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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: April 2o, 2024] VIAL / Sunday Cruise

I received a free ticket to this show through the Do215 free ticket promotion.  But I was planning to go see METZ, so I didn’t think I’d be going to this, even though I like Vial a lot.

VIAL is a Minneapolis-based indie punk trio of best friends: Drummer Katie Fischer (she/they), bassist Taylor Kraemer (she/they), and guitarist KT Branscom (they/them). The trio joined forces via Tinder in mid-2019 and has been blazing a path for themselves since, curating a unique multi-genre amalgamation. Indie rock meets punk influence in soaring melodic hooks ready to sink teeth into all listeners alike, from lifelong punk rockers to budding indie darlings.

I heard about them when they signed to Get Better Records (who release great music) and I would have happily seen them.

They remind me a little of THICK, but with a bit more metal edge.  But the same spirit of feminist independence is strong with them.

Sunday Cruise has a great website with the following band info:

Zoe – 19 Pronouns: She/They Instrument: Guitar and vocals Started Sunday Cruise at 15yrs old in 2017.
Levi – 17 Pronouns: He/Him Instrument: Drums Joined the band as a fill in drummer in 2018 and has been with them since.
Cam – 19 Pronouns: He/They Instrument: Lead Guitar In 2019, Cam received a text from Levi asking if he wanted to join a band.
Cassidy – 19 Pronouns: She/Her Instrument: Bass Joined in 2019 after meeting Zoe at a show.

They play punk songs that are not quite as heavy, but are still abrasive.  Their age brings in a lot of great angsty lyrics too.  This would have been a terrific show and I love seeing all of these women rocking out.

 

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[DID NOT ATTEND: April 18, 2024] Girl in Red / Momma

I had bought a ticket for my daughter and I to see Sir Chloe on this evening.  But when Girl in Red announced her show, I immediately grabbed a pair just in case this was preferred.  I figured they would both be easy to re-sell.

And then Girl in Red announced a second show on the night before this one, so I grabbed those tickets and planned to sell the tickets for this show.

It was kind of fun for her to go to two shows in a row.  Although she enjoyed the Girl in Red show a lot more than the Sir Chloe show.

I assume the show was similar to the show we saw , but I think out show may have been a bit more fun (what with the wedding and all).

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[ATTENDED: April 17, 2024] Girl in Red / Momma

My daughter and I saw Girl in Red twice in 2022.  Her live show is a ton of fun and I was really impressed with how much she changed it over the few months between our shows.  Her new album is all about how she’s “back.”  This puzzled me a bit as she hadn’t been “gone” for very long.  But if you’re online all the time, two years is an eternity.

As soon as this show was announced I bought us tickets.  This venue was much bigger then the one we saw her in and her stage show expanded to fit it.

There was a giant video screen with cool visuals, there were steps and interestingly designed elements.  There was a gigantic swivel light which actually became a projection screen for a song.  And during one of the songs a part of the stage rose up and she was thirty feet above the stage.

She opened the set with the rocking title track.  She was a ton of fun as she ran back and forth across the stage.  Amazingly she was wearing a button shirt, sweater and suit jacket, and I was hot in shorts.   But her energy was infectious and the crowd was super psyched. (more…)

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[DID NOT ATTEND: April 17, 2024] Mike / 454 / Niontay / El Cousteau 

This one is embarrassing for me because I bought a ticket for this show thinking that Mike was somebody else.

I’ve wanted to try to see a few more rappers live–I really enjoyed Open Mike Eagle there’s a few alt-rappers who I like.  One of them is DAVE, from England.  Dave sold out TLA pretty quickly when he came two years ago.  So when it was announced that MIKE was playing, I bought a ticket thinking that a) the show would sell out and b) that MIKE was DAVE.

I had never heard of Mike and didn’t know there was another rapper with an insanely common first name as his rap name.  Obviously I should have confirmed that I wanted to see Dave not Mike, but I was caught up in the excitement.

