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Archive for October, 2024

[DID NOT ATTEND: October 8, 2024] Mass of the Fermenting Dregs / Young Statues

I saw Mass of Fermenting Dregs last year and the show was amazing.  It was at Underground Arts and it was packed and the crowd was insane.  I was really looking forward to seeing them at Union Transfer.  I knew a bigger stage would lead to an even better show (and better sight lines as I was too far back at UA).

And then Kishi Bashi announced his Philly show was going to be the same night.  And since my wife and I love Kishi Bashi, he took precedence.

The Kishi Bashi show was great, but I’m bummed to have missed MotD.  (Although looking at the setlist, it was mostly the same show.  But I still would have enjoyed it!). (more…)

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[DID NOT ATTEND: October 8, 2024] La Luz / Mia Joy

It fascinates me when multiple shows that I want to see wind up on the same night.  It’s a bummer, of course, but weird, like why were there FOUR shows I would have gone to on October 8?

I know La Luz from a live Levitation recording that I really dig.  I don’t know a lot more about the band aside from the basic bio.  They are from Seattle and are known for their “surf noir” style, with layered vocal harmonies.  I didn’t know that their “energetic live shows often include Soul Train-inspired dance contests and crowd surfing.”  Which sounds really fun and makes me want to see them even more.

But again, this was the fourth show tonight and the band I knew the least, so I wasn’t going to go to this one.

Mia Joy Rocha, is an American indie rock musician from Oak Park, Illinois.  I haven’t heard of her but her music is described as ethereal indie pop that envelops the listener in a shroud of gentle, personal hymns that are both intimate & warmly inviting.

Listening to her stuff, that description seems very apt.

This would have been a delightful show.

 

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[ATTENDED: October 8, 2024] Sweet Loretta

Sweet Loretta is from England.  They’ve been around for a while but only recently released their first EP/album.  When I looked them up, the first song I heard featured Kishi Bashi.  How odd, I thought.  I liked the song–it reminds me of Kishi Bashi’s more dancey stuff.

We arrived a little later than I thought we would, so we were in the bathroom when the first song started.  Midway through the song we heard the beginning of the Star Wars theme song.  I’m not sure why, although a few songs later, guitarist/singer Fraser Blanchflower said it was singer/guitarist Quinn Humphreys’s birthday and the Star Wars bit was for him.  Very curious what happened there.

Fraser and Quinn were very funny frontmen.  I enjoyed their banter quite a lot.  Bassist James Stickland was quiet for the whole show and drummer James Clark was from time to time a maniac behind the kit, which was fun.  Quinn said that Kishi Bashi stipulated that they needed to have an album or EP out as a stipulation of touring with him.  Not sure if that’s true, but they played the entire EP (except the opening soundscape).

Musically, they were very retro in style and sound.  I felt like their songs could have been on a John Hughes movie soundtrack.   They have great harmonies with all three guys up front singing together at times in a wall of sound. (more…)

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[ATTENDED: October 6, 2024] The Ophelias

The only thing I knew about The Ophelias before this show was this bit of information I looked up the last time I could have seen them (in 2022 they opened for Typhoon, but I didn’t go).

I love the origin story that Wikipedia gives for The Ophelias

The Ophelias are an American rock band from Cincinnati, Ohio. The group first met at a time when each were independently serving as the “token girl” in various male-fronted bands from their hometown. “Coming from varied musical backgrounds (ranging from garage-rock, to surf, to opera), the distinct talents and influences of each member collided in unexpected ways at the band’s first rehearsal. It was here the band discovered that their chemistry wasn’t rooted in a shared musical reference point, but in the creative relief from the expected censorship of being a side person.”

Although a more recent review notes (more…)

[ATTENDED: October 6, 2024] The Ophelias

The only thing I knew about The Ophelias before this show was this bit of information I looked up the last time I could have seen them (in 2022 they opened for Typhoon, but I didn’t go).

I love the origin story that Wikipedia gives for The Ophelias

The Ophelias are an American rock band from Cincinnati, Ohio. The group first met at a time when each were independently serving as the “token girl” in various male-fronted bands from their hometown. “Coming from varied musical backgrounds (ranging from garage-rock, to surf, to opera), the distinct talents and influences of each member collided in unexpected ways at the band’s first rehearsal. It was here the band discovered that their chemistry wasn’t rooted in a shared musical reference point, but in the creative relief from the expected censorship of being a side person.”

Although a more recent review notes (more…)

[ATTENDED: October 6, 2024] The Ophelias

The only thing I knew about The Ophelias before this show was this bit of information I looked up the last time I could have seen them (in 2022 they opened for Typhoon, but I didn’t go).

