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Lee Henderson–“The Nerve” (The Walrus, July/August 2009) [Summer Fiction Issue, Genre: Romance]

Posted in Canadian Content, Canadian Music, Lee Henderson, Moxy Fruvous, Political Humor, Religion, Romance, Short Story, The Beatles on June 28, 2009| Leave a Comment »

walrusjuly SOUNDTRACK: MOXY FRÜVOUS-Wood (1995).

wood

Moxy Früvous is a band that can totally be judged by their covers.  Their first album had a cartoon animal dog thingy, and the disc was whimsical and fun.  Wood, their second disc shows the quartet in an autumnal scene covered in sweaters.  And the content is autumnal and snug.  There’s very little whimsy on the disc. It’s as if they fully matured in two short years.

I would say that this is my least favorite of the MF discs.  However, it also contains my all-time favorite MF song: “Fly” so I can’t dismiss it entirely.

In fact, the first 5 or so songs are all really enjoyable.  I find myself singing “horseshoes have got to be tossed” (from “Horsehoes”) all the time for some reason.  And then we get “Fly.”  It starts out simply enough with an acoustic guitar, but as it builds and the harmonies come in, “we’ll take a last flight you and I….Hold on tight” it’s amazing every time.

“Present Tense Tureen” is similar to the Bargainville style of wit, although it is banjo infused folk rather than pop.  And “Poor Mary Lane” has a Beatlesque stomp going on.

From there the album sort of drifts into pretty, fairly undistinguished folk songs. “Nuits in Rêve” is a 6 minute folk ballad in French.  It’s very pretty, although I don’t know what it’s about.  Finally, the last song “Sad Today” wakes the disc up somewhat, as it feels likes something of a drunken shanty.  There’s also a bonus track called “Organ Grinder” (I suppose) that is the funnest, craziest thing on the disc and feels like pure insanity compared to the rest.  It’s a big shit-stompin’ song.

So as I say, the disc is quite different from the first.  It even feels a little claustrophobic in the production which is something I don’t really notice.  I’m not sure why the band left out their fun songs, maybe so they wouldn’t be pegged a novelty act, but they are sorely missed.

(It’s also likely why they release b shortly afterward).

[READ: June 24, 2009] “The Nerve”

This is the second short story in The Walrus‘  Short Story issue.  This one is labeled as Romance genre, and yet it also transcends the genre and is more  about a man falling in love than any of the other romance tropes. (more…)

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David Foster Wallace–[Week 1] Infinite Jest (1996)

Posted in Big Books, Boston, MA, Canadian Content, Consumerism, Corporate skewering, David Foster Wallace, Drugs, Dystopia, Funky Web Sites, Funny (ha ha), Funny (strange), Hüsker Dü, Infinite Summer, Minnesota, Set at School, Smarty Pants, Suicide, Unreliable narrator on June 26, 2009| Leave a Comment »

jestSOUNDTRACK: HÜSKER DÜ-Land Speed Record (1982).

landspeedMentioning Hüsker Dü during the Replacements reviews made me bust out their records too.  Land Speed Record was their first release, and it always amazed me that their first record was a live record.

It is an amazing blast of hardcore punk.

It is poorly recorded, stupidly fast and impossible to follow.  The CD is divided into two track (sides one and two) despite the 17 songs.  Most of the songs are simple, balls-out screaming punk.  In fact, it’s surprising how much you can tell it is Hüsker Dü given how shouty Bob Mould sounds.

In truth, it’s not entirely impossible to follow one song to the next (there are times when you can hear the choruses (“Guns at My School” and “Do the Bee” stand out).  But really it’s a pretty shocking discovery for anyone familiar with their alterna-pop that would come later.

The one real highlight is the final song, “Data Control.” It slows the pace and adds some mood (although it’s not that easy to discern).  But it contains a great deal of depth (for this album) and suggests that maybe the Hüskers were going to be more than a simple hardcore band.

The funniest part is that after the 25 minutes or so of noise, Bob Mould says, “we’ll be back for another set.”

[READ: Week of June 22, 2009] Infinite Jest [78 pages + endnotes]

So as I said, I’m going to be doing this Infinite Summer thing, reading 75 or so pages every week.  I haven’t figured out what I’m going to say each week, just some observations and characters to help keep things straight.  But there will be spoilers, so be warned.

