The second guitarist Claire Puckett mostly played chords, but also played lead lines and even soloed a bit with Katherine at the end.

The set seems to have moved through the band’s output, with only one song from the previous album.   And then three songs from the debut, which the crowd seemed  to really like.

She dedicated “Indians Never Die” to the Lenape Indians of New Jersey and Pennsylvania.  It had a simple but super catchy chord progression and they jammed the heck out of it at the end.

Sam, A Dream was my favorite song of the set.  After the song moves slowly along, it picks up in the middle and Paul plays a very cool hammered on riff that isn’t complicated but sounds great.  I love the way the band played around that riff and then returned to it at the end.

They ended with the fantastic “Soft Stud” and the recurring line “I know you’re taken/need you want you.”  Like many of her songs, the basics of the song are simple, but the way the song gets bigger and adds new elements (like the simple but catchy guitar riff that comes in halfway through) is really exciting, with Paul absolutely rocking out the guitar solo at the end of the show.

It was a great set.

  1. My Blood Runs Through This Land
  2. Treeline
  3. Fancy Dance
  4. My Heart Dreams
  5. Indians Never Die Ô
  6. Sam, a Dream Ô
  7. Loss & Relax %
  8. Soft Stud Ô
≅ The Land, the Water, the Sky (2023)
% 2019 single
∇ At the Party With My Brown Friends (2019)
Ô Mother of My Children (2017)

 

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[DID NOT ATTEND: March 16, 2024] Sleepytime Gorilla Museum / Stinking Lizaveta / Zoë Keating

Underground Arts had a special year-end sale.  12 future shows for $18 each.  It’s a good deal if you plan to go to a lot of shows there.   And I find myself wanting to go to more and more shows there.

Well, my cost per show went up a bit because I wound up not going to this show.  My son was home from college, and that more important that checking out this strange band, although I would still like to see them sometime.

I actually only even paid any attention to this show because Stinking Lizaveta was opening for them.  They are a local Philly band that I have yet to see, but who I have missed now about six times.

This lineup was pretty fascinating.

Zoë Keating opened the show.  I have discovered that she recently played at ArtYard in Frenchtown and I’m going to want to check her out live.  Here’s her bio

I am a cellist and composer, born in Canada and currently based in Vermont. I use live sampling and repetition to layer the sound of my cello and create rhythmically dense, immersive music. I’m known for both my use of technology – which I use to sample my cello onstage – and for my DIY approach, releasing my music without the help of a record label. In addition to performing, I also write music for TV, film and dance.

(more…)

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[DID NOT ATTEND: March 15, 2024] Mary Timony 

Mary Timony is one of indie rock’s great guitar players.  I really enjoyed her band Helium, although I haven’t really listened to them in quite some time.

I didn’t go to her show last week, so i thought I had a nice gift of a Free at Noon today.  I grabbed a ticket even though I knew I had a doctor’s appointment earlier that morning.  I assumed t he appointment would be quick and I could get to World Cafe just in time.

Well, it turned out the appointment went really long and I was still in the office as of 11:30.  So, there was no way I could ever get to the venue on time.

So, I had to miss Mary once more. (more…)

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[ATTENDED: March 11, 2024] Cherry Glazerr 

After Ex Pilots and the obnoxious guy who was talking about how much he didn’t like Cherry Glazerr, a new guy behind me popped up who was a truly crazy fan.  He said he was going to start crying as soon as singer Clementine Creevy came out.   He also shouted her name and said “I love you” about six times.  It wasn’t scary stalker territory but I could see how she could have been unnerved by him.  He sang/screamed too loudly for a bunch of songs and then I think people got him to calm down (it’s a small venue after all).

I’d wanted to see Cherry Glazerr for a while.  I could have seen them in 2019, but they played a date that I couldn’t make.  Then in 2022 they were the openers for the Alt-J/Portugal the Man show that I really wanted to go to but couldn’t make.  Of course, it’s always more fun to see a band like this headlining a small venue, so this show at The Foundry was perfect.

They opened with the slow, moody, “Touched You With My Chaos,” with Clementine sing/shouting “I said that I loved you” and the creepy intense fan screaming it along with her.

But he wasn’t the only one super psyched to be here.  The two women in front of me bounced and screamed to each other for song after song.  And a guy who pushed his way to the barrier was literally leaping three feet in the air to land with every drop in a song.

I don’t really know the band’s output all that well, but I recognized a few songs like “Told You I’d Be with the Guys” with the sharp guitar line and screamed lyrics. (more…)

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[ATTENDED: March 11, 2024] Ex Pilots

I was not familiar with Ex Pilots before this show, but a guy behind me certainly was.  he was one of those guys who feels the need to talk loudly about whatever he thinks he knows a lot about.  He was pretty annoying, but he was right: people are going to come away from this show as Ex Pilot fans.  At the very least, I became a fan.

