Feeds:
Posts
Comments

Archive for the ‘Adventure’ Category

1985SOUNDTRACK: JOAN SHELLEY-Tiny Desk Concert #473 (September 25, 2015).

joan When I first started listening to this Tiny Desk Concert, I thought Shelley was going to be singing more of a country music style.  But more careful listening revealed an early British Folk songwriting style.  Because I’d heard Richard Thompson talking about Sandy Denny recently, I  thought of her.  So I was pleased to see that the blurb (and Shelley herself) references Sandy Denny as well.

The Concert is Joan on acoustic guitar and Nathan Salsburg (she describes him: “my band, we are Joan Shelley”) on the second guitar.  They play beautifully together.

The songs, like “Easy Now,” are really pretty with a delicate finger-picking style from Shelley and fairly complex finger-picking soloing/accents from Salsburg.  But the best thing is her voice.  Clear and powerful–no warbling or hesitation, just clear beautiful singing.

I didn’t think I knew Joan Shelley, but “Stay on These Shores” sounds incredibly familiar to me.  She says that she is from Louisville Kentucky so it doesn’t make sense to her that she would write songs about the ocean.  She attributes it to the Sandy Denny lineage.  The way she sings the first line of this song is just hauntingly beautiful.  I really love this song a lot.

In “Not Over By Half” it is almost uncanny how much she sounds like a 1960s British folksinger.  Her delivery and phrasings are just amazing.  This is another beautiful song, all three of which came from her album Over and Even.

Shelley is an amazing force in folk music.

[READ: August 31, 2016] The Complete Peanuts 1985-1986

Schulz had been writing Peanuts for about 35 years when these strips came out.  Wow. It’s interesting to see how many themes have stuck around and how many have gone away or come back and been updated. I also love seeing the few pop culture references that he deigns to throw into his strips–things that he assumed would be eternal, I guess, or maybe things so ubiquitous he had to mention them?

Snoopy’s brother Spike is on the cover of this book.  I am somewhat surprised at how much attention he gets (especially since I don’t remember him at all).  The problem is that almost all of his jokes are about cactus.  I feel like Schulz was going for a loneliness angle, but it all seems to involved cactus “arms” or thorns.

The year starts off great for Patty because she won an essay contest on what she did during her Christmas vacation (she got a D- on the paper in school, however).  She even gets to read it out loud (where things don’t go so well).  Of course, she continues to get D miuses and in July 1986 she even get a tutor. He is quite snarky with her and she calls him Joe Sarcasm.  (There have been dozens of Joe ____ characters, although almost all of them have been aliases of Snoopy, this is one of the few for someone else).  Then she calls him Captain Tutor.  He shouts that his name is Maynard.  So Patty calls up Marcie to say she should meet him–he’s just her type…weird.  It turns out that Maynard is Marcie’s cousin (ha). Eventually Patty just throws him out.

For Valentine’s Day in 1985, Charlie has Snoopy pretend to be the little red-haired girl and Snoopy puts on a curly wig–is that the first insight into the girl’s appearance?  That week people are all hit by lost love.  It seems like an unusual and very specific emotion for Schulz to deal with–something he never really talked about before.  He’s certainly talked about lost loves, but never so directly.

Marcie continues to be one of my favorite characters.  Especially the way she picks on Patty.  Patty is still falling asleep in school all the time.  In Feb 1985, Marcie puts a binder on the back of her head, walks her up in front of the class and then shows off a “full-scale model of the human head” to the class.  Genius.  Patty doesn’t even wake up.

Linus decides that building a rock wall is good therapy.  It is suggested that he can do this instead of needing his blanket.  But let’s not go crazy.  Later, Linus tries to do his own laundry and Lucy catches him trying to stuff his shirt into the laundry detergent bottom

Every once in a while there’s a really wordy strip that I find very funny.  In March of 1985, Charlie is telling Sally a story from his grandpa about WII: “all the enlisted men were issued two pairs of shoes, but a lot of them men wore only one pairs so they could keep the other pair shined and looking nice under their bunks.  Battalion headquarters decided that the men should alternate shoes each day and to make to sure they did, the men had to lace their shoes on a certain way.  One day they had to wear the shoes which had the laces crossed and the next day they to wear the shoes which had the laces going straight across.”  Sally sensibly asks,. “How did they ever win the war?”

Sally is always asking her big brother for homework help, which he tends to refuse.  In March she says if he helps, he’ll get her everlasting gratitude.  When he doubts she knows what that mean she says “’til I ask you again.”

Sally has also been doing a lot of handwriting practice over the last few years.  Mostly it’s different pieces of punctuation (with funny comments about them).  In May 1985 she works on commas and possessives and quotation marks.  After telling Charlie all about it she says “stay tuned for the inside story of what goes on in the glamorous world of punctuation.”

And in some wonderful Sally mistakes that make me laugh: “behind the barn the farmer had a pastor” or “the walls were covered with naughty pine.”  For this one, she looks at Charlie and says “You looked like you were going to say something” and he wisely says, “not for anything in the world.”

In the realm of deliberate puns, Snoopy tells Woodstock to get a  job in a tree “you could be a branch manager.”  Sigh.

Pop culture: in May 1985 it is revealed that Woodstock has a satellite dish.  In August 1985 Patty reveals that she and Marcie are “mallies” :  They go to the mall to hang out.  But Patty is distraught that Marcie actually buys something there.  They even meet “a punker” which is snoopy with a kind of mohawk.  In October 1985, Sally does a presentation on Halley’s Comet saying that the next time it comes by will be in 2062–we’ll all be 80 years old when that happens.  [It passed by us in Feb 1986].  In May of 1986, Lucy starts a “swimsuit issue” campaign for the school paper.  She gets all the boys to wear swimsuits.  And in June 1986 Charlie’s desk comes equipped with an airbag.

In August of 1986, Linus asks Snoopy (the attorney) is he thinks cameras should be allowed in the courtroom.

