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Archive for the ‘Cities’ Category

[ATTENDED: October 3, 2012] Vanya and Sonia and Masha and Spike

Berlind Theater is on the back side of the McCarter Theater on Princeton University’s campus.  I’ve seen a number of shows at McCarter, but none at Berlind.  Berlind proved to be an even smaller and more intimate venue than the gorgeous McCarter.

What better place to see Sigourney Weaver and David Hyde Pierce in starring roles?  Especially when I managed to get $20 seats that were in row K.  That’s right, Row K, as in 11 rows from the stage.  All for $20 and free parking…suck it, Broadway!

Sorry, that was very unclassy.  Let me start again.

Christopher Durang wrote the play Vanya and Sonia and Masha and Spike as a kind of loving nod to Chekov’s Uncle Vanya.  The booklet that came with the play is very funny in which Durang interviews himself and gets most of the details wrong (he keeps calling it a parody of Uncle Vanya, which he explicitly states it is not).

The play is set in Bucks County, PA (just a hop skip and a jump from Princeton).  David Hyde Pierce played Vanya, an older man who lives with his sister Sonia.  Sonia, who is played by Kristine Nielsen, was adopted as a little girl.  Their parents loved Chekov and named them after the characters in Uncle Vanya.  And when thy became infirm, Vanya and Sonia stayed in their childhood home to take care of their ailing parents.  Now Vanya and Sonia are much older, unemployed and curmudgeonly.  She and Vanya have a hostile, co-dependent relationship.   (more…)

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[ATTENDED: September 18, 2012] Kiss

Kiss has never really been cool.  Even in fourth grade when they were cool, it wasn’t cool to like them.  They have been really uncool on and off from time to time and that seems to make their fans even more die-hard.  I’m not die-hard–I’ll not be spending $4,000 on a Kiss book–but I will buy their records and see them once in a while.

The last time I saw them was 12 years ago (July 2000) for their Farewell Tour (the irony is not lost, no).  That was a fun show, seeing the original line up in make up.  And they played most of their hits (even ones I didn’t like so much).  The set list from 2000 is at the bottom, for comparison to the new set list.

This tour was odd for this reason–they have a new album coming out.  And yet its arrival date is just after the last day of the tour.  Who ever heard of ending a tour before the album comes out?  Also, they just reissued Destroyer in a new recording, but it wasn’t even mentioned.  And they didn’t do any extra songs from it.  Weird.  The Kiss machine will not deviate from its plan.

So, there’s no Peter or Ace anymore.  Eric Singer looks enough like Peter in the makeup and he sounded great in Black Diamond (thankfully t here was no “Beth.”  But you can really see a difference between Ace and Tommy Thayer.  Regardless, Tommy sounds an awful lot like Ace when he sings and, since he’s a pro, he can handle all guitar duties.   There is something a little odd in him doing all of the same things that Ace used to do–shouldn’t they update the tricks a little bit?–but it’s always fun to see the guitar shoot off roman candles. (more…)

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[ATTENDED: September 18, 2012] Mötley Crüe

Back in 1998, I saw Aerosmith and Monster Magnet play a set at Montage Mountain in Scranton, PA.  It was my first time seeing Aerosmith and I was a little bummed that Stephen Tyler had broken his leg.  He was amazingly limber and nimble for a guy in a leg cast, but I’m sure he could have done a lot more if he was unhampered by injury.

Fourteen years later, I’m back on Montage Mountain to see Kiss and Mötley Crüe.  And just a few days before this show Vince Neil broke his foot.  While he’s not quite the acrobatic showman as Stephen Tyler, he was definitely hampered amidst the excitement of their stage show.  It didn’t affect his voice though.

I liked Mötley Crüe’s first two albums quite a lot.  I liked Theater of Pain a lot less–even if “Home Sweet Home” was the biggest song in the world at the time.  What is it about a piano ballad that drives hard rocker people crazy?

Since then the Crüe have released some 5 albums and have had a half-dozen or so hits (some pretty massive).  Of course, I never liked the glammier or even the more “rock n roll” sound of their later albums.  I had pretty much given up on them altogether.  So I didn’t really care much that they were opening for Kiss at this show.

