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Archive for the ‘Dragons’ Category

[LISTENED TO: November 2022] Sinister Magic

I’m not sure what attracted me to this author.  I suppose she came up on my Chirp Audiobook suggestions and I was looking for something a little different.

I like fantasy, but sometimes it gets too much up its own world building of for me to get into the story.  I hadn’t really read much urban fantasy, but from the little I’ve read, I rather like it.  The stories feel contemporary and feature alternate-reality takes on things we already know.  And I rather like that.

Linday Buroker is a self-published author.  This typically raises a red-flag, but this book has almost 10,000 ratings on Goodreads, so it’s not like no one is reading her.  She is also absurdly prolific as you can see by the massive chart down below.

But what hooked me on this series was narrator Vivienne Leheny.  I don’t know much about her, but I absolutely loved her voices, her tone and her ability to really get sarcasm across (Buroker’s characters are very sarcastic).  And, amazingly, Leheny seems to read most if not all of Buroker’s books.

So, in summary, the main character is Val Thorvald.  As she says, “I’m an assassin.”  But she’s not that kind of assassin.  She only goes after “magical bad guys.”   When magical bad guys come to earth, she takes care of them. Permanently.

This doesn’t make her popular with the rest of the magical community.  But thanks to her half-elven blood, a powerful sword named Chopper, and a telepathic tiger with an attitude, she’s always been able to deal with any threats that come her way. (more…)

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[LISTENED TO: September 2023] Battle Bond

I had listened to a couple of different Buroker stories before getting to this second book in this series.

But as soon I started this one, Vivienne Leheny’s narration dragged me back in.  I could listen to just about anything she reads.

So this book picks up where the previous one left off.  Val Thorvald is a 40 -something elf/human assassin.  The elf part helps her heal faster than humans, but she is just as flawed as any other human (some critics say far more flawed).  She is still driving the government loaner Jeep that she requisitioned after Zav (before she got to know him) threw her old Jeep into the upper branches of a very tall tree.

Val has an ex-husband and daughter.  She has left them so that they will be safe.  Her ex-husband kind of understands, but her daughter doesn’t want anything to do with her.  This gives her much angst.

Val has no real friends, so she relies on her magical tiger companion, Sindari, for companionship and some great banter (he knows what’s what).  She “won” Sindari in a battle.  I enjoyed that she is ethically conflicted about “owning” a tiger, but Sindari seems to like her, so I guess it’s okay.  Sindari lives in some other realm but comes when she calls him through a magical charm.

Most of the other characters have returned: Val’s mom is a cool hippie (who once married an elf) with a dog and a guy who lives in a trailer on her property.  That would be Dimitri, a large, imposing dude who make delicate wood works (which can also be used as defensive weapons).  There’s also Zultan a vampire with a massive YouTube presence.  And then there’s Nin, a woman who runs a small food truck and makes magical weapons in her spare time. She’s awesome.  And Val’s boss Willard is still around, providing sage wisdom, hi tech help and other good things.  Willard is still recovering from the magical cancer that the dark elves infected her with.

But this story focuses on dragons.

A dragon, Dob, has come to Earth to harass Zav.   It turns out there’s a power struggle on the home world and Zav’s family has been in charge of things for a long time.  This dragon hopes to prove that Zav is not behaving according to dragon standards.  He is also underhanded and violent–unafraid to harm anyone.  He has kidnapped children. And hikers.  By the middle of the book he has taken over a large but remote area of the wilderness.

The politics of Zav’s homeworld are unfolding in  the story and more will clearly be revealed as the stories progress.  It’s good that Buroker doesn’t throw a ton of world building at us, but gives us glimpses of things.

There are dark elves causing trouble in this book as well.  This involves Nin.  They say that her weapons are encroaching on her business.  Translation: her weapons are much better than theirs but there are more of them to bully an independent woman.  Val helps her.  The discussion of payment is pretty hilarious with Val not wanting to take money but Nin, being a businesswoman, insisting on paying something (which turns out to be food).

The relationship between Val and Zav is expanding (I wish I didn’t accidentally hear a spoiler when I listened to another series) and the humor between them is getting much funnier.  Zav brought Val a poster of himself for Val to practice her axe throwing and Val continues to try to teach him contemporary slang–I love the way Leheny deals with these section–her inflections are perfect.

There’s some really cool moments in the story as well–Val rescuing the children in an abandoned building.  Val and her friends getting stuck under a house of evil cat-shifting humans.  They are memorable and you can really visualize the scenes.

The ending of the story is pretty dramatic.  Val winds up crossing a line (in Zav’s mind) and it instantly puts friction between them.  And what she has done puts her own life in danger.

