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Archive for the ‘Children’s Books’ Category

SOUNDTRACK: CHRONIXX-Tiny Desk Concert #654 (September 27, 2017).

Chronixx and his band Zincfence Redemption paid a long-awaited visit to the Tiny Desk to perform three songs from his sophomore album, Chronology.

At a time when dancehall has been dominating the Jamaican soundscape, its refreshing to hear the man born Jamar McNaughton carrying the roots-revival torch for a younger generation and expanding upon the footprint left by his world-renowned predecessors.

This is especially true for roots reggae, whose staccato guitar licks, billowing bass, and sonic splashes on a canvas of negative space, are like salve for the soul. The mid-tempo pulse conjures up relaxed days on the beach, living amid nature’s unrestricted beauty.

I allowed the blurb to speak for me because I really don’t care for reggae.  Or I should say I like one or two songs but beyond that it’s all too samey to me.

But Chronixx adds some changes to the classic sound.

In “Skankin’ Sweet,” the tempo is faster than a lot of reggae so I like this a bit more.  Chronixx’s delivery is light and fluid.  I enjoy in the middle section that the percussionist Hector Lewis has time to dance before he gets back to the bongoes.

“Majesty” is a smoothy dancy song with a solid bass line from Adrian Henry and drums from Oliver Thompson.

On “Spanish Town Rockin'” percussionist  Lewis sings some delightful falsetto backing vocals. There’s a cool moment when one of the guitarists Stephen Coore or N’Namdi Robinson slides his finger up the next with a neat echo effect on it. This song is pretty extended and dancey and Chronixx does a little freestyle.  I can’t quite make out everything he says, but there’s a bit about “NPR session / Chronixx rasta mon / roll up the mad ribbon / and then he cracks up.  J. Evan Mason on the keys has done most of the melodies while the guitars played chords, but he gets a special little section during the outro of this song.

he hasn’t converted me to reggae, but it’s much more fun live than on record.

[READ: July 24, 2016] Amulet: Prince of the Elves

The book begins with Max as a young boy.  He is learning from his friend, an elf named Layra.  Then we meet Max’s dad.  Max’s dad is pretty intense and he wants Max to serve on the Guardian council “he will follow my path, not my father’s.”  Then we see that Max’s father does not like elves

When Max goes to Layra’s house, her parents have been put in jail and a headline reads “Elves declare war.”

Max runs to the prison, frees her parents and has the three of them get on a ship to freedom.  But as soon as they try to escape, the ship is blown up and all the passengers killed (this story is really dark).  Max is sentenced to prison for helping prisoners escape.  Soon enough Max escapes prison and the stone is trying to tell him what to do–“just give me complete control and I can keep you alive long enough to have your revenge.” (more…)

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SOUNDTRACK: STEVE MARTIN AND THE STEEP CANYON RANGERS-Tiny Desk Concert #653  (September 22, 2017).

Yes, that Steve Martin.

When I was a kid I used to listen to Steve Martin comedy records all the time, he often included a lot of banjo with his stand up.  He was good then, but he is pretty amazing now.

Throughout his 50-year career, one constant in Steve Martin’s life has been the banjo. It was a staple of his early standup shows and even fans who only wanted to laugh couldn’t help but marvel at his playing. Over the years, he’s continued to perform and record with country and bluegrass luminaries like Earl Scruggs, Dolly Parton, Vince Gill and others.

These days Martin is working on music full-time. He’s just released a stellar bluegrass album he recorded with The Steep Canyon Rangers called (perfectly) The Long-Awaited Album, a record filled with often hilarious story songs and world-class performances.

The band plays three songs and then an “encore.”  “So Familiar” starts as a banjo “solo” an impressive display of fingerprinting and string bending from Martin.  Then it settles into a traditional-sounding folk song with a lot of mandolin from Mike Guggino and fiddle from Nicky Sanders.  I pity Graham Sharp, the Rangers’ banjo player who clearly takes a back seat to Martin.