Mike’s sound is pretty good although he’s a but of a mumbler.  I still figured that I’d go until Girl in Red announced a show for the same night and there was no way I was missing Girl in Red with my daughter. (more…)

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[ATTENDED: April 17, 2024] Momma

As soon as Girl in Red announced these shows I grabbed a ticket for my daughter and I.

I was super excited that Momma was the opening band because their song “Speeding 72” is one of my favorite songs of the last couple of years.   I’ve heard it on the radio enough that I checked out their debut album and I love the whole thing.  They’ve got a 90’s alt rock (Veruca Salt) vibe that I’m thrilled to hear again.

I would normally have snuck closer to the stage, but my daughter’s not a close-up fan, so we hung at the back of the pit (which in The Met is not far at all).

I enjoyed Momma’s whole (but rather short) set.  They played four songs from Household Name, including Medicine, the show opener and Speeding 72.

They played two new songs which sounded like they are mixing their sound up a little going forward.   And they played a single from last year, which also sounded really familiar.

Center stage with newly died red hair was Allegra Weingarten, and off to her right was Etta Friedman.  They sang together perfectly in that close harmony, almost whispered vocals that are a little hard to hear (especially in a bigger venue).  But they sounded great.

The band is always described as just the two of them, but thee were two other people on stage too, a drummer and a bassist.  Toward the end of the set, Etta switched instruments with the bassist.

I was pleased that the crowd reacted positively to them (being an opening act can suck) and I’m glad I got to see them before they totally take off.

  1. Medicine
  2. Bang Bang §
  3. Lucky
  4. Ohio 2 [new]
  5. Rodeo [new]
  6. Motorbike
  7. Speeding 72

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[ATTENDED: April 13, 2024] Swans

I have been a fan of Swans since 1988.  I have a lot of their records on vinyl.  I have more on CD.  I went through a deep dive of Swans fandom  after college and then pretty much drifted away from them.

I’d been kind of intimidated away from seeing them live for years–I heard their shows were punishingly loud and that Michael Gira could be a rather contrary front man.

But my pal Phil Puleo has been playing drums with them for years and I thought it was time to see him and them.  (I had tickets to see them in 2021, but COVID).

So here they were back again.

The biggest surprise to me was that they were not as loud as I suspected.  That may not have been everyone’s experience, but I really expected to be knocked back by the sound and yes, it was loud–without earplugs I ‘d have been crying–but not THAT loud.

Early Swans albums were full of slow, loud, pummeling songs.  The songs are still slow and are still loud, but there’s a lot more subtlety (relatively) in them.

I also had some idea of what this show was like–all new songs–but I genuinely didn’t expect the first song, “The Beggar” to run over an hour!

It began very quietly with leader Michael Gira strumming one chord on an acoustic guitar.  For about five minutes.  He made some vocal sounds which I don’t think were words and then, ever so slowly, the rest of the band joined in.

Kristof Hahn on lap steel was right in front of me and it was fun watching him as he added all kinds of ambient sounds–from quiet to outrageous.

Behind him was Dana Schechter who played a lap steel (possibly modified, I couldn’t see it by she seemed to make different sounds) and occasional bass guitar.  For most of the set I could see her pretty clearly (although not her lap steel), but toward the end a tall person blocked her from me. (more…)

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[DID NOT ATTEND: April 13, 2024] Jhariah / Pollyanna / Save Face

I saw Jhariah earlier this year open for Pinkshift.  I loved his set so much.  Everything about it was great.  I thought my daughter would love to see him as well, so when they announced a show at Milkboy, I grabbed tickets for both of us (after discovering that she was allowed to be in the over 21 club as long as she stayed with me the whole time).  Then it turned out that she was invited to a birthday party and she chose to go to that instead.  Which, fair enough.

I already had a ticket for Swans for this evening, which I figured I’d blow off to go out with my daughter.  When she opted for her party, I figured I’d go to the Jhariah show–I was more interested in it that she was.  I really enjoyed his set a few months ago and would have loved to see him again, especially headlining.

Milkboy is a great venue but it is a massive pain in the butt to get to.  I also started to think about how young the crowd would be for this show.  Since I had just had surgery, the last thing I needed was to be in a crowd with people slam dancing and shoving.