August 1986 has Sally saying “I’ve decided to embark on a program of serious discipline. I’m going to eat properly, sleep properly and exercise properly.”  Charlie asks, “Then what?”  She replies, “You’re right, forget it.”

April 1985 sees an Easter Beagle strip (not as many of these as you might think).

There’s always baseball, and in April 1985 Charles mentions the new commissioner of baseball Peter Uberrroth (he took over in 1984).

There’s a lot fewer hockey references these days although Rerun is riding on his mother’s bike with a helmet and says people confuse him with Wayne Gretzky.  A few months later in March 1986 he has a Baby on Bike sticker on his helmet (That was a huge fad in 1985).

There’s not that much about football this year, although Sally wants to know why the guy is always holding up John 3:16 and then says she assumed it had something to do with John Madden.

There’s some tennis but not as much.  In March 1986 Molly Volley returns for a brief run with Snoopy.

Schulz must have been displeased about technological advances: Charlie tells Sally “if we watch TV all the time, we won’t have to learn to read.  if we use word processors and calculators we wont have to learn to write or do math.  Pretty soon we wont have to know anything.”  Sally replies “That’s when I’ll fit in.”

On the environmental front, in November Sally does a paper that she ends with “This report was written on recycled paper… no trees were destroyed to make this report.”

Summer camp in June of 1985 is all rain all the time. The only thing worse than all the rain is the prospect of a sing-along.  Ha  In 1986, the kids go to a survival camp which is pretty funny: “there are people out there who want to destroy our way of life.”

In August of 1985 Charlie and Sally are told that they are going to start taking the bus to school.  I love the way the joke plays out that they decide to walk instead, but the computer says they are on the bus, so they get in trouble.

Last book, Patty an Marcie went to a lot of Tiny Tots concert (Patty hates being called that). They always see Peter and the Wolf.  I wish that my kids went to Tiny Tots concerts.  But anyhow, in June 1985, Patty saves her ticket stub in hopes they will have raffle at the end–maybe she’ll win a violin.  Later in August 1986, Patty shows off her musical knowledge by asking why it is called Mostly Mozart, why not “Regularly Rachmaninoff, Principally Prokofiev, Frequently Franck, Largely Lehar, Chiefly Tchaikovsky [my favorite joke],  Mainly Mussorgsky, Essentially Elgar, Supremely Schubert or Generally Gershwin”.

Every once in a while Charlie gets a small victory.  Like when Linus tells him that he knows Charlie would like to cry but that he’s too macho.   Charlie gets excited “I am?!”

There’s few jokes of Woodstock getting attacked by a can of worms.  And even though i like Woodstock as a character a lot, for some reason, it’s always funny seeing him getting beaten up.

The World War I flying Ace continues to appear.  In a new twist he often speaks to Marcie in French.  Although in 1985, instead of the ace, he pretends to be Charles Lindbergh, the “Lone Beagle.”

Lucy continues to be a voice for women’s rights.  When Snoopy is flying over No Mans Land she asks what about No Woman’s Land.  So he changes it to “No Person’s Land.”

In February of 1986 Sally believes that the LL on the elevator button in the library stands for Louis L’Amour “that’s pretty neat having your initials on an elevator button.”

Schulz also taught me something new.  A ganglion cyst is also called a bible bump.  It is a cyst that forms on your wrists and they say you should hit it with a bible.  I’d never heard of this, but apparently it is a thing and quite common.  Of course Schulz uses it as an excuse to make a joke about the different translations of the Bible.

In another funny sequence, Snoopy and his scouts get a cannon.  And they fire it!  But it destroys not only his dog house but also Lucy’s doctor booth and even Schroeder’s piano (over the course of several strips).

In May of 1986 they elect a May Queen.  In Charlie’s school, Lucy is elected (which makes Patty say that the school has low standards).  In Patty’s school… Patty is elected!

Sally gets a great joke in.  A speed limit sign says 25 When Children are Present.  She says, “I never realized we had so much influence.”

And the best one liner of all: Sally has to go to the dentist “I have to go have my teeth criticized.”

Two new characters arrive in 1986.  One is a girl who is unnamed.  The joke with her is that Linus is two months older than her but she keeps referring to him as if he is an old man.

And in September 1986 we meet Tapioca Pudding.  Her dad is in licensing and she always talks about how her face is going to be everywhere.  Every time she talks to someone she introduces herself by her full name and everyone says “I know.”  Linus asks her out on a date (which makes Sally really jealous), but all she can talk about it herself and her licensing.  She asks Linus if she is boring him “No I always like to rest my face in a marshmallow sundae.”  Finally Snoopy the agent gets her a gig appearing at the Opening Ceremonies in the Olympic Game in L.A. (which were two years earlier).

In October 1986, Sally develops a new philosophy “Who Cares.”  From now on nothing bothers me.

When Patty wants to organize a football team, Marcie says the costumes aren’t feminine enough.  Then she wraps the football in a bow.  Patty gets mad and says she won’t kick a ball that’s wrapped in a bow, but Marcie says “The Icebox would”  Patty: “Refrigerator” Marcie: “Whatever.”

Lucy didn’t pull the ball away in 1985 (there was no mention of it).  But she does in 1986 with the excuse that it is a special moment to look forward to every year.  Then she pulls it away and sighs “it’s over before you know it.”  There’ also a Great Pumpkin joke in 1986.  Patty says she believes him about the Great Pumpkin.  And then jokes that “On Secretary’s Day the Great Secretary rises from her desk and rides through the city in a taxicab with notepads for all the secretaries everywhere.  And on Grandparents Day the Great Grandmother rises out of her condominium with cookies for all the grandchildren in the world.”

As 1986 draws to a close, Charlie gets up the nerve to wink at the red-haired girl. There is no reaction because she wasn’t in school that day.

And the musical jokes continue in December 19896 with Patty saying the enjoyed the concert because Marcie spent the whole time “Flauting with the flirtist.”

