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Archive for the ‘Cities’ Category

[ATTENDED: November 13, 2019] The HU

The HU are from Mongolia.  I first heard about them when their video for “Wolf Totem” was getting some buzz.  I loved their heavy sound and their gorgeous instruments.  I wish these pictures did justice to the intricate detail and coloring of these traditional(ish?) instruments, but the lighting was just awful the whole night.

There are technically four guys in the band, but for the tour they had four extra guys supporting them.  It’s hard to know how “necessary” the other four guys were, but honestly, the songs are so percussion-heavy, there’s no way that they could have made these songs without at least one drummer (two were even better).

The band has only one album out (so its pretty amazing that they headliners)  They played the whole album and jammed out some of the songs longer than on record.

The most surprising thing though was that the DJ from WMMR came out and introduced them saying that they played their songs on the station.  Is that possible?  That’s pretty amazing if they do.  He also made a pretty funny comment about talking to them all day (they speak almost no English), although they posted a picture showing that they took them axe-throwing which is pretty hilarious).

The four guys stood at the front of the stage. (more…)

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[ATTENDED: November 13, 2019] Crown Lands

Crown Lands are a duo from Canada.  As with a lot of rocking duos, they play riff-heavy rock.  But they change things around a bit.  In their bio they say they are huge fans of Rush, and while they don’t do anything as complex as Rush, you can hear the Rush influence all over their songs.  The size of Cody Bowles’ drum set, the little high hat fills, and some of the percussion.  And Guitarist Kevin Comeau plays a doubleneck Rickenbacker and some of the chord progressions are distinctly Rush-ian.  And yet you would never hear them and think you were listening to Rush.

Comeau plays guitar and bass pedals which add a really full sound to their live show.  Bowles has a really powerful voice with a truly remarkable range.  He can do Robert Plant/Geddy Lee high screams, he also has a lower register for the body of most songs.  And their stage presence is pretty great too.

The have two EPS out and are planning a finishing up a full length now.  Most of the songs from this set came from their unreleased record, and these songs are great. (more…)

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[NOT ATTENDED: November 10, 2019] Mattiel/Temples [moved to January 24, 2020 at The Foundry]

I don’t know how often bands postpone their shows/tours.  I know sometimes visa problems keep bands out of the country.

Back in September I received this email about this show

Temples have postponed their fall tour and have moved their Philadelphia date to January 24th 2020. The show will no longer be taking place at Union Transfer but at The Foundry (29 E Allen St).

It seems really unusual that they would trade venues for a show. Especially since (I’ve learned a bit about venue politics) it is going from an independent venue to one owned by Live Nation. (more…)

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[LISTENED TO: August 2019] The Schwa Was Here

I know about Neal Shusterman because Sarah really loved his Arc of a Scythe series.  I love the cover design of that series, but I haven’t read the books (yet).

I was looking for audio books for our summer vacation and found that Shusterman had written a lot of books before the series.  Including this one, The Schwa Was Here.

I have always loved the word “schwa.”  I never full understood it I just knew it was represented by the upside down e [like this: ǝ].  The epigram of the book actually explains a schwa pretty well.  So here’s the simple version:

The schwa sound is the most common vowel sound. A schwa sound occurs when a vowel does not make its long or short vowel sound.

I also had no idea that this was part a series until I looked it up.  The series is called the Antsy Bonano Novels.  Now I ‘m curious to see where this series goes.

I loved the audio book because Shusterman reads it in his greatest Brooklyn accent. And while the characters aren’t thoroughly diverse is voice, they are diverse enough to keep the characters straight.  But his accent is awesome.  And it’s relevant because Antsy is a Brooklyn boy through and through and he addresses the way they talk.

As soon as his brother says a bad word, their mother “hauls off and whacks him on the head in her own special way… ‘You watch your mout!’  Mom says ‘mout’ not ‘mouth.’  We got a problem here with the ‘th’ sound.”

They also have problems with vowels.  He is Anthony, but known as Antny (which became Antsy).  And, his family are Catlick. (more…)

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SOUNDTRACK: ROBERT SCHNEIDER-“Reverie in Prime Time Signatures” (2009).

