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Archive for the ‘Cities’ Category

[ATTENDED: November 7, 2025] Cashier

Cashier is a four piece from Louisiana.  Before this show I went to their bandcamp and found exactly five songs.  And I liked them all.  A grungy shoegaze vibe with female vocals and cool guitar sounds.

I stood in front of singer guitarist Kylie Gaspard who played intensely and sang with a similar intensity.  She was an early focus for me, but I soon realized  that the whole band was fun to watch.

They opened with Beginner, and like on the recorded version, it opens with feedback and two guitars playing one note over and over until one of the guitars turns it into a little riff and then the song slams out with the full force of the band.

Guitarist Joseph Perillo and bassist Austyn Wood were on the far side and I couldn’t really see them, but Perillo’s guitars were great–playing lead lines throughout the songs. (more…)

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[ATTENDED: November 5, 2025] The Mars Volta

My son and I saw The Mars Volta open for Deftones in an arena and the sound was terrible.  They played an unreleased album so it was really hard to know what was going on in a cavernous place where all subtlety was lost.

So when they announced a headlining tour I grabbed tickets for my son and I.  And what a treat to get there early and be right up front for the show.

Visually there wasn’t a lot going on–the band is largely dressed in black and white and there was only a black curtain behind them.  The lights tended toward the dark and the blue so you couldn’t see super clearly.  But this was really all about the music.

This show was for them to play their new album, Lucro sucio straight through, just like they did opening for the Deftones.  That set was 40 minutes (like the album) but this show was about twice as long with lots of trippy jamming sections.

The set opens quietly with Fin wherein Cedric Bixler-Zavala sings to a synth opening–his voice soaring to great heights–as it did all night, his voice is incredible. (more…)

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[ATTENDED: November 7, 2025] Bleary Eyed

I was supposed to see Bleary Eyed with Hello Mary back in 2024.   But family things came up and I couldn’t go.  I don’t always try to see bands that I missed for one reason or another. And I certainly don’t with opening bands.  But it is fun to see a band that I was supposed to and check them off an imaginary list.

Bleary Eyed is from Philadelphia so I’m surprised I have seen them on more bills, but I consider myself lucky that there are so many good Philly bands that can get tossed onto a bill sometimes as the first or second opener.

Bleary Eyed is the brainchild of Nathaniel Salfi who sings and plays guitar.  He started the project in 2015 and has had a mostly revolving lineup.  Margot Whipps joined the band on vocals and guitar a couple of years ago (she’s also credited with bass).

Bleary Eyed turned out to be a classic-sounding shoegaze band with chorusing guitars and washes of sound.  There were also some keyboard flourishes and two singers.    Nathaniel has a somewhat deeper voice that flows perfectly with the sound.

I enjoyed the way they mixed up the sound with some really good loud/quiet shifts in Wreck.  There was also some good My Bloody Valentinesque soloing at the opening of 2 True.  And a great opening riff on Upset which was sung by Margot.  I felt like her vocals were not loud enough, although it may have been that I was on the other side and everyone on my side was loud. (more…)

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[ATTENDED: November 5, 2025] Kianí Medina

After Feliz y Dada, I wasn’t really sure what to expect next.  The change was pretty dramatic.

Out came two normal-looking people.  They stood in the same place as Feliz y Dada but could not have been more different.

Kianî Medina is from Puerto Rico and she sang soaring vocal lines over a pre-programmed backing track and live guitars from her brother Jerry.  The songs were kind of dancey but the live guitar added so much texture and, at times, rocking out.

She sang in Spanish and has a gorgeous voice.  I liked how the songs were mostly synthy (sometimes synth sounds triggered by the guitar) and dancey and then the guitar sound would come in an play some ripping solos.

Kianî had some smooth dance moves especially when Jerry soloed.  And on one of her middle songs (I don’t have a setlist or know any song titles), things slowed down for a lovely sounding ballad.

It was followed by a staccato dance song with some cool guitar–Jerry’s guitar playing sounds like Omar’s on this one.  (more…)

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[ATTENDED: November 5, 2025] Feliz y Dada

My son and I saw The Mars Volta open for Deftones in an arena and the sound was terrible.  They played an unreleased album so it was really hard to know what was going on in a cavernous place where all subtlety was lost.  But my son was intrigued and I told him we could see them again.

So when they announced a headlining tour I grabbed tickets for my son and I.  And what a treat to get there early and be right up front for the show.

The opening band was Feliz y Dada, whom I had no heard of.  When I looked  them up it was unclear if they were a real band, a novelty band or possibly even members of The Mars Volta.  Many speculated that the lead singer was Teri Gender Bender.  I never found out, but I didn’t care because their set was bizarre and wonderful.

The stage was curtained off to give them a small area up front.  A massive stack of (fake) speakers was behind them and they were given a black curtain to hide the rest of the stage.

Feliz y Dada is a trio.  All three members wear masks with a kind of horn on top and four eyes.  They also wear robes and dance around slowly–waving their bodies back and forth–a perfect encapsulation of “alien life.”