Patton Oswalt wrote the introduction.

He mentions how he bought the third Calvin and Hobbes treasury in 1988 and Schulz wrote the introduction to that.  Schulz’ introduction was full of praise for Watterson’s technical skill and all the wonderful details he put s into his strips.

Oswalt talks about how over the 35 years the strip went from kids writing with desktop inkwells and now he’s talking about answering machines.   Oswalt is dismayed that Schulz had to include an attorney as an imaginary Snoopy character–a sad reflection on our world

Read Full Post »

olymmp SOUNDTRACK: WATKINS FAMILY HOUR-Tiny Desk Concert #471 (September 18, 2015).

wfhThe Watkins Family Hour began a dozen or so years ago as a way for a group of friends to get together and play old and new tunes. For Sean and Sara Watkins, it served as a monthly bit of magic: a musical variety show filled with extraordinary talent in the world of folk, bluegrass and beyond at L.A.’s famous Largo.

Sara and Sean Watkins took this fun on the road, with pianist Benmont Tench, drummer Don Heffington and bassist Sebastian Steinberg, and they made a stop at the Tiny Desk. They even brought along Fiona Apple to sing on “In the Pines” the old blues song.

The first song “Steal Your Heart Away” is sung by Sara (with violin melodies between verses) and Sean (on guitar).  It’s a bouncy folk song with a lovely piano added (which seems to move it out of the folk style a bit).  It’s a really catchy song with a great melody.

For “In the Pines” Fiona Apple sneaks out from behind the desk to sing.  Sean jokes that there’s some howling moments in this song and Fiona (who seems pretty nervous) jokes that she gets to be a dog.  I don’t know that I would have recognized Fiona’s voice as she puts on an accent and whoops (And Sean is a pretty good whoop-er, too).

The final song is “Hop High” another old song written by the hills–burbled up from the ground.   Sara and Sean take lead again on this slow brooding song.  Well, slow and brooding for the first verse, as the rest of the song takes off with Sara singing in her best gravelly voice the verse and Sean Sara and Fiona singing the chorus.

It’s a fun set full of great bluegrass-ish music

[READ: Summer 2015] Olympians 7-8

Last summer I read the first six book in the Olympians series. I’m not sure how many books he has planned for this series, although I see that he has another book planned for 2017.

Since I like what I wrote about the series for my previous post, I’m going to keep that here and then talk about each book.

George O’Connor is a massive geek and Greek scholar.  He has done lots of research for these books, including going to Greece and visiting sites and antiquities as well as comparing all manner of ancient stories to compile the most interesting pieces. He explains that since these stories were orally passed down, they were modified over the years.  He doesn’t change the myths, he merely picks the story lines that are most interesting to him.  And then he adds a lot of humorous modern touches (and dialogue) which keep it from being at all stuffy.

O Connor’s drawing style is also inspired by superhero comics, so his stories are presented in a way that seems much more like a super hero than a classical hero, which is also kind of fun.

Each book ends with an author’s note which is hugely informative and gives plenty of context.  It also has a bibliography, but more importantly, it has a list of notes about certain panels.  Do not skip these notes!  In addition to providing a lot of insight into the myths of the characters themselves, there are a lot of funny comments like “Greeks raced in the nude (point and laugh)” which really bring new depths to the stories. (more…)

Read Full Post »

19893 SOUNDTRACK: TEDDY ABRAMS-Tiny Desk Concert #491 (November 30, 2015).

teddyTeddy Abrams is a young piano player (he was 28 in 2015) and he was recently made conductor of the Louisville Orchestra.  Here’s some fun details from the Tiny Desk blurb:

For his first week on the job in Louisville, Abrams played jazz piano in the streets and took his orchestra players into nightclubs and African-American churches. PBS made a web series on his first season.  Earlier this year, he put two first symphonies on the same program — Brahms’ First and a debut symphony by Sebastian Chang, a composer still in his 20s — just to gauge audience reaction. Abrams filled the hall by giving out free tickets to first-time symphonygoers. He was happy to hear that many of them liked the new piece best, saying they appreciated hearing the composer introduce it onstage.

Abrams plays three pieces.  Two originals and one from Beethoven.  The first, “Big Band,” [from the blurb: swirls with jazz history. Hints of Thelonious Monk fly by, along with tips of the hat to the stride style from the early 20th century] is a fun and fast piece with Abrams playing fun and bouncy rhythms and very fast solo runs.  It’s infectious.

Abrams decided to begin the opening movement of Beethoven: Sonata No. 30 in E, Op. 109, I. Vivace, ma non troppo with a short improvisation, noting that the great composer was known for riffing at the piano for hours on end and was often getting into improvisation battles.  At he end, he says that we shouldn’t have been able to tell where the improv ended and the song properly began (although fans of the song could probably tell).  By the end of his life Beethoven was experimenting and some of his later stuff is pretty out there and modern.  That may be true if you know classical music, but it just sounded pretty to me.

He ends the set with a bluesy number, “The Long Goodbye,” [from the blurb: describing it as a slow ballad halfway between “My Funny Valentine” and “Somewhere Over the Rainbow”].  It is indeed a wonderful conglomeration of jazzy melodies.  A lovely and fun piece that is familiar but new at the same time.

[READ: July 26, 2016] The Complete Peanuts 1983-1984

As 1983 opens, Schroeder finally goes on the attack against Lucy “I have resolved not to be so serious..I’m going to try to laugh more” and then he pulls the piano out from under her and laughs like crazy.

For the past few books there have been a lot of jokes with Schroeder’s musical staves like Snoopy crawling through them.  Most have invoked Woodstock interacting with them.  As Schulz tends to do he will go on tears were he makes similar jokes every day for a week and then drops the joke for a while.  There’s also been some strips with Woodstock singing .  In one of my favorite, he is singing and the rain comes and actually washes the notes away from the stave. Even funnier is in Nov 1984 whee the rain comes and makes the notes droop really low.