But I will say this–Mötley Crüe put on one hell of a spectacle.  And that’s what some concerts are all about.  There were scantily clad women swinging on ropes and walking on stilts and bringing guitars to the band and dancing abstractly (that’s got to be a very hard job–pretending to dancing rhythmically and sexily to Motley Crue for an entire song).  [If you object to the exploitation of women, this is not the show for you–I sure hope they are well compensated].  There were guys with firehoses shooting the audience (which I assume was a wet T-shirt extravaganza), there were bottles of champagne poured onto the crowd, there was fire and more fire and more and more fire.  And there was Tommy Lee’s drumset–more on that. (more…)

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SOUNDTRACK: INFINITE JEST-“Determinism, But I Mean It When I Say It” and more (2012).

I admit I didn’t know this band existed until I Googled Infinite Jest music about five minutes ago, because, yes, I wanted to put a thematic song here.  Imagine my surprise that there’s a band called Infinite Jest (and that they are based in Boston).

Infinite Jest are an electronic duo (their site says they specialize in live shows with mind-bending visuals).  All of their songs are available for download on their site.  I picked this one because I liked the title (I was honestly hoping for a song title or two that referenced the book, but alas).

All of the music is electronic, but it’s not bass-heavy dance style–it’s more spacey electronic (the kind that I like).  I can’t say I’m a huge fan of the genre, but i like it from time to time and most of this stuff is pretty cool. I rather prefer the instrumentals, although some of the songs with processed and autotuned vocals are okay.  The track “Fuck” uses a sample of a scream which I would have guessed was Trent Reznor, but I assume anyone can scream like that.  They’ve even made a video for their song “Cuddling.”  Like Infinite Boston it shows scenes from around Boston, only set to music.  You can hear and see it all at their website .

[VIEWED: July 2012] Infinite Boston

For fans of Infinite Jest, William Beutler has created a very exciting project: Infinite Boston.

Infinite Jest is set in the Boston Area, specifically in Enfield, a fictional town that is located around Allston and Brighton, MA.  Many people have taken photos of interesting locations (fictional and otherwise) in the Brighton area, but none have approached this task with the steely-eyed determination of Beutler. (more…)

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SOUNDTRACK: BOB MARLEY AND THE WAILERS-Legend (1984).

I’m white, so that means I own a copy of this CD (according to the book below).  And I do, because it’s mandatory in college that you play “Jammin'” at every party.

Now, I like ska (yup, still).  I know that ska came from reggae, but to me reggae is just boring ska.  I couldn’t agree more with Barney on How I Met Your Mother:

Ted: Oh, get this, she plays bass in a reggae band. They’re having a show this Friday. How cool is that?

Barney: Oh, does she know that one song? Mm-hm chaka, mm-hm chaka. What’s that song called? Oh, right, it’s called every reggae song.

Although in fairness, listening to this again, it is a rather nice album (I guess I know every song).  I have a personal aversion to some of the really overplayed songs, like “One Love” (because if you go to any Caribbean location they all act like it’s the official slogan of hot weather.  We even have a Christmas ornament from St. John that says “One Love”  WTF?  And I don’t think anyone needs a 7 minute version of “No Woman No Cry.”

But some of the lesser played its (“Could You Be Loved” and just about anything with The Wailers backing him are pretty great).  Although I’ve got to admit I can’t take more than a few songs.  I had to skip through some of the last songs (thank goodness I don’t have the 2 disc version).

[READ: July 26, 2012] Whiter Shades of Pale

Christian Lander created the blog Stuff White People Like.  It was very funny (it hasn’t been updated since Feb 2011, so let’s assume it has run its course).

Lander had released a first book of SWPL back in 2008.  I didn’t read it (blog to book deals were overwhelming in 2008), but I had seen enough of the site to assume it was funny.  One of the funnier jokes when the blog first came out was wondering if the creator was white or not.  (Well, the author photo gives that away, but I won’t).

We grabbed this book at a Borders going out of business sale (sorry Borders, you are missed).  This book continues where the first book left off (I gather).  I don’t know if every entry from the blog made it into the book (the thanks at the end of the book lead me to think not), but I have to assume most of them made it (and maybe there is new stuff in the book too?) (more…)

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SOUNDTRACK: MOGWAI-Earth Divison EP (2012).

Oh wait, this isn’t the Mogwai EP.  What CD did I put in?