There is literally nothing like them.  The guy on the left had a large pyramid that he kept tapping as if he was playing bass notes or something (it clearly didn’t make any sound, but it did light up). I assume the guy on the right was playing all of the sounds–although it’s also possible he simply started the song and then pretended to play things like the guy on the left.

The singer was singing live but her voice was so distorted and auto-tuned as to be unrecognizable and completely un-understandable.  But she danced around slowly and approached everyone in the front in a slow and methodical way–waving and seeming to suss out what the vibe was.  She also sang into a telephone at one point for what I think was Well Hello.

They sang four short songs and that was that. (more…)

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[ATTENDED: November 4, 2025] Romesh Ranganathan

I have made a list of all of comedians from Taskmaster who I would like to see live.  It’s not everyone of course (some of them don’t do stand up and some I don’t think I would enjoy).  I never really imagined that I would see everyone on the list as many British comedians do not tour the U.S.

I was pretty excited when Romesh Ranganathan announced a show near us.  Romesh is HUGE in England–he’s got TV shows and radio shows and everything else.  But in the US, he filled the 500 seat theater (I wonder how weird it is for massive comedians to play smaller venues like this).

The biggest surprise was when we walked in there was a DJ spinning tunes on stage.  His name is Martin 2 Smooth and he played a whole bunch of classic hip hop, which Romesh loves.

Then Romesh came out and started his act.  I enjoyed that when a person walked in late, he quipped “I just flew in from London and I was on time.” (This was the first night of his US tour).

He was very angry on Taskmaster and I assumed he would be angry in standup.  But he wasn’t.  Well, he was angry, but that wasn’t his whole thing.  He was very funny, making jokes about his family (his oldest son who is now bigger than him and who he believes looks like a terrorist with his hoodie up all the time). (more…)

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[ATTENDED: November 2, 2025] Boris

It’s fascinating to think that Boris almost called it quits a few years ago.  Since then they have shown a seriously revitalized interest in touring and revisiting their older albums.

This tour was the 20th anniversary of their classic Pink.  But the tour was titled Do You Remember Pink Days? because they threw in some other songs from the same year (they were quite prolific in 2005).

They also didn’t play the album front to back which was an interesting choice except that there are several different versions of the album so there is no real definitive track listing or anything else.  (You’d have to be crazy to try to be a Boris completist).

They had some fun merch and I debated buying one of Wata’s cute frog stuffed animals, but I didn’t.  And I still kind of regret it.

After the glory of Agriculture faded away, the stage was set–Atsuo’s gong brought close to the front (it was just the trio again for this tour).  I was right in front of Takeshi and his doubleneck bass/guitar and I was pretty far from Wata who seemed to be shrouded in fog for most of the show.  I tend to be on Takeshi’s side more often than not because I think the fanboys really like to be near Wata.  But as it turns out, Takeshi sings a lot of this album, so it was a good place to see all the action. (more…)

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[ATTENDED: November 2, 2025] Agriculture

I had never heard of Agriculture, but I knew that Boris’ opening bands could be pretty intense.  And that was the case here.  They call their music ecstatic black metal and that description, while slightly vague, is really spot on.  There is screaming and growling, speed and heaviness but also a lot of brightness and beauty.

They came out with an absolute blast of noise–screaming  guitars slamming drums and after a minute, guttural growls.  It was intense and a bit overwhelming.

And then imagine when two minutes in, the song shifted to a simply strummed and quietly sung section (that still had super fast drumming).  The quiet music remained but the growling guttural vocals continued.  And then back to the melodic part again.

I was standing in front of singer Dan Meyer who had a big beard and did a full body stomp each time the song was about to kick in. (more…)

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[ATTENDED: December 6, 2025] The Beta Band

When The Beta Band’s 3 EPs came out, I was totally on board.  It was weird–electronic but folky, tape manipulation and craziness but also catchy melodies. And then it got a huge boost on the movie High Fidelity and I felt strangely vindicated.  I bought their second album too.

And then I pretty much forgot about them.  They put out another album in 2004 but I didn’t get it and then they broke up.

When this tour was announced–20 years(ish) since they broke up and 23 years since they played Philadelphia, I immediately grabbed a ticket, assuming it would sell out in a second.

When the date rolled around, I wasn’t entirely sure I still wanted to go.  I mean, how much did I really like that album?  But since there was no opening act and it promised to be a fun show, I went.  And I’m really glad I did.

When I arrived there was a hooded and face-covered DJ playing songs.  I don’t know who he was–maybe he was in the band?  And around 15 or 20 minutes later, the show opened with a short film they made (presumably a long time ago or maybe it was a recent film using old footage) and it was hilarious.  Very Terry Gilliam in its cheap-lookingness and absurdity but a really fun look at the guys doing silly things twenty some years ago.

