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Archive for the ‘Philadelphia, PA’ Category

[ATTENDED: November 11, 2024] Fazerdaze

When I saw Pond six years ago, I loved their opening act, Fascinator.   I was equally intrigued by their opening act this time, Fazerdaze, although I didn’t really look into them too much.

When they came out on stage, it was just two of them facing each other in the center of the stage.  Fazerdaze is the creation of Amelia Murray. She stood facing our side of the stage with her guitar and electronic gear.  Dave Rowlands stood facing her with his guitar and synth.

And perhaps most interesting is that they’re from New Zealand.

Murray would start the drum loop and then the two of them would play together.  The lights were dim so it wasn’t always clear who was doing what, but it was clear that it was Amelia’s show.

She told us that her new album was officially coming out at midnight and the set had five of the eleven songs in it.

The songs are mostly mellow with gentle psychedelic notions thrown in.  Amelia has a terrific voice and the melodies were quite lovely.  Although overall the vibe was a little too mellow for me.  The set was fairly short, but it still felt a little long to me.

I also thought they were also a bit of an odd choice as an opening act since musically they are quite different.  But I’m happy that they were getting exposure in the States and there were quite a lot of people there to see Fazerdaze.  The woman in front of me sang along to every song and actually left (my area) when they were done.

SETLIST

  1. Break!
  2. Winter
  3. Soft Power §
  4. A Thousand Years §
  5. Purple_02 §
  6. Cherry Pie §
  7. Bigger §

⇑ Break!
§ Soft Power (2024)

2024 2018
Daisy ⊥ 30,000 Megatons ≅
(I’m) Stung ⊗ Waiting Around for Grace ⇔
Neon River ⊗ Sweep Me Off My Feet ≅
America’s Cup ∇ Fire in the Water ≅
Sweep Me Off My Feet Zen Automaton ≅
So Lo ⊗ Don’t Look at the Sun or You’ll Go Blind ♥
Black Lung ⊗ Sitting Up On Our Crane ⇔
Constant Picnic ⊗ Paint Me Silver ≅
Edge of the World, Pt. 3 ⊗ Edge of the World, Pt. 1 ≅
Human Touch ∇ Edge of the World, Pt. 2 ≅
Aloneaflameaflower Ψ Giant Tortoise Ψ
Paint Me Silver The Weather ≅
Giant Tortoise Ψ encore
Toast ∇ Midnight Mass (At the Market St. Payphone) Ψ
encore Holding Out for You ⇔
Fantastic Explosion of Time ♣ Man It Feels Like Space Again ⇔
Hang a Cross on Me ∇
Don’t Look at the Sun or You’ll Go Blind

 

⊗ Stung (2014)
∇ 9 (2021)
⊥ Tasmania (2019)

≅ The Weather (2017)
⇔ Man It Feels Like Space Again (2015)
Ψ Hobo Rocket (2013)
♣ Beard, Wives, Denim (2012)
♥ Psychedelic Mango  (2009)

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[ATTENDED: November 9, 2024] Makoto Kawabata+ Tim Dahl + Simeon Cain

I had missed Acid Mothers Temple when they played Philly last month, so I was pretty excited to see that Kawabata Makoto was hanging around the Northeast to do a mini improvised tour with Tim Dahl and a rotating cast of drummers.

This November, a collaborative music tour between guitarist Makoto Kawabata (Acid Mothers Temple) and bassist Tim Dahl (Lydia Lunch, Child Abuse) will hit the American Mid-Atlantic and Northeast, promising rock intensity, avant-garde design, and psychedelic perception. With a combination of predetermined material and improvisation, one can expect a focused yet unpredictable and dynamic sonic experience. This collaboration will take audiences on a journey through chaotic, noise-infused passages that suddenly give way to moments of serene beauty, showcasing variety, creativity, and fearlessness. Each night’s concert will be enriched by the distinctive styles of a notable regional guest drummer, adding fresh, unpredictable elements to the performance. Audiences should expect a whirlwind of sound that pushes the boundaries of conventional music and celebrates the expression of unrestrained artistry.

I had never heard of Tim Dahl and was entirely interested in the show for Kawabata.  But it’s possible that Tim Dahl may have been the real draw?

Tim Dahl is a New York based bassist and vocalist best known for his work with the noise-rock bands Lydia Lunch Retrovirus and Child Abuse.