For Valentine’s Day this year, Linus did not send Sally a card and she is very upset. Charlie says he should punch Linus in the nose.  But he says instead that Linus should just walk into his fist.  Charlie holds out his fist but Lucy walks into it instead.  That’s pretty funny.

More abuse for Lucy comes from Linus.  he gets a small bit of revenge by using Snoopy as a strange catapult and launching a snowball at her.

In the summer of 1983 while Snoopy is on a hike with the troops, the birds Bill and Harriet run off and get married and they stay in Point Lobos. (more…)

Read Full Post »

1981 SOUNDTRACK: SON LITTLE-Tiny Desk Concert #496 (December 18, 2015).

sonlittleI know of Son Little, although only vaguely.  WXPN has played his song “The River” quite a lot, although I don’t think I’ve heard anything else.

For this Tiny Desk Concert, he’s really stripped down–just his acoustic guitar, a percussionist (Jabari Exum playing a djembe with accoutrements) and a backing vocalist, his sister Megan Livingston.  His playing is even pretty stripped down–his chords are minimal, almost more like accents for most of the songs (although he does play louder from time to time).

As such, this really celebrates his voice which is strong and almost gospel-like.

He plays three songs. “Lay Down,” is a quiet soulful song with perfectly spare accompaniment.  When it ends, everyone seems adorably shy with Little saying, “just mildly awkward enough.”

“Your Love Will Blow Me Away When My Heart Aches” is a bit bigger–Little sings a bit louder and plays louder chords, but it is still quite minimal.

He ends with “The River” which is certainly stripped down from the radio version.  It opens with some claps and he encourages everyone to clap along although “If you’re like clap challenged then maybe… don’t–you know who you are.”  The song has that bluesy rock feel even in this understated form.  And while I like the original better, this is a great version–that quiet clapping and percussion is really nice.

[READ: July 26, 2016] The Complete Peanuts 1981-1982

So far the 1980s see Schulz settling into a few consistent themes in his strips–regular motifs that he mines over and over again.  Although it’s interesting to see how they have morphed over the decades.

Patty is constantly falling asleep in school (and getting D minuses), Snoopy continues to write funny/bad jokes and gets rejection letters about his books (this is usually pretty funny but it’s also surprising as Snoopy is usually the “successful” one); Snoopy also plays a lawyer a lot in these strips.

1981 begins where 1980 left off with Patty loving the story of Hans Brinker.  1981 also has a lengthy section about Valentines Day (a subject that gets more emphasis in some years than others), although this year Sally is the major protagonist (and her Sweet Babboo her object).  1982 also has a Valentine’s Day with Sally–she gets her hand stuck in the Valentine’s Day cards box.

Schulz used to do bible instruction which is why he quotes it so much.  And he occasionally peppers his strips with religious commentary.  There’s a joke about school prayer–Patty has to go up to the board and when her teacher falls ill she shouts “school prayer works, Marcie.”  There’s an amusing joke that Snoopy used to teach Sunday School at the Daisy Hill Puppy Farm.

Although the running jokes are funny, I love when he gets a new idea.  Like the a fun twist on the dog ate my homework joke when Snoopy as the WWI pilot steals Sally’s homework claiming it is the enemy’s secret papers and he eats them.

Sometimes Schulz gives a one-off joke that’s just silly and funny like when Woodstock “poofs” a dandelion and it “poofs” him back. (more…)

Read Full Post »

class3 SOUNDTRACK: OUGHT-Sun Coming Down [CST115] (2015).

oughtsunSun Coming Down changes but also enhances the sound that Ought worked with on their debut. This album is faster overall–with fewer slow and mellow sections.  It is jittery and sometimes hostile but very much alive.

And yet as with the debut you can hear inspirations from The Fall and trippier Sonic Youth throughout the album.  And there’s more than a hint of No Wave sprinkled throughout.

Notice that Tim Beeler is now known as Tim Darcy.  But the band is the same and Matt May’s fuzzed-out keys often sound like a second guitar.  And drummer Tim Keen and bassist Ben Stidworthy keep the pace perfectly.

 

“Men for Miles” has a very Mark E. Smith feel–especially in the chorus–a kind of spoken/shouted style.  But that’s not the only way that Ben “sings.” There are actual sung parts like the “tear to your eye” section.   The music is kind of like Protomarytr–aggressively, slightly angular but mostly fast and propulsive.  I love the guitar riff which is surprising and yet catchy at the same time.  And amid a quieter moment, he asks, “Excuse me, did you say there’s a chance of bringing this whole fucker down?”

“Passionate Turn” is a but less intense, but it has a nicely sung verse and a cool, unusual chanted chorus.  There’s also a nifty guitar riff right after the chorus.  The steady rhythm of the bass really keeps the song moving along.

“The Combo” has aggressive guitars and a lumbering bass and drum line combined with some noisy guitars and more of that Mark E Smith chanting vocal.    The middle section grows almost pummeling with the noisy guitars and jackhammer drums as he chants “it’s a little bit strange” in a voice that sounds like he’s almost mocking punk singers.  It’s a surprise about 2/3 of the way in when the vocals grow almost positive: “Jubilation coming.”  It’s one of two songs on the disc that are just over 3 minutes but which still pack a lot of music in.

“Sun’s Coming Down” opens with a ringing feedbacking guitar and some noisy soloing.  “I am talking out of my ass because my heart is not open.”  About half way through, he starts saying “just like that, it changes” and the music follows suit–it changes to a slower thumping drum with some vocals “oooh oohhoohhoooh.”  The song reaches its end with a guitar that sounds like a police siren before returning to that calming “oooooh.”

