Feeds:
Posts
Comments

Archive for January, 2024

[ATTENDED: January 29, 2024] Jeff Taylor

Jeff Taylor is an old friend of Lucius.  He is from new Jersey but lives in Pittsburgh.

He opened his set by humming a kind of dissonant sound as he strummed his guitar.  It went on for far longer than it should have and became kind of funny, but not actually funny.

Then he finally sang a line “We lost my dad,” and seemed to start the whole song over.   Whether he messed up or just wanted that line to hang there is unclear.

Jeff played an electric guitar and sang and I just couldn’t get into it.

By the end of his set I feel like he warmed me up a bit and I enjoyed the last few songs more.  But most of his songs were about breaking up with someone and they just weren’t that interesting.

I mean “Flashes” goes

Just push me away
Let me be free of you
You weren’t my kinda girl

So, yeah. (more…)

Read Full Post »

[ATTENDED: January 26, 2024] Pinkshift [rescheduled from October 13, 2023, because of flooding]

This was my fourth time seeing Pinkshift in just over two years.  It’s impressive how much bigger and more confident they’ve gotten in this time.

I hadn’t intended  to go to this show when it was scheduled for October because I had other plans.  But this show getting flooded out (and subsequently shutting down the great House of Independents) did allow me to

I hadn’t realized that Pinkshift released an EP back in August.  It’s called Suraksha (Hindi for “security” or “safety” or “protection.”).  Singer Ashrita Kumar says, “I grew up listening to in Bollywood and Indian classical music would round out the songs perfectly. Going into the studio, the only thing on my mind was my family, and making these songs was unique because in my head I was making it for them.”

So that’s cool.  The EP has some traditional Indian sounds on it and live (and this was about the coolest thing), they had someone playing sitar (I think it was a sitar).  Ashrita Kumar introduced her, but I didn’t catch her name or the band she plays in.

The sitar was mostly used as an interstitial between these three new songs–she would have been drowned out during the main body of the songs if she was playing.  But it was so cool to see her up there with this great punk band.

They followed it up with a new song, called “Blood.”  Pinkshift has never shied from speaking their minds.  This time they look beyond personal issues to take on something bigger: “There’s blood in the water, there’s blood in the trees.”  A wish that Western colonization of all lands would end.  She dedicated the song to the people of Palestine. It was heavy and intense.

As always drummer Myron Houngbedji was amazing.  His intensity and skills are formidable.  They had a new bassist on this tour (but he was not introduced and their press photos still only show three people).

Guitarist Paul Vallejo is still an amazing force–he can shred with the best but he has an overall fantastic sound.

Then they moved into songs that I knew (I wondered why I didn’t recognize the other songs, had I forgotten their music?).

I had seen them play “Burn the Witch” last year and it was possibly more intense this time.

I don’t mean to comment on people’s appearance, but I kind of miss Ashrita’s longer hair because it looked amazing when she whipped it around.  I mean, she’s still an amazing front woman, doing incredibly intense things on stage, but it was fun watcher her hair follow her along.

I first heard “Nothing” when they didn’t have a name for it, so that’s fun.

I really know their first EP the best, so when they played “On Thin Ice” I was pretty psyched.  It was also around here that I realized that I’d only ever seen them as an opening band when they were playing 7 songs a night.  But there was to be a lot more.

They played another new song, another which was just as intense as the others.  Then Let Me Drown from the full length.

And from here  to the end it was mostly the Saccharine EP.  “Mars” gets more intense each time I see it.

But one of the real highlights came when they played “Eat Your Friends” a new song that they recorded with Jhariah for this tour.  Of course, he came out to sing with them and by the middle of the song Jhariah and Ashrita were in the middle of the pit that consumed most of the middle of the floor.

I can’t ever get enough of “i’m gonna tell my therapist on you” because the song is just as good as the title.

There are 12 songs on their full length LP, and I’ve seen them play 7.  I wonder if they had been playing that whole album before the new EP came out.  Their whole set isn;t that long so, they could have probably played a few more.  But it’s hard to keep that much intensity up.

Plus, Ashrita (and the band) were energized against Israel and were getting the crowd riled up to action.  It was pretty inspiring and I hope even a quarter of the audience was moved to action.

