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[ATTENDED: March 9, 2013] The Big Apple Circus

bigappC.s Cub Scout pack got tickets to the Big Apple Circus again this year and we decided to go.  Once again the Circus came right on the heels of Chinese acrobats, so I didn’t think I would be impressed, but once again, the circus did a very good job.  I’ll get my one gripe out of the way first.  Our seats were awful.  Not the circus’ fault obviously, but they claim that there are no bad seats.  And while ours weren’t bad (we were to the back right of the circus floor), all of the action is played to the front, so we missed a lot of the most dramatic poses, we missed the backdrops that they put up and clearly missed the overall feel of the show.  And given how many seats were empty in the good section, I was a little bummed.  Because the show itself was spectacular.

The signature character of grandma was gone, replaced by a funny clown couple (Acrobuffos), who did a lot of grandma’s interactions with the crowd, but as more of a jealous couple routine.  They were quite funny and I’m impressed that the woman had some kind of playballs in her pants making her rear enormous–and she was able to actually bounce on them.

I also didn’t realize when we went that there was a story/theme of the history of the circus or the history of New York, or some kind of history (Legendarium!).  Including a penny farthing bicycle!  So there were stories about circuses of old and some story about Broadway and arrowheads.  The ringmaster was decent but nothing special.  But again, you go for the acts, not the ringmaster. (more…)

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[ATTENDED: March 3, 2013] Cirque Ziva

zivaIt’s Chinese Acrobat time again!  One year ago we saw the Peking Acrobats at RVCC and this year it’s time for the Golden Dragon Acrobats!

The Golden Dragon Acrobats performed a series of exciting and amazing feats on stage.  It was not quite the spectacle of last year’s Peking Acrobats, although there were many similar elements.  The Peking Acrobats were completely over the top.  Cirque Ziva felt a little smaller but with more flash in costumery and sets.

ziva1It opened with a series of…wheels?  Round cage-like apparatus that you climb in and roll around–C. and I actually saw these in a Jackie Chan film recently–they seemed to be a part of Chinese military training (somehow).  But the Golden Dragon Acrobats did much more than Jackie did with them.  With different sizes and numbers of participants they used these wheels to wondrous effect–spinning and rolling and climbing on and off.  It was mesmerizing.

And then it was time for the women to show off.  The first item was called “Thousand Hands.”  Six identically dressed women (with super long golden nails) stood one behind the other and then their arms spread out in a wild and wonderful array.  They worked in beautiful synchronicity and it looked amazing.  For Peking we were upstairs in the balcony, and being able to see all six women from the top spoiled the effect somewhat, it was much more impressive here.  Then they moved onto more, amazing contortions (see the poster above which I don’t even understand even though I saw her do it).  They did both group formations and an individual performance (and we all agreed the woman was mind blowing and a little gross). (more…)

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hermotherSOUNDTRACK: FIONA APPLE-The Idler Wheel is Wiser than the Driver of the Screw and Whipping Cords will Serve You More than Ropes Will Ever Do [bonus DVD] (2012).

idlerThe deluxe package of The Idler Wheel comes with a bonus DVD.  It also comes with a ton of idle scratchings from Fiona–lyrics, artwork (which is weird but good), postcards and all manner of things.  I wasn’t particularly interested in that stuff, although I am pleasantly surprised by her drawing skills.  Mostly I wanted to check out the DVD.

So the DVD is actually a five song concert excerpt from SXSW filmed by NPR.  I have to assume that the show was more than these five songs (because there are breaks in the video and because there’s no way she would do just five songs).  Also, the NPR page for the show says she played a few different songs from Idler Wheel.  There’s audio for the show on the site (three of the five songs) which kind of makes the DVD extraneous, except that you get to watch her perform.

When Fiona was younger there was much talk of her videos being too sexualized.  And I suppose “Criminal” fit that bill.  As such, she has become something of a visual artist by virtue of her body.  I’d always thought that she was too skinny, but she seems even more so now.  And yet for all the waifiness of her (are you still a waif when you’re 35?), her voice is till strong and powerful and she can belt the hell out of a song (perhaps with a little too much forced vibrato at times).

She seems a little at a loss when she’s in that awkward frontwoman space (my guitarist is playing a rocking solo–what do I do?).  She dances somewhat (which NPR describes as confidently but I read as awkwardly, huh).