Buroker must spend all of her time writing as all of these items have come out in roughly the last fifteen years.  I’m not going to listen to everything she’s written I don’t think, but here’s what I’ve started.

Death Before Dragons
almost all written in 2020!

  • Mist and Magic — Book 0.5
  • Sinister Magic — Book 1
  • Battle Bond — Book 2
  • Tangled Truths — Book 3
  • Elven Doom — Book 4
  • The Forbidden Ground — Book 4.5
  • False Security — Book 5
  • Storm Forged — Book 6
  • The Box — Book 6.5
  • Secrets of the Sword I – Book 7
  • Secrets of the Sword II – Book 8
  • Gifts — Book 8.5
  • Secrets of the Sword III – Book 9

 

Legacy of Magic
1-3 written in 2022, the rest in 2023

this is a spinoff series set
in Death Before Dragons world.
It features a new heroine with a new mystery
and threat that she must deal with, but
it also brings back some of the
characters from the original series.

  • Hammered — Book 1
  • Betrayed — Book 2
  • Trolled — Book 3
  • Tested — Book 4
  • Wrenched — Book 5
  • Fused — Book 6
  • Legacy of Magic Short Stories — Newsletter bonus
  • Wanted — Book 7
  • Cursed — Book 8
Tracking Trouble
2023-2024 (#5 not out yet)
Another urban fantasy series set in my Death Before Dragons and Legacy of Magic world!

  • Marked by Magic — Book 1
  • Bound by Blood — Book 2
  • Driven by Destiny — Book 3
  • A Goblin Christmas — Book 3.5
  • Pursued by Peril — Book 4
  • Tested by Temptation — Book 5

 

Key to this Linday Buroker audio-verse
Red means I’ve listened to it
Green means I’ve downloaded it
Blue means it’s available on Chirp
Black means it’s not available or is a short book

Dragon Gate
2021-2022
(these books are HUGE)

  • Kingdoms at War — Book 1
  • Art of the Hunt — Book 2
  • Broken by Magic — Book 3
  • Chosen for Power — Book 4
  • Sky on Fire — Book 5
  • Orbs of Wisdom — Book 6

 

A Witch in Wolf Wood
2021-2022
Set in the made-up town of Bellrock, Washington
bookish introvert heroines and surly werewolf heroes.

  • Mind Over Magic — Book 1
  • Spell Hound — Book 2
  • Any Witch Way — Book 3
  • Hoot and Howler — Book 3.5
  • Moment of Tooth — Book 4
  • Charmed and Dangerous — Book 5
Agents of the Crown
2018

  • Eye of Truth–— Book 1
  • Blood Ties — Book 2
  • Duty Bound — Book 3
  • Elven Fury — Book 4
  • Dragon Tear — Book 5

Haven’t decided on these series yet

Swords & Salt [3]
2013

  • A Question of Honor— Book 1
  • Labyrinths of the Heart— Book 2
  • Death from Below— Book 3
Chains of Honor [4]
2015
You may want to start with the Chains of Honor Prequels,
three novellas that were originally published as the Swords & Salt series.

  • Warrior Mage — Book 1
  • Snake Heart — Book 2
  • Assassin’s Bond — Book 3
  • Great Chief — Book 4

she also has these series:

The Emperor’s Edge Series (9 primary works).

Forgotten Ages /Encrypted series, set in the same world, approximately eighteen years earlier.  (2 primary works)  PLUS:

  • Swords & Salt series, set in the same world, after the events of EE.
  • Chains of Honor series , set in the same world (Nurian Empire)

also

Dragon Blood Series  (8 primary works)

Heritage of Power (5 primary works) is a sequel a few years after this series

AND THESE SCI-FI SERIES

Fallen Empire Series (8 primary works) SCI-FI

  • Fractured Stars Series (1 book, three stories) stand alone but in this same world

Sky Full of Stars (3 primary works)  sequel

Fallen Empire Universe Series (13 books for kindle only) same world

also

Star Kingdom Series (10 primary works) SCI-FI

AND THESE STEAMPUNK SERIES

Flash Gold Chronicles Series (5 novellas)

AND THIS SERIES TOO

Rust & Relics Series (2.5 books)

 

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[LISTENED TO: November 2021] A Natural History of Dragons

This book sounded interesting. I knew nothing about it (aside from the title) and had no idea it would unfold the way it did.

Turns out that Kate Reading, whom I didn’t know, was an outstanding reader. She did male voices so compellingly that I forgot it was just one reader.