“Love Me Forever” slows things down, but doesn’t lessen the intensity as Ashrita shows off just how amazing her voice is (I mean, damn, this woman can sing!  And her range just gets better with every release).

After a brief encore they came back and blew through two more songs from Saccharine, the 90 second “Toro” and the longer “Rainwalk.”

By this time the crowd was in a frenzy.  It was a great show.  And a great bill overall.  I’m curious if Pinkshift will follow in Mannequin Pussy’s trajectory and if they’ll be headlining Union Transfer after their next album comes out.

 

January 2024 [headlining] January 2023
Lullaby ¥ I’m Not Crying, You’re Crying
Home ¥ nothing (in my head)
To Me ¥ GET OUT
Blood [new] the kids aren’t alright
Burn The Witch Burn The Witch
nothing (in my head) i’m gonna tell my therapist on you $
On Thin Ice $ Love Me Forever
new song (“fuck what you say”)
Let Me Drown
Mars $
Eat Your Friends [new] (with Jhariah)
i’m gonna tell my therapist on you $
the kids aren’t alright
Love Me Forever
encore
Toro $
Rainwalk $

 

May 2022 Oct 2021
Toro $ Toro $
Mars $ Mars $
GET OUT GET OUT
On Thin Ice $ On Thin Ice $
I’m Not Crying, You’re Crying cherry (we’re all gonna die)
nothing (in my head) nothing (in my head) [at the time was known as “Crapple”
i’m gonna tell my therapist on you $ i’m gonna tell my therapist on you $
Rainwalk $ Rainwalk $
$ Saccharine EP (2021)
Love Me Forever (2022)
¥ Suraksha EP (2023)

Read Full Post »

[ATTENDED: January 26, 2024] Jhariah

I hadn’t heard of Jhariah before this tour was announced.  But when I listened to their song “Pressure Bomb!!!” I was hooked.  I love the whole vibe of their music–kind of musical theater (with all that implies) but with an intense punky undercurrent.

And that theatricality was present throughout Jhariah’s set which was, frankly, too short!

Jhariah came out and immediately had technical difficulties with his guitar so he said he’d do the show without playing guitar.  There was a second guitarist so that was fine.  And it may have freed him up to be even more theatrical as he danced and jumped all over the stage. (more…)

Read Full Post »

[ATTENDED: January 26, 2024] Pinkshift /Jhariah / Foxteeth

I was really excited for this show.  It had been postponed from November (when I didn’t have a ticket) to the New Year.

Originally it was supposed to be at House of Independents, but the reason the first show was postponed was because of flooding.  The flooding was so bad that HoI had to close its doors and is now out of business.

So it was moved to Asbury Lanes, which is a great small club.

I arrived with just a few minutes to spare and soon enough Fox Teeth came out. Originally the opening band was Pollyanna, who I really like.  I was bummed that they weren’t going to be playing, but Fox Teeth more than exceeded expectations. (more…)

Read Full Post »

[ATTENDED: January 25, 2024] Torres 

This was my fifth time seeing Torres play.

Every time I see her, her set becomes more powerful and intense.  What was fun about this tour was that her new album, What an Enormous Room, was coming out the next day.

So we were able to hear most of these songs for the first time in a live setting, which was great.  Especially since she gave a little explanation of each song before playing them. I also love that she played a new song followed by an old song–a kind of mini greatest hits.

A lot of times when you hear a song for the first time, it may not land right away.  There were a couple of songs that are going to take a few listens to really get into, but for the most part, these songs were grabbers, doing what Torres does best–catchy powerful choruses with her great voice doing its thing.

I had wondered what the title of this album was supposed to mean, and she told us that life these days was overwhelmingly depressing.  And without trying to forget that, she felt that this album was a ray of hope–this is an enormous room, look what other things I can do in it.

She played a few songs from each of her recent albums (although only one from her lost-to-COVID album, Silver Tongue). (more…)

Read Full Post »

[LISTENED TO: December 2024] Mother-Daughter Murder Night

This was described as Gilmore Girls meets mystery novel.

And while I want to be clear that in no way was it Gilmore Girls related, it had a Gilmore Girls vibe.  Three generations of women living together (out of necessity) working together to solve a mystery.