Holy crap, it IS the Mogwai CD.  And it opens with a beautiful piano and violin ballad called “Get to France.”  While it’s true that Mogwai has always been about melody (under the noise), I never expected this.  It sounds like a gorgeous soundtrack to a sad film.  It’s followed by “Hound of Winter” a gentle ballad of acoustic guitars and strings.  I know that Mogwai has a softer side, it’s just surprising to hear it all at once like this!

“Drunk and Crazy” is more like it.  It opens with a wall of guitar noise which…vanishes after about two minutes into a gentle, dark string section (strings are by Luke Sutherland of Bows and Long Fin Kille).  And while the distortion never entirely goes away (it’s evident in the piano), it is certainly pushed to the background until about 90 seconds later when it begins to overtake the track again.  It’s nowhere near as dynamic as their best stuff, but it really showcases what Mogwai can do in just over 5 minutes.

The EP ends with “Does This Always Happen?”  While it reintroduces electric guitars, it’s still a mellow song–a pretty electric guitar riff repeated while piano stabs and chords flesh out the tune and strings make it a fuller song.

None of  these songs will become “classics” (although Does This Always happen?” sounds the most like  a Mogwai song).  But it’s always great to hear them expand what they can do.   And these EPs give them a chance to show off some new styles.

To learn more about these tracks, read Stuart’s explanation of them at The Guardian.

[READ: May 25, 2012] “The Proxy Marriage”

I love Maile Meloy and I was crazy excited when I saw that she had a story in this issue.

Meloy writes stories that seem simple—they avoid a lot of the trappings of contemporary stories, indeed, they often feel like they are set in the past, even if, like in this one, they are very current.  Part of that is setting.  She tends to write about people and family interactions, which don’t require a time frame.  She also tends to set her stories in unlikely places—Montana, for instance, where not too many stories are set.  Of course, this one is set in Montana for a good reason.  It is the only state that allows double proxy marriage.  Which is what?  In a proxy marriage, if your beloved can’t make it, you can have a stand-in for him or her do the speaking and signing.  In a double proxy marriage, neither person is present but they agree to let proxies serve for them.  Why on earth would you do this?  Well, this is common in military cases, where one member is serving overseas and the other doesn’t live in Montana—this allows the non-military person to get all of the military benefits that a spouse is entitled to.  Since Montana allows this, and since this story is set soon after the 9/11/01 attacks, it all jibes.

But this story is really about unrequited love.  And I have to say, now that I’m an adult, that unrequited love sucks.  I mean, true it sucks when you’re in it too, but I hate stories that romanticize the idea that you should hold fast to the belief that this person who doesn’t  think about you that way will somehow come around. It happens a lot in stories (and always swells the heart) but when have you ever heard of it happening in real life?  Most of the time the person isn’t worth it , but realistically, once you have left school (it always happens in school) that person has found someone new and that’s the end of it.

This story’s unrequited lover is William, a shy awkward boy who plays the piano.  The girl he pines for is Bridey Taylor, with golden curls and dreams of being an actress.  William never asked her out.  Bridey was popular and other boys asked her out—and William suffered through every one.   But they were friendly—she sang while he played piano, and he helped her with school work.   Then the 9/11 attacks happened.  And this is where the story gets interesting.  Because although neither of  the main characters are not directly involved in the attacks, when the requests start coming in for proxy marriage, Bridey’s father, who was willing to perform them, asked William and Bridey to be the proxies. (more…)

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[ATTENDED: May 18, 2012] Ringling Bros. and Barnum & Bailey Circus

The last time I saw Ringling Bros. and Barnum & Bailey Circus was in the mid 70s.  My parents took me two years in a row (and I still have the program books somewhere to prove it).  I didn’t realize that the circus was still around, to be honest.  I knew about all of the other circuses, but RB&B&B (what an awkward name) seemed like maybe it just went away.  Well, that is not the case—apparently once you have kids who are old enough to enjoy it, the circus comes to your town.

Or more specifically, to Trenton.  We thought about going to the show back in March when it was in East Rutherford and Newark but that seemed too far (and pricey).  When it came to Trenton (which was actually further than we anticipated) and I could get tickets for $15/ea, that was all I needed to hear.

If anything was worth $15 it was this circus.  Indeed, the joy we got out of it was worth much more than $15.

If you’ve been following along here, you know we’ve been to a number of circus-type shows over the last few months, so we are jaded circus-goers at this point.  But this show was called Dragons, and that’s hard to pass up, especially if you have a soon to be 7-year-old boy (and you used to play D&D).  When as the show opened and several performers came out with dragons attached to the front of Segways, I knew this was going to be fun.  And that it wasn’t the circus from 1977.