The book is a memoir.  The book feels like a Victorian novel (where a woman is not allowed to have the kind of adventures she ultimately does).  Reading reads Lady Trent in a kind of slow, deliberate, older, upper class lady voice.  It felt a wee bit slow at first, although I couldn’t imagine her doing it any other way.

Lady Isabella Tent is the leading scholar on dragons.  Indeed, the book starts:

All the world, from Scirland to the farthest reaches of Eriga, know Isabella, Lady Trent, to be the world’s preeminent dragon naturalist. She is the remarkable woman who brought the study of dragons out of the misty shadows of myth into the clear light of modern science.

Each chapter even has an olde-fashioned style in which the chapter heading summarizes what’s to be found within.  Lady Trent is an old woman now, finished with the excitement of her life and all that she has accomplished and she has decided that rather than answering all of the letters she gets all the time, that she would set the record straight and write her memoirs.

She starts from her early childhood and her tone is at one approving and occasionally disbelieving in the kind of person she was.

When Lady Trent was young Isabella, she had a unladylike desire to be scientific.  When she first captured a “sparkling” (this book is written as if we would know what she’s talking about since it is a memoir of a famous person’s exploits.  If you don’t know what a sparkling is, well, where have you been?).

Her mother was horrified by her behavior.  I mean what kind of girl dissects a bird to see how it can fly?  A scientific genius, that’s what kind. (more…)

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SOUNDTRACK: JAMBINAI-Tiny Desk (Home) Concert #234 (July 09, 2021).

Why oh why oh why do all the best Tiny Desk Concerts have to be so short?

This show is AMAZING and it’s only 12 minutes long.  Meanwhile, some other bands have dragged theirs out for almost twice as long.  Alas.

I was introduced to JAMBINAI (like many others I’m sure) at the 2018 winter Olympics in Pyeongchang, Korea.  Their set was spectacular and it blew me away.  In reality, the band is much smaller than that spectacle produced, but their sound is still huge and intense.

I don’t think I’ve ever used the word “fierce” to describe a Tiny Desk, but that’s precisely what JAMBINAI has created in this (home) concert. The show begins in front of a massive recreation of my desk and what happens next … well, no spoilers here. Filmed in an immersive media art museum created by an organization known as d’strict on Jeju Island, this Korean band contains multitudes.

JAMBINAI plays traditional Korean instruments, but adds rock guitars and bass.

At its heart, JAMBINAI’s music mixes elements of metal, noise and Korean tradition. There’s full-on distorted guitar, bass and drums, but also a haegeum (a fiddle-like instrument), a piri (a type of flute), a taepyeongso (a reed instrument) and a most appropriately named instrument, a geomungo (a giant Korean zither). We also hear some delicate vocals in the mix.

The two pieces performed here include 2015’s “Time of Extinction” and the more recent and epic “ONDA.”

“Time Of Extinction” is the song they played at the Olympic and while it’s only three minutes long it feels epic and really encompasses their sound.  It opens with a plucked geomungo creating the simple riff.  After 20 second Ilwoo Lee plays a feedbacking guitar note and then Jaehyuk Choi comes crashing in on the drums.  At the same time, the visuals blow your mind.

The basis of the song is Eunyong Sim’ geomungo rhythm and Bomi Kim’s keening haegeum solo.  The guitars add a terrific tension to the basic melody.  In the middle of the song when it’s just drum and Byeongkoo Yu’s bass playing, the thumping is broken by the fully distorted guitar You don’t expect Ilwoo Lee to bust out a taepyeongso and play a traditional and rather discordant horn solo on top.  Just when it seems the song is about to launch to a new direction it’s over.  Just like that.

There is something so unearthly about the geomungo–it’s percussive and stringed and you can feel it rumble and thump ta the same time

“ONDA” is 8 minutes long and opens with Ilwoo Lee playing a saenghwang an amazing looking wind instrument that I cant quite fathom.  He plays a terrific sounding melody with it –almost patronal. Except for the low electronic chords underneath it

Then comes the rumble–the thundering drums and bass and a fast repetition from the geomungo.

Then Bomi Kim sings a gentle, calming echoing vocal line that sound magical under the rumble. After a verse of so Ilwoo Lee joins in on harmony vocals and they sound terrific together.

The song builds in intensity, as lwoo Lee adds the guitar, then it pulls back as Lee plays a piri solo that becomes a call and response with the haegeum.

There’s a wild jamming solo section that grows super intense.  The way it builds to a climax and is followed by huge crashing chords (and great visuals) is monumental.  Everyone joins in singing for the last minute as the melody soars and soars.

Maybe 12 minutes is all we can handle.

