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Archive for the ‘Books about writers’ Category

  grant7SOUNDTRACK: VOIVOD-The Outer Limits (1993).

voivodouterAfter Angel Rat, original bassist Blacky left the band.  That’s never a good sign.  After the tour for this album, original singer Snake left the band.  That’s an even worse sign.  I still can’t quite figure out exactly why Snake left (personal problems) but he went on to form the band Union Made.  For a very detailed history of the band, check out this very cool timeline at Voivod dot net.

The Outer Limits got a pretty big release.  I have an original copy that came with 3D glasses and all of the illustrations in 3D. But I was a little disappointed in Angel Rat and I don’t think I gave The Outer Limits much of a chance.  It was no Nothingface.  But the band was always morphing.  Since Angel Rat went very commercial, this album brought things back into the prog realm (with a 17(!) minute song) but also had a lot of commercial songs.

The album opens with “Fix My Heart” which starts out much heavier than anything on Angel Rat. It’s also got some metal guitar pyrotechnics (squeaks and harmonics).  Snake’s voice isn’t quite as pretty as on Angel Rat either—he growls a bit, but maintains his nicer voice overall.  Nevertheless, “Fix My Heart” is a pretty commercial enterprise (as the title might even suggest).  There’s some good “spacey” guitars sounds which bode will for the sci-fi angle of the album (and there’s some cool effects that reward headphone use).  “Moonbeam Rider” starts with a very classic rock sounding riff and then morphs into a kind of pretty, mellow verse.  But the interstitial guitar is all speed.  It’s a nice mix of fast and slow.  This song features some interesting bass work—nothing fancy but for the slow parts it is actually keeping the beat instead of the drums.  The bassist was a studio musician for this album.  There’s also what sounds like a bong during the pre-guitar solo section (the solo is fairly traditional).

“Le Pont Noir” is a mellow, slow guitar song with a very cool delay effect and Snake’s whispered vocals.  The bridge gets heavy with a wonderfully weird Piggy guitar riff.   It’s one of my favorite songs on the album.

Then the band’s second Pink Floyd cover appears. This time it’s the even more obscure “The Nile Song.”  They have rather heavied this one up with crunching guitars and Snake’s distance screaming filling in the void (although in fairness the original vocals are also screamed). It’s not as dynamic or exciting as “Astronomy Domine,” but it’s still a cool cover.  “The Lost Machine” starts off heavy with Away’s double cymbal work (a noisy splash and a fast ride cymbal). Then Piggy’s guitars have a slight delay on them which makes the opening chords sound especially odd.  The bridge is a place for Piggy to show off some more weird spacey chords and some very cool guitar riffs. There’s even a spoken word narrator in the middle of the song that explains the “mission” “Time Warp” opens with a very bright and up beat sounding verse.  But it quickly disintegrates into (intentional) musical chaos as the narrator gets lost in space.

This all leads up to the 17 minute “Jack Luminous.”  If anyone doubted their prog rock leanings, this should dispel that immediate.  17 minutes, multiple parts, a sci-fi epic, it is prog (but heavy prog) at its finest.  There are some incredibly catchy parts as well as some less catchy parts, and sections seem to change every two minutes or so.  The slow down at 10 minutes is very cool—different guitar effects and the suspenseful bass line.  There’s repeated sections as well, which means if you like some guitar line (the spacey part near the end) it comes back!  It’s not quite as dynamic as say 2112, but it’s a very successful sci-fi epic.

“Wrong Way Street” returns to the normal and more conventional.  The bass that opens the song sounds great and the chords are fairly conventional–the chorus is even really catchy.  “We Are Not Alone” is a break-neck metal song, The drums are super fast, the guitars are relentless and the chorus even has an echoed “Hey!” that gets you to sing along.  The song also features a cool slow, almost jazzy bass and drum section that lets Piggy throw some soloing in before returning to the fast paced verses.

There’s lots of theories about what happened to Voivod after this album.  The success they had achieved earlier was now gone and the band seemed like they couldn’t decide to be metal or prog or is they should go for more pop music.  The problem of course is that they were too weird to get mainstream acceptance anyway.

So Snake left and then there were only two original members.  The next step would be a drastic one.

[READ: July 9, 2013] Grantland #7

This issue seemed to come hot on the heels of #6.  But I enjoyed it just as much.  A few notes: no Jeremy Lin in this issue.  Lots of LeBron James, three articles about soccer!  And a few pop culture moments that I had forgotten about.

