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Archive for October, 2025

Indigo de Souza / Mothé (Union Transfer, Philadelphia, PA, October 23, 2025) [DID NOT ATTEND]

Posted in Indigo De Souza, Mothé, Philadelphia, PA, Union Transfer on October 23, 2025| Leave a Comment »

[DID NOT ATTEND: October 23, 2025] Indigo de Souza / Mothé

I saw Indigo de Souza last year.   She was a lot more mellow than her promo photos suggest (I mean not this one, but previous ones made her seem pretty wild).

But she had a great voice and I enjoyed her (relatively) short set.

I didn’t feel the need to see her again and haven’t heard any of her new stuff (I really enjoyed her early stuff a lot).

Mothé is the musical project from songwriter, musician, and producer Spencer Fort.  The song I listened to had fun sounds and got bigger and more fun as it went along.  There’s rocking elements and catchy parts too.

I’d be happy to see them open for someone one of these days.

 

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The Macks (Milkboy, Philadelphia, PA, October 22, 2025) [ACID MOTHERS TEMPLE]

Posted in Acid Mothers Temple, Acid Mothers Temple & the Melting Paraiso U.F.O., Milkboy, Philadelphia, PA, The Macks on October 22, 2025| Leave a Comment »

[ATTENDED: October 22, 2025] The Macks

I hadn’t heard of The Macks before and I wasn’t really sure what to expect from them.  I mean they were opening for Acid Mothers Temple so I knew they’d be kind of weird, but I wasn’t expecting them to be weird in the way that they are or for them to rock so hard.

After the set, I asked the singer if their set was a bunch of really short songs or a few long songs and he looked at me like I was crazy.  But there were so many stops and starts it was hard for me to tell.  Either way, though, I didn’t care because the songs were so cool.  Ben Windheim on guitar played great riffs and made wild sounds (he spent so much time on the high notes–chords, feedback, noise–it was great.  The drummer Josef Windheim (Ben’s brother) played really fast and added lots of little details that filled out the sound.  Aidan Harrison on bass played really cool lines and fills and was also up on the high notes a lot.

But it was hard to take your eyes of of singer Sam Fulwiler.  He was really intense, almost daring us to watch (or to turn away).  He had a kind of barking delivery that worked perfectly with the staccato verses.

But there were also some really catchy parts.  Like the chorus of Modern Grape: “I don’t need anymore, godamnit.”  But the verses were staccato pumps with staccato lyrics.  And then the middle slowed down with wild spacey synth sounds from Jacob Michael Perris.  That’s what made it so hard to know if these were all the same song or lots of little songs. (more…)

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Mathilda Zeller–“Kushtuka” (published 2023) [Ghost Box IV] (2025)

Posted in Alaska, Hingston & Olsen, Horror, Mathilda Zeller, Patton Oswalt, Supernatural, The Ghost Box on October 22, 2025| 2 Comments »

SOUNDTRACK:

[READ: October 22, 2025] “Kushtuka”

It has been six years since Ghost Box III came out….

After years of demand, the Ghost Box is back! Patton Oswalt’s much-beloved spooky-story anthology returns for a fourth edition, with the same trademark production details—magnetized box lid, anyone?—that Ghost Box fans have come to expect.

As always, working with Patton on Ghost Box IV was a dream, and we can’t wait to show you the nightmares that he’s wrangled and stuffed into the box this time around.

This story is set in Alaska.  The main character is not yet twenty but is old enough to want to get married to her boyfriend (actually, he wants to get married and she doesn’t care).  But her mama would like her to get married to a rich white man from Kansas named Ferryman.  This man is terrible, acting like he owns the place and taking what he wants.  He has some “treasures” in his house that she is certain belonged to her grandfather.