[READ: July 1, 2021] The Whispering Wars

This book is related to The Extremely Inconvenient Adventures of Bronte Mettlestone in that it is set in the same land (The Land of Kingdoms and Empires).  But it is set some thirty years before the adventures of that book.  Through some magic (this is a magical land), we do see Bronte briefly. but if she ever starts to give way anything about the future, she is instantly sent back to where she came from.

In the first book we are aware of the Whispering Wars as being a big event in the past.  This book explains how they started.

This book is told by two (sometimes three) alternating narrators.  There is Finlay, who lives at the orphanage and Honey Bee who lives at the fancy Brathelthwaite school.

How they wind up alternating chapters isn’t explained until much later, which I rather enjoyed (both the delay and the explanation).

As the book opens, Finlay explains that it is time for the annual Spindrift (the town where they live) tournament.  The kids at the orphanage looks forward to this event because they can show up the rich kids.  Finlay is a super fast runner, as is his friend Glim.  The twins Eli and Taya aren’t super fast but they are very strong and good with their hands (and can multitask like nobody’s business).  There’s also Jaskafar, a tiny boy who sleeps on top of the wardrobe–his storyline is very funny until he is the first Orphan to be taken. (more…)

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SOUNDTRACK: CARRTOONS, KAELIN ELLIS, KIEFER AND THE KOUNT-Tiny Desk (Home) Concert #229 (June 28, 2021).

This is one of the more unusual Tiny Desk Concerts that I’ve seen.  Essentially the NPR team asked these musicians to make remixes of NPR theme music.  I haven’t heard of any of the musicians before, but I gather they are well known and regarded.

Over the past year and some change, beatmakers Carrtoons, Kaelin Ellis, Kiefer, and The Kount took to social media individually and often collaboratively to cook up productions, often resulting in viral moments and never-seen-before glimpses into their creative process.  As we continue to celebrate 50 years of NPR, Tiny Desk was determined to take part. To honor the iconic themes from our news programs, we asked these four producers to come up with their own spin on the All Things Considered theme (written by Don Voegeli) the Morning Edition theme and the theme for Weekend Edition (both written by B.J. Leiderman).

The blurb describes them as beatmakers. I don’t know what that means exactly (in my mind it has nothing to do with instruments), but for this set, each guy plays an instrument or two.  Clockwise from the bottom left Kaelin Ellis: drums, The Kount: percussion, Kiefer: piano, keyboards and Carrtoons: bass.

Most of the themes are under 30 seconds, so it’s interesting to hear them stretched out.  It’s also interesting that they didn’t simply play the theme and them jam it.  each one uses a part of the theme, but the songs go in very different directions.  The addition of bass and drums certainly changes the sound, as does their new jazzier feel.

“All Things Considered (Remix by Carrtoons)” Kiefer plays a variant of the original (quite similar) and then plays a kind of staccato piano like the news urgency music.  I like the way those original eight notes keep returning.   This new song is all of 1 minute long.

“Morning Edition (Remix by Kaelin Ellis)”  This one sounds really different with an intro (lots of bass and drums).  It’s not until the middle that the jazzy chords reveal themselves as the Morning Edition melody.  I feel like you can’t hear all that much percussion on these tracks although the bongos are audible here.  and I like the little cymbals near the end.  This song is about two minutes,

“Weekend Edition (Remix by Kiefer)” I like that this one opens with that iconic ascending melody, but dissipates smoothly.  It’s also interesting that the middle melody is still there, only stretched out. Kaelin’s drums are pretty great on this track and Carrtoons’ bass is pivotal throughout.

[READ: June 1, 2021] The Extremely Inconvenient Adventures of Bronte Mettlestone

S. read book three in this series, not realizing it was book 3.  She then read the books in reverse order, ending with this one.

Well, I decided to read them in the correct order.  And while I haven’t read 2 or 3 yet, book 1 was fantastic.   I loved everything about this book–the plot, the illustrations and especially the writing style

Jaclyn Moriarty has created a hilarious and thoughtful young narrator and the ways in which she has to deal with adults makes for some very funny scenes indeed.

The premise is that Bronte Mettlestone is ten years old and has just found out that her parents were killed by pirates. She’s not really that upset though because she never knew them.  They abandoned her at the doorstep of an aunt when she was just a baby.  They were adventurers and couldn’t be tied down by a child.

The humor comes right away, with the announcement that Bronte’s parents were killed.  They receive a telegram which says that they were “taken out by cannon fire.” Aunt Isabelle is furious about that phrase.  Could they not have chosen a less flippant turn of phrase?