REMBERT BROWNE AND DUSTIN PARKER-“The Jeopardy! Teen Tournament JUST. GOT. REAL.
Leonard Cooper didn’t know the final Jeopardy answer but he still won and he made a hilarious joke at the end (in cartoon format);

BILL SIMMONS-“Daring to Ask the PED Question”
Simmons talks a lot about PED’s in this forum.  Of course, to me PED is my initials.  For him (and sports fans) it is performance enhancing drugs.  He asks why sports doesn’t do more about it.  There are so many people who do it that every time we see someone who might be doing it or who suddenly has a good season, we assume they are doing them too.  It would be a service to the players and the fans to have rigorous testing or none at all.

CHRIS RYAN AND ROBERT MAYS-“The NFL Coaches Family Portrait By the Numbers”
A silly analysis of a photo of NFL coaches.

WESLEY MORRIS-“Jodie Foster’s Big Night”
What exactly did Jodie Foster say at the Golden Globes? (This was in January and everybody talked about it and now it’s September and I’ve completely forgotten about it—funny ephemera of pop culture).

JONATHAN ABRAMS-“Out of Africa”
A serious look at trying to bring basketball to Africa. How the culture and language problems make it very difficult to establish any real cohesion in the diverse country.  But there are a few examples of boys coming from Africa and benefiting from host families and then heading back to help those who love basketball back home.  The main focus is on a 15-year-old Alexis Wangmene who came to the States (and left his family!) to try to gain an education and basketball skills.  It’s a heartfelt story.

MOLLY LAMBERT-“Modern Love”
About the show Catfish which just goes to show we can sink even lower as a culture.

CHUCK KLOSTERMAN-“Mental Health Protocol”
About Royce White again.  Last time there was a lengthy look at him.  Now we get to hear that he thinks that everyone has some kind of mental health issue.

ANDY GREENWALD-“Eat Bray Love”
How cooking shows have gone from educational to crazy and annoying. He dislikes Top Chef and the new Anthony Bourdain show The Taste (which he says is awful) but he likes a decent show called Chopped.

ZACH LOWE-“The Fragile Science of Basketball Chemistry”
Sure the Heat were great this year, but it’s the way they evolved as a team, creating chemistry, that is so impressive.

RAFE BARTHOLOMEW-“The Pariah”
Timothy Bradley beat Manny Pacquiao in a disputed judges call.  Instead of rising to fame, he has been avoided like the plague.

BILL SIMMONS-“The All-Manti Te’o Mailbag
Remember that crazy story about the football guy with the dead girlfriend who turned out to be fake?  I never really understood the story and while they spend a lot of time talking and theorizing about it I still don’t get it.  Did they ever find out the truth about it?

CHRIS BROWN-“Speak My Language”
When you play for the Patriots, you learn their way of doing things—it is simple and efficient, a streamlined version of what other coaches try to do.

KIRK GOLDSBERRY-“The Evolution of LeBron James”
Using diagrams, we see how much of a different player James is in just the last few years with The Heat.  This article has made me want to watch James in a game while he is at his peak.  So, Heat vs Bulls at the end of October, you’re on my schedule.

SEAN McINDOE-“The Non-Hater’s Guide to the NHL”
Even people who hate everyone in the NHL (which is everyone) can agree that there are some players who are universally admired: Martin Brodeur, Pavel Satsyuk. Teemu Selanne, Jarome Iginla, Jonathan Toews, Martin St. Louis, Gabriel Landeskog, Patrick Elias (Devils get two!), Ryan Smyth, Steve Sullivan, Saku Koivu, Henrik Lundqvist.

ALEX PAPPADEMAS-“God Needs a Hobby”
A look at Dan Harmon and his podcast Harmontown.  Harmon seems like he might be a crazy alcoholic, but he’s also pretty darn funny.

MARK TITUS-“Duke’s Ignominious Son”
Everybody hates Christian Laettner, but that’s only because he’s pretty and he made The Shot

MARK LISANTI-“Three Days in Austin”
Dealing with the craziness of the South by Southwest film festival.  Sounds awful.

HUA HSU-“The Alien Has Landed”
Soccer legend Ronaldo returns to Old Trafford

BILL SIMMONS-“The Greatest Action Franchise That Ever Was”
Live blogging the Fast and Furious 6 trailer.  I admit I may have to see these films after reading this.

ZACH LOWE-“Lights, Camera, Revolution”
There’s some kind of new technology that will change the NBA forever.  I pretty much don’t care.

TESS LYNCH-“Nostalgia Bites”
Watching old Real World episodes shows how much things have changed in reality TV, but also how much certain behaviors are not new.

BRIAN PHILLIPS-“Maradona, Then and Now”
Maradona was an amazing kid—at 15 he was remarkable at his ball control.  Now at 52 he’s a crazy loon. What exactly happened in between?

ANDY GREENWALD-“From Big to Small, From Movie to TV”
Why not make Men in Black into a TV show—with some other film recommendations.