The name of that last band tells you a lot about Dahl’s sound.  He plays a fascinating bass style–in which it doesn’t seem like he is actually playing notes–just running his hands up and down the fretboard at random.  He also uses a finger slide but in his picking hand, generating all kinds of noise.  Combine this with the fact that his microphone seemed to have a very fast repeating echo on it so whatever he said or sang into the mic was repeated beyond recognition and he really seemed to dominate the room. (more…)

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[ATTENDED: November 9, 2024] Nick Millevoi + Mental Jewelry

I had missed Acid Mothers Temple when they played Philly last month, so I was pretty excited to see that Kawabata Makoto was hanging around the Northeast to do a mini improvised tour with Tim Dahl and a rotating cast of drummers.

There hadn’t been an opening band and then it was announced that Nick Millevoi and Mental Jewelry would open the show.

I knew Millevoi from BASIC, the band he’s in with Chris Forsyth.  I’ve actually seen him twice although both times I was more or less behind him (he sat facing the center of the stage and I mostly saw his back).  I had not heard of Mental Jewelry and assumed it was a band.  But it is the stage name of Steve Montenegro, who has also played with Moor Mother (as Moor Jewelry).

Their blurb says

Nick Millevoi and Mental Jewelry’s collab combines repetitive electronic beats and noisy improvised guitars into the groove-fueled future that the ’80s dreamed we’d discover.

And that’s pretty accurate.  Nick set up the drum beats (simple, but with interesting effects on them) and played his baritone guitar.  He mostly played simple chords–riffs would be too strong a word for the chord patterns.  But he manipulated the sounds with effects pedals and dynamic fretboard work.  Everything I’ve read about Mental Jewelry (which is not much) suggests that he is a keyboard player. But he played guitar as well.  He added the higher end to the sound of the songs.  He didn’t add a lot–complimentary chords and minimal “soloing.”

Most of the songs were minimalist and catchy by virtue of repetition.  The fourth (of five) songs was my favorite and felt like an actual song rather than just repeated chords.

At this stage it’s fair to say that this venture is more fun live than on record, but I’m interested to see how it evolves.

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[DID NOT ATTEND: November 9, 2024] The Spirit of the Beehive / Kassie Krut [moved to March 5, 2025]

I saw The Spirit of the Beehive seven years ago and they were outstanding live.  I’d never heard of them before that show but they blew me away with their set which was a great mix of shoegaze and noise.  I said then that I’d like to see them headline a show.

They’ve been around a few times and I wasn’t planning on going to this show because it was the same night as Makoto Kawabata.

But then they had all of their gear stolen.

On October 5, SOTB announced on social media that their van and trailer were stolen at a hotel by the Seattle airport. The trailer had all the band’s gear and most of their merch inside of it. Later that day, they shared an update that they had found the trailer, but it was virtually empty. On Sunday morning, SOTB found out that the van had been found in Seattle and impounded, but before they were able to claim it, the van was somehow restolen from the impound lot.

Their GoFundMe raised over $75,000, and they are rescheduling shows.  I don’t know if they had any specialized gear. (more…)

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[ATTENDED: November 2, 2024] Touché Amoré

I saw Touché Amoré open for Deafheaven last year and I knew I wanted to see them again as a headliner.

I was happy to see them at Union Transfer and I was happy that my son wanted to go with me.  But a four-band night was a lot to ask.  And having too much food for dinner and being way overdressed for a concert (it was cold out, but warm inside) meant that he didn’t enjoy the show as much as I hoped he would.  And his unhappiness always mars a show for me.

And yet, Touché Amoré was amazing.  My son admitted that even though he didn’t feel great, he was really impressed by them.

The band has a big, clean sound and singer Jeremy Bolm screaming the lyrics.  The best thing about his screaming is that it is intense like old school punk, but it is completely clear. so the powerful lyrics really show through.

Like last time, for every last line of a verse or chorus he put the mic out for the audience to sing the last word or phrase. And they did.

I love the sound of the band–not too complicated–but every song has something interesting going on in it.  Drummer Elliot Babin is a maniac behind the kit.  And I loved that you could hear both guitarists Clayton Stevens and Nick Steinhardt very clearly. And bassist Tyler Kirby would punctuate songs with excellent thumping bass.

Some of their songs are really short.  Art Official is about 90 seconds, and Nine is 45 seconds! (more…)

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[ATTENDED: November 2, 2024] Soul Glo

I had seen Soul Glo back in May and was happy to have seen them, but I didn’t think I needed to see them again.  So their appearance on this bill was enjoyable for me mostly because I thought my son would really enjoy their set.