And yet, it kind of was.  Because once the circus proper started, it had all of the elements of circuses of yore:  elephants, tigers, trapeze artists, springboard jumpers, hoops of fire and more.

The theatricality was quite spectacular both old school (the ringmaster and clowns) and new school (remote controlled (I guess) platforms and floating screens to project pictures).  And, yes it was all about Dragons–the ringmaster sang a long over the top song about being a dragon (I think–the sound was really quite poor).  And they explained the four qualities of being a dragon (or maybe the four qualities you needed for the dragon to come out?  That’s what seemed to happen anyhow).  Each of the four qualities (Courage, Strength, Wisdom, Heart) was represented by a color and, tenuously, by the performers in a certain section.

And I cannot keep straight who exemplified which quality so, as my memory allows, here’s what we saw. (more…)

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[ATTENDED May 19, 2012] Out of This World

My four-year old daughter T. was in her first recital last night.  Of all of the shows that our family has attended over the last few months, none has been as full of emotional highs and lows, laughter, shock and cuteness as this one.

None.

Not bad for two minutes of a song called “Disco Galaxy.”

I have no intention of critiquing any performances on the stage tonight.  Every girl and boy tried his or her best and they all did better than I could do.  However, since this is my first amateur performance that I’ve seen as an adult, I want to make some general observations about on-stage performance.

TV shows and movies about performance always talk about basic rules for being on stage: SMILE SMILE SMILE!  Smiling on stage and exaggerating your movements and crazy makeup are all essential.  It actually gets a bit tedious (as I’m sure it does for the performers).

So based on TV and my recent live experiences I’ve taken some notes: (more…)

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[ATTENDED: April 20, 2012] MOMIX Remix

One of Sarah’s surprises for her birthday was that after an evening of fine dining at The Frog and the Peach, I had gotten us tickets to Momix.  This was a total surprise because neither one of us had ever heard of Momix.  I wanted to so something fun for us, and this show was being performed on her birthday weekend.  The write-up at the State Theatre made Momix seem weird, interesting and very cool.  So, even though we’d never heard of them, it seemed worth the risk.

A rose waited for us at our seats (A date night package for us).  The curtain went up and the music started and we were blown away from that moment on.

We decided the best description of Momix is as kind of dancey version of the Peking Acrobats (they do show up a lot in my posts).  I’ve never really seen modern dance on any grand scale, so I hesitate to call this modern dance, but what else can it be?  The music (none of it original) was primarily world/ambient (Dead Can Dance was a band I recognized).   And the men and women of the troupe performed nontraditional dances to it.

Okay, but what’s this about acrobats?

Well, the dances were more about showcasing the body–in its beauty, in its strength and in its grace.  And it was amazing to watch. Our favorite piece, called “Tuu,” featured a man and a woman.  She began the dance wrapped around his neck (by her knee?!) and proceeded to uncurl herself into amazing positions, all while he himself balanced and did wonderfully graceful moves.  And here’s the difference between a dancer and an acrobats–these dancers never wavered, never wiggled, never seemed for a second that they were uncomfortable–they were beyond graceful.  So at one point when he did a hand stand and she id a handstand on his back, it was fluid and amazing.  I mean, look at that picture. (more…)

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[ATTENDED: April 11, 2012] David Sedaris

I have enjoyed David Sedaris for a number of years now.  When our friend Melissa went to see him a few years ago, she said he was hilarious.  I’ve heard several readings done by him and had to agree with her–he’s very funny live.

I find that he’s much funnier when I hear him read his stuff than when I read it myself.  Indeed, when I read his stories I try to imagine it in his voice, just so it will be funnier.  Turns out he does a much better David Sedaris than I do.  Each of the stories was very funny (tear-inducingly funny) and very typically Sedaris.

This show was him on stage reading from a number of his pieces and from his diary.  I didn’t know the first piece, called “Understanding Owls,” which was about Owls and taxidermy.  It was also about trying to find the perfect Valentine’s Day gift for his boyfriend of 20 years (wow!), Hugh.  He wanted to buy a stuffed owl because of a long running joke about all of the owl tchotchkes in their house.  The setup alone was hilarious and the sequence in the taxidermist was very funny and rather uncomfortable. (more…)

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