AMOS BARSHAD-“How Soccer Explains Israel”
I didn’t expect to enjoy this but I found it very interesting.  An Israeli soccer team has signed two Muslim players and it has caused incredible animosity and even arson.  How this look at a team is like a microcosm of the whole Israeli situation.

LOUISA THOMS-“Back to School”
Missy Franklin won a  ton of medals in the Olympics.  And then she went back to high school.  What’s it like to be on her team at Regis Jesuit?

WESLEY MORRIS-“Run, Frank, Run”
Frank Ocean apparently wasn’t as huge as I thought he was.

MALCOLM GLADWELL AND CHUCK KLOSTERMAN–“The Lies He Told”
More about Manti Te’o. This discussion was a bit more helpful about what happened and how crazy it is.

CHRIS RYAN AND REMBERT BROWNE-“A List of Possible Reasons for Rob Gronkowski’s Arm Infection”
Hypothetical humor.

JORDAN CONN-“The Invisible Man”
Marc Gasol is extremely respected by scouts and agents, but the fans all think of him as Pau Gasol’s chubby little brother.

REMBERT BROWNE-“French Quarter Lessons”
While in New Orleans for the Super Bowl, Browne decided to go to a bunch of used bookstores.  This is very funny and enjoyable.

JAY CASPIAN KANG-“Fiercely Disputed”
Mike Tyson’s one man show is weird and strangely affecting.

KATIE BAKER-“Do Svidanya to All That”
Several NHL players went to Russia’s KHL during the lockout.  And some don’t want to come back.

CHRIS RYAN-“The All-Star Circus”
NBA All-Star weekend is a crazy circus (and sounds worse than the above SXSW festival).

CHUCK KLOSETRMAN AND ALEX PAPPADEMAS-“The Nobituary”
There was a serious rumor that David Bowie was on death’s door.  Klosterman and Pappademas imagine writing his obituary.

DAVID SHOEMAKER-“Glenn Beck vs. WWE”
The WWE has always had racists as part of the act.  What happens when some goons start acting like the Tea Party?

DAVID JACOBY-“The Pure Heart Meets The Bachelor
Jacoby’s grandmother watches The Bachelor and he feels badly for her.

STEVEN HYDEN-“Is This It?”
The Strokes’ fifth album had just come out [really?].  It could be their last, but Hyden thinks their last two have been quite good.

BILL SIMMONS-“The Heat in Hindsight”
The Miami Heat came close to breaking the longest winning streak in the NBA.  Simmons looks at the fallout and who “wins” and “loses” in the effort.

CHARLES P. PIERCE-“Bleu, Blanc et Rouge
I had no idea that Charlie Pierce was a Canadiens fan!

KATIE BAKER-“The Ethics of a Family Plan”
Is it ethical to pretend that you are married to your roommate to get a family discount a ta gym?  Hell yes.

EMILY YOSHIDA-“A Dark Force”
J.J. Abrams is going to direct the next Star Wars films.  Why, when sci-fi is so multifaceted and so different is everything coming down to J.J. Abrams?

SEAN FENNESSEY-“The Case Against Justin Timberlake”
Timberlakes’s previous album was amazing.  Then he took years off to make (bad) film and (good) TV.  His star would only continue to rise if he stopped making music and only hinted that he would make another album.  But the release of his new album (which isn’t that good) can only hurt him.

BRYAN CURTIS-“Waiting for Bettman”
While many New Yorker’s didn’t care about the NHL strike, Canadian writers camped out waiting for Bettman to announce the strike was over.

WESLEY MORRIS-“30 Rock Landed on Us”
30 Rock was many things, but it dealt with racial issues (at least between blacks and whites) better than any show.

RANY JAZAYERLI-“Fall of the Evil Empire”
The New York Yankees look like they won’t make the playoff this year (this was written in March and as of my writing this they have a slim chance at getting the wild card slot).  It will be the firs time in a while, perhaps, just perhaps, it’s the start of a new drought for the Evil Empire.

BILL BARNWELL-“The Master Raven”
Ozzie Davis knows how to pick players for the Baltimore Ravens.

REMBERT BROWNE AND DUSTIN PARKER-The Best Chappelle’s Show Sketches of All Time”
Done as a series of cartoons (by Parker); Browne picks his eight favorites:

  1. Charlie Murphy’s True Hollywood Stories: Prince
  2. Wayne Brady’s Show
  3. Charlie Murphy’s True Hollywood Stories: Rick James
  4. Black Bush (especially now that Obama is president)
  5. Clayton Bigsby: Black White Supremacist
  6. Making the Band (P. Diddy)
  7. The Racial Draft (Tiger Woods Now 100% Black)
  8. The Niggar Family (uncomfortable and hilarious no matter how many times you watch it).

