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Archive for the ‘David Schickler’ Category

SOUNDTRACK: K.T. TUNSTALL-NonComm (May 16, 2019).

Most artists at NonCOMM get about 20 minutes.  The headliners get about 40 minutes.

When I saw K.T. Tunstall was playing, I assumed she would get 20 minutes–how could she be a headliner? Didn’t she have one hit like a decade ago with “Suddenly I See.”

But there she was with a 45 minute set.  I wondered why.  Possibly because she was playing World Cafe Live again the next night for a full show.  Or possibly because she had a huge hit that I didn’t realize was hers.

Tunstall was by herself on stage.  She had a guitar, a drum machine of some sort, a looping pedal and a kazoo.  Having a lengthy set also allowed for a looser, more talkative set.  She is very funny, bold, foul-mouthed (in the best Scottish way) and smart.

As the last night at NON-COMM was winding down, K.T. Tunstall was able to give the crowd one last hoorah. Tunstall’s set mixed the old and the new nicely, playing anything from covers and mashups to her most recognizable hits.

Tunstall started the set with “Little Red Thread,” the opener to her most recent release Wax. The tune was carried by Tunstall’s percussive guitar tapping and tambourine playing, and it sure got the crowd going.

It had a four note heavy riff with some echoey chords that propel the song.  After two verses she messes something up and says, “that’s a really shitty way to start,” but jumps right back in.

She liked playing the new song but then says, “Let’s trustfall into something familiar.”   She asked if anyone had a long-distance relationship.  “It’s a really fucking bad idea.  It’s good sex; it’s just not regular.”  This was an introduction to the quieter “Other Side of the World” off of her 2004 debut Eye to the Telescope.  The song opens with looping quiet percussion and her raspy voice singing over a gentle acoustic guitar.

“Backlash & Vinegar” is about someone trying to keep you down.  It stays quiet with just her guitar and voice.

She recalled going to a karaoke bar drunk with friends and looking for “Faith” by George Michael which they didn’t have.  WTF?!  The friend she was with said there was a song there that she knew all the words to.  It was her song!  What song was it?  There’s a bit more story.

When she first came to the States she performed her first shows inside Barnes & Noble stores. They close at 8 so you have to play at 7.  There were multiple hot women dressed like Jane Fonda.  Finally she asked a woman why she looked like Lydia from Fame.  She replied (in Tunstall’s great “American” accent: “Honey.  You don’t know? You’re huge in Jazzercise.”

So she plays her jazzercise hit “Black Horse And A Cherry Tree.”  This was the massive hit (and it was a massive hit because I’d heard it everywhere) that I had no idea was by her.  It starts immediately recognizably with the looped “who-hoo / whoo-hoo” and if that doesn’t remind you of the song, the chorus is “No no / no no no no / no no / you’re not the one for me.” It sounded sport on.

She ends the song with a kazoo (!) rendition of White Stripes’ “Seven Nation Army,” which she looped in the backgroud of the end of her song.

Up next is “The River” which is about taking a spiritual shower and washing the world from our brains.  It’s a catchy folk song that could easily have been a Starbucks hit (and maybe it was).

She then teaches everyone a Scottish word: “jobby” it means “shit.”  It’s like the name of the poo emoji.  She wrote this song as an antidote to when you have a nice pair of white high tops and just out of nowhere you step in a really big jobby.  It’s the kind you cant get off with a stick and you have to go into a meeting with the jobby–it’s a metaphor for life.  You can smell it, other people can smell it.  And what you need is a song to get you through.

This is the intro to “Feel It All,” a catchy simple guitar riff and a quiet vocal line.   I don’t know what these songs sound like on records but they translate into pretty folks songs here.

She felt like with everything going on (a lot of abortion bans being proposed), she needed a cover by a master.

Tunstall banged away as she sang a fantastic cover of Tom Petty’s “I Won’t Back Down,” mixing in percussive elements with her thrilling vocals once again.
a rocking raw version

She said she likes to be a purveyor of joy but she needs to speak up.  She dedicates this song to all the women who have achieved incredible things in their lives.  And one of the reasons they’ve been able to achieve it is because they and their partners have had reproductive rights .   This song is meant to give strength to any woman who might have it taken away.

And there was the song I knew from her: “Suddenly I See.”  She started the song, a shuffling rocker, and said, “Every songwriter is like a juicer. You put a few things in and you hope it doesn’t come out brown and weird. This is what happened when I listened to Patti Smith and Bo Diddley on the same day.”

I never would have thought that on my own, but I sure hear it this time.  The song sounds just like I remember it.  Her shockingly un-Scottish-sounding vocals and a super catchy chorus.

I’m glad she got a 45 minute set, it was a great re-introduction to someone I liked a while ago.

[READ: June 1, 2019] “The Smoker”

I don’t understand the title of this story, but I really enjoyed it’s odd revelations.

Douglas Kerchek is a teacher of 12th grade A.P. English at a prestigious all-girls Catholic school in New York City.

Nicole Bonner was a standout student.  He had already written her a recommendation for Princeton.

She read an entire novel every night and retained what she read.  When he proposed a pop quiz, instead of answering the questions, she wrote the entire first page of Moby Dick verbatim.

