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Archive for the ‘Asbury Park, NJ’ Category

[DID NOT ATTEND: August 26, 2022] The Beths / Rosie Tucker

I wonder what it is about Asbury Lanes.  This is what I wrote about Nada Surf when they played here:

I had just seen Nada Surf in November and didn’t really need to see them again.  But never pass up a chance to see a great live band, right?

November to July = 8 months.

So I’ll say the same about The Beths.  I had just seen them in February.  And here they were 6 months later playing Asbury Lanes.

Never pass up a chance to see a great live band.  Yes.  Unless, of course, you already have tickets to Peter Hook & The Light AND you are going out to concerts the two days before and the day after.

But seriously, The Beths are amazing live, and I would see them as many times as I could.

Back in January, Rosie Tucker was supposed to open for Best Coast.  But that tour was cancelled.

I wrote:

I didn’t know Rosie Tucker until Friday when I listened to her album because it was highly recommended on NPR Music.  I really liked her blend of quirky pop, enjoyable lyrics and kind of garagey sounds.  Her name sounds like she’ll be a country singer, but she’s far from that.  I hope to see her some time in the near future.

And maybe I still will.

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[DID NOT ATTEND: July 29, 2022] Nada Surf / Hurry

I had just seen Nada Surf in November and didn’t really need to see them again.  But never pass up a chance to see a great live band, right?

Well, it turned out to be the same night as my rescheduled King’s X show.  I have seen King’s X more often than Nada Surf, but I hadn’t seen King’s X in five years and they are getting up there in age.  So I opted for King’s X.  I think I made the right choice as I’m not sure if I’ll need to see King’s X again, but I’m sure Nada Surf will be back again.

I was supposed to see Hurry open for Restorations back in 2020 but COVID cancelled that show.  Here’s what I said about them then:

Hurry is a band from Philadelphia, originally the solo project Matt Scottoline.  They are described as 90’s rock revivalists and all of their influences are bands I like.  Some of their songs online are a little slower than I expected, but they do have some uptempo ones as well.

At this point I hope they open for someone else I want to see.

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[DID NOT ATTEND: May 28, 2022] Modest Mouse / The Cribs

I really enjoy seeing Modest Mouse live.  I’ve seen them a number of times and will happily see them again.

However, I didn’t really want to see them at the Stone Pont Summer Stage, which I have a kind of love hate relationship with.

They tour all the time and I was able to see them again later in December, so it’s okay that this show was missed.

The Cribs are an old (I had no idea) British rock band (formed in 2001).  They are made up of twins Gary and Ryan Jarman and their younger brother Ross Jarman.   Johnny Marr (who was also part of Modest Mouse for a while) played with them from 2008 to 2011.

They were a hugely popular British indie rock (emphasis on the rock) band whom I’d never heard of.  Apparently they hit some trouble just before COVID, and here’ a fun little blurb from the NME.

The Jarman brothers were left staring defeat in the face following ‘24-7 Rock Star Shit’ due to a self-described “legal morass”. After unexpectedly parting ways with their management, a morale-sapping period in the wilderness followed; they couldn’t release music or tour (the gig-hardened band still haven’t played live since September 2018). “Towards the end of last year, we honestly could not even begin to imagine coming back and were seriously questioning our future as a band,” The Cribs revealed in a message to their fans back in August. “It felt almost like a distant dream or something.”

Step forward Dave Grohl. While supporting Foo Fighters in Manchester in the summer of 2018, the deflated Cribs received a pep talk from the gregarious frontman, who offered them a route out of their quagmire. “‘Forget about all that business stuff, come out to LA and make a record at our studio’ – Dave made that offer to us,” a relieved Ryan Jarman recalled.

It was precisely the kind of escape that the Jarman brothers so desperately needed: after reuniting at their parents’ house during Christmas 2018 to thrash out some new song ideas, the trio headed to the Foos’ Studio 606 the following April to record what would become ‘Night Network’, The Cribs’ best album in 11 years.

Back to ‘Goodbye’, then. The record’s very un-Cribsian surf-pop opener, complete with ‘Pet Sounds’-influenced harmonies, permits the band to first and foremost reflect on the bullshit (“Goodbye when you chose the sons of privilege,” one withering line goes) before consigning those tumultuous times to the past.

Point made, drummer Ross Jarman  signals the resumption of normal service as his tumbling fill sparks lead single ‘Running Into You’ into life. “If I could only write her favourite song / Still be in her head when I am gone,” bassist Gary Jarman wistfully sings as his twin brother Ryan crafts a sprawling and very Cribsian riff from the barrage of fuzzy guitar he lays down throughout. There’s even an “ah-oh-oh-oh” cry thrown in at the end, almost like a tip of the hat to ‘The New Fellas’ era. Isn’t it good to have The Cribs back?

I’m going to have to give these guys a listen.