So Bronte was raised by her aunt Isabelle with help from The Butler.  They see that her parents will says that Bronte must take a series of trips, by herself to visit all of her other aunts and give them each a present (the present is included with the will).  The details of the trip are spelled out in very specific detail–how long she is to stay with each Aunt and how to get from one to the next.  To make things worse, the will has been sealed wit faery stitching, which means if she doesn’t do what the will says, there will be terrible consequences.  Essentially Bronte must follow these rules exactly or OR PEOPLE COULD DIE!

So obviously this is world where magic exists, although Bronte herself has had little exposure to magic.  She says the only thing she knows about magic comes from the book The History of the Kingdoms and Empires.

There are two types of magic that are worked by thread.  There was bright thread which was used by True Mages like Faeries and elves and water sprites.  Then there was shadow thread used by dark Mages like witches and Sterling Silver Foxes.  The third kind was binding thread which Spellbinders used to stop Shadow Magic from doing its work. Initially the thread was real, but now they can do their magic with imaginary thread.  (more…)

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SOUNDTRACKRHEOSTATICS-3rd Annual Green Sprouts Music Week Night 2 (Ultrasound Showbar, Toronto Ontario September 19 1995).

It has been a while since I’ve listened to a live Rheostatics show.  Darrin at Rheostatics Live has added a number of new shows including this entire week from 1995.

Second night of the third annual Green Sprouts Music Week held at Ultrasound Showbar September 18-23 1995. This show is much tighter than the first night. Of note this is the third show that Martin played his double neck guitar (the second being the night before). First live performance of Feed Yourself, An Offer and My First Rock Concert. I believe this is the first time Stolen Car made a live appearance as a verse in the middle of Dope Fiends and Boozehounds. Also Farm Fresh from Brandon Manitoba opened all the shows this week and guested on an amazing version of Fat which had also only been played live a couple times.

“Digital Beach” is a quiet opening and I’m glad the crowd are pretty respectful  It segues into “Earth with its “Monstrous Hummingbird” crashing end and a pretty guitar trilling at end the song.

“Aliens” has a middle slow down part which is pretty unusual–the music cuts back to a simple groove.

Dave notes that “the one wearing the Green Sprouts jersey is the first to start the mosh pit.  Then he addresses Dale the Rooster.  More about Dale later in the week.  But Dave says they don’t allow chickens in the mosh pit.  Dale the rooster has seen five shows.

A swinging “All the Same Eyes” is followed by “Four Little Songs.”  They coordinate ahead of time but they get the countdown perfect.  After the “can’t go wrong” but Dave prepares us for the next verse with a scary “UNLESS!”  And in what would be a weeklong thing Dave starts picking a different Neil whose kitchen he was in.  Tonight it’s Neal Schon’s kitchen.

At the end of the song Tim says “We got the 1234 right–nothing can be harder than that.”

Dave: This is the second night of our residency.  Of the third Green Sprouts week.  There’s an all ages matinee saturday at 6.  Three years old? We’ve had younger than 3.  We birthed a baby onstage at last GSMW and they named it Green Sprouts Music Week.

MT: [“Sweet Rich Beautiful Mine”] is a song I wrote the chorus to [not true, so I must have misheard].  He messes up the chord, which leads to a “Capo Problems” reprise this time with an avant garde solo by Dave.  He wonders, was the person who invented the capo named Capo?  Don: Victor Capo.  MT corrects: this is a song I stole from Mrs. Torrance.

Mrs. Torrance is here every Tuesday in September.  And Farm Fresh drove all the way from Brandon, Manitoba.  They play dope shit or is it shit dope?

“Fan Letter” gives another shout out to Farm Fresh instead of Michael Jackson.  Dave says “we just re-recorded that song and are selling it on white vinyl.  Two sides of the record have music–quite an idea.  Side 1 is the Springfield Duff mix and side two is the Shelbyville Fudd mix.

Up next is a song about Etobicoke: “Dope Fiends and Boozehounds” gets a big reaction, then Don throws ina drums solo and the song segues into “Stolen Car” (sung by Dave!).

Don tells a story about the first time he tried to smoke a joint.  It was in Etobicoke at a condominium complex on Islington and Dixon called Fortuna 2000  MT: He once saw a girl going in there with Simon Le Bon.  Don: That’s who I was with!

Up next is “Desert Island Poem” or “Drumheller” (name undecided as of yet) a “happy song about cannibalism.”

Dave says tonight’s show is better than last night–suckers who paid last night got a bad show.