I love the way “Beautiful Blue Sky” opens.  The guitar riff sounds very familiar in tone, and when the other guitars and noises come in it has  very Sonic Youth feel, with a pretty guitar riff. And then some spoken words enter over some abrasive scratchy guitar “warplanes, condo” that morph into a series of clichéd phrases: “beautiful weather today, how’s the family, how’s your health been, fancy seeing you here.”  The middle section slows things down with “I am now longer afraid to die because that is all I have left.  Yes.  I am now longer afraid to dance tonight because that is all I have left.”  And the ecstatic way he says “Yes” is surprisingly powerful as it sounds so different–almost ecstatic– from the rest of his delivery

“Celebration” is a much shorter piece with a sort of angrily chanted “Celebration.”  There’s buzzy guitars and a feedback-seeming drone behind the music.  It all leads up to a slow down where he chants, “All right, I’ll take it!” in a rather louche voice.

“On the Line” begins with the vocals sung quietly over a buzzing drone.  Slowly a synth line comes in.  The song sounds like nothing else on the disc until  the drums and guitars come bursting forth and the song blisters along.  And then it settles back to the quieter section with spoken word recitation.   The changes are abrupt and switch between a mellow poetry and garage rock.

“Never Better” opens with an aggressive riff and keening vocals.   It has a quieter chorus but the song never flags in intensity.

Even though it is obviously the same band, their three discs really explore many different facets of their sound.  I’m really looking forward to what the come out with next.

PERSONNEL
Matt May: Keys, Vocals
Ben Stidworthy: Bass
Tim Keen: Drums, Violin
Tim Darcy: Vocals, Guitar

[READ: September 24, 2016] Assassination Classroom 3

I looked up this series online and saw that there are currently 21 volumes in it!  (11 are translated into English so far).  I can’t imagine how he can keep this story going (and at a pretty fast pace until the Earth will be destroyed) for so many more books!

This book begins with the students still on vacation in Kyoto.  Two of the girls have been captured by other students.  It’s a disturbing chapter with the implication that these boys have done things to girls before.  But Koro Sensei’s book about field trips actually covers the event of a kidnapping!  So the rest of the class is on it.  It even suggest where they might find the culprits (how did he know?).  It’s also a really big book and can be used as a weapon.  And our class comes out unharmed.

In the next chapter a new assassin named Red Eye is sent to take out Koro Sensei.  Red Eye is a sniper but he is baffled by Koro Sensei–who is able to stop a bullet with a dumpling.  Koro Sensei proves to be such a good teacher that even the Red Eye can learn something from him.

After a light episode in which the kids try to learn about Koro Sensei (and Irina’s) past girlfriends/boyfriends, a new student is added to the class.  But this student is a computer named Autonomous Intelligence Fixed Artillery.   It is a fast learning computer (with a pretty girl as its avatar).  And it is designed to learn from its mistakes.  It estimates that bu the end of the day it will have a .03% chance of killing Koro Sensei but by the end of the month it will be 90%.  So it begins class by opening fire on Koro Sensei (despite the fact that it breaks the class rules and disrupts class).  And then the kids have to clean up the mess of BBs.  In fact the kids are so annoyed that they tape the machine up so it’s guns can’t come out.  Eventually Koro Sensei teaches it that it needs to respect the fellow students or it will never blend in.  Koro upgrades the machine who actually seems to enjoy learning.  This is pretty fun sequence of chapters.

In the next section, Koro Sensei is affected by humidity–his head swells to a crazy size.  But that proves to be a diversion compared to the real plot that follows–revenge on a cheating girlfriend and her jerky boyfriend.  It’s very funny and quite elaborate.

The final chapter of the book is all about Irina.  She is trying to teach them to speak without an accent but the kids can’t seem to get their Ls and Rs correct.  She says that if they can’t get them straight, she will have to French kiss them (totes inappropes–although the previous chapter revealed that she was 20, which is much better than the mid 30s I assumed she was).  But we soon see that Irina’s “handler,” the guy who sent gave her the assignment, determines that she is no longer the right assassin for the job.  She is pissed but her services are no longer useful.

The book end with Koro Sensei proposing a test between Irina and her handler to see which one is the better assassin!

This manga is written in the traditional style of right to left, which is fun.  It is translated by Tetsuichiro Miyaki with an English adaptation (whatever that means) by Bryant Turnage.

Read Full Post »

assclass2 ought-once-moreSOUNDTRACK: OUGHT-Once More With Feeling… [CST108] (2014).

This EP came hot on the heels of their debut record.  It reworks a couple of older songs and has a largely improvised jam as well. It sounds pretty different from the previous record.

From the Constellation website: Discussion of a tour-only release that would grab a couple of the band’s self-recorded early tunes and commit them to vinyl shifted by the end of spring towards a realization that Ought might update this material to reflect how the songs have evolved on stage and in concert. … This yielded new recordings of two early pieces, “Pill” and “New Calm Pt. 2” (the self-recorded 2012 versions of which remain available on Ought’s Bandcamp) along with the brand new, more experimental and largely instrumental “New Calm Pt. 3.”. The non-album track “Waiting” from the More Than Any Other Day sessions (and the first tune to be given out via Constellation when we announced the Ought signing) rounds out this 24-minute EP….  In light of this new/freshly recorded material, it seemed unfair to restrict the Once More With Feeling… EP to tour-only status.

“Pill” sounds unlike anything else they’ve done.  It is mellow with Beeler Darcy’s (note the name change) singing as opposed to chanting/speaking voice.  I like that it is a fairly conventional sounding song and the way it builds slowly.  There’s a great bass line that enters after a bout 2 minutes.  The song feels meandering but it never wanders much from its mellow path (with some louder chords in between verses).  By around 4 minutes the song begins to build with a noisy solo and smashing drums that bring out the punkiness of the band. (That solo!).  But they never lose the basic momentum of the song—and the bass keeps things constant with that riff at the end of each segment.  This song also appears on their New Calm EP from 2012 which you can hear here).