Robert Schneider is the lead singer, songwriter, guitarist and producer of The Apples in Stereo.  He also received a PhD in mathematics from Emory University in 2018.

So he seems like the perfect person to write this complex score (even if he wrote it before he got his PhD).

In the back of the book, Schneider explains in pretty great detail how he chose to write what he did.

He also says that the music was written and and first performed at an experiemntal reading of the original script at the Institute for Advanced Study in Princeton on Dec 12 2009. Schneider played synth along with cellist Heather McIntosh and clarinet Alex Kontorovich.  The musical score is included in the book and you can hear it here

The piece is two minutes with harpsichord and a lead cello and flute with a synthesizer underneath.

It is mournful and quite pretty.

For a song that is all about odd time signatures, it somehow doesn’t feel awkward or choppy.  I don’t know enough about time signatures to even tell where the different parts are–I can’t hear it at all.  But I find the piece to be quite nice.  And it is reasonable to think that the victims could have the melody stuck in their heads.

 

[READ: June 19, 2019] Prime Suspects

Raise your hand if you want a graphic novel (illustrated by Robert J. Lewis) that is a CSI-styled investigation but is actually a pretty thorough look into higher mathematics.

I have a hard time summing up what this book is all about because I didn’t get all the math that’s going on here.  But the story itself is pretty fun and easy to follow.

The book opens with two cops finding a dead body in a tunnel  There’s also a documentary crew filming everything for the show MSI: Mathematical Science investigation.

A man in a hat and trench coat welcomes us to his world–a world where you don’t have to understand everything to know something.  Where a legendary mathematics professor became the subject of a documentary.

That professor is Professor Gauss. His assistant Mr Langer is in the precinct with Gauss to talk about what hey have found.

Langer is a formally educated student.  A bit uptight and stuffy.  One day in Professor Gauss’ class a young woman with a ring in her nose and unique fashion sense came in.   Her name is Emmy Germain and she proves to be incredibly smart.  But she is self-educated–an abomination to Langer.  But she turns out to be a delightful surprise to the documentary crew that is inexplicably filming Guass’ class. (more…)

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[ATTENDED: November 8, 2019] The New Pornographers

Back in 2000, The New Pornographers sprang out of Vancouver and I didn’t know anything about them.  Especially that the band was made up of all manner of Canadian musicians from other groups.  I only knew that the first single “Letter From an Occupant” was awesome and I listened to it all the time.

Over the last twenty years, The New Pornographers have released reliably excellent albums.  It often seemed like out of the blue, suddenly there was another amazingly catchy song from the band.  I’m not really sure why I never thought to see them live before.  I think missing the Neko Case show in January was an impetus to get me to the show if only to see her.  (Sometimes Neko doesn’t tour with them, so I’m pretty psyched she was here on this tour).

As often happens, when a band tours they have a new album out.  Somehow I had missed this new one entirely.  Of course, I needn’t have worried that it would be good, because of course it was.  I was just worried that I wouldn’t be familiar enough with the songs when they played them.

The lineup has remained remarkably consistent for a band made up of people who all have other bands that tour.  They’ve had a couple of drummers, but otherwise, no changes.  Except for one rather large one.  Dan Bejar, the fantastic lyricist and singer of the band Destroyer more or less officially left the band a couple of years ago. Although he is currently described as a former and possibly future member of the band. So no hard feelings. (more…)

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[ATTENDED: November 6, 2019] Steve Page Trio

I saw the Steven Page Trio about a year ago in Philadelphia.  When he announced that he was touring some more and coming to Bethlehem, I grabbed tickets for me and S. right away.

S. doesn’t really know his solo stuff at all, but she is a fan of BNL and has always said how much she liked his voice, so I thought it would be a fun, relaxing, seated event.

We were so close, we were literally right next to the stage.  When you’re standing, its a coveted spot, but when you’re seated, it’s terrible!  Luckily, they moved Dean Friedman’s giant monitor out of my way so I could actually see them all.  But in hindsight, sitting a few seats back would have been far preferable.