He also went on some crazy rant about Cherry Glazerr saying he’d never heard of them but thought they were some kind of 90s female grunge sound which he was never into (I was shocked that the the women around him didn’t pound him).  he also said he was surprised that there was only one opening band because most shows have like four.  Ugh, men.

But he was right about Ex Pilots.

I really enjoyed the way Hammer started as a fast rocking song and then after a minute it shifted gears to a slower, heavier rocking sound and then immediately shifted again into a lighter bouncier verse.  According to their recording, this song is only two minutes long.  It changed gears about five times and I was hooked.

“Exactly Like You” is a quieter song with echoing guitars.  It has very few words (only the title is sung) and at two minutes long, the vocals don’t come in until the half way part.

There were lots of fascinating things about this band.  There are six members in the band, including three guitarists!  And yet despite this, lead singer (and from what I can see, the main Pilot) Ethan Oliva played most of the lead guitar lines too.

After two new songs (I always think it’s funny bands ask if it’s okay if they play a new song, especially if hardly anyone has heard their older songs) they played “Nick Song” has a really catchy vocal melody.  “Bad Aibling” has a rocking shoegaze feel.  Most of the songs were about two minutes long but “Aibling” stretched out to 3! (more…)

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[DID NOT ATTEND: March 9, 2024] Slide Away

When this day-long event was announced, I grabbed a ticket because I knew a couple of the bands.  Amazingly, perhaps, I didn’t know Nothing, the headliner.

I wasn’t entirely sure I wanted to spend an entire day at Union Transfer, but the lineup was pretty great.  The recently sent the proposed schedule

3:00pm Doors Open
4:00pm Glixen
5:00pm Astrobrite
6:00pm Knifeplay
7:00pm Mint Field
8:00pm TAGABOW
9:00pm Lovesliescrushing
10:15pm Swirlies
11:30 Nothing
w/ DJ set by Full Body 2Kip Berman and Vyva Melinkolya between bands

And it sounds like most of the sets were going to be about 30 minutes, at least until Loveliescrushing.

But then my son came home from college for Spring Break and I REALLY didn’t want to spend most of the day away.   I mostlu wanted to see Knifeplay and Mint Field, but as I listened to more of the bands, I realized I quite liked them all.

Glixen is from Phoenix.  Now, pretty much all of these bands are shoegaze, so the descriptions are going to be quite similar, but here we go

Glixen is a shoegaze band from Phoenix, Arizona whose sound consists of tender melodies encased inside chrome walls of grungy textures and heavy guitars. Founder and lead vocalist, Aislinn Ritchie, began the project in 2020 enlisting guitarist Esteban Santana, drummer Keire Johnson, and bassist Sonia Garcia.

I really liked the Glixen vibe–lots of soft guitars and thick cottony sounds.  Aislinn Ritchie has a beautiful soaring voice that suits the music really well. (more…)

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[DID NOT ATTEND: March 8, 2024] The Teeth / Toby Leaman

Back in January I wrote this about the Teeth.

I had never heard of The Teeth before I saw that they had sold out three nights at Johnny Brenda’s months and months before these shows happened.

So who were they?

The Teeth was an indie rock band from Philadelphia consisting of twin brothers Aaron MoDavis on rhythm guitar and Peter MoDavis

After abruptly breaking up 15 years ago The Teeth are reuniting for a pair of special shows at Johnny Brenda’s in Philadelphia. Twin brothers Peter MoDavis (Bass) and Aaron MoDavis (guitar) will reassemble with Jonas Oesterle (drums) and Brian Ashby (guitar) on their favorite stage in the City of Brotherly Love.

Well, that short run of songs has been extended.  They’re playing this show at The Church and they’re opening for Dr. Dog in July. (more…)

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[ATTENDED: March 7, 2024] Daði Freyr 

I saw Daði Freyr about a year and a half ago on his first tour of the United States.  So now I’ve seen ALL of his appearances in Philadelphia (two).  I enjoyed the first one so much I grabbed a ticket for my wife and daughter as well.  Turned out that my daughter had a school thing she couldn’t miss.  And had I looked up the details, I would have seen the the show was sold out and I probably could have sold my ticket.  I never would have guessed it had sold out, but look at that poster–sold out up and down the country.

To my knowledge, Daði Freyr was only known from his Eurovision songs.  I had no idea that he made any kind of inroads into the US.  When I saw him last time there were some die hard fans at the show.  But this was crazy. There was a woman in front of us who, when he sang “Sunshine” nearly passed out saying “I can’t believe he’s real.”

Fascinating.

I went last time as a lark.  I went this time because I enjoyed his show and thought my family might too.  It was quite eye opening.

Like last time, the band was a trio–Daði is on synths, guitar and bass, Ylva Øyen on drums and keys and Pétur Karl on guitars and synth.

