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Archive for September, 2025

[ATTENDED: September 27, 2025] Paris Paloma-All Things Go [Day 2]

After G Flip, we hung in place for Paris Paloma to come out.  I knew her song Labour and really liked it but I didn’t know anything else about her.

She had a very cool backdrop–white drawings and her name in white on a black background.  I really couldn’t stop looking at it and even drew it a bit (I had brought a sketch book).

The opening from her album (a looped vocal line of “my mind (now)”).  Paris came out in a long flowing white dress.

She and her sang the lead vocals and moments later the song kicked in.

Paris played acoustic guitar and the rest of her band was a guy with a guitar.  And they made a big sound.  I love the way my My Mind turned so big with her voice so powerful.

She played an interesting mix of quiet songs (drywall) and song with bigger (somewhat darker) choruses (as good a reason).  Both guys sang harmony on the choruses and really made the vocals huge.  Her guitarist also played bass and there were definitely keys coming from somewhere–maybe triggered by the drums?

She said she’d hear the festival described as Lesbian Coachella and that was exactly where she wanted to be.

Her newest song Good Boy is great–a total diss of powerful man.  It opens with a woman saying “I knew one day I’d have to watch powerful men burn the world down, I just didn’t expect them to be such losers.” (more…)

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[ATTENDED: September 27, 2025] G Flip-All Things Go [Day 2]

The weather was a but threatening and we didn’t really want to see anyone at the Chrysalis Stage, so we decided to park in the Pavilion.  We missed the end of Hazlett and saw some of Bartees Strange on the video screen.  So G Flip was up next.

I had no idea who G Flip was just a few weeks ago but I saw some kind of headline that she was dating someone.  I had never heard of either of them and the way it was written I didn’t know who or what a G Flip was.  So I looked her up and was really interested to see that she is a multi instrumentalist singer from Australia.

They set up the band’s kit and her drum set had a digital screen on the bass drum head.  This is the first time I’d ever seen this and it was really fun and interesting–all kinds of images and words were projected on it.  Super fun.

She had a few pink platforms that she danced and jumped around on.  She had a ton of energy and was really fun.  She wore a sleeveless shirt and bandana on her head.  Her first song Disco Cowgirl was a big dancey disco song.  There was even a keytar (they are really making a comeback). (more…)

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[ATTENDED: September 26, 2025] Noah Kahan–All Things Go [Day 1]

Noah Kahan was the headliner for Friday night.

I know that I exist in a musical world that is all of my own so I didn’t know Noah at all.  I was aware of his song Stick Season because my daughter played it for me, but it seemed like he was basically a folk singer.  So I guess I don’t understand kids these days.

Anyhow, I was surprised that he would be the headliner, but clearly no one else was.

But I was pretty happy that it wasn’t just him and a mandolin.  He had a full band and they rocked much harder than I thought they would.  Although it was pretty fascinating to hear the crowd react so powerfully to a dude with a mandolin.

But he had a full band and they harmonized really nicely.  He also seemed genuinely funny and nice.  (I’m Noah Kahan and I’m here to ruin your evening). (more…)

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[ATTENDED: September 26, 2025] The Last Dinner Party-All Things Go [Day 1]

I was most excited to see The Last Dinner Party. They had only played Philly once but I had tickets to another show that night.  Ugh.  So this was my first time seeing them.  And they were terrific.

The opening strains of Prelude to Ecstasy played over the speakers as they came out on stage.  The five women up front filled the whole stage–keys (Aurora Nishevci) , guitar (Emily Roberts), vocals (Abigail Morris), guitar (Lizzie Mayland), bass (Georgia Davies) with their drummer back on the riser.

They opened with Burn Alive and it was cool to hear these songs come to life.  The problem for me was that the woman next to me felt compelled to scream every single word.

The empowering anthem Caesar on a TV Screen came next and Aurora played keytar which was fun to see.  She rocked out next to Emily–who plays some phenomenal solos.

