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Archive for the ‘Rose Cooper’ Category

SOUNDTRACK: MILEY CYRUS–Tiny Desk (Home) Concert #161 (January 28, 2021).

I’m quite torn about Miley Cyrus.  I respect her individuality and her desire to push boundaries (and her Happy Hippie Foundation [created to rally young people to fight injustice facing homeless youth, LGBTQ youth and other vulnerable populations] is pretty great).  But sometimes I don’t always love her choices.

In all that time I’ve never given much attention to her music.  She was a pop singer (or worse, a country singer) and that was that.

Now, after getting mixed up with The Flaming Lips, who even knows what she’s up to.

For her Tiny Desk Concert (I can’t believe it’s barely over 11 minutes when so many other have done them over 20) she has built a tiny room, complete with a bed and a window and posters on the wall.  The room itself is probably three feet high and Miley, bedecked in a fascinating array (fake, one assumes) furs an leopard skin pants and a big hat and glasses.

The blurb gives rather an extensive narrative to Cyrus’ video

Here, the scene opens with Cyrus, dressed head to toe in rock-star faux fur, in what looks like a teenage girl’s bedroom. But the perspective in this pink-and-purple space feels a little … odd.  As Cyrus sings, it becomes clear that this is her Wonderland – like Alice full of magical cake, she’s grown to exceed her surroundings. By the end of this three-song set, Cyrus reveals that it’s the adolescent enclave that grew too small for her, not the other way around.

That give a lot of credit to a little video.  But whatever.  First she lounges on her bed and sings a pretty intense version of Mazzy Star’s “Fade into You.”

The original was pretty chill (and maybe a little boring) and Miley inject some powerful screams in the middle and her voice gets all raw.  It adds some drama to an otherwise chill song.  Or as the blurb says

a hazy psychedelic anthem that she infuses with just the edge of the next day’s hangover.

Up next are two songs from her latest album.

The two songs from Plastic Hearts that follow are her own bids at classic-rock timelessness.

In “Golden G-String” Cyrus assesses her own life in the spotlight with Leonard Cohen-esque charm.

She takes off her coat and hat (the video ifs filmed from different angles and there’s some overlapping edits.

This song is really quite catchy.  I think Id like to hear the album version.

And “Prisoner” is the power ballad that lets Cyrus really break out – as she leaves the tiny room — just a box, it turns out, on a soundstage – and joins her band,

Her poor band is never really on camera. It pans around a little before prisoner–you see some hands and some hair of Stacy Jones: drums; Mike Schmid: keys; Max Bernstein: guitar; Jamie Arentzen: guitar and Joe Ayoub: bass.

“Prisoner” sounds like a classic rock song-maybe from Heart or Fleetwood Mac.  This album is getting some good accolades and I might just have to check it out.

[READ: March 18, 2021] I Text Dead People

We brought this book home from the library for my daughter, but I found myself reading and (sort of) enjoying it.

Annabel Craven and her mother have just moved from Sacramento to this small town.  They moved because Annabel’s Uncle died and left his house to them.  Since they lived in a tiny apartment in Sacramento, her mom figured it was a step up.  Except that their new house is actually a creepy old “haunted” house that is adjacent to a cemetery.

On her first day of school, Annabel took a shortcut through the cemetery where she found a phone.  She had recently broken her phone and her mother was trying to teach her the value of things by making her save up for a new one.

Obviously, she will return this found phone to its owner, but until then, it might be nice to be able to communicate with people  Sadly, the phone has no power so she couldn’t locate its owner anyhow. (more…)

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