Having read this before certainly helps put some context on things, even if I don’t remember a lot of the book.  But, for instance, it helps to know ahead of time that the “Year” chapter headings have been subsidized.  However, I don’t remember the chronology of them at this point.  See below, footnote endnote for more on the chronology.

The characters:   (as of page 78): (more…)

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Stephen Marche–“The Crow Procedure” (The Walrus, July/August 2009) [Summer Fiction Issue, Genre: Science Fiction]

Posted in Barenaked Ladies, Canadian Content, Canadian Music, Funny (ha ha), Kids Corner, Moxy Fruvous, Stephen Marche, The Walrus, WXPN 88.5 FM--Philadelphia, PA on June 26, 2009| Leave a Comment »

walrusjulySOUNDTRACK: MOXY FRÜVOUS-Bargainville (1993).

moxyI first heard Moxy Früvous on an NPR weekend morning show. They performed “Johnny Saucep’n” (a tongue twisting a capella marvel) live and it blew my mind.  And, lest I forget, these 4 guys do AMAZING a capella. Amazing. Their harmonies are simply magnificent. I immediately went out and got whatever their latest album was (Live Noise, I expect). And I worked my way back from there.

Bargainville is the band’s first disc. It is youthful and silly and is a good mix of their folky sound and their silly songs. Comparisons to Barenaked Ladies abound as they are both Canadian and “funny”. The Früvous funny is more witty than silly, although silliness definitively crops up.

I think of Früvous as one of my favorite bands because, without question, they have written some of my favorite songs. And yet, not every song is a favorite.  But even the ones that don’t blow you away are solid and good.

I don’t have anything bad to say about this disc. In fact, it’s a great disc to put on with friends, and pick out the occasional great couplet. But I’m not certain that the disc will blow you away.

There are some outstanding tracks on here. “River Valley” is a beautiful acoustic track about saving the river alley and its drinking water. “Stuck in the 90s” is catchy as all get out” “Fell in Love” is a great song full of sweeping vocal moments. “The Lazy Boy” is another one of those great a capella moments that amazes. Its also a very silly song with references to Charlie’s Angels (the blonde one, the third one).  In fact this whole section of the disc is fantastic. “My Baby Loves a Bunch of Authors” is an amazing track about, well, books and authors. What’s not to like. See how many authors you recognize! It’s also amazing how catchy one can be with literary rhymes (Who’s pounding the ouzo? Mario Puzo).

“The Drinking Song” is one of their more serious songs and it is terrific. Substance, sadness, superb  And, amazingly moving. “King of Spain” is silliness beyond belief. And yet, seeing this song live is a treat and a half. Plus how many songs get to rhyme “zamboni?” The disc ends with “Gulf War Song” an a capella song that is quite serious and very passionate.  A fantastic ending to this disc.

Future discs would be a bit more serious, but this is a great start.

Oh and if anyone has a copy of the Indie Tape they’d like to copy for me, I’d love to get “Green Eggs N’ Ham,” which I hear on the radio from time to time but have never seen anywhere.  Thanks Kids Corner for playing this track on WXPN in Philadelphia!

[READ: June 23, 2009] “The Crow Procedure”

This issue of The Walrus is the Summer Fiction Issue.  It seems to be dedicated to “genres” specifically.  Each story is devoted to a genre (and there’s even a genre fiction contest this issue).  This first one is science fiction.

The twist seems to be that although the stories are in genres, they move beyond what we normally consider genre fiction. (more…)

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Infinite Summer!

Posted in Adventure, Big Books, Boston Phoenix, Boston, MA, Contests, David Foster Wallace, Funky Web Sites, Infinite Summer on June 25, 2009| 3 Comments »

jestI’m a fan of David Foster Wallace. I read Infinite Jest when it came out (1996) and loved it.  I still vividly recall scenes from the book even 13 years later.  However, I’m a very different person and a very different reader now.  And I wondered if I would get more out of the book reading it as an older, hopefully [DFW would hate that usage] wiser person (and certainly a second read could only help with this incredibly dense book).

But who wants to undertake the immense work involved in reading this 1100 page book?

Enter Infinite Summer.