Once again, there’s another great issue of Grantland.  Once again, I wish they would follow up on some of their speculative stories.  But it’s fun to have a time capsule of events that occurred just a few months ago and yet which I have totally forgotten about.

And here’s the cover of The Outer Limits in non 3D style (which I haven’t see before)

voivodouter2

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grantldnSOUNDTRACK: VOIVOD-Killing Technology (1987).

killingAs I said, this album’s art looks much better.  And you can hear from the first notes that this album is better produced and is going to be a lot more interesting than the previous two.  It’s hard to know just how much of a leap this is from Rrröööaaarrr because that album was so muddy–maybe there were gems of guitar chords under all that noise.  Like the previous openings, there’s a sort of prologue to the album.  But unlike the previous album’s swirls, this one is beeping with a computer voice announcing “we are connected”

The opening chords are heavy, but man they sound clear—like they weren’t recorded underground.  You can also hear all of Piggy’s weird higher notes—he’s playing complicated chords, not just solo notes.  And when the chorus of “Killing Technology” rolls around, it offers stop and start rhythms and Snake’s voice even goes up an octave at the end.  But the first real indication that Piggy is on to something new comes in the bridge. Underneath the robotic voice, Piggy is playing some really strange-sounding chords.  The story is that he had been admiring Robert Fripp’s guitar work and so he added some of those King Crimson-y angular weird chords to his repertoire.  And he melds them perfectly with the heavy thrash that the band had been playing.

Lyrically also, this album has moved away from killing and headaches.  “Killing Technology” while having “killing” in the title is a very different subject:

The star wars have started up
The new invention is coming out
Making a spider web over the atmosphere
To make them sure that we can’t get out of here

Computers controlling your functions
Seems like we got electronic alienation
Trading children for a new kind of robot
Waiting for the old people to disappear

Quite a departure from Rrröööaaarr’s “Fuck Off and Die”

Stand up, right now, kill

No pleasure, the pain comes down here
No return, don’t look back, there’s no tomorrow
And if you’re a fucker and don’t believe it
I’d say fuck off and die, fuck off and die

“Overreaction” leans more towards the heavier side—Snake screams a bit more—but the subject (nuclear disaster) is thoughtful.  Then comes their first truly amazing song: “Tornado.”  Not only building like a tornado, this song allows them to talk about violent imagery without resorting to bloodshed. It’s even scientific:

Cumulonimbus storms arrive
Lightning flashes a hundred miles around
Electrical collision course
Creates the elephant trunk

But the best part is the chorus—it’s simple enough (just the word Tornado repeated) but it’s completely catchy and sing-alongable with bright major key chords.

“Forgotten in Space” features some great drumming from Away—he’s really quite underrated both in speed and technique—which explands even more on later albums.  “Ravenous Medicine” is another highlight—an interesting series of uncomfortable chords opens this track about scientific research.  It’s a pretty fast, heavy song.  Although not too complicated except for the occasional breaks as the story progresses.

“Order of the Blackguards” is another fast song, but this one has so many parts that if you don’t like one, just wait a few seconds for the next one.  “This is Not an Exercise” ends the disc proper.  The middle section has a great heavy riff.  But it’s the beginning of the ending sequence which is so perfectly sci-fi that really sets the tone of the album and looks towards the next one.  It’s cool to think of Piggy playing these spacey chords on his guitar.  And when Blacky’s bass rumbles in to resume the song, it’s quintessential Voivod.

By th way, this disc is a concept album as well.  There’s a “Killing Side” (the first three songs) and a “Ravenous Side.”  The strange thing about the CD though is that they have added two tracks from their Cockroaches EP which is nicockroachesce.  But they put one song at track 4 (the end of side one).  How odd to put a bonus track in the middle of a sequenced album.

The EP came out before the album and it has a slightly different feel from the album proper.  Although as a step towards Killing Technology it’s perfectly in sync.  “Too Scared to Scream” is heavy and has some interesting time changes—I love the way the song feels like it is crashing to a halt around 3:30.   “Cockroaches” feels like more traditional metal.  It opens with drums and Piggy playing a typical sounding metal solo.  Then the riffing starts and it’s very heavy indeed. Even the staggered section near the end sounds like a mosh section more than the prog time changes that Voivod uses on the album proper.  The song ends with Snake screaming as the cockroaches are coming.  A good ending to the EP and a pretty good ending to the disc.

The whole album has a very mechanical and robotic feel—the chords that Piggy plays just sound like mechanical failure, it’s very well constructed and foreshadows the music of their future.

