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Archive for the ‘Philadelphia, PA’ Category

[DID NOT ATTEND: April 24, 2025] Cheekface / Pacing

I saw Cheekface two years ago and loved them.  I really wanted to see them again.  Last year they played The Church, which I don’t go to.  So when they announced this show at The Foundry I was psyched.  But I already had tickets to see Magic Sword tonight.  What’s a guy to do?

Well, having gone out a few times and having my wife at home still recovering, a guy stays home and doesn’t see either band.

I had not heard of Pacing but when I looked them up I found them delightful and hilarious.  Their bio says

Pacing is the songwriting and recording project of Katie McTigue (she/her). Various Small Flames wrote that she “follows inthe playful, tongue-in-cheek tradition of the likes of Kimya Dawson, yet always nudges the ideas further to be more than mere twee humour or sardonic fun.” Fans and new listeners alike often remark that her anxious, confessional lyrics are “a little too relatable.”

The music is kind of twee but I do love twee.  This would have been a really fun show.

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[ATTENDED: April 22, 2025] Steven Page Trio

I have loved Steven Page’s voice for decades.

I’ve really enjoyed his Trio shows, too.  I think I’d like to see him with a full band to really rock out, but even in this trio format, they can still rock.

The trio includes Craig Northey (of Odds) on guitar and Kevin Fox on cello.  I saw this same trio in the same place six years ago and it was great to see them again.

Like last time, they played a mix of BNL songs and Steven solo songs.  It was fun that they opened with It’s All Been Done (Steven acoustic, Craig electric) and the crowd Whoo hoo hoo’d along with them.  They followed it with Steven’s A New Shore (Land ho!) and the on to another BNL song, Jane.

The conundrum is that I love the BNL songs as much as anyone, but I feel a little bad that he doesn’t play more of his great solo stuff.  And yet, when he satted Alternative Girlfriend–one of my all time faves, it was a glorious moment.  The fact that it segued into Odds’ Someone Who’s Cool was a wonderful touch. (more…)

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[ATTENDED: April 22, 2025] Menno Versteeg

Menno Versteeg is a Canadian musician who fronted the awesomely-named (but I’ve never heard or heard of) Hollerado.  I wasn’t aware of him until this show, and I’m not sure how “big” he is in Canada.

Menno was very funny–a lighthearted storyteller (even if the stories were kind of dark).  Sadly, we walked in during the first song (WCL can be a real pain to get to), but we didn’t miss much.

It was him and his acoustic guitar playing songs from Why We Run, his debut solo album–although he has released music under the name Mav Carlo as well.

His songs were about a rough life as a youth in Canada

We would to drink enough whatever there was
To kill a clydesdale every night
But we’d do enough drugs and punching,
To bring that same horse back to life  [from Videostore]

There was a country vibe, but like most of Canadian country music, there wasn’t that awful twang in the vocals.

I particularly enjoyed the two dog songs.  The 4o some second I Got a Dog which is (entirely):

My mother is dyslexic
Sometimes her letters switch around
She failed grade 10 like a good artist does
And passed those ğood ġenes down
She faints plowers, like she saints pun-sets
Haints her Peart when She bolds a hush
And she assured me I would rind my dog
When I wasn’t in a fush

And then Bad Dog was a funny song story about a real bad dog–but Menno loves him still. (more…)

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[DID NOT ATTEND: April 21, 2025] The Linda Lindas / Pinkshift

When I saw this lineup, I assumed that The Linda Lindas were opening for Pinkshift.  But of course it makes a lot more sense that The Linda Lindas would be headlining since they are well known and opened for The Rolling Stones.

I got to see The Linda Lindas when they played The Foundry.  It was fun, they were fun, and I had a great time.  I wasn’t sure if I’d need to see them again so when they played Union Transfer (a huge jump) that was a good test for if I needed to see them again and the answer was not really.

Nothing against them and I wish them much success but I got to see it once and that was good enough for me.

I’ve seen Pinkshift three or four times now and I enjoy their energy and politics.  The last time I saw them I didn’t have quite as much fun for some reason so even they didn’t make me want to go to this show.

