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Archive for November, 2020

SOUNDTRACK: TEGAN AND SARA-“Proud” (1999).

Each chapter in this book is headed by a quote from a different song. I chose this Tegan and Sara song because it sounds so remarkably different from their current stuff (things do change in 20 years, how about that).

This song sounds a lot like it was made by Ani Difranco (early in her career).  It opens with a shuffling acoustic guitar.  A chunky melody with scratching between chords.  Then an interesting and off-kilter drum beat kicks in.

The singer (I never know which one is singing) has a kind of snarling power to her voice

Freedom’s rough
So we take our stand and fight for tomorrow
Finally we got something something we can
Bring down the house with

The second verse gets much bigger with a fat bass

The middle section has a super catchy repeating of “no no no” in a kind of scatting style and then soaring vocals.

The song quietens down again for the verses until the bass comes back for the raucous ending.

The quote that the book uses is

Freedom and blood
I make my mark and fight for tomorrow

Sounds like Elizabeth Warren to me.

[READ: November 4, 2020] Elizabeth Warren

This is one of four books in the Queens of Resistance series.  The series celebrates a different woman fighting oppression and making waves in the United States government.  [The other books are about Alexandria Ocasio-Cortez, Nancy Pelosi and Maxine Waters].

The books are written by Brenda Jones who was communications director for Rep. John Lewis, and Krishan Trotman, an editor at Hachette who specializes in multicultural voices and social justice.

This series is aimed at younger readers, young women mostly, and is meant to be an inspirational account of women who are fighting for justice throughout their lives and especially during the present administration.

This book acts as a biography as well as an up to the minute account (as of May 2020) of what this powerful women is doing.

I wanted Elizabeth Warren to be President.  She was my first choice (with Kamala Harris being a very close second).  So this book was like candy to me.  I knew a lot about Warren, but I really didn’t know much about her backstory.  This book fills all that in. (more…)

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[POSTPONED: November 4, 2020] Diet Cig / Sad13 / Thin Lips [rescheduled from May 14 Union Transfer]

indexI was really bummed when this show was postponed.  I was even more bummed when it was moved to the Church. I really liked the venue when we first arrived, but by the end, I was hot and sweaty and crowded and worn out.

Then back in September, the venue sent out this message

We that brief note of optimism, now for the bad news: The rescheduled show w/ Diet Cig has now been officially “canceled”. When we rescheduled this show a few months back, we thought we would be in a much different place than where we are currently.

Exactly NOT what I wanted to experience in a club.  So this postponed makes sense to me.  Maybe next time they’ll move them back to a bigger venue.

I have wanted to see Diet Cig ever since I saw them on a Tiny Desk Concert–they are a bundle of energy and the duo play super catchy pop punk.  I wanted to see them before they lost their energy.

I missed them the first time they came around and last time around they played at the First Unitarian Church, a venue I dislike.  So when they announced this show at Union Transfer I was so excited.  This cancellation was a major bummer for me.

Especially since now that they rescheduled it is apparently being moved to the Church again (does this mean sales are really poor?)

Sad13 is the solo moniker of Sadie Dupuis the singer of Speedy Ortiz.  They were wonderful live (and I was right in front of Sadie to watch her terrific guitar work).  I don’t really know much about the Sad13 songs but I assume they will be great if she is behind them.

I saw Thin Lips at the Philly Music Fest and they were absolutely fantastic.  I loved them and was looking forward to seeing them again.  They play catchy pop punk with pointed lyrics.  Outstanding.

So, I sure hope all three can come around for the postponed date (and I hope it sells better and has to get moved out of the Church into a bigger venue).

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  SOUNDTRACK: PRIMUS-“The Devil Went Down to Georgia” (1996).

I’m not sure who the first band to cover this fantastic  Charlie Daniels Band song was, but Primus probably had the largest profile when they released it–even if they credited themselves as Festus Clamrod and The El Sobrante Twangers.

The song came with an excellent animated video.  Unfortunately, it was only ever available with the video.  It was eventually released on the vinyl reissue of Rhinoplasty, but you still can’t stream it on Spotify.

Which is a shame because it’s a real hoot.

Les Claypool excels at the story-song, so him narrating the story works perfectly (it’s just him and the drums for the verses).  Mark “Merv” haggard does a perfect young Johnny voice and Brian Kehoe is the great growly devil.

There’s some excellent fiddle work throughout the song (nothing deviating too much from the original,but played perfectly).  The violin is credited to Violina Mysteriosa (um thanks?).

It’s got some slide guitar (from Merv), but when the middle bridge come in it’s got lots of Primus-oddball guitar but the melody is spot on and Les’ voice has a delightful country twang to it.

When the band of demons joins in, the song goes bonkers with some weirdo guitar twanging from Ler and some noisy distorted bass from Les.  It sounds great, although I do miss the actual band of demons song which I’ve always thought totally kicked butt.