“New Calm Pt 2” is a super catchy rocking song.   It starts with him saying “Oh I love this one.”  This is basically a song that encourages the audience to participate.  He tells us, “Hear  me now I am dead inside.  That’s the refrain.”  It’s a fun catchy bouncy riff repeated through pretty much the whole song.  The lyrics are pretty strange and seem arbitrary but are a lot of fun.  “Who invited Paul Simon?  I didn’t invite him.”  “I think everybody’s here now.  Everybody put your arms in the air.  That’s the generally accepted sign for not having a care.”  The song “ends” for about two minutes of him encouraging everyone to sing along to the “Da da da dah da da” section.  “It’s the part where we all sing together.”  “I have the microphone but you can sing it as well….”  And about ten times he says, “last time” then sings it again.

Interestingly, the original version of this song (on their bandcamp site) is much slower but has all of the same words

“New Calm Pt 3,” is the exact opposite of Pt2.  The lyrics are spoken slowly (“That is some good clear water an ocean of air rushes over your head”) while he guitar is a wall of noise and chaos.  The drums are loud in the mix with a lot of crashing cymbals and high hats.  The last three minutes are just some noisy guitar sounds.  And the notes say: “New Calm Pt. 3” ‘was recorded during this EP session, taken from an 20 or so minute long (maybe longer, can’t remember lol) improvised piece.’  And it seems like it.

“Waiting” is a faster, more propulsive song—with a cool bass line and alt 90s guitars.  The song grows in intensity with a wild screeching solo.  This EP is not as compelling overall as the album, but it has some fantastic moments, especially “Part 2.”

PERSONNEL
Matt May: Keys
Ben Stidworthy: Bass
Tim Keen: Drums
Tim Beeler Darcy: Vocals, Guitar

[READ: September 22, 2016] Assassination Classroom 2

Book 2 opens with a handy “the story thus far” which nicely sums up some important details from Book 1:

A mysterious creature showed up in our junior high classroom claiming that he had attacked the moon and promising to destroy the earth next March.  And then…he took over as our teacher.  The leaders of the world had no choice but to rely on the students of Class 3-E to do the job.  For a reward of ten million dollars.  Will the students of the so called End class, filled with loser sand rejects be able to kill their target by graduation?

Tabby was interested in this series–the cover of the big smiling Koro Sensei is pretty appealing.  But it is rated for teens and is all about killing your teacher.  I didn’t think I should let her.  Well, book 2 gets a bit more intense. In part, this is because there is a new professional assassin hired.  Irina Jelavich is a sexy lady with intense cleavage (which the junior high boys are well aware of).  She has killed many many people.  And Koro Sensei–despite not being human–seems to be not immune to her charms.  Shiota notes that his 5th weakness is boobs.

Despite her aggressive flirting (or maybe because of it) the kids don’t much like her.  Also because they want to win the $10 million themselves–not for her.  And she’s not very nice.  She tells them not to call her Miss Irina–she’s not a teacher after all (even though she is pretending to be one to blend).  So they call her Ms Hella-bitch (wonder how that worked in Japanese?) which gets her super angry.  But Ms Jelavich has it all figured out.  She plans to lure Koro Sensei to the shed where pleasure and pain awaits him. Of course he’s not so easily fooled. And she is made to appear ridiculous (I won’t speculate on what actually happened to her).

But her failure emboldens the students who are no longer impressed by her.  And soon she is made to actually agree to be a languages teacher–being an assassin she has learned how to say key phrases in multiple languages.

A new wrinkle appears in the book, though.  Koro Sensei has been working very hard helping each student succeed in his or her own way–he has even cloned himself (the students are concerned since he seems exhausted).  And when the school gathers for an assembly–rather than 3-E being put in its place and mocked, the students seem to be feeling pretty good about themselves.

And that’s when the principal steps in.  He lets Koro Sensei know in no uncertain terms that 3-E must fail their tests–that’s how the other students succeed–through fear of being like 3-E.  Koro Sensei has other ideas though.  He tells the class that if the 3-E students don’t score to a certain percentage he will flatten the school.  But he doesn’t know how serious the principal is about the status quo.  As Koro is preparing his students, the principal is trying to modify things.  This is upsetting Koro (and don’t forget that the students are still trying to kill him as well).

The last two chapters of the book see the students of a field trip to Kyoto.  And things change mightily when the students are away from school. For one thing, they aren’t under the protection of the school–against strangers or, worse yet, aggressive fellow students who want them in their place.

And as the book ends a new character is introduced, a psychic, Saiki, and he is here for a sweet bun–the very one that Koro Sensei wants to buy as well. The book end with the two of them having a very strange bonding moment.  I don’t know how this story can be stretched out into a number of volumes but clearly he has a lot of twists and turns planned ahead for us.

This book is rated T for teen.  Despite the cute grinning covers, it’s not for kids..

This manga is written in the traditional style of right to left, which is fun.  It is translated by Tetsuichiro Miyaki with an English adaptation (whatever that means) by Bryant Turnage.

Read Full Post »

assclassSOUNDTRACK: OUGHT-More Than Any Other Day [CST103] (2014).

oughtmoreOught might just be the most straightforward band every released by Constellation Records. They are a rock/punk band with some spoken word singing that sound at times like Mark E. Smith.  However, the music is a bit catchier than The Fall’s with fast moments and really slow almost ambient stretches.

“Pleasant Heart” opens with a raw echoing guitar riff and chords that sound like nothing else on the album.   The song lurches through some great sounds and Beeler’s unusual chanting style of singing.  There’s also a cool bass line rumbling throughout the song built with lots of drum fills and chaos.

About half way through this six-minute song the bass and drums drop out leaving just a squeaky violin and harmonic guitar (this squeaky violin is possibly the only thing that makes this record sound like a Constellation release).  The bass comes back in slowly.  But it’s not until almost two minutes of this instrumental that the song resumes with a crunch and the lurching melody and verses continue until the end.