I’ll bet it rocked though.

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[DID NOT ATTEND: April 18 & 19, 2025] The Dead Milkmen / The Ditches / The Rectors / EDO

I saw The Dead Milkmen last year at Underground Arts and it was great–so much fun to hear these old songs that I loved and to see they still had great charisma.

I already had tickets to see L.S. Dunes on April 18 so I couldn’t go that night.  And the 19th is a special night in our house–no going out.  But I’m happy to know that The Milkmen are still playing live from time to time.  I hope to see them in 2026.

The Ditches played both nights.  The Rectors played on the 18th and EDO played on the 19th.

The Ditches says thy play garage Americana from Bucks County, PA.

The Rectors are a psychobilly band from Philly.  They play pretty fast but do have the rockabilly vibe.  I could see The Dead Milkmen enjoying them.

EDO in an article from WXPN

Since their formation at St. John’s College in Annapolis, MD back in 1987 – they moved to Philly soon after graduation – the band has continuously defied norms and expectations. Somewhere between Frank Zappa’s matter-of-fact weirdness, the Butthole Surfers’ freakout rock, and the outer space groove of Parliament Funkadelic, EDO (the meaning of the name has been lost to history) occupies a singular position in Philly punk history, even if you’ve never heard of them.

And here’s what someone else wrote about EDO

Some people say EDO is the house band on Pluto. Some people say EDO is more confusing than two cats and a barbershop.

They have a song called Upper Darby (Gives Me the Creeps) which makes me laugh in title alone.

They are clearly insane–someone describes them as the Delconian Primus.  I’s never heard of them until this announcement and now I sure hope to see them live someday.

Sounds like a couple of wild nights.

Here’s a recording of EDO uploaded by EDO

As for the Milkmen:

Alyssa Forester recorded the entire show on the 18th

DirtyMovies76 recorded the whole show on the 19th

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[ATTENDED: April 16, 2025] Lucy Dacus 

I have seen Lucy Dacus quite a few (six) times and she always puts on a mesmerizing show. The first time I saw her was at Johnny Brenda’s (capacity 250), the most recent was at Union Transfer (capacity 1200).  And now here she was starting off her first tour after boygenius in her former home town of Philadelphia by playing The Met (capacity 3800).

And, wow, did she step it up for this bigger venue.  She had a gigantic backdrop designed to look like a museum wall.  There were picture frames and columns and it looked amazing.  And even this was presented theatrically as for the openers and for Lucy’s first song, the whole extravaganza was covered in a dropcloth.  The band even walked through the dropcloth opening at the center of the backdrop.  When it dramatically dropped away, the crowd went nuts.

And as she sang, one (or more) of the frames would display a picture that had something to do with the song she was playing.

Because this was the Forever is a Feeling tour, she played mostly songs from that new album (she played the whole album, but not in order).  The album opens with Calliope Prelude and so did the show.  It’s a short instrumental which is primarily strings and it worked very nicely as “walk on” music.

And then she launched right into Hot & Heavy, a song that opens quietly but builds really nicely to get the whole band involved.  I was surprised that she hadn’t opened with a song from the new album, but she followed that up with five songs in a row from it.  The band includes Sarah Goldstone (keys vocals), Dominic Angelella (bass), Alan Good Parker Guitars), Phoenix Rousiamanis (violin), and Ricardo Lagomasino (drums).

First was Ankles, the big single from the album–I’m always surprised when bands play their new single so early, but it worked to keep the energy up.  This also happened to be the first Lucy album I hadn’t listened to much before the show.  So I didn’t know these new songs all that well.  But Lucy is engrossing as a performer.  And it’s fun to hear a sing for the first time in a live setting.  Like hearing the words to Modigliani–while she projected a Modigliani painting on the screen. (more…)

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[ATTENDED: April 16, 2025] Katie Gavin 

I Katie Gavin is the singer for Muna.  I didn’t really like the Muna album that much when it came out, but I was really impressed by their live show when I saw them at All Things Go a few years ago.

I felt kind of the same about the Katie Gavin album.  It was okay, but it didn’t excite me all that much.

