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Archive for October, 2025

SOUNDTRACK:

[READ: October 25, 2025] “The Three Infernal Jokes”

It has been six years since Ghost Box III came out….

After years of demand, the Ghost Box is back! Patton Oswalt’s much-beloved spooky-story anthology returns for a fourth edition, with the same trademark production details—magnetized box lid, anyone?—that Ghost Box fans have come to expect.

As always, working with Patton on Ghost Box IV was a dream, and we can’t wait to show you the nightmares that he’s wrangled and stuffed into the box this time around.

This is one of the few stories in this collection that isn’t relatively contemporary.  It also needs a bit of an explanation as to the author.  His name is Lord Dunsany, but his proper name is Edward John Moreton Drax Plunkett, which is outstanding.

This story is told second hand.  The main character of the story told his tale to the narrator who is passing it along to us.  The man said to the narrator that he had a joke that could make the listener die of laughter.  But before he  told t he joke, he wanted to explain how he got it.

He belonged to a club for men. And one evening they were boasting of their specific virtues.  One man said he detested the taste of wine and boasted of his temperance.  So the main character told the room of his virtue–he found every woman equally ugly.

When a fellow in the room said that that virtue was amazing, the man demurred.  But the new fellow was persistent–would he sell this virtue?  The man was puzzled by this but agree noncommittally.  But the fellow immediately dragged him outside and placed a direct call to Hell.

Hell would buy this virtue for three jokes.  Three jokes that will make all who hear them die of laughter.  He took the deal and looked at the jokes–they didn’t seem very funny.

After a time, the man found himself at another gathering.  People were telling jokes and so he pulled out one of the scraps of paper with a joke on it.  He told the joke and didn’t find it funny.  But the crowd slowly began to laugh.  Everyone in the room was tittering, tittering far too much for the quality of the joke.  He was convinced that they were humoring him, or possibly even mocking him.  After a few moments of this, he left, full of embarrassment.

The next morning, in the paper her read that 22 men had died at a club.  He was quickly rounded up and brought before a judge.  Things were looking bad for him.  Then someone asked him to tell the joke.  He looked at the paper–it was now blank–but he told it from memory.  No one laughed.  He was certain he was going to be hanged for murder so he told the room that he had a different joke….

This type of story isn’t really scary, but it does make you wonder what you would do if you were given this “gift.”

 

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SOUNDTRACK:

[READ: October 24, 2025] “Flicker”

It has been six years since Ghost Box III came out….

After years of demand, the Ghost Box is back! Patton Oswalt’s much-beloved spooky-story anthology returns for a fourth edition, with the same trademark production details—magnetized box lid, anyone?—that Ghost Box fans have come to expect.

As always, working with Patton on Ghost Box IV was a dream, and we can’t wait to show you the nightmares that he’s wrangled and stuffed into the box this time around.

This story starts out fairly calmly.  A woman, Kam, goes to see her brother who is an optometrist.  She admits that she made this appointment just to see him since she hasn’t for a while.  She tells him about a problem she’s been having but doesn’t think he’ll be able to do anything about it.  She says that her vision fades out for like half a second.  Things just go dark like a power surge.  He says he’ll look into it and tells her to say hi to he friends Wolf and Ami whom she’s having lumch with.

Lunch with them is always disappointing because they are seasonally vegetarian.  But she’s excited to see them and runs across the park to where they are sitting.

And then the lights went out.  All of them including the sun.  It was as if the power went out in the entire universe.  There was no breeze, no natural noise.  Just the sounds of people freaking out.  Twenty-one seconds later, everything turned back on and everyone could see the airplane sail out of the sky and crash into her brother’s office, totally destroying it and everyone in it.

For three months it was all anyone could talk about (understandably).  But Kam can’t get past it.  Her brother was killed and she wants to find some kind of answer.  She moves in with Wolf and Ami and sits in front of their TV all day.

One day Wolf came running in saying they had to get out of here right now.  It’s like the Purge out there–people are firing guns and setting things on fire.