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[CANCELLED: May 6, 2022] Sunflower Bean / Hello Mary

I’ve seen Sunflower bean twice.  The first time I was blown away by them.  The second time, they had changed their sound a bit and, while I liked them, I didn’t really love the new direction quite as much.

It was unlikely that I was going to this show anyhow, because this night was an embarrassment of riches in terms of shows to see: Gogol Bordello, Sunflower Bean, Destroyer (which I had bought a ticket for a long time earlier), Olivia Rodrigo (which sold out long before I could get a ticket), Lucius and Pup (which my son and I went to).

But the day of the show, singer Julia Cumming posted

Hey guys. It breaks my heart to announce this, but tonight’s show at @asburylanes is cancelled, and we will also not be able to perform in Baltimore for the @wtmdradio showcase either. I am currently resting due to an injury in my neck, and although I thought through many ways to play these shows, it doesn’t feel safe for my body or fair to our fans. Refunds are available at point of purchase. Thank you guys for understanding.

Ouch.

So, at least I didn’t feel bad missing that one.

Hello Mary is a band I hadn’t heard of.  Why hadn’t I heard of them?  Well, because this article from November 2022 (yes, out of chronology, but it shows just how unknown they were back in May) explains

The New York trio’s self-titled full-length debut, out March 3, is a blast of distorted chords, sunny harmonies, and all-consuming angst that will renew your faith in the hopelessly dated and/or timelessly classic sounds of alternative rock. Hello Mary is an instant contender for 2023’s most bracing entrance to the stage, sharp and self-assured. Oh yeah, and the band’s two founders — singer-guitarist Helena Straight and bass player Mikaela Oppenheimer, both 18 — just graduated from high school this summer.

So at the time of the show they were still in high school.  That would have been wild to see them.  I have since listened to the album and I love it.  I sure hope the tour soon.

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[POSTPONED: March 31, 2022] Andy Shauf / Helena Deland [rescheduled from May 1 2020, December 17, 2020 and September 12, 2021]

This show was postponed several times but when it finally rolled around I had two other shows earlier in the week, one of which was in New York City which turned out to be an absurdly late evening.  So I had to take a pass on Andy.  Who I’m not 100% sure I really want to see anyway.

Faye Webster was supposed to open for this show, but she has been replaced by Helena Deland.

Deland is a Canadian singer-songwriter with several EPs out. Her inspirations are Jessica Pratt, Joni Mitchell, and Sea Oleena.   Her music is quiet and gentle and her voice is high and soft.  Its quite lovely and was a good pairing.  I preferred her song “Someone New” which is a little more upbeat.

~~~~~~

This show appeared and then disappeared.  In May, Andy’s own website it was still an active date until you clicked on it and the ticket sales said March 2022.

Maybe in 2022 Andy will come back around.  He was supposed to play a show in NJ as well, but there was none listed in May.  We’ll see.

Postponing shows until December seemed like a safe bet.  My calendar was pretty free and I was hoping to see shows by now.  I’m not sure if I’d rather have gone to Philly or Asbury Park, though.  Well, next year will held me decide, I’m sure.

~~~~~

Andy Shauf is a Canadian singer songwriter.  He sings quiet, introspective songs.  He was playing at Union Transfer at the beginning of May and then in New Jersey in the middle of May.

I was introduced to his music from a Tiny Desk Concert in which he never really moves.  He has very long hair which also never moves.  His songs are really very pretty and well constructed.

It’s his voice that I find utterly fascinating.  He enunciates in such an unusual way.  The way he emphasizes certain vowels defies his Saskatchewan upbringing.  He sings not unlike Margaret Glaspy and other newer singers who stress their vowels in an unusual to me way.

I really enjoyed his Tiny Desk and I enjoyed reading about the album The Party which sounds like the worst party ever.

Since then he has cut all of his hair and looks totally different–I wasn’t even sure it was the same guy.

Faye Webster is a singer from Georgia who actually has a similar singing style to Andy, which is fascinating.  She sings low key torchy ballads and would be a perfect opening act for him.  I’m going to have to listen to a bit more from her.

He’s the kind of musician that I would think about going to but probably wouldn’t, and then I’d wish I had.  Well, now I have two more chances.

His initial itinerary fascinated me:

Boston, Brooklyn, Philly, D.C., North Carolina, Atlanta, New Orleans, Alabama, Indiana, Pittsburgh, New Jersey, upstate New York.

The rescheduled shows keep the same basic set up except that now Philly is the day before NJ–I wonder what changed that plan.

shuaf

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[DID NOT ATTEND: February 26, 2022] Lucy Dacus / Indigo De Souza

I saw Lucy Dacus play back in October.  I didn’t plan to go to this show because I had just seen her.  I was supposed to see Indigo De Souza, but her show was postponed.

Then I looked into this show to see if there were still tickets available, but it was sold out.  No big deal.

But then this show became legendary.