In this live setting the songs take on a new, looser feel.  As I mentioned, the guitarist  really lets loose (and he sounds great–there’s even one moment when Fiona walks over to the piano and leans on it to watch the guitarist jam).  The band sounds great together and yes Fiona sounds great too.

I actually saw Fiona live in Boston on the tour for her debut album.  Unfortunately, the place was mobbed with tweeny girls (was that her target market?) who screamed and shrieked through the whole set.  It was one of the worst shows I’d ever seen, through no fault of the performer, who I honestly don’t remember at all.  I’ll bet without the devoted screamers the show would have been as interesting as this one seems like it was.

Tracks on the DVD include “Fast As You Can,” “A Mistake,” “Anything We Want,” “Sleep To Dream” and “Every Single Night.”  On the NPR page you can hear “Fast As You Can,” “A Mistake,” and “Every Single Night” as well as “Extraordinary Machine” (on which she hits some amazing high notes!).  There’s no “Sleep to Dream” (which has a very different style than on the record–I almost didn’t recognize it) or “Anything We Want” which sounds great live, especially since she (presumably) plays the introductory percussion (which I assume is looped?) on some strange object.  This was the first time most of us had heard “Every Single Night” and I remember thinking it sounded good but so uncomplicated that I was worried that the album would be a little…flat.  Boy was I wrong.  And now hearing it again, I can hear just how subtle and complex the song is.

[READ: January 28, 2013] Her Mother’s Face

This was Roddy Doyle’s first picture book (you can see that once I found out that he had written children’s books I had to get them all from the library).  I read this after Greyhound of Girl, and assumed that it was a slimmed down version of Greyhound.  But now that I see that this came first I’m inclined to believe that this book was the inspiration for Greyhound.

Many of the basic details are the same as Greyhound–a girl whose mother died when she was three years old; a ghost visits her and gives her solace.  That may not seem like a lot of similarity but in terms of plot that’s really all both books have (it’s the details that really make both stories).

But they are very different books meant for different audiences.  Face is a picture book and the illustrations by Freya Blackwood are simply gorgeous.  Really they are quite mesmerizing in their beauty.  I read it to myself and decided that it’s not really meant for my kids.  Neither of them are really old enough to get it (and the death of the mom at age three might lead to more questions than I need to answer at the moment).

It’s wordy for a picture book and it doesn’t have much of Doyle’s humor in it.  This is serious book. (more…)

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greyhoundSOUNDTRACK: BIG BANG BOOM-“Hippie Mom” (2012).

big bangThis song is a loving tribute to crunchy, loving hippie moms (“granola making yoga taking,”  “I love to watch her twirl and sing.  She loves me more than anything.”)  While the song definitely teases some of the clichés of a hippie mom, it is a sweet, happy song.

It’s got a kind of rockabilly sound that makes you want to tap your feet and sing along.  I’d not hear of Big Bang Boom before, but I need to hear more from them.

[READ: January 28, 2013] A Greyhound of a Girl

After reading Doyle’s story in McSweeney’s recently I checked out to see what he had been up to.  I had no idea he had written a series of children’s books.  And this one was the most recent (and the library had it!), so I had to see what Mr Doyle could do for kids.

Well, this is an extremely heartwarming and sad story about four generations of Irish women.  It’s delightfully simple with very few characters.  And for that, it packs a wallop.

Mary is a twelve-year-old girl living in Dublin.  She has two brothers, who don’t really enter the story but I mention them since their names are Killer and Dommo.  Mary’s best friend, Ava, has just moved away and she is devastated.  On the way home from school–the way she usually walks with Ava, an old woman–well, she’s actually young, like a young adult, but she is dressed old and talks like her granny–asks about her gran.  Her gran, Emer, is in the hospital.  She’s very old and is clearly not long for the world.