Center stage was a giant inflatable head of Daði and there were two giant hands on either side of the stage.  There was an announcement before the show in which Daði thanked us for coming and told us to look into the eyes and the souls of the people around us and get ready to dance with them.

They came out on stage and the crowd went nuts.  Appropriately, they started with “Thank You,” a classic synth pop song.  His voice is surprisingly deep and yet very warm at the same time.

last time, he followed this up with the rather amusing “Shut Up” but this time he jumped right into an older Icelandic language song–and the crowd went even crazier. (more…)

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[ATTENDED: March 7, 2024] Blusher

I was pretty excited to see Daði Freyr again.  I didn’t pay much attention to the opening act.  Last time it wa a local musician whom I hadn’t heard of.

This time it proved to be an up and coming megastar band from Australia called Blusher.

Of course, when they came out, my wife and I thought that they were a local group of teenage girls.  They sang well, the song was catchy, but they seemed so young!

Then they introduced themselves (Jade, Lauren, and Miranda) and Jade’s Australian accent was terrific and we agreed that we instantly liked them at least 5% more.

I’ve now looked them up and learned they are not teenagers (or maybe they are, but they’ve been making music for a pretty long time, anyhow).  They opened for Aurora last year.  Jade Alice (her solo name) has been making music since 2015.

I enjoyed their lyrics, which weren’t profound but were more than standard pop lyrics.

Dead End has a really catchy pause mid-verse that draws you in.  I really like Limelight–super catchy chorus

They announced a cover that we might know (I didn’t), and then played their new rocking single “Rave Angel.”    It was followed by another new song “About You.”

Then came their first hit “Softly Spoken.”  I hadn’t heard of it but it has had a million streams.  The worldplay is pretty clever.  At the end of the song Miranda sang into a mgeaphone.  Unfortunately, it cut out while she was yelling at the end.

“Hurricane Chaser” was a fun song with a cool metaphor.  But the new song “Accelerator” had a mad fast dance beat and was super catchy.

They ended with “Backbone,” a catchy song about your friend hating your boyfriend: “You said you’d punch him in the chest if you ever met him.”  Super catchy, but an odd place to punch someone…ouch.

For this song they did some basic self-defense move choreography, which was cute.  The whole show they did very simple choreography–the kind that teenagers come up with when they’re singing in their bedroom.  It made them somehow even more adorable.

And the crowd ate it up. I felt like the crowd might have been a bunch of rubes or a bunch of plants–massive shrieking when all three waved their arms at the same time, and massive screams of pleasure when they all turned around to reveal they were–gasp–all wearing sunglasses.  It was a little weird, but it made the band feel great and I think their first show in the States was a huge success for them.

I’ve decided to follow them online to see how big they get, so I can say that I saw their first show in the States.

  1. Dead End ¿
  2. Limelight ¿
  3. Say It Right (Nelly Furtado cover)
  4. Rave Angel §
  5. About You §
  6. Softly Spoken ¿
  7. Hurricane Chaser ¿
  8. Accelerator §
  9. Backbone ¿
§ new songs (2024)
¿ Should We Go Dance? EP (2023)

 

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[DID NOT ATTEND: March 1, 2024] Wax Jaw / Life in Vacuum / Porcelain

I have recently discovered the Philly band Wax Jaw and I am mildly obsessed with them.  They recently posted that they have existed for one whole year.  In that time I could have seen them six times, but only saw them once.  And I am looking forward to seeing them again.

The confusing thing about this show is that I have seen two posters for it.  The one on the right implies that Porcelain arethe headliners.  The one below implies  that Wax jaw are the headliners.  What to believe?

I already had plans for this night and I didn’t want to give them up for a 20 minute Wax Jaw set.  Although it does sound like Wax Jaw is headlining.

Well, I already had plans.  Plus, Wax Jaw is playing in Bethlehem in a few weeks anyhow.

Porcelain is from Austin.  Post-Trash says

The quartet of Ryan Fitzgibbon (US Weekly), Eli Deitz (Dregs, Votive), Steve Pike (Exhalants, CSSS), and Jordan Emmert (Super Thief, Pleasure Venom) bring a great deal of experience together from different pockets of the city’s noise rock and punk scene, the pieces coming together to create something better than the sum of it’s parts.

I’ve never heard of any of those bands.  I like the sound of their music but I don’t really like the singer.  I bet they crush it live though, their drummer sounds like a maniac.

Life in Vacuum is from Toronto. Although Stereogum adds more details

Life In Vacuum are a band based in Toronto, formed in Ukraine, playing an aggressive form of indie rock that pulls from a few different subgenres. I hear some Fugazi-style post-hardcore and some Metz-esque noise-rock in the mix.

They play an abrasive thumping hardcore that’s lurching and unsettling. Probably amazing to see live.

Born Loser is a record label that Life in Vacuum is on.  I gather someone from the label will be spinning songs from the label between bands?

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