[ATTENDED: April 20, 2026] Knoll
I saw Knoll open for Agriculture three months ago. Then I saw that they were returning in three months to open for Pallbearer. And they are the reason I went to this show (and why I listened to Pallbearer for the first time).
Knoll’s show in January was just mind blowing–intense and wild and loud and a little scary. And I really wanted to see them again. Last time I was in front of guitarist Cameron Giarraputo, so this time I wanted to experience it from the other side of the stage in front of Ryan Cook guitarist and trumpet (!) player.
What did I write three months ago?
I have seen a lot of extreme bands, but there’s nothing to prepare you for this.
And the show was largely the same. Possibly the same songs, but it’s kind of hard to tell. So I’ll quote from myself a bunch.
Knoll set up their gear. They had an old-looking end table (I would guess like 100 years old, with all kinds of filigree–but probably not worth anything) and interesting gear on it. The table also had a little light on it and there were four floor lamps around the stage.
This time I watched as singer Jamie Eubanks asked them to cut all of the lights.
These lights were the only things that lit the stage! And, most interesting of all, each band member had a step on plug which turned their individual light on and off throughout the show.
All five members of the band were dressed in all black–button down shirts and black pants. And the lead singer, James Eubanks, has his head shaved, (possibly his eyebrows), his fingernails shaped into points. He looks like Nosferatu.
Last time I noted that Giarraputo was like a machine with the speed and technical expertise he brought to these incredibly fast songs. The same was true of Cook–his wrsits moved so fast!
Drummer Jack Anderson must be exhausted by the end of the show playing so fast.