Mary tells her mother, Scarlett, about the old woman and how the old woman seemed to know her gran.  She’d said her name was Tansey.  Scarlett is taken aback.  She explains that Emer’s mother was named Tansey, and isn’t that a weird coincidence.  Then, we flashback and learn the history of this family.  Tansey died when Emer was but  three years old.  Tansey’s mother helped to raise Emer and her baby brother with their father.  Later, Emer gave birth to Scarlett, and 12 years ago Scarlett had Mary.  We learn about the farm that Emer grew up on and how she hated the greyhounds that her father raised for racing–they were too skinny and pointy. (more…)

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grantladn4SOUNDTRACK: BAD RELIGION-“Fuck You” (2012).

badrelIt’s hard to believe that Bad Religion has been around for thirty years and has never written a song called “Fuck You” before.  Typically they write songs with more profound lyrics.  So I guess this is kind of lazy.  But it’s still fun.

Bad Religion write (mostly) blistering punk songs in under three minutes   They have of course written longer songs, but mostly they do these quick tracks.  Despite the blister, Bad Religion also love harmonies and backing vocals–and for a punk band, they are quite melodious.

After all these years, the band still sounds good.  It’s true that it’s kind of hard to tell when certain songs were recorded as a lot of their music sounds similar.  However, on this track I think the middle slower part sounds like it might be a newer, fuller sound.  But still, when you get to the chorus, it’s hard not to recognize that old time Bad Religion.

[READ: December 26, 2012] “Denny Coughlin”

I have come not to expect too much from the fiction in Grantland.  It’s usually a fine story but not much more.  And that’s okay–I don’t think sports stories can be all that original–you either win or lose, right?

This story did things a little differently   It’s about prisoners playing hockey.  I didn’t even catch on that they were prisoners right away–I liked that the story doesn’t spoon feed the details, it just got right to the action.  Anyhow, in a prison in Walpole, MA, the prisoners from Southie would face the guys from Charlestown twice a week in the yard.

There were only two rules.  1) No injuries–if you get hurt, tend to yourself.  The guards are sick of people in the infirmary.  And 2) the ball is in play wherever it goes, even under the bench that the guards sit on.  The guards know to get up if the ball goes there. (more…)

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[ATTENDED: December 9, 2012] A John Waters Christmas

watersSarah and I were pretty excited to go see John Waters: gay icon, movie provocateur and all around oddball.  We had no idea what to expect from this show (his Christmas shows have apparently been around a long time although I have no idea how much it changes per year), but we knew it would be peculiar (and damned funny).

What we got was John Waters in a beautiful sparkly suit talking about seemingly whatever came into his mind (although I know from others that  the routine has the same elements in every show, so I it is not extemporaneous).  He had a podium and a bottle of water, but he used neither.  Instead, he walked around the stage, telling stories, telling jokes and being as filthy as he could.

Since this is a Christmas show, he talks a lot about the holiday (he really likes it, mostly because people give him presents), he talks a lot about sex (the more deviant the better), and he talks about himself.

We were surprised by the age range in the audience   Aside from a few young people (in punk garb), we were the youngest by far.  And while that certainly makes it seem like the older folks of the Branchburg area are much hipper (and dirtier) than I realized, it also makes some sense.  Waters definitely reached his most prolific peak quite some time ago.  And those earlier film were much raunchier than his more recently releases.  By now, Waters has settled in as kind of an outre celebrity but one who is more than happy taking part in pop culture (The Simpsons for instance–quite a long way from Divine eating poop).  We wondered if half of them knew what they were in for–but I didn’t hear any gasps, so I guess they did.  The older attendees could no doubt also appreciate a number of cultural references that were just too old for me. (more…)

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[ATTENDED: December 8, 2012] The Russian Nutcracker

nutcrackWe decided to take the kids to see The Nutcracker this year.  Fortunately, it was being performed at our beloved RVCC by the Moscow Ballet!  I saw The Nutcracker performed by the Boston Ballet about a dozen years ago, and the performance was stunning (it was also expensive).  This performance was definitely scaled down compared to that one, and it was also shorter (which was good for our kids).

I honestly don’t remember all that much from the Boston Performance (except that when the tree gets bigger, I was blown away).  There wasn’t much blowing away with this show.  As I say, it was scaled down tremendously–the stage itself was about half the size.  But that said, it was charming and the performers–especially the men–were amazing.

I really enjoyed the opening which was quite simple, with the families approaching the castle for the Christmas party–it was fun seeing the adults dressed as kids skipping about while the proper adults strolled casually.  Typically the first act is longer than the second and it’s certainly less exciting.  I don’t know the ballet well enough to know if they cut any of the scenes, but it didn’t seem quite as long as I remembered.  The kids were a little less excited by the grown up fancy ball dancing, but they held up very well.