So I decided to go to the Swans show as I had originally planned–the music would be louder, but much slower.

Pollyanna was supposed to open for Pinkshift along with Jhariah.  But for whatever reason they did not play that show.  But I really grew to like them a lot.  So when they were announced as a last minute third band at this show I was super excited to finally get to see them live.

Save Face is a Jersey-based band who were signed to Epitaph but are now independent (which is pretty fascinating).  I’d never heard of them, but apparently they did a song with Jhariah in September (which is really good), so that certainly explains the touring together business.   They come from the screamo/post hardcore scene, although to me they sound a ton like My Chemical Romance.  Their last Epitaph album features a guest vocal from Thursday’s Geoff Rickly.

 

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[ATTENDED: April 13, 2024] Marco Benevento / Ghost Funk Orchestra

I have seen Marco Benevento three times live.  Every time has been a wonderful, joyous experience.  And I promise myself I’m going to see him again soon.

I didn’t go to his shows last year because I needed a break from shows that week.

This year, I already had a ticket to see Swans and then my daughter and I were going to go see Jhariah, so I couldn’t go to see Marco this time.    But he’s always playing shows and I’m sure I’ll see him again pretty soon.

Ghost Funk Orchestra has a name that I was bound to love.  And yet when I listened to them I found that i didn’t really like them at all.

Ghost Funk Orchestra is the brainchild of composer/multi-instrumentalist Seth Applebaum. The band draws heavy influence from the worlds of soul, psych rock, salsa, and beyond.

Even that description is perfect for me, but I feel like they take my least favorite elements from all of the genres and I instantly bristled at the vocals and the recording style.

They’re probably a lot of fun live, and I’m sure I would have enjoyed them opening for Marco, but I did not enjoy the album at all.

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[ATTENDED: April 13, 2024] Kristof Hanh

I have been a fan of Swans since 1988.  I have a lot of their records on vinyl.  I have more on CD.  I went through a deep dive of Swans fandom  after college and then pretty much drifted away from them.

I’d been kind of intimidated away from seeing them live for years–I heard their shows were punishingly loud and that Michael Gira could be a rather contrary front man.

But my pal Phil Puleo has been playing drums with them for years and I thought it was time to see him and them.  (I had tickets to see them in 2021, but COVID).

So here they were back again.

I wasn’t sure who the opener, Kristof Hanh, was.  But when I looked him up I saw that he has been a member of Swans on and off since 1989.  He mostly plays lap steel guitar but also plays other guitars.  He has, in fact, played lap steel on the most recent album and some other recent releases as well.

Wikipedia says

His approach to the lap-steel guitar is non-traditional, often devoted to playing drones that can serve as either supporting background elements or take a more prominent role in the band’s music.

He came out and sat at his lap steel which was right in front of me.  He started playing and then smiled and said he was demonstrating the importance of electricity.  He turned on his gear and started playing.  He uses lots of effects and his sound was, indeed, full of drones.  He played melodies but also kept a large sound in the overall chords that he played. (more…)

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[DID NOT ATTEND: April 4, 2024] Destroyer (solo) / Lightning Dust

Back in 2020, Destroyer was the last show I saw before everything shut down.  I bought tickets for them the last time they came to Philly (2022) but wound up going to Pup with my son that night instead.

This show was a solo show which, despite how much I enjoyed Dan Bejar, I was 100% not interested in.

I genuinely can’t imagine Destroyer without the rest of the band (doesn’t matter who is playing, I just want the extra musicians).  So I had no intention of going to this one.

Lightning Dust is a band I had forgotten about.  The band is a side project of Amber Webber and Joshua Wells, both members of Black Mountain, who I saw open for Primus a few years ago.

Unlike the heavy Black Mountain, Lightning Dust plays haunting, minimalist instrumentation with spooky, goth-like lyrics.

I have their 2013 album Fantasy, but honestly haven’t thought about them in about a decade.

I’ll bet it was a quiet, minimalist night.

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