It’s the first time they’re playing “An Offer,” in which Tim sings in a major falsetto, they play a rocking “Feed Yourself.”  This is the first time they’re playing it as well and Dave is still tinkering with the words, instead of “sucking his thumb,” he sings “fucking his mom” (!).  The end is chaos.  Tim says we’ve haven’t even done it yet and we’re trying to change it.

Dave: We’ll play a few old ones now–sweatin’ to the oldies tonight.

Dave asks about Martin’s double neck guitar.  Martin: I’m getting used to its weight.  Dave: I’m a little afraid that you’re gonna be buff like Thor.  Tim: It’s only the third show you’ve used it in, and you brought it out and it didn’t get a laugh.  It got a laugh the night before because Tyler was there–everything is funny when Tyler Stewart (from Barenaked Lades) is there.

A solid “Northern Wish” (Martin forgets a line but it’s fine) is followed by a really funky “Soul Glue” in which Dave plays a great scratching sound for “Dragged the bottom of the lake.”

Drum roll ladies and gentlemen for “My First Rock Concert” (the first time Dave played it live).  Some of it is different–the Joe Jackson part is more improv sounding.  Martin: that’s a song we’re just gonna learn on stage.

Dave says he tried to fit in a verse about Tim passing out at a Devo concert.  Tim: in the early 80s when everyone was wearing those big heavy winter overcoats. Tim wore it to Massey Hall.   Devo were marching on treadmills and it freaked him out and he passed out and thought he was going to hell.

A delightful “Introducing Happiness” is followed by “Fat.”  They call Farm Fresh up to rap.  They say that really nice people come to see the Rheostatics because people actually listen to the music.  Tim: I heard 18 Farm Fresh tapes were sold last night is that true?

Farm Fresh do a freestyle over an awesome intro jam (there’s lots and lots of “shit” and “fuck” in it).  Although the refrain of “when I say ‘What do you think of Farm Fresh’ you say ‘they suck'” will appear throughout the week.  “Fat” sounds great with a lengthy jam at the end and some more freestyling that you can’t really hear.

They end the set with a combo of “Legal Age Life at Variety Store” and “Bread Meat Peas and Rice.”

Tim: I know it’s time for us to go because the bartender has put on Conan O’Brien.  Dave: We have commemorative T-shirts for sale, as well as pamphlets and biscuits and bowling shoes–we got all kinds of stuff.

They end the night with a two part–“The Royal Albert” and “Record Body Count” which get a huge reaction.  This is a really solid set and a great sounding recording.

[READ: February 10, 2021] Tsukuyumi

I found this book at work and thought it looked really interesting.

Then I saw that it was all in German.  But when I flipped through it, it didn’t seem like there was all that much dialogue.  So I thought I’d translate it for myself.  This took longer than I anticipated it would and no doubt I missed a lot, but it was still fun.

It turns out that this book was created to go along with a board game of the same name.  This book came with certain pledge levels.  There was an English version that came with a lesser level.  but i’m not sure if it’s the same story.

Felix Mertikat did all of the drawings in the book and there is a different author for each story.  All of the stories seem to be setting up something bigger, like this is the first intro part to a much larger saga.

The general idea: Man lives in fear all the time–fear that his creators could destroy him just as easily as they once created him. (more…)

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SOUNDTRACK: GRACIE AND RACHEL-Tiny Desk (Home) Concert #98 (October 19, 2020).

I only know Gracie and Rachel from a previous Tiny Desk Concert.  I was entranced by that performance and am similarly entranced by this one.

Gracie and Rachel are perfect musical mates. Their styles conjure contrast, with Gracie Coates’ more pop-leaning keyboard melodies alongside Rachel Ruggles’ classical background. They’ve been honing their orchestral pop sound since high school. These days they share space in a NYC apartment and are grateful to be able to “commute from their bedrooms” at a time when so many collaborators can’t be together.

They open with “Strangers.”  Gracie plays the keyboards and sings lead with a wonderfully breathy voice.  Rachel plays the violin and then starts adding in percussion and singing higher (sometime haunting) backing vocals.

They’ve just released their second album, Hello Weakness, You Make Me Strong. The title of the album reflects their positive attitude despite angst.  The duo made much of this music in the past year and a half, in the very room they’re performing this Tiny Desk (home) concert

On “Ideas,” they sing together a classical melody with a tinge of autotune.  Then the song shifts to the delicacy of Gracie’s keys and Rachel’s pizzicato violin.

The lyrics to “Ideas” highlights that attitude by encouraging us to dig inside ourselves and discover our creative spirit” “So take your little ideas / Make them a little bit stronger / Throw out the ones you can’t / You don’t need them any longer.”