The Challenge

Join endurance bibliophiles from around the world in reading Infinite Jest over the summer of 2009, June 21st to September 22nd.

A thousand pages1 ÷ 92 days = 75 pages a week. No sweat.

1. Plus endnotesa.
a. A lot of them.

The Rules

There ain’t none. Read Infinite Jest, start around June 21st (if you want), finish around September 22nd (if you want), gloat about having completed the novel afterward (required).

If you wish to read ahead, feel free. Think of us as a pacecar: you can leave us in the dust, but it’s probably best not to fall behind.

If you are ahead of the pack you should feel free to join the conversation. All we ask is that you adhere to the Inficratic Oath: First, Reveal No Spoilers. So, apparently, there is at least one rule.

So I’m on board.  This is TOTALLY going to screw with my plans of reading lots of other books this summer.  And this especially hurts because I have two summer reading contests that I was hoping to enter a couple of entries every two weeks.  I know this book.  75 pages can take a long time.  I hope I can squeeze in some other books as well.

Like on Infinite Summer, I’m going to post weekly updates, mostly to keep notes for myself, but also to comment when it’s warranted. (more…)

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Georgi Gospodinov–Natural Novel (2005)

Posted in Books about music, Dystopia, Foreign Books, Funny (strange), Georgi Gospodinov, Marriage Trouble, Meta, Minnesota, Natural Novel, Postmoderism, Pulp Fiction, Quentin Tarantino, Reservoir Dogs, Short Books, The Replacements, Toilets, Unreliable narrator on June 20, 2009| Leave a Comment »

gospodinovSOUNDTRACK–THE REPLACEMENTS–All Shook Down (1990).

shookAnd here we come to the end of the recorded history of the Replacements.  7 albums (and an EP).  4 and a half hours of recorded music.  And a steady maturation from drunken punks to elder statesmen.  Or really statesman (Paul Westerberg at the ripe old age of 31!).   All of the reviews state that this was originally designed as a Westerberg solo album, and that the band barely played together on it at all. And it shows.

To me, this album just isn’t very good.  It’s not that the songs are bad…I ‘ll always admit that Westerberg is a great songwriter.  I’m just not inspired by them.  The single, “Merry Go Round” is the most (there’s that word again) mature sounding rock tracks that Westerberg has written.  And “Nobody” is a decent acoustic type rocker (although the drums are kind of boring).  “Bent All Out of Shape” shows promise but never lives up to it.

“Sadly Beautiful” is another of Westerberg’s solid ballads.  But it doesn’t stand out because the rest of the album isn’t that radically different.  “Someone Take the Wheel” and “When It Began” are decent rockers, but the rest of the album is just sort of…there (except for the awful duet with Johnette Napolitano (whom I used to like but who i just find annoying all these years later).

Westerberg went on to do about a half dozen solo albums but I haven’t heard any of them.

There’s nothing wrong with a songwriter maturing, especially if you get to mature along with him or her.  It’s just such a surprise to see it happen so quickly.

[READ: June 15, 2009] Natural Novel

My coworker and I were experimenting with our library’s catalog.  We started searching for books in specific languages.  We noticed that Bulgarian was one of the languages, and were surprised that our branch had anything in Bulgarian.  It turned out that there was one book that was originally written in Bulgarian but which had been translated to English.  It was this book. It sounded bizarre and fascinating.  And it was only 136 pages.  How could I pass it up?  And what would it be about?

Well, that’s hard to answer.

The premise of a “natural novel” is that it is meant to be a man’s attempt to deal with the dissolution of his marriage.  He starts to talk about the divorce several times, but he can’t really come to terms with it, and so, rather, he gets involved with other things. (more…)

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Gene Luen Yang & Derek Kirk Kim–The Eternal Smile (2009)

Posted in Derek Kirk Kim, Fantasy, First Second :01, Gene Luen Yang, Graphic Novel, Minnesota, Scrooge McDuck, Short Books, Short Story, Snappy Cola, The Replacements, Violence, YA Books on June 18, 2009| Leave a Comment »

eternalSOUNDTRACK: THE REPLACEMENTS-Don’t Tell a Soul (1989).

soulWith this disc, the ‘Mats finally scored a hit.  “I’ll Be You” actually made the Billboard charts!  And why not, it’s a delightfully catchy, far more mature version of the ‘Mats now-adult-alternative music.