[READ: July 9, 2013] Grantland #6

Grantland #6 covers from Sept 2012-Dec 2012.  Despite the short time frame, this is the largest issue yet.  And it maintains all the quality that I’ve come to expect from the book/magazine thing.  Which means, I love the writing (especially about people/sports I’m not that interested in).  And it also means that the editing is typically crap.  In this issue the editing was crap more because they simply forgot to remove mention of hyperlinks.  At least I assume that’s why sentences like “See here for ____” are included in any given article.  But yes, there are some very simple typos that Word would correct pretty easily.

But beyond that, I really enjoyed this issue.  And I’m finding it amusing how much certain people and shows crop up in a given time frame.  So this is a four month period and Kobe Bryant still dominates (there will never be an issue without at least one Kobe article).  But this time Homeland is the big show (since Breaking Bad has been on hiatus I gather).  Basketball remains the favorite sport here (even though they speak of football as being the most popular sport).

Chuck Klosertman and Charlie Pierce continue to write thoughtful (sometimes funny) articles.  And I like how there is still talk of Jeremy Lin even if Linsanity has gone away somewhat. (more…)

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rickbassSOUNDTRACK: PHISH-LivePhish 01-20 (2000-2002).

livephish To my dismay, my friend Lar recently informed me of a terrible thing that is happening to Phish’s LivePhish series of CDs.  This series came out from 2000-2002 and consisted of 20 CD sets of full concerts.  The “nifty” thing about them was that they were packed in plastic sleeves (4 discs to a sleeve) which had three holes in them so you could store them in a binder (the LivePhish binder with secret pocket for your stash).

Well, it turns out that whatever material they used in the plastic sleeves leeched out of the sleeves and onto the CDs.  For many CDs, it left a goopy residue that wiped off with a little effort.  But on other CDs, the goop actually ate through the paint and, apparently (although I don’t know how) through the music.  When you look at the discs there are clear “holes” in the paint, so you can see right through the disc.  When you play the discs, it ate away at the music as well.

Since this was over a decade ago and Phish is no longer with Elektra and the collections are long out of print, it looks like fans are simply shit out of luck.  I have at least 8 sets that have at least one disc that was eaten away like this.

The shows are available for download at the Phish Dry Goods Store, but then you’re paying $10 for something you already own.

Those sleeves seemed like a great idea, but they clearly weren’t tested for long term durability.

I don’t believe there’s any recourse for this, but if you know of any, do pass it along.  I’m sure fans must have the concerts online somewhere too, but that’s not the point.  Seeing as how the sets are fetching as much as $300 on eBay (which I’m sure no one is paying), there was the possibility that these would have collector’s value.  But clearly not anymore.  Major buzzkill.

[READ: July 29, 2013] In My Home There is No More Sorrow

This book came with McSweeney’s 40.  It is a book unto itself, hardbound and with its own ISBN, so I didn’t feel compelled to read it right then (especially given that the subject was Rwanda and it didn’t seem like an especially happy book to be reading).

But I decided now I was up for it and so in I dove.  And it’s not an especially happy book to be reading.

Bass is a writer with many books to his credits (although I didn’t know him).  He was sent to Rwanda on an assignment.  I gather that as part of the assignment he was sent to teach a writing workshop to local writers.  (The actual purpose of the trip, as far as logistics goes, is a little vague I must say).

At any rate, bass and his family (his wife and teenaged daughter) went to Rwanda for ten days.  And the first few days are as harrowing as one might expect.  I was familiar with the atrocities in Rwanda, but only insofar as I had heard bits and pieces of the story from the news.  I had no idea about the extent of the violence–millions of Tutsis killed by Hutus.  Nor the extent of the way the survivors have dealt with the atrocities in the seventeen years since they happened.  Which is: they have created shrines to the dead and in many cases have not cleaned up or in any way hidden what happened.

And so , we have churches with blood on the walls where people were murdered (I will spare some of the details of the way the children were killed, but I will certainly never forget it).  The family also goes to a shrine where the bodies were exhumed and placed in this area for fuller viewing.  And the creepiest thing about this shrine is that the bodies were packed so tightly in the mass grave–with no oxygen and with quicklime poured on them , that they did not really decompose–they were more or less mummified–their skin just sort of shriveled.  These bodies are practically like living skeletons, left ion their death poses.  That’s another image I will not be able to expunge from my mind any time soon. (more…)

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julySOUNDTRACK: PEARL JAM-“Mind Your Manners” (2013).

mannersAfter Eddie Vedder released an album of ukulele songs, it seemed like perhaps he was putting aside his heavier ways.  Well, nothing could be further from the truth.

This new song (album out in October) plays up their faster side, with short fast chords (think “Spin the Black Circle”).  It starts out heavy, and when the verse proper starts the band really kicks in.  The chords are heavy, but the bridge is fairly light and breezy.