And then the band came out.  The four original Betas were present and were wearing color coded jumpsuits: Robin Jones (yellow; drums), John Maclean (pink; keys), Richard Greentree (green I think; bass), Steve Mason (gray, I think; vocals and guitar).  Of course, unexpectedly to me, they switched instruments a bunch.  There was even a secondary drumset for Steve to play which said Jack’s Away on the drum head.  They were immediately fun and kind of silly but very serious about the music.  And they immediately did not play The Three EPs in order. (more…)

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[ATTENDED: October 27, 2025] Belly

I really liked Belly when they first came out.  Their debut album is great and the follow up King is probably just as good.  When this tour was announced I wasn’t sure if I had listened to King all that much but when I put it on again I realized I knew it quite well.  Then I looked at other setlists to see of they were playing any of the songs from Star, and the were.  So I decided to see them.

I’ve always liked Tanya Donnelly–she’s been on the periphery of massive success pretty often.  She founded Throwing Muses with Kristen Hersh (her step sister). But I feel like Tanya left just before they became more commercially successful.

Then she formed The Breeders with Kim Deal.  But she left before they released Last Splash.  And then she formed Belly.  She had a pretty big hit with Feed the Tree.  But King wasn’t as successful and Belly broke up.  Tanya went solo.

Belly reformed in 2016 with almost all four original members.  The original bassist was replaced by Gail Greenwood right after Feed the Tree and is with them as they reunited.  Belly put out an album in 2018 which I missed entirely.

They toured in 2016 playing a set of mostly Star and King, then toured in 2018 playing mostly the new album, Dove.  And now they were back for King.

The set was great and I was delighted with how much fun bassist Gail was.  She was very chatty with the audience and when she said that the next sing would make you cry, a guy next to me said I’m crying already, and she went over and gave him a hug.  Gail also sang an amazing range of backing vocals, from really deep voices to very high pitched ones.  And her bass sounded great.

The stage set up was interesting, with Tanya and Gail right up front.  Lead guitarist Thomas Gorman was on the far side.  He was in the background a bit although he did take front stage for the few guitar solos he played.  His brother, drummer Chris Gorman was behind a pole and I didn’t see him for the whole show–but the drums sounded great.

But of course the focus is Tanya.  She exuded a coolness that I really enjoyed.  But she didn’t see aloof or above it all.  She seemed to be having a really good time.  Especially when Gail said, thanks for cheering us on even when we suck.  But they did not suck.  They sounded great and Tanya’s voice was really impressive.  She hit some high notes in the encores that really blew me away.  And the harmonies between her and Gail were fantastic.

I didn’t know every song from King.  It’s weird that I didn’t really know the first two songs all that well, but I knew the next few–who doesn’t remember the first song on an album?  And when they sang the jittery Red, I couldn’t wait to shout along with the chorus.  Silverfish sounded fantastic and Super-Connected was even better than I remembered.

After the album, they took a short break and came back with a second set of mostly songs from Star (which was great!).  I got to hear all of my favorite songs from the album, so that was super cool.  They played two songs from Dove which sounded very nice, if not a little slower.  And they ended the set with the Dive track Shiny One.  They merged that song into Jimi Hendrix’ Are You Experienced (which I see is on their B sides record, so I guess it has been a part of their set for a while) which merged back into Shiny as they headed off for the encore break.

It’s obvious that they were going to do an encore (it was on the setlist after all), but it’s always nice when a band seems to really appreciate that the people there are excited for them to come back.

I didn’t know the first song, Thief, which is a bonus song on their greatest hits album.  This was one of the songs where Tanya really showed that she could hit those high notes.  It was a quiet, almost acoustic song (she didn’t play acoustic guitar) for about half of it. And then the band kicked in to rock the rest.  The final song was Full Moon Empty Heart.  I aways assume bands are going to save the big hits for the encore–but no one seems to do that anymore. And that’s fine. But I found it odd that they picked this song to end the show.  Unless it was an opportunity for Tanya to save her voice for the end, where she–damn–really hit some impressive high notes.

I also really appreciated that this was an evening with Belly and the whole show was done by around 10:15.

I’m really glad I finally got to see them.

SETLIST
King album

  1. Puberty ♠
  2. Seal My Fate ♠
  3. Red ♠
  4. Silverfish ♠
  5. Super-Connected ♠
  6. The Bees ♠
  7. King ♠
  8. Now They’ll Sleep ♠
  9. Untitled and Unsung ♠
  10. L’il Ennio ♠
  11. Judas My Heart ♠
    Set 2
  12. Low Red Moon *
  13. Gepetto *
  14. Slow Dog *
  15. Human Child ◊
  16. Spaceman
  17. Dusted *
  18. Feed the Tree *
  19. Shiny One ◊   >
  20. Are You Experienced (Jimi Hendrix song)
    encore
  21. Thief
  22. Full Moon Empty Heart *

≅ Bees (2021)  [also appeared as new songs on their Greatest Hits album in 2002]
◊ Dove (2018)
♠ King (1995)
* Star (1993)

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