In my head, this is where the ‘Mats sold out entirely.  But, I listened to the disc the other day and I was surprised at just how much I enjoyed it.  I was probably still really into Pleased to Meet Me when I first got Don’t Tell, so the trip from point A to B isn’t quite as drastic. I guess maybe grown up me enjoys it more than college-aged me did.

The allmusic review is very harsh about the disc, especially the production.  I can’t say I noticed anything about that.  I was just listening for the songs.  And, in addition to being their longest disc to date, it only features 2 songs shorter than 3 minutes!

What you see is Paul Westerberg maturing as a songwriter, for better or worse.  And, as far as his craft goes, it’s certainly better.  As for indie rock, well, not so much.

The songs still maintain the rocking style of older Replacements, but they have more proper structure  (verses and choruses, repeat).  They also play with the loud/soft dynamic that would really come to the fore with Nirvana…although The ‘mats version was more of a rocking/acoustic juxtaposition. Almost all of the tracks on this disc feature an acoustic guitar somewhere in the mix. In fact, I thought that the disc was a lot less rocking than it actually is.

There’s a couple of clunkers on the disc, “We’ll Inherit the Earth” seems a bit off somehow.  But for the most part, the songs sound like a grown up version of the teenage ‘Mats from just five years ago.

By comparison to general pop music, “I’ll Be You” still maintains some indie cred. And, it’s really hard to resist the catchiness of it (from the break to the slightly off-kilter guitar solo that ends the song).  “Achin’ to Be” is another coulda been a hit, although perhaps more on a folk/country side of things.  And “Talent Show” and “Back to Back” are sort of gentle rockers that speed up at a few points. Only “Anywhere’s Better Than Here” has the really distorted rock sound of yore.

Even though I did enjoy listening to the disc, it suffers from a lack of fun.  As I said, it’s a pretty shocking maturation over the span of eight (or even five) years.

[READ: June 12, 2009] The Eternal Smile

Sarah received a copy of this book, and as soon as I realized it was by the guy who did American Born Chinese, an amazing, amazing graphic novel, I was excited to read it.

This is a collection of three short stories: “Duncan’s Kingdom,” “Gran’pa Greenbax and the Eternal Smile,” and “Urgent Request”  I’m not sure if Kim and Yang collaborated or if one did one story and not the others.  But regardless, the art is fantastic in each.  I love the effortless style shifts in “Duncan” from the simple lines in the fantasy sequence, to the very very dark style in the nightmares.  “Gran’pa Greenbax” is so cartooney, so “childlike” in its style, that the violent avarice in the middle comes as quite a shock.  And “Urgent Request” is simply beautiful from start to finish.  It’s a great looking collection. (more…)

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Kurt Vonnegut–God Bless You, Mr. Rosewater; or, Pearls Before Swine (1965)

Posted in Corporate skewering, Drinking, Funny (ha ha), Kurt Vonnegut, Marriage Trouble, Minnesota, Political Humor, Smarty Pants, Surf Punks, The Replacements on June 17, 2009| 4 Comments »

rosewaterSOUNDTRACK: THE REPLACEMENTS-Pleased to Meet Me (1987).

pleasedMy friend Al introduced me to the Replacements with this disc way back in 1987.  He was so in love with the song “Alex Chilton” that he must have played it all summer.  And for me, this album is the soundtrack to our summer house at LBI (along with the Surf Punks’ My Beach).  As such, this is my favorite Replacements album.  Whether or not I would feel that way objectively, I can’t say.  But to me this disc is perfect, even without Bob Stinson (blasphemy I know!)

And I have to say that even without Stinson, there’s a lot of screaming guitar solos on this disc, presumably from Paul Westerberg, as I can’t find anyone else who they’re attributed to).  I’m only surprised by this because I thought of Westerberg as more of a rhythm guitarist.