The end features some chanted vocals (seldom used by Pearl Jam but effective here).  But to me the real standout moment comes from Mike McCready’s solo.  It is noisy and weird–he seems to be experimenting with all kinds of sounds in these 20 seconds or so.  It’s unexpected from him and very interesting.

I do not like how the song ends, which seems almost abrupt by accident.  Perhaps the released version gets cut off a few seconds early.  Nevertheless, I’m pretty excited about the new album (and tour).

[READ: July 11, 2013] “Other Types of Poison”

This is credited as memoir.  It is three short “stories.”  All of which I enjoyed immensely–but especially the first.

The first is called The Ink.  In this tale, Makkai’s  ancestors were hiding out in a little lake house when soldiers came to the door.  I loved that no one can remember the details of whether the soldiers were German or Russian or if that even mattered.  The important part is that the soldiers hung around and made themselves at home.  (The old lady was too old and scary to try anything with and the boy was too young).

Then they ran out of booze and one of the soldiers, noticing an inkwell, said he would drink that.  The inkwell was a gift to the boy, because the old woman was a writer.  And although the cost was dear, the soldier drank the whole thing.  Then he stumbled out of the house, face completely blackened.  From then on, the old woman claimed that had she killed a soldier with ink.

I love Makkai’s ending: She says she doesn’t of the details are correct, but “If this were your family legacy—this ridiculous assertion of the might and violence o ink , this blatant and beautiful falsehood—could you change it? Would you dare?” (more…)

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jetpackSOUNDTRACK: WE WERE PROMISED JETPACKS-“Quiet Little Voices” (2009).

jetpacksWhen you have a book with “Jetpack” in the title, the appropriate band is We Were Promised Jetpacks, no?  I’ve heard a lot of good things these guys.  But all I knew for certain was that they were Scottish.

I listened to their debut EP, The Last Place You’ll Look, which I liked a little.  But I didn’t care for the sound of the EP itself, it was rather flat.  A few listens got me enjoying the melodies and such but it never grabbed me.  Especially when I compared it to “Quiet Little Voices,” the lead single from their debut full length, These Four Walls.

The vocals are a bit stronger, the guitars and bass are both more clear.  The overall feeling is just brighter.  Now this may be a sign of selling out (is that something bands still do?), but really I think it’s just a better production for this song.  Which has a big chorus (and good backing vocals).

I listened to a few more tracks from These Four Walls and they are all good too.  I guess start with the albums and save the EP until after you’ve absorbed the band.

[READ: July 5, 2013] You’re All Just Jealous of My Jetpack

Gauld makes comics like no one else I know.  Most of his people are silhouetted or are the most rudimentary designs–simple triangle-shaped clothes, circle heads with dots for eyes and little else–maybe a nose if it’s profile. (Okay, there’s a bit of Chris Ware, but more like a much more relaxed Chris Ware).  And the wonderful thing is just how much he can convey with these painstakingly simple drawings.

The content of his comics is usually quite clever and often literary.  While I admit there were some I didn’t get (Like the Eric Gill cartoon–shame on me?–Aha: “[Gill’s] personal diaries describe his sexual activity in great detail including the fact that he sexually abused his own children, had an incestuous relationship with his sister and performed sexual acts on his dog.”  Geez, now the comic is very funny.).  There were some in which I liked the set up but would have preferred something funnier (like the Tom Waits comic–shame on him?)

But overall this collection was really enjoyable.  And I laughed a lot. (more…)

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grantlandSOUNDTRACK: The xx–Live at KEXP (July 25, 2012).

I xxkexphave casually seen The xx on a few shows and I’m intrigued by them.  I’ve never really given their albums any time though, so I can’t say anything much about them.

However, I really enjoy the sound they get live (which is funny since in the article below they talk about how much of a perfectionist Jamie, the studio tech guy, is about the recordings).

This set from KEXP (KEXP always has great audio quality) contains four songs “Fiction” “Reunion” “Sunset” and “Angels.”  And I have to say the band sounds amazing.  So close, so clean, so intimate.  Oliver’s voice is right there, whispering in your ears, and Romy’s guitars sound gorgeous–gentle vibrato, chiming chords; her voice is also beautiful.

The thing that throws me about The xx is how spare their music is.  Sometimes it’s almost like there’s no music at all. And I keep thinking of reasons why I wouldn’t enjoy such simple music (it’s usually not my thing). Or that it should only be experienced in a dark room by yourself.  But the melodies are so beautiful that I think they’ve made a convert of me.  I really adore these songs.  And I must have heard “Angels” somewhere because it is completely familiar.