“Today More Than Any Other Day” was the first Ought song that really grabbed me.  It starts out slowly with some spare drums and meandering bass.  It doesn’t really feel like its going to resolve into anything.  By a minute and a half it’s finally starting to sound like something–a slow meandering song perhaps.  Around 2 minutes Beeler starts whispering “we’re sinking deeper, and sinking deeper.”  And then the song starts building and turning into something else .  We’re now half way through this 5 minutes song when the guitar starts chiming and he states “The name of this song is ‘Today more than any other day Parts 4-43.  So open up your textbooks … or any kind of reading material.”  And as the guitar plays the verses he recites various things that have happened today more than any other day (making a “decision between 2% and whole milk.”  A cool bass line starts playing as else drops away and he starts chanting a rather laconic “dah dah dah dah dah” following the bass.  It reminds me, strangely enough of the Dead Milkmen as its kind of not exactly out of tune but almost as if  not really caring.  But when the song resumes, it’s all right on again.  It’s a weird and wonderful, strangely catchy song.

“Habit” opens with a nice slow bass riff and chiming guitars.  It brings the intensity of the previous song down some.  And the vocals sound a little different, especially in the chorus, where the whole song take on a kind of Talking Heads vibe (the falsetto singing in particular).  It slows down toward the end with some scraping violins. The song is quite pretty in an alt-sorta way.

I love “The Weather Song” from the opening harmonics and intriguing bass line to the way the song suddenly ramps up for the chorus.  In addition to the catchy spoken opening there’s a great chorus of “I …. just wanna revel in your lies.”

“Forgiveness” is a relatively short 4 and a half minutes and opens with almost an organ sound.  A scraping violin sound joins the drones. After 2 minutes he sings in a very slow drawl “forgiveness is a drug that you take with a shrug.”  It has echoes of the Velvet Underground’s “Heroin” although it never changes tempo or intensity.

“Around Again” has a very 1980s guitar riff and whispered vocals until the whole band kicks in and it grows in intensity.  And then the whispered “go slow” returns the song to the beginning.  After 3 minutes, the song builds and then drops out with a spoken: “It’s coming. Why is it you can’t stand under the sun but you can stick your head into a bucket of water and breathe in deep” and then a whole new sound of dissonant guitar and thudded bass and drums “we have reached the intermission.”  But it’s not an intermission it goes through to the end of the song like this.

“Clarity!” opens with what sound to me like “Love Will Tear Us Apart” but with guitar chunks played over the top.  Slow harmonics and whispered vocals move the song forward.  After 2 minutes it rocks out, with a returning ringing high note and interesting sound effects.  And by the end the song comes to a plunging conclusion

“Gemini” opens with some low rumbling notes and then a sprinkling of keyboards.  There’s some scratchy guitars and a rumbling bass.  After 2 and a half minutes, the song’s punky parts take over with jagged guitars and screamed vocals.  The end of the song is mostly just two-note thumping while he screams “you wanted … wanted … wanted … wanted.”

I really like this album a lot.

I noticed that the lead singer changes his name on each release.  So, to help keep it straight:

PERSONNEL
Matt May: Keys
Ben Stidworthy: Bass
Tim Keen: Drums, Violin
Tim Beeler: Vocals, Guitar

[READ: September 20, 2016] Assassination Classroom 1

Assassination Classroom has a very strange and unsettling premise–the students of this classroom are being taught to assassinate their teacher.  Given the current climate of guns in the US, that’s probably not a comfortable position to take.  However, Matsui alters the premise to make it more palatable, and frankly more fun. The students’ teacher is actually an alien (or maybe not, but it is certainly not human).  He (I guess) is a multi-tentacled creature who can move at Mach 20, is exceptionally perceptive and can’t be harmed by most conventional weapons.  But wait, there’s more.  The students are sent to assassinate this particular creature because he blew a huge chunk out of the moon (it’s now a permanent crescent) and is planning to do the same to the earth in a year’s time.  But wait, there’s more.  One of his conditions for not blowing up the Earth sooner is that he be allowed to teach this particular classroom.  Although no one is sure why yet.

The class is 3-E, the lowest of the low, the worst students in the very prestigious Kunugigaoka Junior High.  The 3-E class are misfits–they were smart enough to get into the school, but they have done something wrong and they are treated very poorly because of it.  In fact, 3-E is used as a kind of cautionary tale for the other students–act up and you could wind up like them.  (Why they don’t just leave the school is not addressed).

The kids call the creature Koro Sensi (which is a pun on the Japanese “Koro senai” which means “can’t kill”), and it turns out he is actually a pretty great teacher.  He really seems to care about the kids.  So why would they want to kill him?  Well, aside from the destruction of the planet, there is also a ten billion yen reward (the amount seems to change some in the book, but it’s roughly 100 million dollars).  Of course, as the name implies, this guy is really hard to kill.  And when they try to kill him in a way he finds beneath them (they are training to be great assassins after all), his own revenge will be swift.  At the same time, he heartily encourages them to try their best to kill him–and he applauds their most creative efforts. (more…)

Read Full Post »

1979SOUNDTRACK: HAPPYNESS-Tiny Desk Concert #468 (September 4, 2015).

happynessHappyness are a trio from London: Benji Compston (guitar), Jonny Allan (bass) and Ash Cooper Drums).  They play mellow Britpop with rather clever lyrics.

The first song “Montreal Rock Band Somewhere” opens with a steady bass line and smatterings of guitar chords.  And when the guys  sing, Benji sings into a normal mic in a kind of deep whisper and the Jonny sings into a processed mic to make his voice sound kind of tinny (in harmony).  And the lyrics are great.  I like when the second chorus comes in and the processed vocals go up an octave for a really cool harmony effect.  And I mentioned the lyrics.  Here’s an interesting verse:

I’m wearing Win Butler’s hair / There’s a scalpless singer of a Montreal rock band somewhere / And he’s all right

Before the second song starts, they have a bit of fun while Benji tunes his guitar.  Everyone is standing around awkwardly and Benji tells Jonny to tell his whale joke.  Jonny says no and that it’s not his whale joke he took it off the internet and would like to put it back.