Count the Ways played live for the first time 2 nights ago in New York City. Abigail  went over to acknowledge the ASL interpreter and to thank them–she said they didn’t know they had one.

Abigail introduced the next song as being from the first record and you might know it.  And Lizzie said no you won’t this is from the new record.  Abigail laughed “I don’t know my own setlist.”

Second Best opens with gorgeous acapella harmonies from all of them.  It’s a great song, continuing their streak of great songs.  And of course since they were new, the woman next to me couldn’t sing them.

On Your Side has some really gorgeous quiet moments that showcases how great their voices are.

Aurora sang Gjuha next after giving a brief introduction about it (it’s about her relationship with her mother tongue).  Everyone sang backing vocals and Emily played the mandolin–absolutely lovely.  And it segued right into the rocking Sinner.   It was really fun to see Abigail dancing around the stage with abandon. Lizzie sings some lead vocals on this song too, which I didn’t realize.

Then came another new one Agnus Dei.  Which Abigail introduced as “This is a song about a boy–ew!”

After a moment with a QR code to donate to Palestine, Abigail said she was really sorry for what was happening on our country and it was not a time to be scared–letting us really know how the rest of the world sees us right now.

Aurora started playing the piano up on the riser and as Abigail walked up the risers and as they started the next song Aurora gasped and stopped playing–she was attacked by a huge moth. Everyone laughed–“you guys have some massive bugs here.”

They returned to Portrait of a Dead Girl which builds to some great sing alongs–over and over again as well as the really fun “give me the strength.”

I didn’t realize that the band doesn’t have a drummer.  They use session drummers for tour (wonder why).  For this show they had Victoria Smith who was great–she totally rocks. (more…)

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[ATTENDED: September 26, 2025] All Things Go [Day 1]

My daughter and I went to All Things Go in 2023 and had a great time.  We didn’t go last year, but this year we decided to go again–for all three days (last time it was two).

The first day was a Friday and my daughter had a half day of school.  So we left after classes and got to MD in pretty decent time.  The early shows on Friday were great and I would have loved to see Lucius (having just seen them) and Sharon Van Etten (having seen them a few weeks earlier), but it was fine that we arrived too late for them.  But my huge YES was for The Last Dinner Party, a band I could have seen when they played Johnny Brenda’s but my wife and I had gone to a meh show elsewhere that not instead.  So I really wanted to see them!

We arrived, got good ADA parking (phew) and used our fast pass entry (yay).  We could hear The Beaches playing and they sounded great.  My daughter went for food and I grabbed a seat as we watched a video of The Marías playing. I was a little bummed we didn’t see them (although I hadn’t heard of them at all before this) because their set sounded really good.

In a bizarre coincidence, we ran into my niece/her cousin while getting food.  It was great to see her (she lives in DC).  She was really looking forward to seeing Noah Kahan.  Then we parted–thought we might see her at Noah but we didn’t.

Then we headed down to the Chrysalis Stage (which was pretty packed) in time to see The Last Dinner Party.  My daughter and I have different wants at a show.  I like to be really close and she is cool hanging out and letting the music wash over her.

So I snuck down as far as I could and enjoyed TLDP very very much.  I even got a photo of the setlist. (more…)

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[DID NOT ATTEND: September 26, 2025] Lambrini Girls / Edging

As seems to happen a lot, I heard about Lambrini Girls and how their shows were amazing.  And then I saw that they were playing Underground Arts.

Their bio says “Imagine your nan is in the boot of your car with a croissant in her mouth and hears bikini kill for the first time. That could be you. It will never be us as we are not bikini kill and we are not your nan. We are Lambrini Girls. Bon appetite xoxox.”  The band currently consists of Phoebe Lunny and Selin Macieira-Boşgelmez (bass).  Lunny has a kind of shouting/speaking style (not all that unusual) and her accent remains very strong (also not very unusual among British bands).

Their name comes from Lambrini, a brand pear-based alcohol “aimed at the undiscriminating female drinker.”  And they have a song called Cuntology 1010, which is pretty funny while also being very pointed.   They seem like they would be a ton of fun live.