It’s even hard for me to describe this record because it’s so a part of me.  “I.O.U” is a fast and furious opener.  “Alex Chilton,” has everything, rocking guitars, mellow bits and hooks galore.  “I Don’t Know” is a sloppy song, and yet it is a polished kind of sloppy, like they are trying to recreate their wild days.  And yet, it works–the opening drunken laughter and crashing noises, the call and response of disinterested “I dunno” after each line.  hey seemingly get lost during the chorus, but manage to pull it all together, of are pretty perfect.  Even the horns (!) really work on this track. “Nightclub Jitters” is a jazzy, slow song, it sounds a bit out of place, yet it foreshadows Westerberg’s slower pieces.  “The Ledge” is a catchy song about suicide (!).  Whoo hoo, but it’s a really powerful track.

“Nevermind” is a poppy little” number with a catchy chorus (of course they all have catchy choruses).  “”Shootin’ Dirty Pool is a dark and dirty track and “Red Red Wine” is a fun shout along.  “Skyway” is the tender song.  An acoustic guitar ballad that fits nicely on the disc after the raucousness of the last few tracks.  And of course, “Can’t Hardly Wait” is a fantastic closer.

There’s not a bad track on the disc, and I could listen to it over and over and over.  And heck, it’s barely over 30 minutes long.

[READ: June11, 2009] God Bless You, Mr. Rosewater

In Palm Sunday Vonnegut rates this book as one of his best, so I was pretty excited to read it.

I was surprised that while reading it that I didn’t fully enjoy it as much as I wanted to.  However, once I finished it, upon reflection, it was a very substantial book, and it will stay with me for a while.  I think that’s because the book deals with really heavy topics: wealth, greed, humanity, love.  And even though it is funny, it’s not as wacky as his other books.  In fact the opening chapters are practically genealogical, and you don’t really realize that the action has started until you’re in the throws of it.

Before I get to the plot, though, I’m going to mention the first appearance of Kilgore Trout, author of science fiction of dubious morality. (more…)

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Jonathan Lethem–“Ana’s Apartment” (New Yorker, May 25, 2009)

Posted in Consumerism, Demons, Drinking, Funny (ha ha), Funny (strange), Jonathan Lethem, Kiss, Minnesota, New Yorker, Short Story, The Replacements, Tom Waits on June 13, 2009| 1 Comment »

CV1_TNY_05_25_09.inddSOUNDTRACK: THE REPLACEMENTS-Let It Be (1984).

letitbeThis is the final album the Replacements made before they moved to the majors.  This disc represents the culmination of their pre-major label sound and is one of my favorite “college albums” of the era.

The disc retains a lot of their sloppy/punk sound of the time, but the songwriting moves forward a little further.  Westerberg wrote some timeless anthems for this disc (“I Will Dare,” “Unsatisfied”).   But, they also sprinkle the disc with silly tracks…not filler exactly…more like balance.  This keeps the disc from being too ponderous.

“I Will Dare” opens the disc. It is bouncy and poppy with an irresistible chorus.   But the bulk of the album is faster and more rocking.  Unlike on their their first two discs, however, the songs run a little bit longer, and they don’t attempt the hardcore feel quite as much.

In fact, there are a few songs that are quite clearly ballads.  “Androgynous” is a piano ballad (!) that could have easily been written by Tom Waits.  “Unsatisfied” is another ballad, although this one has more instrumentation.  Nevertheless, the feeling of yearning is palpable in Westerberg’s voice.  Finally, “Answering Machine” is another flanged-guitar filled song about romance in the age of modern technology (circa 1984).

These relatively light (musically, not emotionally) songs are balanced out quite nicely by the pair of punk/nonsense songs: “Tommy Gets His Tonsils Out” and “Gary’s Got a Boner.”  They add some (more) levity to the disc.  As well as some rocking guitars.

But perhaps the most surprising song is the cover of Kiss’ “Black Diamond.”  It is surprisingly faithful to the original, (at a time when Kiss was not even ironically cool) and it rocks just as hard.

This album showcases the diverse aspects of The Replacements perfectly.  While some people say their next album Tim is their masterpiece, I am more inclined to go with Let It Be.  And, for some reason, I really like the cover.

[READ: June 10, 2009] Ana’s Apartment

This short story sees the return of Perkus Tooth, who I first encountered in Lethem’s story in The Book of Other People.  In this story, Perkus has had it.   He is tired of his life and of his lifestyle.  He wakes from a party at an obscene hour and walks home in 2 feet of snow.  He learns that his building is shut down; he can’t get his stuff, he can’t even change his clothes.