And soon enough another darkness descends on the world.  Then they hear someone break into their apartment.

There’s a lot of supernatural in this story but the basics of it–people looting and breaking into houses is one of the scarier moments in any of these stories so far.

In the second half of the story, they flee to a cabin in  the woods only to learn that nowhere is safe.

The ending confused me though as I’m not exactly sure what happened.

 

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SOUNDTRACK:

[READ: October 23, 2025] “Eliminate Toxins and Increase Blood Flow”

It has been six years since Ghost Box III came out….

After years of demand, the Ghost Box is back! Patton Oswalt’s much-beloved spooky-story anthology returns for a fourth edition, with the same trademark production details—magnetized box lid, anyone?—that Ghost Box fans have come to expect.

As always, working with Patton on Ghost Box IV was a dream, and we can’t wait to show you the nightmares that he’s wrangled and stuffed into the box this time around.

This story is set in a Thai massage parlor.  The main character is not Thai, but she has worked there long enough that the rest of the Thai employees consider her one of them.

She likes the job–Thai massage uses more than your hands–you walk on the customer and there are bars around the room for them to hold on to as they dig their heels in (all if the customer wants of course).  But every Tuesday, Mr Smeed comes in. He’s a white slug, the kind of guy who asked if they massaged “to completion.”

She hates this man and today, after a lengthy massage she has had enough.

The story is very short and the ending comes very fast.  It’s the kind of ending you have to read twice to make sure you understood what happened.  I also really enjoyed the reactions to what happened.

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SOUNDTRACK:

[READ: October 22, 2025] “Kushtuka”

It has been six years since Ghost Box III came out….

After years of demand, the Ghost Box is back! Patton Oswalt’s much-beloved spooky-story anthology returns for a fourth edition, with the same trademark production details—magnetized box lid, anyone?—that Ghost Box fans have come to expect.

As always, working with Patton on Ghost Box IV was a dream, and we can’t wait to show you the nightmares that he’s wrangled and stuffed into the box this time around.

This story is set in Alaska.  The main character is not yet twenty but is old enough to want to get married to her boyfriend (actually, he wants to get married and she doesn’t care).  But her mama would like her to get married to a rich white man from Kansas named Ferryman.  This man is terrible, acting like he owns the place and taking what he wants.  He has some “treasures” in his house that she is certain belonged to her grandfather.

Her mama tells her that she (the daughter) is going to work for Ferryman’s party that night.  She bristles but it’s a done deal and she will make some money out of it. (more…)

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SOUNDTRACK:

[READ: October 21, 2025] “Window”

It has been six years since Ghost Box III came out….

After years of demand, the Ghost Box is back! Patton Oswalt’s much-beloved spooky-story anthology returns for a fourth edition, with the same trademark production details—magnetized box lid, anyone?—that Ghost Box fans have come to expect.

As always, working with Patton on Ghost Box IV was a dream, and we can’t wait to show you the nightmares that he’s wrangled and stuffed into the box this time around.

This story is set in the middle of nowhere.  A government facility that has been shut down since World War II was recently reoccupied for research purposes.  The man in charge was experimenting with supernatural concerns.

And then one day his prefab house was gone and in its place was an invisible box–perfectly straight lines in all directions.  And inside of that box was an old house–like a Victorian postcard.  There was a family in the house and the government men could see in, but it was clear the family could not see out.

It had been a few days since this happened and the man in charge–who just came on the scene–is furious that no one said anything sooner.  But the men on the ground had been busy doing experiments and they knew (correctly) that if they went to Washington with this, they would be removed from site.  The men had discovered two important things.  Anything inserted into the clear wall would disappear.  So a stick pushed half way into the box would come back with that half missing.  And two, every fifteen hours or so, the window let its barrier down and things could go through it.  They had been practicing with ice cubes.  Most cubes simply disappeared, but every once in a while, a few would get through and plop on the lawn.

The next time that the opening happens, one of the men spontaneously jumps through and the family clearly sees him.