I enjoyed the sequence where Masha (she’s not Clara in The Russian Nutcracker–I wonder just how different the two are) and her brother have a fight over the Nutcracker.  Masha’s brother was quite funny and the broken Nutcracker was amazing in his life-less-ness.  Indeed, all of the “toys” were incredible. (more…)

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[ATTENDED: November 23, 2012] Phineas and Ferb

Phineas and Ferb is one of the smartest, funniest kids shows around.  It’s a show that I would watch by myself if I didn’t have a queue of things that I can’t watch with my kids as well.  This live show has been bouncing around the area for months.  It has played at least four locations in NY and NJ that I thought about going to, but I wasn’t really sure if it was worth the expense and effort.  Then, it finally came to the State Theatre, with a mail flier that saved us 20%.  Hard to say no.

So this is a Disney production.  This means, among other things, that they take care of you while you wait for the show to start–they had a dancer ask questions and warm us all up.  It was fun.  They also had good production numbers and a very talented, anonymous cast.

Okay so the TV show is about two boys (with crazy heads) who are on summer vacation.  They are looking for something awesome to do on this particular day and they wind up getting involved in some preposterously over the top plan (building a rollercoaster in their yard, creating a time machine, etc).  It’s not like the show explains anything technical about how they do it–it’s not that kind of smart–but it really encourages creativity.  Their older sister Candace is always trying to get them in trouble for their schemes, but she always fails (but they’re never really mean to her back, which I like).

The other aspect of the show is Perry the Platypus.  Perry is their pet.  But, unbeknownst to the boys, he is also a secret agent who is bent on stopping the evil Dr Doofenschmirtz, the evil doctor who creates some kind of “-inator” machine every episode which is designed to cause some kind of destruction in the tri-state area.

So how can this over the top cartoon translate to the stage? (more…)

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[ATTENDED: October 21, 2012] Trout Fishing in America

Trout Fishing in America is (primarily) a children’s band.  They are a duo comprised of Ezra Idlet (who plays the guitar and is six-foot nine inches tall) and Keith Grimwood (who plays bass and is five foot five inches tall).  When I first encountered them, Ezra had very long hair–although he no longer does.  They are quite a sight onstage (and they play up this height difference a lot).

Trout Fishing is, I assume, a rather successful band.  They have been around since 1979!  Their first big family friendly record came out in 1991.  Amazingly, given their longevity, they are not opposed to playing small venues.  Two years ago, they played my son’s elementary school.  Which was a hoot.

They came back through the area again and this time they played RVCC.  I’ve said before that RVCC gets some pretty major acts, but I’m not sure exactly what went on with this show.  They played at 1PM and 3:30PM and rather than perform to the audience in the normal theater seats, they let the (much smaller) audience sit on stage with them.

They erected a small stage–big enough for  the two of them and their minimal gear.  The audience chairs were arranged around them in three section and my family got front row seats, approximately ten feet from the mini stage.  It was wonderful.   Since it was the day after T.’s birthday  when Keith asked if it was anyone’s birthday  T. was right up front to get singled out (they said it was okay that her birthday was yesterday).

They played about a dozen songs.  And in between songs, their banter was wonderful.  They told jokes (Keith juggles), they did left brain/right brain challenges (draw a square with one hand and a triangle with other) and they explained to the kids about the instruments they use (they also do musical instruction at schools).   (more…)

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[ATTENDED: October 13, 2012] Spencers: Theatre of Illusion

This past summer, we purchased some subscriptions to many performances coming up at Raritan Valley Community College   Last year I was impressed by the quality of the performances our little community college attracted, and again, this year, the stars are coming out!

We started off our series with this show, a family entertainment (although honestly going until 9 was a little long for T.  It did say that it was recommended for slightly older kids, although this wasn’t so much content as the pacing and lateness of the show).

The Spencers have a fascinating back story (told in the programme and during the show).  Kevin Spencer always wanted to be a magician.  Doug Hennig was a huge inspiration.  At some point in his career he was in a car accident and it changed the nature of his show (although we never learn what the act used to be like). (more…)

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