For the second song, “It’s On You” the guys switch places (it  was suave, kind of Bob Fosse-ish).  Benji sings into the processed microphone. The song also has some busy basslines but the guitar is more pronounced.  Hearing him sing in that processed tinny voice is really interesting.  More interesting lyrics: “You said I’m an anarchist, communist, feminist phlebotomist.”

Before the final song, they switch places again.  Benji says he’s “not the most flexible boy in this collection of people.”  “Who is?”  “Definitely [the bassist].”  Bob asks, “Who tells the best jokes?”  “Unintentionally [the drummer]  Jonny says to the drummer: “You could do the whale joke… don’t do the whale joke.”

The final song, “Weird Little Birthday Girl” is nearly 8 minutes long.  It opens with a cool bass riff and some lovely overlapping guitars.  There’s a nearly three-minute instrumental opening and when Jonny starts singing it has a distinctly Wilco quality (partly because oft he processing on his voice but also his delicate singing).  There’s a nice shout out to Prefab Sprout in the lyrics:

Its so easy to replace it / some things hurt more much more than cars and girls / an evening in an iron maiden / a morning in your funny little world.

I really enjoyed this set a lot and I’m intrigued that their album (on bandcamp) has some really short songs too.   I wonder if their sound is different on the record.  Guess I’ll have to give it a listen.

[READ: July 12, 2016] The Complete Peanuts 1979-1980

I foolishly thought that this book would play up the idea of moving into a new decade. But as I should have learned from years past, Schulz doesn’t really care about when it is.  His strip is mostly timeless.  There are of course references to time passing, but they are very minor.  So, on New Years when it  turns 1980, the strip heading says 1980, but there’s no other mention of it.

It’s also interesting how some things that he’s talked about in the past cycle again–many many years later.  In January 1979 Peppermint Patty is on a quest for a library card (we saw Sally get one like 5 years ago).  She says that once she gets one she wont leave home without it.  Marcie says Karl Malden will be happy to hear it. This is a reference to a an American Express card commercial that I remember hearing all the time when I was a kid (although I had o idea it was Malden doing it).  She also get a very funny line about junk food: “Life is more than carrot sticks, Marcie…what is a stomach that’s expecting a chocolate bar going to say when it gets a carrot stick?”

The World War I Flying Ace never really went away, but it seems to be making a resurgence in this year, with Snoopy wandering around speaking French and then later German to all the young ladies. (more…)

Read Full Post »

1978SOUNDTRACK: LAND LINES-Tiny Desk Concert #494 (December 11, 2015).

landLand Lines are a trio from Denver.  They have a drummer, a synth player and a cellist/lead singer.  Although their music is pretty spare and simple, I find them really compelling.

On “Wreckage,” Martina Grbac plays the cello with her fingers, strumming chords on the neck of the instruments in a way I’ve not seen anyone play before.   Grbac sings quietly and her voice–echoing and effects-laden–reminds me of someone from the 1990s, although I can’t exactly pinpoint it (maybe a Cocteau Twins vibe?  but not quite). James Han plays really interesting chords and textures on the keyboard.  Sometimes he adds melody lines, and other times, like at the end of this song, growing washes of sounds.  Ross Harada’s percussion is also fun for the complex and different sounds he adds to the songs.

“Anniversary” has a similar vibe withe that cello chord playing.  The opening keys play simple echoing notes which add a nice atmosphere to the acoustic chords and percussion.

For the final song, “Fall or Fall,” Grbac plays a rapidly bowed cello (which has such a different sound than the other songs).  The bass is provided by the synth (a good sounding bass).   I love the way her voice contrasts the keyboard chords.  The chord progressions throughout the song are interesting and I really like the unexpected sounds that close out the song.

I’d never heard of Land Lines, but I liked this show enough to listen to it a bunch of times.  I’ll have to check out their other songs as well.

[READ: July 9, 2016] The Complete Peanuts 1977-1978

I feel like this era is when I would have read Peanuts the most, although I have no recollection of any of these strips.

The covers of the books don’t necessarily depict who will be prominent in the collection, but Peppermint Patty on the front does equal a lot of Patty inside.  While Peppermint Patty continues to do very poorly in school, she does get some witty remarks like “What was the author’s purpose in writing this story?  Maybe he needed the money.”

We see a return of Truffles in January which also introduces Sally calling Linus her Sweet Babboo for the first time.  “I’m not your Sweet Babboo!”  Truffles is very excited to see Linus and vice versa but it kind of ends with unanswered questions because, in one of the first times this surreal gag was introduced, Snoopy flies in as a helicopter–a joke used many more times in the future–to sort of interrupt the whole saga.

Snoopy also pretends to be the Cheshire Cat a few times.

It has been a while since Linus has built anything outstanding (something he used to do a lot as a precocious child).  Well, in Feb 1977 he builds a snowman of Washington crossing the Delaware (to show up Lucy’s George Washington snowman with a little sword). (more…)

Read Full Post »

[LISTENED TO: August 2016] Warren the 13th and the All-Seeing Eye

warren-13I had grabbed this book for C. because it looked kind of interesting.  He said he wanted to read it but hadn’t gotten around to it before we left for vacation. So instead, I grabbed the audio book for us to listen to.

The book itself had a lot of interesting illustrations by Will Staehle which were obviously not present in the audio book.  Often times the audio book version of a book is a bit more fun because of the delivery, but I feel like we really missed out without the pictures.  Indeed, the blurb for the book really talks up the design of it:

The first volume in a delightful new series, this middle grade adventure features an oversized hardcover format, gorgeous two-color illustrations on every page, and a lavish two-column turn-of-the-century design. We guarantee you’ve never seen anything quite like it!

And I still haven’t. (more…)

Read Full Post »

« Newer Posts - Older Posts »