After the song, Martin says, they’re gonna tune for this next little song.  He says it’s tricky tuning indoors when there’s heat and air conditioning.  “It’s a scientific process  I could explain it to you but… [laughs].  The photons come in and they effect the positrons so that [points to himself] the moron can play.”  “All Night Long” features “our lead singer [and guitarist] Woody Platt.  It’s a pretty traditional song held down by the steady thump if Charles Humphrey’s bass.  The lyrics are sweet (“I only love you in the day and all night long”) and the harmonies are wonderful.  Martin plays the lead intro and a cool little outro.

“By the way, he asks, “who’s running NPR right now?”  He says the melody of “On the Water” came to him in a dream.  He woke up and recorded the melody so it probably sounds like “Oklahoma.”  The band starts with box rums and harmonics from the other banjo.  He messes up an says “Let’s start again.”  Steve turns on the drummer Mike Ashworth (who did nothing wrong and teases: “Yeah.  You screwed up so badly.  Try to get it right this time.”  Ashworth jokes, “Am i fired?  I’m scared.  Martin says, “I’m so glad someone else screwed up besides me.”

Platt leans over and says “How about ‘Caroline’ for an encore?”  Martin says, “This is not for the Tiny Desk.  I don;t think it’s suitable for the Tiny Desk.  It’s about a romance gone bad-looking back two years later.”   As the blurb says, the song is a “hilarious, first-person account of how not to handle a breakup.”  Martin delivers a funny story with a great catchy chorus.

I never got to see Steve Martin do standup, but I would love to see him do bluegrass.

[READ: June 24, 2016] Amulet: The Cloud Searchers

Book four opens with Emily dream-talking to the spirit in the stone.  It tells her that it can no longer be with her in Cielis and it gives her some warnings.

When she wakes up, Max is there to greet her and they are going to head off to the council.  But things aren’t very happy in Cielis.  Trellis and Luger are Elves, true, but even though they are vouched for, the residents still put them in jail for being the elf king’s son.  And none of the non-human creatures are allowed into the city proper.

So when Leon and the cats go looking for a bite to eat, they are not welcomed anywhere.  Until a girl named Aly sees the good in them and invites them into her restaurant (despite her parents protests).  Her parents say the guardian council will lock them up if they are caught. Leon say that the council invited them to help.  But the council is no longer what it once was.  And that’s when Aly reveals that the council is made up of the ghosts of dead people.  Her parents tell her to hush but she refuses to be silent any longer.

Until the rapping on the door makes them all hush. (more…)

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SOUNDTRACK: BOMBA ESTERO-Tiny Desk Concert #652 (September 22, 2017).

Band leaders Simon Mejia (bass/keys) and Liliana (Li) Saumet (lead vocals) have been consistent in their devotion and homage to Afro-Colombian music throughout their five albums, and steadfast in their fantastic mash-up of electronic music, creating a sonic signature that has become popular around the globe.

But you won’t hear that on this video.

What you’ll hear is the power of their songwriting and arranging with this stripped-down presentation— which helps remind us of why we fell for this band in the first place.

“So Yo” opens with some flute and cool synths.  I like the almost menacing quality those two notes have, Li raps in what seems a very fast delivery and then the chorus comes in and she sings with a beautiful voice.  The song is groovy with some cool guitar from Jose Castillo.  I like the way it reverts back and forth between rapping and singing and the constant presence of the flute from Efrain Cuadrado.  There’s a cool mix of defiance and dance in this song.

Before the second song “Somo Dos” she pushes a button on a device that says “come on people.”

During their performance, Bomba Estereo’s Simon Mejia (bass and keyboards) observed that it was the quietist the band has ever played; they rose to the occasion with an intense performance that reflects their earliest days working smaller venues in Colombia.

He says, “we’re like always boom boom boom.”