But my daughter an I had left for All Things Go earlier in the day, so I couldn’t go to this one.  I hope they come back next year.

I hadn’t heard of Edging, who describe themselves as “landscaper punks from Chicago” because their three founding members connected through landscaping jobs.  They play noisy punk and singer Faith Callaway has a great raw singing style.  But what makes them stand out is that their punk is accompanied by a saxophone (like X-Ray Spex).  Or, as I saw: “70s-style punk splattered with technicolor saxophone.” They seem like they’re a lot of fun.

This would have been a great show.

 

 

 

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[DID NOT ATTEND: September 25, 2025] Pool Kids / Truth Club / Pony

I saw this very show two days earlier in Asbury Park.  It was terrific.  All three bands were great.

I love Pool Kids, one of my favorite new bands.  I saw Truth Club open for Indigo de Souza last year and I saw Pony open for Fucked Up in 2022.  Both opening bands were great then and they were great two nights ago.  I’ve even seen Pool Kids at the Ukie Club in 2023.

So, this would have been another great opportunity to see them.

But since I’d seen then just a couple of days ago, I didn’t need to see them all again.  Although my friends’ daughter drove all the way from Scranton to Asbury Park to see them and was planning on driving all the way to Philly to see them tonight.

 

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[DID NOT ATTEND: September 25, 2025] Teen Mortgage / The OBGMs

I get excited whenever a band I’ve heard of plays Crossroads. Which is somewhat ironic as I’ve only been there once.  But it’s a nice venue and it’s fairly close and I think it would be a great opportunity.  And then something always seems to come up.

I had seen The OBGMs open for Oxymorrons in 2023 and they were great.  Great music, funny frontman and an overall great performance.  I definitely want to see them again.  How cool that they were going to Garwood.

Then I found out that Teen Mortgage was the headliner.  I’d never heard of them.

Teen Mortgage is an American punk rock duo from Washington, D.C.. The group consists of guitarist/vocalist James Guile and drummer Ed Barkauskas.  So they’re like Japandroids, except their music is faster and nastier.  I listened to a couple of live tracks and it’s all kind of samey.  Guile’s voice is old school punk without a lot of variation.  They would have been fine as the opener, but I didn’t want to see them as a headliner.

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[ATTENDED: September 22, 2025] Pool Kids

This was my third time seeing Pool Kids.  I really like their mix of punky alt rock and really cool guitar shredding (so much finger tapping).  I saw them headline at a small place in Philly and they blew the roof off (with singer Christine Goodwyne crowd surfing at the end).

Since I last saw them the put out a new album.  And they played 8 (of 11) songs from it.  They opened with a new song and then immediately jumped back to their previous album

The opening riff to That’s Physic Baby is a mastercalss in cool guitar riffage–sounding like an old school metal intro.  Both Goodwyne and second guitarist Andy Anaya shred impressively with lots of fingertapping.  Anaya seems to add a few extra flourishes while Goodwyne gets back to singing.  The end is a dramatic moment where the chorus telling you what I, telling you what I need, is repeated but at the end the song drops off and she screams (and we all scream along) NEED!

Vocalist/guitarist Christine Goodwyne was fun with a powerful voice that held high notes and also screamed with rage.  She and second guitarist played some great harmony solos together too.

A group chat with goddamn 21 people I wish I was joking but I’m not.

They played one song from their debut (the wonderfully named $5 Subtweet) which has a total progressive rock vibe with a fast riff opening and some complicated intertwining moments.

The new album has a lot more going on–synths, quieter moments, even an AutoTune on the first song).  But there’s still plenty of Pool Kids sound–loud vocals and gorgeous guitar work on Last Word.  But they moved back to another of my favorite songs of their “I Hope You’re Right” with the chorus “You wanna start a fight” which is super fun to sing along to.

I also need to mention bassist Nicolette Alvarez who plays some amazingly complicated parts and adds a lot of backing vocals (which I don’t think she did on the previous album).  Drummer Caden Clinton makes a lot of noise on a fairly small drum kit.  He plays interesting rhythms and different parts of the kit to bring a really full (and dare I say kind of proggy component) to the songs.