Although at the end of a recent essay, she had attached a note saying she had noticed the bruise on his ankle and wondered what he had banged it on. (more…)

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[ATTENDED: December 9, 2012] A John Waters Christmas

watersSarah and I were pretty excited to go see John Waters: gay icon, movie provocateur and all around oddball.  We had no idea what to expect from this show (his Christmas shows have apparently been around a long time although I have no idea how much it changes per year), but we knew it would be peculiar (and damned funny).

What we got was John Waters in a beautiful sparkly suit talking about seemingly whatever came into his mind (although I know from others that  the routine has the same elements in every show, so I it is not extemporaneous).  He had a podium and a bottle of water, but he used neither.  Instead, he walked around the stage, telling stories, telling jokes and being as filthy as he could.

Since this is a Christmas show, he talks a lot about the holiday (he really likes it, mostly because people give him presents), he talks a lot about sex (the more deviant the better), and he talks about himself.

We were surprised by the age range in the audience   Aside from a few young people (in punk garb), we were the youngest by far.  And while that certainly makes it seem like the older folks of the Branchburg area are much hipper (and dirtier) than I realized, it also makes some sense.  Waters definitely reached his most prolific peak quite some time ago.  And those earlier film were much raunchier than his more recently releases.  By now, Waters has settled in as kind of an outre celebrity but one who is more than happy taking part in pop culture (The Simpsons for instance–quite a long way from Divine eating poop).  We wondered if half of them knew what they were in for–but I didn’t hear any gasps, so I guess they did.  The older attendees could no doubt also appreciate a number of cultural references that were just too old for me. (more…)

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SOUNDTRACK: DINOSAUR JR.-Live at the 9:30 Club, Washington D.C. October 8, 2009 (2009).

This was one of the first shows I downloaded from NPR.  I’ve been a fan of Dinosaur Jr. since my friend Al turned me on to Green Mind back in college.

This is an amazing show created by the original Dino Jr. members.  This tour is in support of their second album since reuniting, Farm. This set-list is an outstanding mix of old songs, new songs, Barlow-sung songs and even some songs from when Barlow and Murph weren’t in the band.  (Green Mind is still my favorite album by them).

When the band reunited there was much joy, and I’ve said in reviews of the newer albums, I’m not entirely sure why.  I mean, Dino Jr has always been about Mascis, and it’s not like Barlow is such an unusual bassist (although Murph’s drumming is always solid).  I’ve nothing against Barlow (I love Sebadoh and Folk Implosion) or Murph, it just seems odd to get excited about having them back in the band aside from nostalgic reasons.

Having said that, the band sounds amazing (and yes, Barlow does get to sing on “Imagination Blind”).  What never really came across to me until hearing all of these great songs live was that Mascis has always been a great pop song writer.  These songs are catchy as hell. But Mascis buries them under loud squalling guitars and a voice that is almost whiny, almost off-key, a total slacker voice.  (But you’ll notice it is never actually off-key.  He must work very hard at that.)

By the nd of the show Mascis chastises the audience for not moving (we obviously can’t see what they’re doing), saying he forgets that people don’t move in Washington, D.C.  But during the encore break, NPR host, Bob Boilen, points out that Mascis himself doesn’t move either–he just stands in front of that wall of Marshall stacks (Boilen wonders how he can hear anything anymore).  And looking at the pictures it’s comical the way he looks, surrounded by amps.  The picture above doesn’t fully do it justice, but check out the extra photos at the NPR page.  And while you’re there, listen to this show. It is amazing.  For a total slacker, Mascis can rock a guitar solo like nobody’s business.

[READ: July 20, 2011] The Best American Non Required Reading

I’d been meaning to read this series for years (yup, Eggers fan), But I have a hard time starting “collections” because I feel like I’d rather be reading a novel.  Nevertheless, I have most of these Nonrequired books, so it seemed like I should dive into one and see what it was like (I don’t think the year really matters all that much–some of the articles are topical but most are not exactly).  Then Sarah said this would be a great book to read on vacation because it’s all short essays, and she was right.  It was perfect for late nights when I wanted something to read but didn’t feel like getting involved in the novel I was reading.

DAVE EGGERS-Introduction
Eggers’ introduction is actually a partial short story about kids who go swimming in pools around town. It reminded me of the opening of Life After God by Douglas Coupland, but of course, lots of kids did that so I’m not saying it was “lifted” from DC.  The story “ends” (it doesn’t really end so much as stop) with an interesting scene between two unlikely kids who get caught.

After this story Eggers includes these three notes about the collection: It’s not scientific, It’s alphabetical, and We had a lot of help with this.  Of the three, it’s the middle one that’s most useful because Eggers says that you shouldn’t necessarily read them in order just because they are printed this way: “In the first half of this collection, you get a good deal of hard journalism, primarily about war and refugees, from Afghanistan to the Sudan, followed immediately by a number of less serious pieces, about malls and Marilyn Manson.  We didn’t group anything by theme , and won’t be offended if you skip around.”  This was good to know (not that we needed the permission of course), but yes, the beginning of the book is pretty heavy. (more…)

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