The weirdest thing is every time he picked up or put down his water bottle I thought he was going to talk to me (he didn’t).

I love being up close, the angles were just all wrong.  Any pictures I took were going to be of Steven’s crotch (!).   Fortunately, the vocals sounded fine.

I have learned from past experiences that seeing an artist a few months apart often means the same or a similar setlist.  And that’s what happened here.  Although when I look at other recent shows I see that he seems to have a kind of rotating setlist of some of the songs.  I saw that the night a few nights before us was amazing with “Alternative Girlfriend” (the song I really wanted to hear!) and “Someone Who’s Cool” an Odds cover!  They also played “Manchild,” my favorite new song of his and “Break Your Heart” both of which I have heart before but, come on, they are awesome.  Incidentally Odds opened for Steven Page in Canada.  Once again I wish I was above thee border not for political reasons. (more…)

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[ATTENDED: November 6, 2019] Dean Friedman

I was really excited to see that Steven Page was going to play in Bethlehem.  I grabbed seats immediately.  And when I saw the set up of the room, I grabbed seats right in the front.

In my head, this room was going to be set up with a short stage (maybe a foot high) and a series of tables around it.  Instead, what we had was a full-sized stage (four feet tall) and a series of tables that went right up to the stage.  So, in fact, I could rest my arm on the stage if I wanted to.

It was also unexpected that you could order food at these tables–with waitstaff service!  Evidently you could have arrived at 6 and ordered a proper dinner.  We arrived at 7:15 and had (rather yummy) Parmesan fries.  It was also awkward having strangers sitting across from us.  They really didn’t seem like people we wanted to talk to either.

When the usher seated us he told me I did a great job getting seats.  But he was wrong.  We were actually too close!  And the way that Friedman had his gear setup, his monitor was literally blocking my view .  I couldn’t see him at all when he played the piano and I could really only see his face and guitar when he played guitar. (more…)

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[ATTENDED: November 4, 2019] Kishi Bashi

This is now the fourth time we’ve seen Kishi Bashi.  The first time was magical–he was solo doing his amazing looping and violin playing.  The second time he opened for Guster and even played with them, which was thrilling.  The third time was at Union Transfer with a small band.  The sound was bigger and really fun.  And K crowd surfed.

This was the fourth time and his band was even bigger.  He had stage decor (what looked like grass and a giant crane in the background).  And his latest album is full of all kinds of instrumentation beyond the violin.  K. played guitar and keys as well as violin.

It also happened to be K’s birthday!  He had posted a few days earlier that it was his birthday at our show.  I contemplated bringing him something, but that seemed silly.

The band came out on stage with frequent collaborator Mike Savino (known as Tall Tall Trees) on bass, Ryan Oslance on drums, Dave Kirslis from Cicada Rhythm on guitar and the most wonderfully dressed musician on flute.  It took me a few songs before I learned that Pip the Pansy was the stunning flautist who kept her flute in a quiver on her back.  She was so much fun to watch and made incredible music.

Then K. came out.  K. always looks nice in a jacket with a bow tie.

He then proceeded to play “Marigolds” from the new album.  I listened to the new album a lot and really like it.  But somehow, I didn’t recognize this song until almost half way through it.  I don’t know if its because the band made it sound so much bigger or that I was so overwhelmed by everything happening, but I actually thought it was a new song until the chorus came back around.  (more…)

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[ATTENDED: November 4, 2019] Cicada Rhythm 

The last time we saw Kishi Bashi at Union Transfer, his opening act was Twain.  We hated Twain.  Probably more in retrospect now that we’ve joked about him so often.  But Kishi Bashi talked about how much he loved Twain.  So we were a little concerned about who might be opening for this tour.

The band proved to be a duo called Cicada Rhythm.

They were a delightful couple, recently married.  Andrea DeMarcus plays upright bass (she is Julliard-trained) and and Dave Kirslis plays guitar (electric and acoustic).

They were sweet and adorable and very very sincere. (more…)

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