The grandmother is Lana Rubicon (terrible name).  She has created a real estate empire.  I enjoy that she is a strong and powerful woman who had been pushed down but fought back and built her own fortune.  But she’s also cold and distant–especially to her daughter, Beth.

The plot moves on when Lana is diagnosed with cancer and has to move in with Beth and Beth’s daughter.

Like Gilmore Girls, Beth was impregnated when she was a teenager.  She decided to keep the baby and move out.  But she moved into a property that Lana owned in a waterfront community.

Lana thinks she’ll be back home pretty quickly but she winds up in worse shape and needs to be there for a a lot longer than she imagined.  Beth and Lana are quite antagonistic.  But Lana and Beth’s daughter Jack get along pretty well. (more…)

Read Full Post »

[ATTENDED: January 23, 2024] Meet Me @ the Altar

I had tickets to see Meet Me @ the Altar last year but went to The Beths instead (good choice).  MM@TA were headlining The Foundry.  And now a year later they are headlining TLA.

My daughter and I saw them at the All Things Go Festival and I loved them.  I knew I wanted to see them again–especially as a headliner.

I thought that Meet Me @ the Altar were really really young (teenagers), but this summer, singer Edith Victoria announced that it was her birthday and that she was now 23.  I’m not sure how old guitarist/bassist Téa Campbell or drummer Ada Juarez are.

They play feminist pop punk.  Téa Campbell absolutely rips on guitar and Ada Juarez pummels back there.  I’m not sure how they play the backing sounds–basses and extra percussion.  I assume Juarez triggers a sampler and they play to the sounds as opposed to them being triggered on the fly.  I loved the sound of the guitars.  I loved Edith’s voice (and Téa’s backing vocals) and I loved their attitude.

From the start, they brought the pop punk.  In addition to playing a lot of new songs, they dig into their back catalog (which they have).

After a couple of songs they got a pit going and when they played “Hit Like a Girl,” Edith told the crowd that this pity was just for the women, which I thought was pretty cool.

When I saw them this summer, they played some excerpts from songs they’d wished they’d written.  I assumed that was just a fun way to endear yourself to a festival crowd.  But they’ve been doing this on each show of the tour (although mixing things up a bit).  I really enjoyed their cover of “Complicated” this summer.  They didn’t play that this time, instead playing “Since U Been Gone” and putting a great punk attitude on it.

The end of the set was a collection of killer tracks that the crowd was fully into.  We all sang along to “Kool” and they ended with the name of the tour: Say It to My Face absolutely shredded the room.

The show was only an hour, but they packed everything in and the crowd was really psyched by it.  On the way out I heard someone say how much better they were than at The Foundry last year.  So I think i picked the right show after all!

 

2024 (TLA) 2023 (All Things Go)
Same Language ⇔ Same Language ⇔
Brighter Days (Are Before Us) Δ T.M.I ⇔
Now or Never Δ Try ⇔
Beyond My Control ♦ Since U Been Gone (Kelly Clarkson) (excerpt)
Try ⇔ Complicated (Avril Lavigne) (excerpt)
May the Odds Be in Your Favor Ø Take Me Away (Christina Vidal) (excerpt)
Hit Like A Girl § Hit Like A Girl §
It’s Over For Me ⇔ Say It (To My Face) ⇔
Since U Been Gone (Kelly Clarkson) (excerpt) Garden Ø
Take Me Away (Christina Vidal) (excerpt) Kool ⇔
Burnin’ Up (Jonas Brothers) (excerpt)
T.M.I ⇔
Garden Ø
Feel a Thing Δ
Kool ⇔
Say It (To My Face) ⇔

⇔ Past//Present//Future (2023)
Δ Model Citizen EP (2021)
§ single 2021
Ø single 2020
♦ Bigger Than ME EP (2019)

Read Full Post »

[ATTENDED: January 25, 2024] Aisha Burns

I hadn’t heard of Aisha Burns before this show, although the way she talked about her career, it sounded like she’s been playing music for years and years.  She’s in her late 30s and has been playing violin for ages.   She has appeared on several records as a featured violinist, but she has only released two solo albums in the last ten years.