When Johnny starts playing, it’s all violin and Les stompin’ until the band joins in compete with a one-two bass and some slightly improv violin (in addition to the actual melody).

It’s a fun version of the song–not deviating too much from the original, but clearly Primus’ own.

[READ: November 3, 2020] The Big Break

I have really enjoyed everything that Mark Tatulli has written.  He’s a bit off my radar though, so I wasn’t aware of this full length graphic novel (or his previous one Short & Skinny).

This book is about two seventh grade boys, Andrew and Russ.  They have been friends for years and have done everything together.  Right now their project is to make a short film for The New Jersey Middle Grade Movie Viral Video Contest.

They have the perfect concept: The Jersey Devil!

Now, being from New Jersey, I found this concept to be wonderful.  I grew up hearing rumors about the Jersey Devil (even though I am hours from its haunting grounds).  Tatulli grew up in NJ as well, and he was obsessed with the devil (he lived closer to the PIne Barrens, I believe).

Their movie is a half-true / half-fictionalized account of their attempts to find the Jersey Devil.  It’s a kind of Blair Witch Project for middle schoolers.  Of course, they don’t have a Jersey Devil to film and their Play Doh monster is pretty lame.  But the rest of the film is really good.  They just need a good ending and they are on their way to becoming filmmakers–this will be their big break! (more…)

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SOUNDTRACK: ANAL TRUMP-The First 100 Songs (2018).

On Election Day 2020, what better music to listen to than Anal Trump

Anal Trump are a grindcore act made up of Rob and Travis Trump.

The true identities of Rob and Travis Trump remain shrouded in mystery. Are they the unwanted bastard children of the Philanderer-in-Chief? Regular citizens transformed into angry mutants by the deluge of toxic waste spewing from the 45th President’s mouth? Or simply two dudes from high-profile San Diego musical acts who decided to pay tribute to grindcore pioneers Anal Cunt through the words of a man who embodies that band’s name?

Indeed, the band is made up of Rob Crow (from Pinback, Goblin Cock and a dozen other bands) and Travis Ryan, vocalist for Cattle Decapitation.  They write classic grindcore songs.  The longest song on this collection is 29 seconds and it feels like an epic compared to the rest, most of which are around 3 seconds.

Most of the songs have a sample of tRUMP speaking (which is certainly a turnoff) that’s usually followed by a blast of noise and inaudible growling.

The First 100 Songs produced, recorded, mixed, and mastered by Rob Trump, boasts a hundred songs in eleven minutes — their entire recorded output to date. From 2016’s pre-election That Makes Me Smart! EP all the way through the newer material contained in Thoughts, Prayers, and The Golden Age of Willful Ignorance, this truly exhaustive overview covers all the bases. With songs based on actual quotes by the man (“I Like The Soldiers Who DON’T Get Captured”) to creative interpretations (“My Cabinet Is Nuanced As Shit”) to Putnam-esque bon mots (“Renewable Resources Are Gay”), there’s a smorgasbord of Trumpiliciousness! According to Rob, their material has a universal appeal: “One of the things about this stuff is that, since most of it is taken right from his mouth or ideology, a Trumpster should be fine with it as much as a Bernie person would enjoy laughing at it. It’s just a mirror and that, in itself, is terrifying.”

This album can be purchased on CD (all 12 minutes of it).  There’s a couple of songs where I thought I could hear lyrics,  There’s a couple of songs where there was actually a melody (and one song where you could actually hear a bass line).  But mostly this is just a lot of short noisy songs.

Rob and Travis Trump aren’t gonna fill your ears with talk of universal healthcare or equal voting rights or any of that socialist stuff — although they donated 100% of the proceeds from their EPs to non-profit organizations like the ACLU and Planned Parenthood. They just want to point out that the most powerful man in the world is a hate-mongering clown, using shrieks and micro-riffs as their chosen vehicle. Anal Trump will soon take this show on the road with help from Justin Trump on bass and John Putin on drums, but as for their future plans? “I just want this ugly chapter of human history to finally be over.”

The best part of the album are the song titles.   Because there are 100, I have put them after the body.  

[WROTE: November 2, 2020] A worldwide embarrassment

Absolutely no story feels appropriate to post on Election Day, this global travesty.

When Barack Obama won all those eons ago, the world felt brighter.  I recall going to the grocery store and seeing another person and we smiled at each other and acknowledged what a good day it was.  

Four years ago, when tRUMP lost the election but became president because of an antiquated system that explicitly denies a democratic election, it was as if a dark cloud spewed bile all over the country.  We were supposed to have our first female president.  She was the most politically qualified person to run for office in my lifetime.  Like her or not, she served our country admirably and was poised to break the glass ceiling that has now grown several layers thicker. (more…)

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SOUNDTRACK: MAGIC SWORD-Endless (2020).