“Somos Dos” is an even groovier song with some nice low bass and gentle singing with some echoed guitars.  I really like the main riff and the picked riff in the verses.  Through both songs, the live drums from Andres Zea really bring an exciting element to these songs.

They only play the two songs and then it’s over far too quickly.

[READ: June 24, 2016] Amulet: The Cloud Searchers

As book three opens, we see the two Elves, Luger and Trellis.  But Trellis seems to have changed.  He is now angry with Luger who was once powerful and has been brought low.  And he is willing to stand up to his father–whether that makes him good now or not is something to be seen.

Meanwhile the father has called Gabilan, the assassin, and has sent him to kill his son, Prince Trellis.  And it seems that he has his sights set higher.

On to our heroes.  They are heading to a small town called Nautilus, the capital of Alledia.  For they are in search of an Airship.  Their ultimate goal is the (possible fictional) city of Cielis.    When they get to the bar where the pilots hang out (much to Emily’s mother’s dismay), they talk to a cat creature, Enzo, who has been looking for Cielis all of his life but has recently given up–he lost everything.  But they show him Emily’s stone and the journal of Silas Charnon who got very close to finding the city.  And Enzo’s search continues. (more…)

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SOUNDTRACK: SSINGSSING-Tiny Desk Concert #651(September 21, 2017).

I have never seen or heard anything quite like SsingSsing.

It’s easy to dismiss them as a novelty by looking at them, but their music is really compelling.  Their songs may be (as stated below), a regional folk style, but the music is really groovy and interesting–the bass is nicely prominent but never obtrusive, and the guitar plats a lot of different strumming techniques, bringing very different intonations to the music.

And then there’s the front trio who are totally infectious.

One look at (and listen to) the cross-dressing, Asian rock band SsingSsing and you would hardly think they’re singing music inspired by traditional Korean folk. But SsingSsing isn’t like any other band I’ve ever seen or heard.

The group sings a regional folk style called minyo and the gender bending look has to do with shamans not glamour. As singer Hee-moon Lee describes it, “In Korean traditional art, male shamans, called baksu, have the body of a male. But as mediums, they need more than a single sexual identity, because they’re channeling both male and female spirits. When I act a female character and sing, I have to overcome the fact of my being a male sorikkun (singer), and try my utmost to bring a more neutral, unisex feeling to the performance. It sounds silly, but I feel like going back to the sensibilities of my youth, when I liked Madonna, helps.”

They play three songs:

“Minyo Medley” opens with reggae guitars and the strangely infectious vocal of the female singer doing a nearly cartoon-high pitched” Oh” sound and the taller male singer (with the cute white bob and white lipstick) laughing and then stating “Oh,” as if surprised out of his laugh.  It’s weird and catchy and cool all at the same time.  The lead singer with the magenta curls sings traditional vocals and eventually the other two join him.  The middle of the song slows down to a quiet guitar motif and mellow singing from the lead singer.  The end of the song picks up speed with an almost ska feel as it rocks to an end.  Then there’s a little coda of that opening (and even more crazy laughter) as the song ends properly.

On “Nanbongga (Song of Beloveds)” the woman sings lead which opens with a slinky groove and all three gently dancing.  The two men alternate spoken words before the woman singing in a traditional female Asian style takes over.  By the middle of the song everyone is dancing with the men singing back up and the tall guy (I love that he is holding a clutch the whole time) saying what sounds like “caw.”

The final song, “Saseol Nanbongga (Narrative Song of Beloveds)” appears to be a variant on the middle song (although perhaps not, it is musically quite different).  However, the taller guy does a lot of very fast recitations in the verses with impressive delivery.  The backing vocals are really catchy and the lead singer is really into it. The song totally rocks by the end.

How bummed am I to have found out that they were at MusikFest this summer and I could have seen them?  Because this is a band that begs to be seen live.