Her mama tells her that she (the daughter) is going to work for Ferryman’s party that night.  She bristles but it’s a done deal and she will make some money out of it. (more…)

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Bob Leman–“Window” (published 1980) [Ghost Box IV] (2025)

Posted in Bob Leman, Hingston & Olsen, Patton Oswalt, The Ghost Box, Time Travel on October 21, 2025| Leave a Comment »

SOUNDTRACK:

[READ: October 21, 2025] “Window”

It has been six years since Ghost Box III came out….

After years of demand, the Ghost Box is back! Patton Oswalt’s much-beloved spooky-story anthology returns for a fourth edition, with the same trademark production details—magnetized box lid, anyone?—that Ghost Box fans have come to expect.

As always, working with Patton on Ghost Box IV was a dream, and we can’t wait to show you the nightmares that he’s wrangled and stuffed into the box this time around.

This story is set in the middle of nowhere.  A government facility that has been shut down since World War II was recently reoccupied for research purposes.  The man in charge was experimenting with supernatural concerns.

And then one day his prefab house was gone and in its place was an invisible box–perfectly straight lines in all directions.  And inside of that box was an old house–like a Victorian postcard.  There was a family in the house and the government men could see in, but it was clear the family could not see out.

It had been a few days since this happened and the man in charge–who just came on the scene–is furious that no one said anything sooner.  But the men on the ground had been busy doing experiments and they knew (correctly) that if they went to Washington with this, they would be removed from site.  The men had discovered two important things.  Anything inserted into the clear wall would disappear.  So a stick pushed half way into the box would come back with that half missing.  And two, every fifteen hours or so, the window let its barrier down and things could go through it.  They had been practicing with ice cubes.  Most cubes simply disappeared, but every once in a while, a few would get through and plop on the lawn.

The next time that the opening happens, one of the men spontaneously jumps through and the family clearly sees him.

That’s when the trouble starts.

The story was a little slow at first but it really ramped up at the end.

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Jeff Tweedy / Sima Cunningham (Union Transfer, Philadelphia, PA, October 20, 2025) [DID NOT ATTEND]

Posted in Finom, Jeff Tweedy, OHMME, Philadelphia, PA, Sima Cunningham, Union Transfer, Wilco on October 20, 2025| Leave a Comment »

[DID NOT ATTEND: October 20, 2025] Jeff Tweedy / Sima Cunningham

I’ve seen Wilco twice and they are an amazing live band.  I would see them as often as I could.  I even bought a ticket for a show on Easter Sunday all the while realizing that I wasn’t going to go to a show on Easter Sunday.

I saw Jeff Tweedy solo in Princeton and he was great solo as well.  I would 100% have gone to this show, which I think was with a band.  But this day is the birthday of someone special, so I didn’t investigate this show any further so as not to feel like I should try to go.

Sima Cunningham is one half of the duo Ohmme who changed their name to Finom (which I like less).  Ohmme opened for Jeff when I saw him and they were great I bought their CD on the spot.  I didn’t know she put out a solo album.  It’s interesting.  It’s mostly her and an acoustic guitar but the songs start to meander and add more and more sounds.  I’m curious how she would have done this stuff live.

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Kathleen Edwards (Musikfest Cafe, Bethlehem, PA, October 19, 2025)

Posted in Bethlehem, PA, Kathleen Edwards, Musikfest on October 19, 2025| Leave a Comment »

[ATTENDED: October 19, 2025] Kathleen Edwards

When I saw Kathleen Edwards in 2021, I traveled to NYC to see her because I thought that this was a one and done kind of thing.  That she had basically retired from music but was going to do this show and I’d finally get to see her.

Who would have guessed that four years later I would have seen her six times.

After seeing her at the XPN Fest it wasn’t really necessary to see her a few weeks later, but heck, seeing her in an intimate setting like the Musikfest Cafe from just a few feet away (when I already had tickets) was hard to pass up.  I had a ticket for my wife as well but she didn’t feel the need to come to the show.