He wanders around, freezing, until he remembers that his friend Biller told him of a place that Perkus could crash.  When Perkus arrives, Biller tells him he can crash in Ana’s apartment.  Ana’s not there, but she won’t mind a roommate. (more…)

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McSweeney’s #31

Posted in Anachronisms, Barzum, Biji, Bill Cotter, Books about writers, Charlie Chaplin, Consuetudinary, Corporate skewering, David Thomson, Death, Digression, Douglas Coupland, Duan Chengshi, Dystopia, End of the World, Ernest Hemingway, Fantasy, Funny (ha ha), Funny (strange), George Barr McCutcheon, Graustarkian Romance, History, James Hannaham, Jessica Anthony, John Brandon, John Cusack, Joy Williams, Legendary Saga, Mary Miller, McSweeney's, Meta, Miguel de Unamuno, Minnesota, Nicolas Chorier, Nivola, Oddities, Orson Welles, Pantoum, Plato, Poetry, Religion, Say Anything, Senryū, Sex, Shelley Jackson, Short Story, Sight & Sound, Smarty Pants, Socratic Dialogue, Supernatural, Susan Sontag, The Replacements, Threats, Violence, Virginia Woolf, Virginity (Loss of), War, Whore Dialogue, Will Sheff on June 12, 2009| 2 Comments »

31SOUNDTRACK: THE REPLACEMENTS-Hootenanny (1983).

hootThis is the second full length from The Replacements.  For a band that just released two punk albums (one’s an EP), naming your new one Hootenanny is pretty ballsy.  As is the fact that the first track sounds like, well, a hootenanny (even if it is making fun of hootenannies.)

However, the rest of the album doesn’t sound like hootenannies at all.  In fact, the rest of the album is all over the place.  I don’t want to read into album covers too much, but the design has all 16 titles in separate boxes in different colors.  It suggests a little bit of stylistic diversity inside.

Just see for yourself:  “Run It” is a one minute blast of some of the punkiest stuff they’ve done. (It’s about running a red light).  Meanwhile, “Color Me Impressed” marks the second great alt-rock anthem (after “Go”) that Westerberg has put on record.  “Willpower” is a sort of spooky ambient meandering piece that, at over 4 minutes is their longest piece yet.  “Take Me to The Hospital” is a punky/sloppy guitar song.  “Mr Whirly” is sort of an update of the Beatles’ “Oh Darlin.'”  “Within Your Reach” is technically the longest Replacements song to date.  It starts with a cool flangy guitar sound that swirls around a fairly mellow vocal track (this song was featured in the end of Say Anything.  John Cusack cranks the song up past the red line).  “Buck Hill” is an (almost) instrumental.  “Lovelines” is a spoken word reading of personals ads over a bluesy backing track.  “You Lose” is the first song that sounds like another one…a sort of hardcore song.  “Hayday” is a fast rocker like their first album.  And it ends with “Treatment Bound” a sloppy acoustic number that sounds like it was recorded in a tin can.

As you can see, this album is all over the place, and almost every song sounds like they may not make it through to the end.  Yet, despite all of the genres represented, the band sounds cohesive.  The disc just sounds like a band playing all the kinds of music that they like, and the fact that there are a couple of really lasting songs on the disc makes it sound like more than just a bar band.

I feel as though not too many people even know of this disc (it was the last one I bought by them, as I couldn’t find it for the longest time).  But in reading reviews, I see that people seem to really love this disc.  I enjoyed it, and, like other ‘Mats discs, it’s certainly fun, but I don’t listen to it all that often.

[READ: June 9, 2009] McSweeney’s #31

The latest issue of McSweeney’s has a totally new concept (for this journal, anyhow):  They resurrect old, defunct writing styles and ask contemporary writers to try their hands at them. I had heard of only two of these defunct styles, so it was interesting to see how many forms of writing there were that had, more or less, disappeared.

Physically, the issue looks like a high school yearbook.  It’s that same shape, with the gilded cover and the name of the (school) on the spine.