When the drums come in they are deep and heavy and there’s a very cool bass slide (triggered by Rachel on the SPD-SX sampling pad).  I love the highs and lows of this song.

“Sidelines” features Rachel playing the drums live (on the sampling pad with mallets) while Gracie sings and plays the keyboard melody.  For the bridge, their voices intertwine in a lovely way, weaving in and out of each others melodies.  Then Rachel picks up the violin and adds some more lovely pizzicato to the song.  When she adds her soaring backing vocals its really quite angelic.

“Underneath” is a song about getting underneath ourselves. Rachel plays squeaky, haunting violin melodies to accompany the keys.  There are several parts to this song and I love the way they sound so different–from the strummed violin in the bridge to the rising vocal line of the chorus.

These songs are definitely poppy but they have an unusual sensibility that must come from Rachel’s classical ideas.  The songs are really wonderful and I’m curious what they sound like when fully fleshed out on record.

[READ: December 1, 2020] “Over the Plum-Pudding”

This year, S. ordered me The Short Story Advent Calendar.  This is my fifth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

You know the drill by now. The 2020 Short Story Advent Calendar is a deluxe box set of individually bound short stories from some of the best writers in North America.

This year’s slipcase is a thing of beauty, too, with electric-yellow lining and spot-glossed lettering. It also comes wrapped in two rubber bands to keep those booklets snug in their beds.

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

It’s December 1. To officially kick off the 2020 Short Story Advent Calendar, here’s a story about truth, fiction, and characters who can’t tell the difference from the late author and humourist John Kendrick Bangs.  [Click the link to the H&O extras for the story].

This story contains some parodies of other writers and uses them as an excuse for why the editor’s own Christmas collection did not get published on time.

It opens with a note from Horace Wilkinson, the editor at Hawkins, Wilkes & Speedway Publishing.  He sets out to explain why the advertised Christmas book “Over the Plum-Pudding or, Tales Told Under the Mistletoe, by Sundry Tattlers” was never published.  He has been getting questions from the authors who were supposed to be paid for their work when the collection was published.  He wants to publicly set the record straight.

Right off the bat, he places the blame entirely on the shoulders of Rudyard Kipling.  This made me chuckle. (more…)

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SOUNDTRACK: TWIN PEAKS-“Spiders (Kidsmoke)” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This was the last song on this compilation and it’s my favorite.

There’s a lot of Wilco songs that I like and “Spiders (Kidsmoke)” is way at the top.  The song is really long and doesn’t change a lot but the changes are fantastic.  One of the great things about the song is Nels Cline’s insane guitar work throughout–noisy and seemingly uncontrolled, but somehow fitting in perfectly with the 1-2-3- bass line.

This version by Twin Peaks is as good, if not slightly better than the original.  I say that because the band sounds a little fuller during the verses which I like (although it does make the change to the noisier section less dramatic).  And Nels Cline;s guitar work is more interesting than the Twin Peaks version–although they do some cool things too.

I think Twin Peaks has a bit more of the heavy alternative sound the I like.  The vocals are great, the guitars are great.  I’ve now listened to both versions back to back and I like them both!

This cover actually made me investigate Twin Peaks more and I was bummed to find out that they had just played a show in our area after I had listened to this song.

Next time!

[READ: February 20, 2020] Princeless: Volume 5

This book opens with Adrienne and Bedelia enjoying a cleansing bath in a lake (I assume).  While they are getting clean, Adrienne mourns the state of her hair.  How often she has tried to straighten and control the knotty curls on her head.  And after some serious thought, she has Bedelia shave it all off.  I love that when she pops out of the water newly shorn, she looks gorgeous–well done Emily Martin.  On a less great note, there’s a scene in the water where Bedelia, who is a strong and rugged half-dwarf lets not forget, is drawn with a waist that would be about 10 inches across in real life–bad form Emily Martin.

In book two, Devin and Kira are trotting along (with the tough Kira getting nauseous on the back of a horse).  When suddenly Kira smells… an elf.  And it is her duty to kill it.  Kira dives on the elf’s travelling companion, who is Prince Wilcome.  The elf, named Tempest, quickly disarms Devin and takes his sword.  They are at an impasse.

Next we jump to the dwarf kingdom.  There are two male guards out front discussing music and almost come to blows during their argument, calling each other girlie and arguing which one is the real man.  But when another dwarf comes along shouting Dragon, we find out that the dwarf dragon slayers are all women.  They prep themselves and get ready to make dragon stew.  After a kiss between Benna and Gretta they fling the dwarfs through the air from a catapult. (more…)

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SOUNDTRACK: THE HANDSOME FAMILY-“Capitol City” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

I’ve know of The Handsome Family for a long time, but I’m not sure if I’ve ever heard them before.  “Capitol City” is also a bit of a mystery.  It appeared on a Wilco bonus disc (for the deluxe edition of The Whole Love).  I assumed it had something to do with The Simpsons, but I guess it doesn’t.