In fact, I really wanted to see Jasmine.4.T because their song Elephant is one of my favorites this year.  Sadly, I didn’t realize the show started at 7:15 (I assumed 8) and when we rolled up at 7:45, Jasmine.4.T had already ended.

When Katie came out, she was met by thunderous applause, and as soon as she started performing, I was once again blown away by her stage presence.  She joked that people might not know who she is (the applause belied that).

I didn’t love Katie’s album as it leans a little too alt-country for me.  But as with anyone whose albums lean alt-country but who also rock out, in a live setting, the rocking comes to the fore.  And her four-piece band was outstanding, Both bassist Nana Adjoa and guitarist Eric Radloff provided backing vocals.  Adjoa even took a verse or two of some songs (she has a wonderful voice). (more…)

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[DID NOT ATTEND: April 16, 2025] Mercury Rev / Ryley Walker

I enjoyed Mercury Rev’s 1990s albums.  But the 2000s records lost me.  I was surprised that they were playing Johnny Brenda’s since Deserters Songs was a relatively big album.  But they really haven’t done anything much since then.

I wouldn’t mind seeing them live but this one wasn’t very appealing to me.

I’ve seen Ryley Walker a few times.  I’ve seen him play weird psychedelic instrumental jamming and I’ve seen him play rocking songs as well.  I’m not sure which way he went with this show–probably more traditional songs I’d assume.

I wasn’t all that interested in this show, but I was taking my daughter to see Lucy Dacus tonight anyhow, so it didn’t make much difference.

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[DID NOT ATTEND: April 15, 2025] Tomato Flower / Zero Point Energy / Flock Econo

I saw Tomato Flower open for Melt-Banana.  I didn’t know who they were but I loved them from the start.  Their songs were jagged and indie, weird and delightful.  They reminded me of Palm (one of my favorite weirdo bands) for the unexpected shifts in tempo and direction.  They had two singers Jamison Murphy and Austyn Wohlers (who is also a novelist) to make it all the more unexpected.

I absolutely wanted to see them again.  I couldn’t believe there were actually five shows I wanted to go to tonight.  But this one topped the list, especially since Silk City is small and has decent sight lines.

But my wife was still recovering from her surgery and I was planning on taking my daughter to a show the following night so I stayed home and missed them all.  I hope Tomato Flower comes back.

But, damn.  What bad timing.  I do hope they come back again in a couple of years.

Zero Point Energy is a Brooklyn-based duo consisting of Genesis Edenfield and Ben Jackson with a sound described as earthy electronic dance.  That’s a bio phrase but it works. They seem weirdly divergent from Tomato Flower, but there’s nothing wrong with that.  I don’t know what they’d do live, but I did like the songs I listened to.

Flock Econo is from Philadelphia.  Matt Loretti is Flock Econo and he says “Flock Econo emerges from an alternate timeline scored by Musica Popular Brasileira and ‘80s sophisti-pop. Sprung from his hermetically sealed chamber, a fool croons over bubbling syncopation and harmonies which meander, serpentine, before finding their way home.”   The songs I listened to were lo-fi and again don’t really seem like they’d play with Tomato Flower.  But who knows.

Either way, I’d love to see Tomato Flower again.

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[DID NOT ATTEND: April 15, 2025] Ani DiFranco / Wryn

Back in the day I loved Ani DiFranco.  I loved her independent spirit and that she released her own albums on her own label.  I loved her acoustic albums, I loved her more rocking albums. I saw her a few times and she was incredible live.  And then at some point she changed her sound.  She added horns and started to sound a bit more like Prince.  These aren’t necessarily bad things but I didn’t like the new stuff at all and so I completely lost touch with her.

I didn’t even realize she was still putting out records. Her most recent was Unprecedented Sh!t  and here she was touring it.  I had no plans to go but I am pleased she sold out Union Transfer.

Wryn plays acoustic guitar music that rocks once in a while.  They have a good voice and a good sense of melody.  The album is out on Righteous Babe, and there’s an early Ani feel. I might have to dive in a bit more.

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