Attached to the inside back cover is McSweeney’s Summertime Sampler. As far as I know this is the first time they have included a sampler of multiple upcoming works.  There are three books sampled in the booklet: Bill Cotter’s Fever Chart; Jessica Anthony’s The Convalescent & James Hannaham’s God Says No. I enjoyed all three of the pieces.  Fever Chart has stayed with me the most so far.  I can still feel how cold that apartment was.  The Convalescent begin a little slow, but I was hooked by the end of the excerpt. And God Says No has me very uncomfortable; I’m looking forward to finishing that one.

As for #31 itself:

The Fugitive Genres Recaptured (or Old Forms Unearthed) include: pantoums, biji, whore dialogues, Graustarkian romances, nivolas, senryū, Socratic dialogues, consuetudinaries, and legendary sagas.  Each genre has an excerpt of an original writing in that style.  Following the sample is the modern take on it.  And, in the margins are notes in red giving context for what the author is doing.  I assume these notes are written by the author of the piece, but it doesn’t say.

I’m going to give a brief synopsis of the genre, but I’m not going to critique either the old piece or whether the new piece fits into the genre exactly (suffice it to say that they all do their job very well). (more…)

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Neil Gaiman–The Graveyard Book (2008)

Posted in Adventure, Boredom, Children's Books, Dave McKean, Death, Demons, Fantasy, Minnesota, Neil Gaiman, Supernatural, The Replacements, Threats on June 10, 2009| Leave a Comment »

graveyardSOUNDTRACK: THE REPLACEMENTS-Stink EP (1982).

stinkThe Replacements followed their shambolic Sorry Ma, with this little EP.  8 songs in 14 minutes.  If you were going to check out one of these two releases, this is the one to get.  If for no other reason than at 14 minutes it certainly doesn’t overstay its welcome.

And song-wise, this album is pretty amazing.  The first track, “Kids Don’t Follow” opens with a live recording of the Minneapolis police breaking up a party.  Not sure if this was a band party or not, but the Replacements had to change their name from The Impediments because they got banned from a local club because they were too drunk and disorderly.

But even though this album has all the trapping of a hardcore record (check out the sleeve design, and, of course, the name of the EP).  And look at these song titles: they’re almost a parody of punk attitudes: “Fuck School,” “White and Lazy,” “God Damn Job,” “Dope Smokin’ Moron.”  Once again, the band plays fast, but not terribly angry songs.  Rather than being angry ragers, the band sounds more like drunken teenagers.  And so the chorus  of “God Damn Job” stays with you so and wind up singing the infectious but inappropriate to sing in public “Gaaahhhhhd Damnit.  Gaaaaaaahhhhhhhd Damnit. God Damn!”

It’s only White and Lazy that features anything like the hardcore trappings the album suggests.  The opening of the song is almost folksy, but when they hit the 90- second mark they bust out a true hardcore section: speed, shouty lyrics and more speed.   It’s very cathartic.

But best of all, Stink features “Go” the first song by Westerberg that is truly awesome.  It’s slower than the rest, and features a great chorus with a cool screaming guitar.  Over his career, Westerberg would writes some amazing anthems, and this is the first.

Although this isn’t their final raucous record, future records will drift from this attitude.  And this condenses their stuff into 15 minutes.  The whole album sounds like it will fall apart before they finish it, but finish it they do.

[READ: June 6, 2009] The Graveyard Book

Sarah gave me this book for my birthday, with an exciting IOU: that she would get Neil Gaiman to sign my copy when she meets him at ALA this summer.  So I got that going for me.  Which is nice.

I’ve been a fan of Gaiman’s for years.  And yes, Gaiman’s Sandman was what got me interested in comics, so thanks Neil.  Plus, as a Tori Amos fan, you pretty much have to love Neil, as their symbiotic relationship goes back almost twenty years now.

Having said all of that I haven’t followed his post comics career all that closely.  I read American Gods, but I don’t recall all that much about it.  My brother-in-law Tim tells me that it’s amazing, so I will likely go back and read it again someday.

So, what about this book, anyhow.

There’s a chapter of this story available in his M is for Magic collection.  Interestingly in the introduction, he notes that, it’s Chapter 4 which he wrote first.  Huh.  So, it seemed familiar to me when I started reading it although it didn’t seem totally familiar until I got to Chapter 4. (more…)

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