I love the origin story that Wikipedia gives for The Ophelias

The Ophelias are an American rock band from Cincinnati, Ohio. The group first met at a time when each were independently serving as the “token girl” in various male-fronted bands from their hometown. “Coming from varied musical backgrounds (ranging from garage-rock, to surf, to opera), the distinct talents and influences of each member collided in unexpected ways at the band’s first rehearsal. It was here the band discovered that their chemistry wasn’t rooted in a shared musical reference point, but in the creative relief from the expected censorship of being a side person.”

Although a more recent review notes (more…)

[ATTENDED: October 6, 2024] The Ophelias

The only thing I knew about The Ophelias before this show was this bit of information I looked up the last time I could have seen them (in 2022 they opened for Typhoon, but I didn’t go).

I love the origin story that Wikipedia gives for The Ophelias

The Ophelias are an American rock band from Cincinnati, Ohio. The group first met at a time when each were independently serving as the “token girl” in various male-fronted bands from their hometown. “Coming from varied musical backgrounds (ranging from garage-rock, to surf, to opera), the distinct talents and influences of each member collided in unexpected ways at the band’s first rehearsal. It was here the band discovered that their chemistry wasn’t rooted in a shared musical reference point, but in the creative relief from the expected censorship of being a side person.”

Although a more recent review notes (more…)

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[ATTENDED: October 6, 2024] Katie Malco

My daughter has become a huge fan of boygenius.  We didn’t get to see them (well, we saw them at a festival) so when Julien Baker announced that she was playing a few shows my daughter really wanted to go.  I’m loathe to go to NYC for shows these days because of the massive hassle, but I made an exception for this (especially since there were only shows in NYC).  It turned out we were able to get surprisingly cheap resale tickets (I can’t imagine why) for the Sunday night show (the middle of three).

We left absurdly early and traffic was a nightmare!  I assumed it wouldn’t be on a Sunday but I was wrong.  I had imagined that we would get into the city an hour before doors opened and grab a bite and then mosey into the show and be maybe close to the stage.  Instead, by the time we parked (if only I had remembered that street parking was free and ample on Sundays) and walked the several blocks to Webster Hall, we were stupidly late.

We had to stand almost as far back as was possible and we had missed all but one or two songs of the Katie Malco set. (more…)

[ATTENDED: October 6, 2024] Katie Malco

My daughter has become a huge fan of boygenius.  We didn’t get to see them (well, we saw them at a festival) so when Julien Baker announced that she was playing a few shows my daughter really wanted to go.  I’m loathe to go to NYC for shows these days because of the massive hassle, but I made an exception for this (especially since there were only shows in NYC).  It turned out we were able to get surprisingly cheap resale tickets (I can’t imagine why) for the Sunday night show (the middle of three).

We left absurdly early and traffic was a nightmare!  I assumed it wouldn’t be on a Sunday but I was wrong.  I had imagined that we would get into the city an hour before doors opened and grab a bite and then mosey into the show and be maybe close to the stage.  Instead, by the time we parked (if only I had remembered that street parking was free and ample on Sundays) and walked the several blocks to Webster Hall, we were stupidly late.

We had to stand almost as far back as was possible and we had missed all but one or two songs of the Katie Malco set. (more…)

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[DID NOT ATTEND: October 5, 2024] Balance and Composure / Kevin Devine and the Godamn Band / Milly

The strange thing (to me) about this show is that I knew and liked both of the opening acts but had never even heard of the headliners.

In fact, the reason I wanted to go to this show was for Kevin Devine & the Goddamn Band.  I’ve seen Kevin three times and I love his songs and his whole vibe but it’s been five years since I’ve seen him (really bad luck of local shows being canceled or scheduled on a bad night for me).  And I really wanted to see him with the Goddamn Band because the Goddamn Band is awesome.

But they only played for 45 minutes, so I’m not terribly upset that I missed them.

I saw Milly open for Swervedriver 5 years ago.  I enjoyed them and am delighted to see that since 2019, they’ve released a bunch of stuff.

And then there’s Balance and Composure (from Doylestown, PA).  I didn’t know them but apparently everyone else was super psyched that they released a new record in 2024 (it had been 8 years since the last one).

I’ve listened to a few clips of songs and liked them. But I don’t think I would have enjoyed the show with a huge amount of big fans.

 

 

My son and I have seen Starset twice.  Each show has been pretty fantastic.

When this tour was announced, I was excited that a show was going to be at the Starland Ballroom (a venue I don’t love, but which he does).

But then it turned out to be the night before he was leaving for Europe.  There was n way we were staying out all night the night before his flight.

So, we gave this tour a miss.

Rock on Purpose has a big review of the show.

I didn’t know any of the other bands.  The above reviewer is a big fan of Red, who he says plays a “combination of cinematic, uplifting, and hardcore rock music.”

They are a Christian band, which seems an odd fit for Starset’s cryptic stances, but whatever, their songs are pretty good with interesting orchestral arrangements over the heavy guitars.

Divide the Fall are from Minnesota.  Spill, their local magazine says

their modern hard rock sound and catchy choruses with the occasional heavy breakdown.