I don’t know which singer is which, but here’s the band members: Hee-moon Lee (vocal), Da-hye Choo (vocal), Seung-tae Shin (vocal), Young-gyu Jang (bass guitar), Tae-won Lee (electric guitar), and Chul-hee Lee (drums).

[READ: June 25, 2016] Amulet: The Stonekeeper’s Curse

I read the Amulet series last year but for some reason never got around to posting about the books.  So, let’s get this series finished.

The Stonekeeper’s Curse opens pretty dark.  We head to a tower where guards have captured the creepy looking guy from book one (Emily could have killed him when he attacked them, but she spared his life).  Turns out this guy is the son of a faceless creature (in a scary mask).  The father says that his son has failed him again.  The son argues but the father’s mind is made up.

He will have one more chance to get the amulet and the girl and he will have help from an older looking creature named Luger.

Cut back to a colorful scene with a walking house (that happened in book one, too). Navin is “driving ” the house and is doing a pretty good job.  They are on their way to Kanalis to get medicine for their mother who was injured in the first book.

Kanalis has suffered a curse and most of the people in town are slowly turning into animals.  It may or may not be contagious.  As our heroes walks around, a fox-person is following them. But as soon as the creepy elf guy charges, the fox steps in.  Emily sees him and asks who is he.  He says he’s a bounty hunter.  Miskit says they don’t want to deal with his kind.  He ultimately relents and admits he’s not really a bounty hunter.  His name is Leon Redbeard and he offers to help them if they will help him too. (more…)

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[LISTENED TO: August 2017] Falling In

Our trip to New Hampshire wasn’t going to be that long but I decided to really stock up on audio books.  This one sounded interesting, but I was mostly intrigued because I’ve enjoyed Jessica Almasy’s narration in the past (she sounds very young and like she is always smiling).

I liked the premise of this story: a girl walks through a door into another world–not terribly original, I admit, but still interesting.  And the way O’Roark Dowell set up the story was really promising.

The main character is Isabelle Bean, a middle school girl and a misfit.  And I absolutely loved the way her character is set up:

Over the years Isabelle had demonstrated an impressive talent for irritating teachers to the extremes of their patience. It wasn’t something she set out to do. In fact, she never quite understood what she did to raise her teachers’ blood pressure to such dangerous levels. Neither did her teachers, and this irritated them even more. Teacher’s college had equipped them to handle nose pickers, fire starters, back talkers, hitters, biters, and whiners. But quiet girls who weren’t shy, girls who talked in riddles but were never actually rude, girls who simply refused to comb those confounded bangs out of their eyes, well, girls like that were beyond them.

(more…)

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[LISTENED TO: April 2016] The Scarecrow and His Servant 

I was looking for a story that C. and I could listen to in the mornings when I drove him to school.  I didn’t want it to be too long (our commute was only 15 minutes), but I wanted it to be really enjoyable.

I know Pullman from the His Dark Materials series which I loved.  But I didn’t know much else by him.  This story seemed unusual, to say the least, but it was a perfect length–about 3 hours–for morning drives.

The audio book was read by Graeme Malcolm, and he did an amazing job–he had a great variety of voices at his disposal and he really made the story come to life.

The story is really quite unusual.  It begins with the history of the titular scarecrow.  How a man made him–and gave him a lovely turnip for a head–dressed him smartly and tucked a piece of paper, to show ownership, into his jacket pocket.  Pretty much straightaway, he is stolen, and then stolen again and then one more time until he is very far from home standing in a field.

And then he is struck by lightning and comes to life! (more…)

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[LISTENED TO: August 2017] The Trouble with Twins

I grabbed this book because it seemed kind of interesting.  I see also that this book was released in the UK as Missing Arabella, which I think is a slightly better title).  I wasn’t entirely sure if we’d like it.  I mean, we don’t have twins and this is about twins and I wasn’t sure that our 12-year-old boy would like a book about twin girls.