She actually didn’t play as much violin as I imagined.  The first song opened with some looped violin, but then she played the melodica or guitar for most of the songs.  She had a partner on lead guitar with her but she never introduced him.  He played mostly backing solos and noises. They made a solid wall of sound.

Her songs were a little too slow for me overall.  There wasn’t a ton of variety.  But what she played was great.  I think just not in this setting, maybe–a seated venue with a great sound system would be an amazing way to experience her. (more…)

Read Full Post »

[ATTENDED: January 23, 2024] Honey Revenge

I hadn’t heard of Honey Revenge, but before the show I checked out a few songs and really liked them.

Apparently they have a pretty big fan base too, because there were several people who left the front after their set.  And one guy in front of me who was dancing in a very elbows-in-your-face kinda way.  I was very glad when he pushed further forward.

Honey Revenge has played Philly three times in about a year, once as a headliner at The Foundry, so the Philly love is big.

So Honey Revenge is evidently a two-piece: Devin Papadol (vocals) and Donovan Lloyd (guitar), although there were two other people on stage too–touring musicians Tay Fischer (@witchybassist) who was super fun and jumped off the bass drum at one point (and who will be playing with Jhariah in February) and drummer Matt Arsenault who I feel like I’ve seen play with other people too.

They play grungy 90s rock with great pop hooks.

Papadol is a take-no-shit front woman.  She encouraged people to mosh and to crowd surf (it’s not often that people crowd surf for an opener, but they did).  She asked who had never crowd surfed before and aid that tonight was the time to do it.  And, she threatened, if anyone gets dropped, I will stop the show.  It was really fun seeing little kids (with big era protectors) crowd surfing during the songs.

She also insisted that there be a pit AND a conga line.

Lloyd was a great guitarist too.  I didn’t really notice the guitar work at first because really, all eyes are on Papadol, but Lloyd pulled out some great sounds and some kicking (but short) solos.

I also really liked their lyrics which were empowering.  But also funny.  Like a song that is part slacker, part ass kicker

Sure, I could be doing more, but I could be doing lessUsed to going overboard and if I had to take a guessNever been too proud, I’ve always been too loud to ignoreMy mouth’s a messNow being annoying comes with reward and everyone’s impressed

Although one of their most popular songs is “Airhead” as in “damn, I’m such a” so there is definitely a sense of humor in the lyrics.

They were a lot of fun and I would absolutely see them again.

  1. Seeing Negative (Disappointment)
  2. Worst Apology
  3. Recipe for Disaster @
  4. Favorite Song
  5. Habitual
  6. Rerun
  7. Murphy’s Law
  8. Are You Impressed?
  9. Airhead
  10. Distracted

@ new song 2024
∞ Retrovision (2023)
[from this album, they did not play Fight or Flight, Sensitive, Scapegoat]

Read Full Post »

[ATTENDED: January 23, 2024] John Harvie

I didn’t know who John Harvie was before this set.  He seemed like a slightly out of place artist since everyone else was female (token male on the tour perhaps?).  Although he was more of an odd presence because his songs are mega-emo rather than pop punky.

But he won me over pretty quickly because he’s a Philly guy and he was pretty psyched to be playing in his hometown.

Unlike Elliot Lee, Harvie had a live drummer.  Although like Lee, much of the rest of the music was on backing tracks. John did occasionally play guitar too.

The things that really made an impression on me were his stage presence and his voice.  he absolutely commanded the stage like a guy who has been playing for far longer.  And, even more impressive, his voice sounded like he was the singer for any number of long-time emo bands.  He strained his voice to the breaking point a few times (and may have paid for it by the end oft he show).

Most of his songs seemed to be a bout breakup, but there was some clever wordplay in the lyrics, which I appreciated.

I also chuckled when he said that “Beauty in the Bad Things” was about being an Eagles fan.

I wound up enjoying his set more than I thought I would.

  1. roses £
  2. A Little Bit Longer ©
  3. Alaina ©
  4. Beauty in the Bad Things ©
  5. at my worst £
  6. figure 8 £
  7. Bleach (On the Rocks) ©

£ single 2023
© Told Ya. (2022)

Read Full Post »

Older Posts »