This is a kind of honky-tonk version with banjo and “gadgets” as part of the lineup.   It’s fun with lots of weird sound effects swirling around this otherwise conventional song.

I wish you were here. Better yet, I wish I was there with you.

[READ: February 20, 2020] Princeless: Volume 4

Sir Gahiji the Hunter has learned that Adrienne is actually not dead and is in fact the knight they are all after.  He shares this information with the Black Knight. They instantly fight and the Black Knight knocks out Gahiji (or Cat Hat, since he wears a wolves’ head on his head).

Adrienne and Bedelia are headed for Grimmorium Swamp.  Bedelia tells of some horrible things that live there: flesh eating goblins, swamp creatures, electric fish, squirrels… real live squirrels! (The squirrel revelation is pretty great).

Back at the castle, the King grabs Devin and brings him along to the forest where the encounter the remains of the Queen’s carriage.   The King says he thinks the Black Knight is responsible.  The King then introduces Devin to the wolves (Kira scares the daylights out of him).

Amazingly Devin and Kira soon bond well enough.  The leader of the wolves says that he wishes his daughter were inquisitive like Devin. The King says he’d rather have Kira in battle–he’s seen rabbits with more courage than his son.  In the background we see Kira and Devin climbing all over his mother’s empty chest.  When he comes out he stands tall and says “I’m going on a quest to save my mother!” (more…)

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SOUNDTRACK: PUSS N BOOTS-“Jesus, Etc.” (from WILCOvered, UNCUT Magazine November 2019).

The November 2019 issue of UNCUT magazine had a cover story about Wilco.  It included a 17 track CD of bands covering Wilco (called WILcovered or WILCOvered).  I really enjoyed this collection and knew most of the artists on it already, so I’m going through the songs one at a time.

This was my introduction to Puss N Boots, a group consisting of Catherine Popper, Sasha Dobson and …Norah Jones?  They’ve been getting some buzz lately (of course) and it’s interesting to have my first exposure to them through this cover of one of my favorite Wilco songs.

This has a great slow rocking sound.  It’s got minimal instrumentation (no drums), just electric guitars and bass.  The women harmonize really nicely.

I really like this version, although whoever is singing lead (Catherine or Sasha) has that weird thing that singers seem to be doing now where it almost sounds like a speech impediment on the letter r.  The way she sing skyscrapers so it almost sounds like skyskwrapers.  And cry sounds like cwry.

It’s a thing that I’ve heard a lot lately and I can’t quite wrap my heard around it.  It’s not an accent, but what is it?

Regardless, I do like this version.  The opening electric guitar is great and their voices work very well together.

[READ: February 19, 2020] Princeless: Volume Two

I like the artwork y in this book so much better than the first.  I feel like Emily Martin brings a whole new level of greatness to this series.  The coloring is also much more vibrant.  It’s possible that the printing I had for book 1 wasn’t very good, but this book is fantastic.

The book opens with Adrienne’s father speaking to the bravest knights of the land: Sir Rocks the Mighty; Sir Gahiji the Hunter (who wears a wolf head on his head); Sir Raphael the Handsome (a poet and a vampire); Sir Walsh the Braggart; Sir Zachary the Pure (who serves the gods); and The Black Knight, the king’s fiercest of friends.  They have been summoned to kill the knight who made off with Adrienne’s head and bring the head of her dragon.  Whoever can do so will win his daughter’s hand in marriage.  (Which daughter? someone whispers).

Devon is angry that his dad is doing this so he goes to talk to his mom.  But she has plans–she is leaving and going to visit her parents.  He can’t believe she is running away too.

Back to our heroines.  We see them flying on Sparky, with Bedelia hanging from a rope and swiping food from the cart of a thief who stole the food in the first place.  But Sparky isn’t the most coordinated of fliers and soon enough, Bedelia and Adrienne wind up in a tree.  Again.

They manage to regroup and are sitting near a fire eating their plunder when a dandy prince shows up.  His name is Roderick Lovelorn and he is a poet.  He calls her fair lady and i love that there’s a running joke that she is not fair–fair means pale and she is not pale, she has brown skin (and kinky hair) thank you very much.  He is heading home to his muse.  The lady whom all seek to see but none dare to touch.

As he goes on like this, Adrienne gets annoyed because she realizes that he is talking about…her sister Angelica. (more…)

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