SOUNDTRACK: THE MIGHTY MIGHTY BOSSTONES-Don’t Know How to Party (1993).
I’ve always had a thing for ska (although even I got sick of it when No Doubt took over the airwaves, thanks Gwen). When ska gets added to blistering metal, well, it’s hard to resist. And so we get Boston’s own Mighty Mighty Bosstones.
This was the first Bosstones’ record I’d heard and I fell for it immediately. I also really appreciated the aggressively green plaid that the band sported at the time (although they have since denounced the look).
A horn section can be a tricky thing in a rock band, with many using it to very poor effect. But the Bosstones used it wonderfully, complementing the heaviness and adding a cool skanking sound to the metal chops. And the songs are fantastic and fun. “Someday I Suppose” is just one of the great rocking anthems from the 90s. “Illegal Left” is wonderfully catchy and funny. And “Issachar” is just blistering punk. These three songs show the rocking and skanking range on the disc. All of this is wrapped around Dicky Barrett’s rough, growling, heavily-smoker-sounding voice.
The Bosstones would go on to write some hugely popular tunes after this disc (with each disc getting progressively more recognition and sales) but for me, this is what ska is all about.
[READ: Week of September 7, 2009] Infinite Jest (to page 876)
Infinite Tasks drew my attention to a new comment regarding the Joelle timeline that we’ve been concerned about. Greg Carlisle responded to it at Infinite Summer. And so Infinite Tasks updated an older post here. I’m willing to accept Carlisle’s word as he did write Elegant Complexity after all.
And yet there’s another interesting time line issue that I bring up below about a chapter heading and an electronic calendar that Hal looks at.
I’ve also decided that, since the story is steamrolling to an end, and since so many of the end days are coming along, I’m going to update my own calendar (but just the November info). I’m putting it at the end of the post to include this week’s information.
In general, I’m a little bummed to see so many people have completed the book early, tempting as it is to do so (although obviously that’s better than not finishing at all, right?). I’m nevertheless enjoying my routine and I think I’ll actually miss it when it’s over.
This week’s reading is almost entirely focused on Gately in St Elizabeth’s Trauma Wing. He is stuck staring at the ceiling which is breathing at him. It reminds him of a holiday in Beverly, Ma in which the beach house that they rented had a hole in the roof. The hole was covered by a plastic sheet which flapped and pulsed with the wind. His crib was placed under the hole and it freaked him out (although what is a 4 year old doing in a crib? Well, Gately’s mom is clearly not the best parent.) (more…)
SOUNDTRACK: SONIC YOUTH-NYC Ghosts & Flowers (2000).
In the midst of all of the experimentation with the SYR discs. Sonic Youth released this “proper” release.
of 1996, when the book was published, she had barely played any pro tournaments.
SOUNDTRACK: SONIC YOUTH-SYR 7: J’accuse Ted Hughes/Agnès B Musique (2008).
SOUNDTRACK: GARBAGE-Garbage (1995).
I was thinking about how IJ reminds me so specifically of a place and time (I instantly think of the apartment I was in when I started reading it). And there are also some discs that I was crazy about at the time too.
It is incredible serendipity that I did the JOI filmography during this week as this week’s readings actually count on knowing a bit about it. And since I had just reevaluated it, I was aware of a thing or two during Hal’s viewing scene.
Week 10 starts off seeming like a lot of nothing is happening. There’s a few post-Event scenarios. Until we get to November 14th, and a whole lot goes on. A whole lot! 
SOUNDTRACK: SONIC YOUTH-SYR 5: Sonic Youth Featuring Kim Gordon/DJ Olive/Ikue Mori (2000).
The fifth SYR disc is rather different from the others in that the only SY member is Kim. This is a sort of side project for Kim, 
SOUNDTRACK: SONIC YOUTH-Silver Session for Jason Knuth (1998).
This record came about for two reasons. One was the suicide of longtime Sonic Youth fan (whom the band didn’t know) Jason Knuth. And the second was because when they tried to record vocal tracks for One Thousand Leaves, the band upstairs was so loud, it kept interfering with their recording.
SOUNDTRACK: SONIC YOUTH-SYR 4: Goodbye 20th Century (1999). 
This SYR recording consists of Sonic Youth’s interpretations of 20th century composers’ works. Some of the composers are obscure, but a few are more or less household names: John Cage, Yoko Ono, maybe Steve Reich. I knew a few of these composers from Kronos Quartet, but for the most part the pieces are all new to me. Since I don’t know the original pieces I have no idea how faithful they are.
SOUNDTRACK: SONIC YOUTH-SYR 3: Invito Al Ĉielo (1998).
This SYR release adds Jim O’Rourke to the mix (O’Rourke played with with them on A Thousand Leaves too). I’ve always been aware of O’Rourke but I’ve never really listened to any of the bands that he’s been associated with (and there’s a lot). So, I’m not sure what his actual contributions are, but he seems to be pushing the SY members into a much more noisy/abstract direction. (A few samples of Gastr Del Sol shows them to be pretty out there, so perhaps pushing SY in a direction that was not too far from where they’d go on their own. And, I rather liked the Gastr stuff, too).
SOUNDTRACK: SONIC YOUTH: A Thousand Leaves (1998).
This CD actually ties to the book because the crossed out title on the CD is “mille feuille” and the first song is called “Contre le Sexism.”
SOUNDTRACK: SONIC YOUTH-SYR 2: Slaapkamers Met Slagroom (1997).
The second SYR release is like the other side of the coin from SYR1. The premise is the same, the players are the same, but the result is rather different.
I Just Read About That... 