I wonder if they sound this good on record.  You can watch the show here:

[READ: July 9, 2013] Grantland #5

Grantland continues to impress me with articles about sports that I don’t care about.  They style that the writers have (and the humor they impart) is wonderful.  And it goes to show that if you are passionate about something you can make it interesting to anyone.  So, even if I don’t know who some of the people who they’re talking about are, I can still enjoy what they say about them.  Plus, their entertainment coverage is really fun, too.

BILL SIMMONS-“Battle of the Olympic Heavyweights”
I really enjoyed this article which compares Olympic swimming and gymnastics to see which one “wins” in this battle for TV coverage and the hearts of Olympic fans (hint: it’s gymnastics, but Simmon’s categories are very good).

BRIAN PHILLIPS-“The Death’s Head of Wimbledon”
Phillips tries to cover Wimbledon and finds it very difficult to manage because it is all designed for TV, not in person coverage.

REMBERT BROWNE-“I Feel Like a Free Man”
The amazing decision of Frank Ocean to come out and how little it impacted his career. (more…)

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38SOUNDTRACK: SAN FERMIN-“Crueler Kind” (2013).
sanfermin-91f624c3b893c51669028614cc4bbf4973704a7c-s1

This was the final song that NPR played in their summer new music collection.  It was a band that Bob didn’t know, but he liked the song and then saw them live and put the song here.

It opens very simply, quietly with beautiful harmonies over a simple synth.  After about 45 seconds, the drums and horns (!) kick in and the backing harmony vocals take on more of a choral sound (AHHHH!) that punctuates rather than accompanies the vocals.

The main riff stems from that horn—a bass saxophone?  And yet during the verses, everything resorts to that pretty, mellow sound.

It’s a very interesting mix of musics, and it reminds me of some of the more experimental bands of the 1990s.  I’ll bet they would be fun to see live.  And I’d like to hear more from this album.

[READ: June 20, 2013] McSweeney’s #38

And with this book, I have now read all of the McSweeney’s issues (except that Mammoth Treasury which I will get to, probably by the end of the year).  This one was a great collection of fiction and non-fiction, it also had an inserted comic.  The book itself was paperback, with a nice, textured cover and a cool design for the numbers. In looking for a picture I learned that it came in two colors (the yellow that I received and a black cover with white lines).

It continues with the later issues’ less frivolous style (in that there’s nothing weird about the book) and throughout, the quality of the work is great.  I really enjoyed this book.  It opens with letters and contains color pictures, too.

Letters (more…)

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200px-FatesWorseThanDeathSOUNDTRACK: THE STATLER BROTHERS-“Flowers on the Wall” (1965).

flowersonthe Vonnegut mentions this Statler Brothers song in Palm Sunday as well.  I know this from Pulp Fiction–a song that I found very amusing and never would have guessed was a classic country song.  Country music was very different in 1965 than it is now.  I don’t even know if there was a folk or bluegrass category back then, and this song, with its banjo and bouncey acoustic guitar is a great example of the kind of country music I like.  And those harmonies!

This song certainly seems to be about insanity–about a man counting flowers on the wall, playing solitaire with a deck of 51 cards, smoking cigarettes and watching Captain KAN Kangaroo.  Don’t tell him he’s nothing to do.  What a weird little song.  And man is it catchy.  No wonder it was a #1 hit.

[READ: May 31, 2013] Fates Worse Than Death

After reading Palm Sunday I learned that Fates Worse Than Death was a kind of autobiographical sequel to that non fiction book.  I also learned that the two essays that make up Nothing is Lost Save Honor which is impossible to find (and for which I can’t even find a cover) are available in FwtD.  However, since there is no real contents or index, you do have to read the whole thing to find out which chapters contain the essays.  Or you can just look here and see that “The Worst Addiction of Them All” (which was published in The Nation) is in Chapter XIV and “Fates Worse Than Death” appears in Chapter XV.

The last time I read a bunch of Vonnegut together I got a bit burnt out on him and the same thing happened here.  The problem with Vonnegut’s nonfiction is that he tends to repeat himself.  A lot.  And while this book is ostensibly about the 1980s, he talks an awful lot about his family and his friends from the war and his other literary acquaintances., like he did in Palm Sunday.  In a number of places, he says that he doesn’t like to read himself in English, and it would seem that he doesn’t proofread to see if he said something already either.

This is not to say that the book is not worth reading.  Indeed, if you read Palm Sunday in the 80s and then this one in the 90s, you might not remember all of the details that pop up again, but when you read them days apart…well. (more…)

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PalmSundayFrontandBackSOUNDTRACK: THE STATLER BROTHERS-“Class of ’57” (1972).

stalerI don’t know much about The Statler Brothers.  They are considered country, although this song is hardly country–it’s more folk with some bluegrass and, the real selling point–great harmonies (especially the bass singer with the big mustache).