Lucy threw out her back a few weeks ago and has been performing while lying on a couch. That would have been pretty fun to see. (more…)

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[CANCELLED: March 20, 2020] Best Coast / Rosie Tucker [CANCELLED]

indexI had tickets to see Best Coast at Union Transfer in March 2020.  I like them although I was more interested in seeing their opening act Mannequin Pussy.

They were one of the first bands to cancel their tour outright back in May 2020 rather than rescheduling dates.

They announced a new tour for 2022 back in June.  I’d have rather seen them in Asbury Lanes, but that show was on the same night as our War on Drugs show.  So I considered going to the Union Transfer show.  It was supposed to be a busy week of shows, so I wasn’t sure I’d want to go or not.

But on January 6, the band announced they were cancelling the tour

Best Coast is canceling its upcoming tour in support of its “Always Tomorrow” album due to COVID concerns.

The tour was set to kick off on Jan. 11 at the Catalyst Club in Santa Cruz, California. The SoCal indie-pop group — consisting of singer-songwriter-guitarist Bethany Cosentino and multi-instrumentalist Bobb Bruno —was scheduled to hit August Hall in San Francisco as well as such cities as Chicago, Toronto, Seattle and Los Angeles.

“We are devastated to announce that our upcoming Finally Tomorrow tour is unfortunately canceled,” the band posted on Twitter. “It was an incredibly difficult decision to make, but one that we ultimately felt was right.

“The last two years have been so difficult for us as a band (and the entire world) — and we appreciate your support through it all.”

“Our last show was in Chicago (on March 11, 2020). It was about two weeks into a monthlong tour.  We had obviously been hearing a lot about COVID. But I think when you are on tour you exist in such a bubble of just what’s going on in the tour landscape. We were all kind of like, ‘OK, like I guess we’ll see what will happen with this.’ I fully didn’t think that the world was truly about to shut down. I did not see that coming whatsoever.”

“At this time, we are not rescheduling any of these dates, as the rollercoaster of the reschedule-announcement-cancelation cycle we’ve been stuck in is incredibly exhausting (for you too I’m sure!) and we just need a moment to decompress. We love you SO much and we hope to safely see you soon. Hang in there. love, bethany and bobb”

(more…)

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[ATTENDED: November 27, 2021] The Districts

I was supposed to see The Districts play at Union Transfer on March 12.  COVID-19 had just found its way into New Jersey and Pennsylvania and I was being very cautious so I decided to skip the show.  It was a safe decision, but one that I now regret as it would have been a pretty great final show of the year.  Shows pretty much completely stopped after that.

I was then supposed to see the Districts three times in 2021 (a lot of that was coincidence).  The opened for Modest Mouse (I had no idea they were going to), then they announced a show in Asbury Park and then, at the end of the year they were supposed to open for Dr. Dog (they bailed on that show, as did I, even though the show went on).

After seeing them open for Modest Mouse, I wanted to see them headline, because they tend to go a bit more nuts when they are in charge.

I was happy to see them in such a small place, but I hadn’t really thought this show through.  Asbury Park, on Thanksgiving weekend.  Holy crap, the place was full of reunited and drunk college students.  Which made for a more festive atmosphere but also meant that security almost had to pull somebody out and that everyone was singing along (badly) at the top of their lungs.  And of course drunk people were pushing forward throughout the show.

The band seemed to be in a really good mood when they came out and they rocked several classic songs: “4th and Roebling,” “Salt” and ‘If Before I Wake” (the crowd loves singing the “I’m just a narcissist” line)  Then they moved on to You Know I’m Not Going Anywhere for “Hey Jo,” and the moody “My Only Ghost.” (more…)

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[ATTENDED: November 27, 2021] Sham

After The Scouts, Sham came out.  Sham is the project of Shane Justice McCord.  It was him and a bass player (I loved his bass guitar!) for this set.

The bass player started by playing bird calls on a small device while Shane played acoustic guitar.

The set was quiet and acoustic and perhaps a little atonal.  Very experimental (in a video I took, you can barely hear the band from all the chatter, until a guy behind me says, “this band is so weird, this is the best.”

In no way were they the right band for this particular show–a rowdy New jersey crowd looking to rock.  But aside from talking over the set, the crowd was at least respectful.

A few songs in, the bassist moved to drums and a new bassist came out and that added a little (very little) oomph to their set. (more…)

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[ATTENDED: November 27, 2021] The Scouts

I didn’t know if there were any opening bands for The Districts, and it turned out there were two.

The Scouts (a difficult search term, especially when combined with The Districts) are from The District’s home town of Lititz, PA.

They came out as a five piece and won me over immediately with some really solid guitar rock.  Their songs were all pretty long–about five minutes each with lengthy intros and multiple sections.

Lead singer Nathan Yager has long hair and a big beard but has a relatively restrained vocal sound (powerful but not overpowering).  He plays guitar as well and when he and Tom Hartman played together, they really brought in a nice mix of quiet and loud guitar. (more…)

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