That’s when the trouble starts.

The story was a little slow at first but it really ramped up at the end.

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[ATTENDED: October 15, 2025] Margaret Glaspy

I have seen Margaret Glaspy three times.  She announced an acoustic show last year but I was unable to go.  I don’t know what she played that night, but a show around that time shows that the set was similar but not exactly the same.

Margaret’s tour manager setup the stage very nicely–a cool old fashioned microphone which was closer to her guitar than her mouth but which picked up everything perfectly–a rug, two guitars and a stool with capo and harmonica.  After a few minutes Margaret came up and took the stage.

Getting this out of the way: there was a guy there who immediately showed YEAH MARGARET!  Totally not reading the room which was quiet and respectful.  That would have been bad enough, but he shouted it before just about every song.  Everyone else was clapping politely and sometimes loudly, but this guy–holy cow.  He also whooped occasionally during the songs.  It was really weird and I feel like maybe Margaret was annoyed by it too.  It startled everyone in the room.

She grabbed her guitar and started playing.  Somehow I missed that she released an EP in 2024 called The Sun Doesn’t Think (she was selling shirts for this release and I wasn’t sure what they were talking about).  The first song Would You Be My Man? was from that EP.  It features great lyrics:

There’s a few numbers in my book, that you don’t know about
But you don’t need to know about them
And a few photos that I took, that you don’t know about
But I’ll let you know if you need to know about it
Yeah I had a life, that you don’t know about
And you don’t need to know about it
But would you be my, would you be my
Would you be my man?

I believe that Margaret is happily married, but boy she has amazing kiss off songs. Up next was her first cover of the night.  Earlier this year she released a covers EP and all three songs that she played come from it.  The first one was The Book of Love.  I’m so used to Stephen Merrit’s deep voice that it was weird hearing Margaret’s delicate voice singing it. (more…)

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[ATTENDED: October 15, 2025] Daphne Gale

Daphne Gale is a singer, songwriter, composer from Brooklyn (she joked about almost being from Philly because her mom almost got a job “across the street” (not sure where that meant).  Her web page says she also lives in Berlin.

I had assumed that she was a new performer.  However, her stage confidence and ability to not feel rushed really showed what a professional she is.  And indeed, she’s been making music for a few years.

She had a guitar player with her (whom she named several times and whose name I have forgotten).  For  the first few songs she played electric guitar (a guitar that her friend found i the trash and fixed up for her) and then she switched to acoustic for the last few.

She told a little story about each song, with fun personal details.  The song Benjamin is about a doorman.  One of the songs (Melodrama, I think) referenced a bakery that was near her ex’s flat.  She used to pass by it every day marveling at the people who were there to buy $8 croissants. (more…)

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[ATTENDED: October 15, 2025] Brooke Annibale

I was happy to see Margaret Glaspy again. And I was especially happy that she was playing in Milkboy–a venue that I really like but which has terrible parking.Last time I Was here I got a parking ticket for the end of my car jutting into a motorcycle area.  I drove around a bit tonight and wound up parking in the exact same spot!  But this time I pulled forward enough that only my bumper was in the motorcycle zone… no ticket, phew.

But between driving around and then slowly getting to the venue, I missed about half of Brooke Annibale’s set.  I also had to stand pretty far in the back–I like to get close because of the strange layout of the room–narrow and very deep.  But I was able to focus on Brooke’s gorgeous voice.

I really enjoyed the lyrics of her new song Bolder Font.

I had no idea that that Brooke Annibale had been releasing music since 2005 (!).  She talked about touring for awhile and how much she liked Margaret Glaspy.  Originally, Brooke wasn’t supposed to play at this show, but she was added last minute (which I guess is why she was on first since Daphne Gale is a much newer musician).

Her albums have more orchestration, but her it was simply her and her guitar–lovely folksinger vibes.  I wish I had seen her whole set.

It also turns out that Brooke was part of Guster’s On the Ocean festival this year.