The song is a wonderful coming of age song, sad and funny with a list of what happened to everyone in the class of ’57.  Like:

Betty runs a trailer park, Jan sells Tupperware,
Randy’s on an insane ward, Mary’s on welfare.
Charlie took a job with Ford, Joe took Freddie’s wife,
Charlotte took a millionaire, and Freddie took his life.

John is big in cattle, Ray is deep in debt,
Where Mavis finally wound up is anybody’s bet.

But the kicker comes at the chorus:

And the class of ’57 had its dreams,
Oh, we all thought we’d change the world with our great words and deeds.
Or maybe we just thought the world would change to fit our needs,
The class of ’57 had its dreams.

And then at the end:

And the class of ’57 had its dreams,
But living life from day to day is never like it seems.
Things get complicated when you get past eighteen,
But the class of ’57 had its dreams.

Vonnegut quotes the entirety of this song in the book and I’m glad he did, it’s a very moving song and really captures American life.

[READ: May 26, 2013] Palm Sunday

After writing several successful novels, Vonnegut paused to collect his thoughts.  And Palm Sunday begins: “This is a very great book by an American genius.”  It is also a “marvelous new literary form which combines the tidal power of a major novel with the bone-rattling immediacy of front-line journalism.”  After all the self praise, he decides that this collage–a collection of essays and speeches as well as a short story and a play which is all tied together with new pieces (in TV they would call this a clip show)–this new idea of a book should have a new name and he chooses: blivit (during his adolescence, this word was defined as “two pounds of shit in a one-pound bag.”  He proposes that all books combining facts and fiction be called blivits (which would even lead to a new category on the best seller list).  Until then, this great book should go on both lists.

This book is a collection of all manner of speeches and essays, but they are not arranged chronologically.  rather they are given a kind of narrative context.  What’s nice is that the table of contents lists what each of the items in the book is (or more specifically, what each small piece is when gathered under a certain topic).

Chapter 1 is The First Amendment in which he talks about Slaughterhouse Five being burned and how outraged he was by that–especially since the people so anxious to burn it hadn’t even read it (and the only “bad” thing is the word motherfucker).  The first speeches included are “Dear Mr. McCarthy” to the head of the school board where his books were burned and “Un-American Nonsense” an essay for the New York Times about his book being banned in New York State.  The next two are “God’s Law” for an A.C.L.U. fund raiser–it includes his confusion as to why people don’t support the A.C.L.U. which is working for all of our own civil liberties. (more…)

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artofmcSOUNDTRACK: SUGAR-“Helpless” single (1992).

helplessI loved that first Sugar album and even bought the single for “Helpless” (back then singles were ways for record labels to get more money out of fans of a band rather than for people to pay for one song).  In addition to “Helpless,” the single contains three songs.  “Needle Hits E” is a poppy song–very Mould, very Sugar.  The song is a bright and vibrant addition and would fit nicely on Copper Blue.

The second track is an acoustic version of “If I Can’t Change Your Mind” which sounds wonderful.  Mould really knows how to record a 12 string guitar to make it sound huge.  “Try Again” is the final track.  It reminds me of The Who, especially the bass line at the end of each verse.  It’s a darker song (especially for his single which is so up).  But I love the way the acoustic guitar seems to make it build and build.  Then, some time around the two and a half minute mark, a feedback squall starts building.  It’s way in the background (and actually sounds a bit like squealing balloons).  It continues until the last thirty seconds just degenerate into full blown feedback noise–just so you know Sugar aren’t all pop sweetness.  All three songs were later released on Sugar’s Besides collection.

[READ: May 10, 2013] The Art of McSweeney’s

Sarah got this book for me for my birthday and I devoured it.  It answers every question I’ve had about McSweeney’s and many more that I didn’t.  It provides behind the scenes information, previously unseen pieces and all kinds of interviews with the authors and creators of the issues as well as The Believer, Wholphin and some of the novels.

The real treasure troves come from the earliest issues, when there was very little information available about the journal.  So there’s some great stories about how those early covers were designed (ostensibly the book is about the artwork, but it talks about a lot more), how the content was acquired and how the books were publicized (book parties where Arthur Bradford smashed his guitar after singing songs!).

The cover of the book has a very elaborate series of very short stories by Eggers (these same stories appeared on the inside cover of McSweeney’s 23).  For reasons I’m unclear about, the rings of stories have been rotated somewhat so it is does not look exactly the same–although the stories are the same.  The inside photo of the book also gives the origin of the phrase “Impossible, you say? Nothing is impossible when you work for the circus.”

The opening pages show the original letters that Dave Eggers sent out to various writers seeking stories and ideas that were rejected by other publications (and interesting idea for a journal). (more…)

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