[ATTENDED: February 17, 2025] Cult of Venus
It was a cold windy night when we headed out to this show. Luckily, we managed to get really close parking (Monday night shows are good for that). Which meant we were plenty early to see the opening act, Cult of Venus.
Cult of Venus has had a lot of mystery surrounding her. I’m sure her identity is known (I didn’t look too hard to find it), but the two main articles I saw gave this info:
Forgoing any photos to remain completely anonymous and undefined, Cult of Venus have given themself the perfect platform from which to build and long and exciting career. ][They make] music that illustrates and illuminates the dystopian world today, challenging the patriarchy and resonating with the “divine feminine.” Her on-the-ground activist work includes support for incarcerated women and environmental protest movements. Her mysterious presentation is often shrouded in darkness, with her identity and face in the shadows. Her secretive appearance aligns her poetic soundscape in a way that not only drives more curiosity to her audience but is calming in a world so focused on desperate self-promotion. With shows in all-female prisons and detention centres in the books already, as well as a show as part of New York City’s Women’s March, Cult of Venus have a big year planned while being rooted in reform.
They opened the show with a prerecorded message about strength in the face of oppression. And then she came out, picked up her guitar and stood in front of the keyboard.
The only problem to me was the fairly lengthy (I mean, it was probably less than a minute, but it was SO QUIET) pause before the first song started. I feel like she could have timed that a little more smoothly. But whatever.
She generated some beats and some synths and proved to have a fantastic voice. When she played guitar, she clearly had it patched into an effects box because it didn’t sound like a guitar–it was very cool. (more…)