I must have left a little later than I meant to because by the time I parked (and there are NO ADA spots near the venue–the best they can do is spots on the closest side of the closest parking lot which is like two blocks away) I was running seriously late.  In fact, I think I walked in at exactly 8.  Luckily, this is one of those loose setups and there was no opening act, so she came on around 8:15, which gave me enough time to order my (obligatory at this place) food (a flight of pierogis–pretty good).  I was seated at a table not too far from the stage (but I knew better than to get right up against the stage–it’s too close!)

It’s funny that the first few times I saw her, she had a different backing band each time, but for the last three shows it has been the same–they are a well seasoned band by this point and they sound great. (more…)

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Grandaddy: 25th Anniversary of The Sophtware Slump / Pedro the Lion / Greg Freeman (Union Transfer, Philadelphia, PA, October 18, 2025) [DID NOT ATTEND]

Posted in Grandaddy, Greg Freeman, Pedro the Lion, Philadelphia, PA, Union Transfer on October 18, 2025| Leave a Comment »

[DID NOT ATTEND: October 18, 2025] Grandaddy: 25th Anniversary of The Sophtware Slump / Pedro the Lion / Greg Freeman

When The Sophtware Slump came out, I loved the album.  Listened to it all the time and put it in the same boat as the Mercury Rev albums I loved–kind of weird but sweet with high pitched vocals.  When this show was announced I was really excited about it.  And then I cooled on the idea.  I’m not really sur why.  I listened to a few songs off of Sophtware and I wasn’t quite as excited about the show.  I had tickets to see The Beta Band also doing an anniversary show and I guess that felt like enough nostalgia for me.

The show was this album and a few other songs.  I’m not even sure if I know many other songs by them, so I guess I made the right choice.

Pedro the Lion was one of the many bands that came out around the same time who had a name like ___ The ____.  It was hard to keep track of them all.  Pedro the Lion sounds a pit like Pavement.  David Bazan formed the band in 1995 and represented its main creative force, backed by a varying rotation of collaborating musicians.  Bazan went “solo” in the early 2000s, releasing music under his own name.  And then in the late 2010s he decided to release music as Pedro again.  They’re a band I’m on the fence about as I don’t always like his voice, but I’ll bet they are fun live.

Greg Freeman is a quirky musician from Vermont.  He reminds me a bit of MJ Lenderman in that he’s borderline country, but not really and he sings in a slightly unconventional way.  Having said that, they don’t sound anything alike–it’s more about the vibe they give off.  He’s got a nice slacker vibe.

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Margaret Glaspy (Milkboy, Philadelphia, PA, October 15, 2025)

Posted in Brooke Annibale, Daphne Gale, Margaret Glaspy, Milkboy, Philadelphia, PA on October 17, 2025| Leave a Comment »

[ATTENDED: October 15, 2025] Margaret Glaspy

I have seen Margaret Glaspy three times.  She announced an acoustic show last year but I was unable to go.  I don’t know what she played that night, but a show around that time shows that the set was similar but not exactly the same.

Margaret’s tour manager setup the stage very nicely–a cool old fashioned microphone which was closer to her guitar than her mouth but which picked up everything perfectly–a rug, two guitars and a stool with capo and harmonica.  After a few minutes Margaret came up and took the stage.

Getting this out of the way: there was a guy there who immediately showed YEAH MARGARET!  Totally not reading the room which was quiet and respectful.  That would have been bad enough, but he shouted it before just about every song.  Everyone else was clapping politely and sometimes loudly, but this guy–holy cow.  He also whooped occasionally during the songs.  It was really weird and I feel like maybe Margaret was annoyed by it too.  It startled everyone in the room.

She grabbed her guitar and started playing.  Somehow I missed that she released an EP in 2024 called The Sun Doesn’t Think (she was selling shirts for this release and I wasn’t sure what they were talking about).  The first song Would You Be My Man? was from that EP.  It features great lyrics:

There’s a few numbers in my book, that you don’t know about
But you don’t need to know about them
And a few photos that I took, that you don’t know about
But I’ll let you know if you need to know about it
Yeah I had a life, that you don’t know about
And you don’t need to know about it
But would you be my, would you be my
Would you be my man?