After playing most of their bigger songs, they played three new songs.  Sorry Not Sorry is a slower song (where Alvarez’ backing vocals really shone).  Easier Said Than Done is also slower (with soft backing vocals from Anaya).  These songs are all a bit more conventional. but they retain a lot of makes Pool Kids interesting.

Then we were encouraged to sing along to the next song because we all knew it.  Conscious Uncoupling is the first song I heard by them and I loved everything about it–the soft to loud vocals, the cool guitar sounds and the big explosive chorus.

For one of the ending songs, Goodwyne put down her guitar and jumped into the crowd.  The guy next to me had been singing along all night and she ran up to him and they sang a line together.  Later from on the stage she called him over to shout a line with her and he was clearly thrilled.  There wasn’t a large crowd–I felt bad for them, although it was a Monday night–and there was even a small “pit” available because I was standing a little back from the people up front (the sound isn’t very good when you’re right on the stage).  She bounced around and then some short person slammed into her really hard.  She bounced off and seemed game for more.  So they bounced off each other a few more times and then she climbed back on stage.

They ended and it was still about 9:45 (I assuming 10PM curfew).  On their other nights they had been adding an encore and when they left the stage they put their guitars down on the stage in the “we’ll be right back” gesture.  But then the house music came on and it seemed like they weren’t coming back.  But the crowd started a “one more song” chant (again, what happened to encore), and after a few minutes, they came back.  Goodwyne apologized to the sound guy saying they weren’t planning on coming back out.  It may be the first genuinely earned encore I’ve ever been a part of.

They played Swallow, a great song with lots of finger tapping guitar–it’s really fun when Goodwyne and Ayana face each other in a little guitar battle.  It was a great and cathartic end to the show and they were done by 10!

The show was great and I was in for a surprise at the end of the show.  As I was heading up the stairs, two young women were walking down and said my name.  I looked up confused until they revealed that they were the daughters of one of my college friends.  I hadn’t seen them in about five or six years and I don’t know how they recognized me (something about knowing I liked this band and they asked their parents what I looked like to see if I was there).

Turns out they are huge fans of the band and drove 3 hours to see them!  They may also drive down to Philly on Thursday to see them again.  It was great to see them and I immediately texted their mom–it had been too long–and we caught up.

 

House of Independents 2025 Ukie Club 2023 Rooftop 2023 (open for PUP)
Tinted Windows € Swallow Swallow ¶
Arm’s Length That’s Physics, Baby That’s Physics, Baby ¶
That’s Physics, Baby Erso ⊗ $5 Subtweet ⊗
$5 Subtweet $5 Subtweet Arm’s Length ¶
Which is Worse? € Further ¶ I Hope You’re Right ¶
Last Word € Comes in Waves ¶ Conscious Uncoupling ¶
I Hope You’re Right I Hope You’re Right Talk Too Much ¶
Sorry Not Sorry € Pathetic ¶
Bad Bruise € Arm’s Length
Easier Said Than Done € Conscious Uncoupling
Conscious Uncoupling Talk Too Much
Leona Street € encore
Talk Too Much Borerline ⊗
Exit Plan €
encore
Swallow

€ Easier Said Than Done (2025)
¶ Pool Kids (2022)
⊗ Music to Practice Safe Sex To (2018)

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[DID NOT ATTEND: September 24, 2025] Jamali Maddix

I  decided I would like to see my favorite Taskmaster contestants if they came to the United States.  We saw Sarah Millican in June.  I had Jamali Maddix on my list of Taskmaster comedians I’d like to see, but I didn’t find out about this show until just before it happened.

I didn’t know anything about comedy clubs at the time.  And I didn’t know where this one was.  So I passed.  But it seems like many Taskmaster comedians come to the U.S., so I’ll just have to hope he comes back.

I also didn’t realize his whole tour was only four dates and Philly was one of the lucky cities.

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