Setlist

Hold On
Things We Don’t Believe Anymore
Patience
My Favorite Part
Bolder Font
Home Again

 

 

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[ATTENDED: October 11, 2025] My Morning Jacket

After such a great night last night, we wound up leaving a little bit later (figuring there was no Friday night traffic) and arrived a few minutes later than last night.  But when I walked up to the merch line there was literally one person in front of me–moments later when I looked again, the line was huge, going up the stairs.  Then we headed down to the pit.  It was a little more crowded than last night.  We were going to try to get in front of Jim, but that’s what everyone else wanted, too.  So we camped out more or less where we were the night before, in front of Carl.  We were two people back from where we were, which isn’t bad at all.

So yes, last night as pretty tiring and we’d had a busy day, but we were psyched for a second night of My Morning Jacket.  And I was super psyched when they opened with Highly Suspicious, a totally ripping song from Evil Urges and one that I’d forgotten about–it was also the first time I’d seen it live.  This was also when I learned that Carl Broemel can do so many great backing voices (including the deep, angry chanting of “highly suspicious”).  They followed it with Off the Record, one of the poppier songs off of Z.

Then Carl Broemel moved over to the pedal steel guitar and they played the short but fun Climbing the Ladder.   It was interesting that last night Carl played the saxophone on a few songs but didn’t play it at all tonight. And last night he didn’t play the pedal steel at all but he played it about three times tonight.

And it was pretty clear that if last night’s show was all about jamming, tonight show was shorter, more rocking songs.  And the guys in the front who were headbanging last night had much more cause to do so tonight.

Speaking of the pit.  Tonight’s crowd was fascinating.  There was a guy who kept walking around the pit area hugging and fist bumping people.  He switched places with people and let other be on the barrier.  In fact, one of the long-haired headbangers let some of the shorter folks switch places with him for a song or two.  It was an incredibly generous and, dare I say it, loving thing to do.  Appropriate for the next song Love Love Love, the only song they played from their previous self-titled album.  The lighting at the shows was fairly simply but effective.  They had five panels mounted behind them.  All of the panels had lights that moved and spun and changed colors. But during Love Love Love, they spelled out Love! which was pretty nice.

Up next was Wordless Chorus, one of the great MMJ songs.  The crowd went nuts and we all sang the wordless chorus over and over as Jim walked around the stage, coming over by us at last. (more…)

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[DID NOT ATTEND: October 12, 2025] Destroyer / Jennifer Castle

I had tickets to see Destroyer here in 2022, but other things got in the way.  After seeing Destroyer open for Father John Misty, I was curious to see how he would tour for this new album (a huge band or a small band?)

Well, we had tickets for My Morning Jacket the two nights before this show and even though I wanted to go to this one, there was just know way I could do it.  So I missed out on Dan and his band again,  But I’m sure he’ll be back again.

Incidentally, here’s a review of his show (well, actually, more of him than of the show) in San Francisco

He’s a notoriously shy performer—Early reviews of Destroyer all recall him coming on stage already drunk, if not drink-in-hand prepared for it.  English major dropout, lover of French New Wave films and 40s era jazz. The Vancouver-based artist stands aloof on stage, staring at seemingly nobody in particular, in what seems like an attempt to pretend the crowd isn’t there. He sips his beer in between songs and crouches down, closing his eyes while his bandmates do the rest. Something tells me that this is his most comfortable and preferred way of performing.

And it answered my question about his live band

Joined by the two guitarists, the bassist and drummer were feverish and impossible to take your eyes off of. The keys player and trumpeter (with his own pedal board, mind you!) took the edges of the stage, with Bejar in the center.

So I know what I missed.  And I’d like to see it again.

Jennifer Castle is a Toronto based singer songwriter.  She released two albums under the name Castlemusic.  She has played with everyone from U.S. Girls to Fucked Up.  Her 2014 album has chamber folk and psychedelic components an her previous album had psychedelic folk elements.

She sounds interesting, although the few songs I’ve listened to are far more folk than psychedelic.  And she’s a little too slow for my tastes.

 

 

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