I believe that Margaret is happily married, but boy she has amazing kiss off songs. Up next was her first cover of the night.  Earlier this year she released a covers EP and all three songs that she played come from it.  The first one was The Book of Love.  I’m so used to Stephen Merrit’s deep voice that it was weird hearing Margaret’s delicate voice singing it. (more…)

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Guerilla Toss / Godcaster / Special World (Johnny Brenda’s, Philadelphia, PA, October 17, 2025) [DID NOT ATTEND]

Posted in Godcaster, Guerrilla Toss, Johnny Brenda's, Philadelphia, PA, Special World, Speedy Ortiz on October 17, 2025| Leave a Comment »

[DID NOT ATTEND: October 17, 2025] Guerilla Toss / Godcaster / Special World

I’ve been interested in Guerilla Toss for a few years now.  They seem to play a lot in the area, but something always comes up.

They opened for Karina Rykman but I had tickets to a different show that night and later this year they’ll open for Built to Spill but I have surgery scheduled(really bummed about missing that double bill).

I don’t even really know all that much about their music. It’s weird and sounds like if The B52s (without Fred Schneider since the singer of GT is a woman) were more of an underground indie band (so, yes, if The B52s were WEIRDER).  I’ve heard that their live show was a lot of fun–althouhg apparenty it used to be a lot more crazy since they have all matured.  But As one person said it “Guerilla Toss is a chance for experimental, fans-of-the-fringe, noise heads to fuck with mainstream indie-pop, and for mainstream indie-pop heads to fuck with the noise.”

Sounds perfect.  I was all set to go, but we had a family situation and I stayed home.

I feel like I’ve heard people talk about Godcaster, or I just like the name.  Their recording for Audiotree says

Godcaster is an experimental heavy rock band founded by Judson Kolk and Bruce Ebersole who became close friends in Elementary School. The project is known for their ecstatic live shows and serendipitous, incendiary sound.

Listening to the Audiotree set, they are definitely out there.  I’m guessing “experimental” is the new buzzword for hard to describe.  Because they have a very Frank Zappa weirdo vibe.  With lots of complicated melodies and a singer who seems to just sing the weird melodies–there’s even a flute.

Wow, I really want to see them now.

Special World is Andy Molholt, a Philly based experimental musician and guitarist for Speedy Ortiz.   I knew he made cool sounds with Speedy, but this is some pretty trippy bedroom experimentation.  Voices are blurred, sounds echo.  There’s a melody, but it’s bathed in oddity.  Probably a fun war up for the weirdness to follow

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Daphne Gale (Milkboy, Philadelphia, PA, October 15, 2025) [MARGARET GLASPY]

Posted in Brooke Annibale, Daphne Gale, Margaret Glaspy, Milkboy, Philadelphia, PA on October 16, 2025| Leave a Comment »

[ATTENDED: October 15, 2025] Daphne Gale

Daphne Gale is a singer, songwriter, composer from Brooklyn (she joked about almost being from Philly because her mom almost got a job “across the street” (not sure where that meant).  Her web page says she also lives in Berlin.

I had assumed that she was a new performer.  However, her stage confidence and ability to not feel rushed really showed what a professional she is.  And indeed, she’s been making music for a few years.

She had a guitar player with her (whom she named several times and whose name I have forgotten).  For  the first few songs she played electric guitar (a guitar that her friend found i the trash and fixed up for her) and then she switched to acoustic for the last few.

She told a little story about each song, with fun personal details.  The song Benjamin is about a doorman.  One of the songs (Melodrama, I think) referenced a bakery that was near her ex’s flat.  She used to pass by it every day marveling at the people who were there to buy $8 croissants. (more…)

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