And a review of their recent EP describes melodic harmonies and stunning, clean vocals.

Oni were a progressive heavy metal band from Canada with growling vocals and crazy technical profiiency, at least in 2016.  In 2022, they released a new album about which Drowned in Sound says

If you were anticipating another round of technical bludgeoning akin to the Ironshore era then you may be disappointed as ONI have taken an entirely different direction this time round.

Sounds like the heaviest bands went on first, although some of their new songs are pretty mellow too.  Interestimg.

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[DID NOT ATTEND: October 4, 2024] Basic Printer / Under the Rug

I discovered Basic Printer through some unusual means–I assume an ad on Instagram where I could download a free copy of an album.

Basic Printer is based in Nashville and makes experimental synthpop.

I like Basic Printer’s music, although I think I enjoy the creator of the music and their Instagram account a little bit more.  They’re very engaging and funny.

I’d be curious to see them live, and I’m sure meet them in person (they seem like they’d be happy to meet the fans).

I don’t know Under the Rug, who describe themselves as an odd alt outfit: almost-too-dark humor, big irreverence, lush, humongous recordings. Austin, TX.  That self-description makes me like them immediately.

I’m not sure who was the headline band.

Since I had gone to a show the night before and was going to another one in two nights, I decided to stay home on this one.

 

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[ATTENDED: October 3, 2024] Nada Surf 

I left Soul Coughing for this show.  It was a risk because this was the first time Soul Coughing had toured in decades.  But I was so miserable at the show that I was happy to leave.  And it turned out that tonight’s Nada Surf show was fantastic.

Even though singer Matthew Caws’ voice was a bit shot because they had played two shows (one was a bonus show) the night before.

Since I had been at Soul Coughing, I arrived at Underground Arts basically as the final chords of Office Dog’s last song were fading away.  I didn’t know Office Dog who are a power trio from New Zealand.  And this summary makes me rather bummed that I missed them:

New Zealand singer-songwriter Kane Strang got tired of going it alone as a solo artist, he started an old-fashioned indie rock power trio called Office Dog. Backing him up are two friends from different iterations of his touring band: bassist Rassani Tolovaa and drummer Mitchell Innes. Like Dinosaur Jr., Sebadoh, and Built to Spill, this threesome emphasizes the personality of each player as it wrings maximum drama from a minimum of instruments.

So I hope they come back around.

This tour was for their latest album Moon Mirror, but they opened with two songs from 2003’s Let Go.  The crowd was totally into it–very responsive and singing along.  Matthew seemed to be really excited at the size of the crowd, which surprised me because I thought that they had played bigger venues before (but I see now that World Cafe Live is the same size as Underground Arts (this blows my mind as I feel like UA is quite small). (more…)

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[DID NOT ATTEND: October 3, 2024] Mdou Moctar / The Messthetics

I have seen Mdou Moctar twice, the most recent time back in July.

I would have enjoyed seeing them again, but I already had TWO shows to go to this evening: Soul Coughing and Nada Surf.

I really like The Messthetics (including the name).  The band has at its core drummer Brendan Canty and bassist Joe Lally who were both in Fugazi.  Along with guitarist Anthony Pirog, they make cool and interesting instrumental rock.  They have been pretty high on my list of bands to see. (more…)

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[ATTENDED: October 3, 2024] Soul Coughing

I was so excited when Soul Coughing announced a return after decades away.  I had never seen them, of course, so it was a great opportunity to see this weird band.

And it was going to be at Union Transfer–a perfect venue that even if you arrive late, you get great sightlines.

And it sold out in a minute.

And then it was moved to Franklin Music Hall.  A venue that I like but which I have had many very bad experiences at.  So that sucked.

And then Nada Surf announced that they were going to play a show at Underground Arts the same night.  It was a surprisingly tough decision–I’ve seen Nada Surf three times and have never seen Soul Coughing.  So what’s the decision.  Well, the closer the show came to actual time, the more the buzz grew.  And the more I realized I probably wouldn’t enjoy the show.

So I made the decision: I’m going to Soul Coughing and if I hate it, I’m leaving and going to the Nada Surf show.

I arrived at what I thought was a good time and walked in to find the place absolutely packed. And in Franklin Music Hall, when it’s packed, there is nowhere to go.  I couldn’t get past the big clump and then had to head over to the side by the bar (ughh).  I had no sight lines and it was 100% clear to me that many people were there just to be there and didn’t care about the band or the music.  And the others were there to prove that they knew Soul Coughing better than anyone by screaming all of the words.

It was very cool to see (sort of) the band and to hear Bus to Beelzebub (I’m glad they opened with a song I knew so well).  They followed it with another song from Ruby Vroom (the album I know best).  And then they moved on to Soft Serve, a song I didn’t know was well.  And that was it for me. (more…)

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