But holy cow was this book outstanding!  It was utterly hilarious and the way it was read aloud was genius.

The book begins with this wonderful setup:

And so it begins in front of the fire, the story of two twin sisters.  One remains with her family in their lovely country house, where yellow roses perfume the air.  The other waits for her in another house, where she stands alone at huge arched windows.  She is restless, pacing wooden floors that creak in the night when a cat jumps down from the bed to chase at shadows.

And then in different typeface:

“What are their names?” the girls asks.  “The sisters.”
“Arabella and Henrietta.”
“Are they lonely,” asks the girl.
“They belong together,” says the mother.  “And it makes them sad to be apart.”
“Can’t you tell a happy story?” the girl asks.
“With puppies and a garden?”
“Yes!” says the girl.
“I’m only telling it the way my mother told it to me,” the mother says.
“And will there be puppies?” the girls persists.  “Or only gloomy girls at windows?”

(more…)

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[LISTENED TO: August 2017] Half Magic

I grabbed this book at the library not realizing that Tabby had just started reading it on her own.

The selling point for me on this was that it was described as being “set in Ohio in the 1920s, yet fresh and funny now as the day it was written.”  And that was totally true.  This book was very very funny and the location and time was pretty much irrelevant.

This is the story of four (very precocious) children: Jane, Mark, Katharine and Martha. The beginning of the book has a great time creating and addressing their characters:

Jane was the oldest and Mark was the only boy, and between them they ran everything.

Katharine was the middle girl, of docile disposition and a comfort to her mother. She knew she was a comfort, and docile, because she’d heard her mother say so. And the others knew she was, too, by now, because ever since that day Katharine would keep boasting about what a comfort she was, and how docile, until Jane declared she would utter a piercing shriek and fall over dead if she heard another word about it. This will give you some idea of what Jane and Katharine were like.

Martha was the youngest, and very difficult.

The children’s’ father was dead and their mother worked full-time.  They were looked after by Miss Bick:

Miss Bick came in every day to care for the children, but she couldn’t seem to care for them very much, nor they for her.

(more…)

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[LISTENED TO: August 2017] Adventures with Waffles

I saw this book in the library and the title sounded interesting. The blurb on the back when enticing as well, so I grabbed it for our family road trip.

I had no idea that the book was a translation of a Norwegian story (Vafflehjarte) nor that it had already been translated into English as Waffle Hearts (a much more accurate, and frankly much more satisfying title).  I gather from a little research that Waffle Hearts is a British translation and Adventures with Waffles is an American one (although they both have the same translator, Guy Puzey).

The story is about Trille and Lena, two kids who live next door to each other in the village of Mathildawick Cove in Norway.  Their village is small and there are only 9 kids in their grade.  Lena is the only girl. The bully Kai-Tommy wishes she weren’t in their class.  But Trille feels that Lena is his best friend (he hopes it is reciprocated, but is unsure).  She is wild, she is spontaneous, she is dangerous.  And she is a lot of fun. (more…)

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[LISTENED TO: August 2017] The Diamond of Darkhold

The end of the previous book (the prequel) left me in very good spirits about this final book.  This one had not come out while I was working at the public library so I didn’t know about it and the title and cover puzzled me.

But whatever, it was time to see how this series ended (I assume its over).

But, oh no!  Another new audio book reader!  This time Katherine Kellgren.  Kellgren has the unenviable task of following up Wendy Dillon’s establishment as a reader.  It was a little disconcerting hearing Doon and some other characters who had very distinctive voices portrayed differently.  In fact, I wasn’t all that impressed by her reading at first because the characters kind of sounded the same.  But as soon as new characters entered the picture I was really thrilled with her reading.  The diverse voices she brought to the story were outstanding.

So what happens in it?

The story picks up about nine months after the Emberites left Ember.  Winter is coming upon them and things are very hard.  People are also getting sick (some people have died).  (more…)

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