Like last time, there is no setlist written out online, although setlists from a few days earlier make it seem like they played a longer show for this concert (which I don’t think was true).

I was on the other side of the stage this time, closer to GG Guerra on guitar.   But aside from that, the set was the same chaotic, wild fun.

Pierce Jordan has a pretty harsh voice–the better to scream the lyrics.  I really couldn’t understand much of anything, but the tone was quite clear.

But he has great stage presence and did engage the audience in a speaking voice where he made the point of the songs pretty clear. (more…)

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[ATTENDED: November 2, 2024] Portrayal of Guilt

Portrayal of Guilt is a black metal band with an album called Christfucker.  They are a growly/screamy band and they are heavy as anything.

So it was kind of funny to see the guys in the band wearing Tshirts and jeans and baseball hats and then growling in an inhuman way.

I also get a kick out of when a band that sings so growly then speaks pleasantly between songs.

This kind of music isn’t really my thing, but my son and I agreed that seeing a band like this is such a visceral experience that we were both glad to have seen them.  He enjoyed them so much he bought a shirt.

I’m always happy to see a band like this open for someone (bring earplugs) and they were particularly good.  (more…)

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[ATTENDED: November 2, 2024] Soft Blue Shimmer

I invited my son to this show because I had seen Touché Amoré last year and they were fantastic.  He was at school and I picked him up and we drove to Philly together.  The plan was to get there really early and have dinner and then meander to the show.  If we missed any bands, that was okay because I didn’t really know the other bands (except Soul Glo).

I had listened to Soft Blue Shimmer and really liked them and I was a little bummed if we’d missed them.  But it turned out that our dinner was fairly quick and we arrived at Union Transfer in time to see almost the entire set from Soft Blue Shimmer (we may have missed one or two songs).

Given the rest of the bands on the tour, Soft Blue Shimmer seems like an outlier–their name is a great descriptor of their sound (while the other bands are pretty or very heavy).  It’s a testament to Touché Amoré’s tastes that their openers were so varied.

The band is Charlie Crowley on guitar and vocals, Kenzo Cardenas on drums, and Meredith Ramond on vocals and bass.  There was a fourth member at our show but I didn’t catch a name.

The setlist below is based on a show from the following night but seems pretty accurate.

Their songs are soft and shimmery, a delightful mix of shoegaze and pop.  Both singers sound great together and the rest of the band fills out the sound nicely.

I would definitely see them again.

2024
9090
Chihiro
Shinji
Emerald Bells
Memory/Fantasy
Canti §
Love Being



§ single (2024)
♥ Love Lives in the Body (2022)
≅ Heaven Inches Away (2020)
∅ Nothing Happens Here EP (2019)

 

 

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[DID NOT ATTEND: November 2, 2024] The Go! Team / La Sécurité

I remember when The Go! Team came out with Thunder, Lightning, Strike and how the album was kind of revolutionary for its mix of sounds and for everything being louder than everything else.

It was kind of over whelming at the time and now it’s a blueprint for dozens of other bands.

I never liked the album enough to want to go to this show, plus we were going to see Touche Amore that night. (more…)

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[ATTENDED: October 30, 2024] Drinking Boys and Girls Choir

I saw Drinking Boys and Girls Choir open for Otoboke Beaver about 8 months ago.  They were great and so much fun.  When they announced a headline tour of the States I immediately grabbed a ticket.

I love Johnny Brenda’s as a venue, but the parking around there has gotten so bad, it’s almost impossible to go.

The place wasn’t very crowded but everyone there was super excited to be there.  When Megan Nisbet asked if anyone had seen them with Otoboke Beaver, most of the audience enthusiastically raised their hands.

Meena Bae (bass & vocals) and Myeong-jin Kim (drums & vocals) started the band in 2012.  They’ve gone through a few guitarists over the years and have now grabbed Scottish guitarist Megan Nisbet who joined the band in 2020 (and had been studying Korean for 15 years!).

The trio came out and Megan whaled some feedback as they started “Limitless Night.”    Meena Bae is a phenomenal frontwoman, she has a great voice and a ton of energy.  She smiles when she’s not singing and she jumps and kicks her feet in the air.

It was hilarious and fun.

Megan doesn’t really interact with the crowd, as she really holds down the songs with fantastic solos (she gets an extended, impressive solo in “Red Shift” which made someone at the end of the song shout expletives of approval) and backing vocals. (more…)

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