Not long after the release of the Awakening EP, Magic Sword is back to conclude the story arc that the previous albums have created.

The Keeper (red, keyboard, audio-visual), The Seer (blue, guitar), and The Weaver (yellow, drums) are Immortal and they have seen a story like this one unfold many times.  So they are not surprised by the direction it goes in.

“Depths of Power” opens this chapter with a slow pulsing matched with occasional power chords.  “Invincible” adds a new sound palette to the band’s music.  This song sounds a bit more like Tangerine Dream but with some more contemporary techno type sounds.

“Aftermath” adds some swirling uneasy sounds to the album.  It contains curlicues of sound that wiggle around and segue into “Empress” which has a low rumble underneath the propulsive synths.

“Shores of Oblivion” is a more eerie soundscape of wind and slow pulsing waves of emptiness. When the fast melody comes from out of the waves it feels like something sinister heading right for you.

“rophecy” adds some light to the proceedings with an uplifting melody which is eventually corrupted by “Corruption” and turns into a more threatening tone.

“Ritual” introduces a fairly heavy bassline and some more modern sounding synths.  Then “A New Quest” returns to the pulsing sound of old.  “Hope” starts quietly but brings am uplifting melody that continues throughout the song.

“Endless” ends the disc with strings–ominous at first but which move into a more stately melody that fades out slowly over a long time–continuing endlessly

The band also released a single of “Invincible” with a remix by Waveshaper.  I don’t typically like remixes, because mostly they just dump a new drum beat over an old melody, but this one plays around with the song in interesting ways.  It turns it into something different without losing the original.  I rather like the new bass line they add to the song.

In the comic book, Magic Sword says that this ends the cycle.  Does that mean the end of Magic Sword … or the beginning of a new cycle?

[READ: October 29, 2020] Magic Sword Volume 2, Chapter 3

Chapter 3 concludes this cycle somewhat unexpectedly for me (although it makes perfect sense once it is explained).

When Chapter 2 ended, Nayia came face to face (or more like face to big toe) with The Colossus.  It was the size of a mountain and seemed to be covered in bark.  It quickly grabbed hold of her with its tendrils, trying to burrow into her orifices.

But the power of the Magic Sword was still within her and it fought back where she couldn’t.  With its help she was easily able to best this beast.

But the story doesn’t end there. (more…)

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SOUNDTRACK: MAGIC SWORD-Awakening EP (2019).

It took three years for Magic Sword, the instrumental band from Boise Idaho, to release chapter two of the second volume of their saga.  In that time, they had released individual songs, but for this entire seven song EP (and comic book), the year of the sword took much longer than expected.

The Keeper (red, keyboard, audio-visual), The Seer (blue, guitar), and The Weaver (yellow, drums) have continued the saga but have expanded their sound a bit.  They still sound like a 1980s movie soundtrack, but it’s a bigger budget movie.

“Herald” opens the EP with a deep-voiced narration of the opening page of volume one, the paragraph that sets up the story of the Magic Sword.  It segues into “Awakening” which sounds bigger than anything they’ve done while still retaining the recognizable retro Magic Sword sound.  Midway through the guitar comes in with a quiet solo that introduces a funky element to the song–there’s even the a kind of bass guitar element.  It is a slow opening that sets the tone of the album as we await “The Harbinger.”

“The Harbinger” is under three minutes and projects an ominous low tone as a distant, distorted voice recites a passage that I can’t make out.  It segues into “Lady of Light” which follows a pretty synth melody that mutates into a middle with a distinctly funky/disco bass.  “Reborn” bursts forth like a big 1980’s synth anthem.  But it quickly changes tone with a pulsing soundtrack and a ripping guitar solo.  It all resolves into the anthemic conclusion.

“Shadow” introduces a more sinister sound–both the harsh higher notes and the menacing low growling synth that works as a perfect segue to the album ending “Colossus.”  It continues like the rest of the album with just a hint more menace in the crashing drums and delays of the loud synths and an absolutely roaring guitar solo to close out the disc.

Magic Sword still sounds like the same trio, but they sound even more assured.

[READ: October 29, 2020] Magic Sword Volume 2, Chapter 2

Chapter 1 introduced us to Tayia, the chosen one.  She is pure of heart and is therefore eligible to wield the Magic Sword and restore balance.

But as The Keeper explained, the Magic Sword will take control of her body–she will become death.

As Chapter 1 ended, The Keeper stopped time and Tayia grabbed the Magic Sword.  As Chapter 2 opens, time resumes and the creature who was about to attack her, a member of the Kihlhi tribe, realizes she is no longer where she was (time did not stop for her).

He crashes to the ground.

Continuing with the parallels between this story and present reality, the Kihlhi was

Spouting vile hatred through slurred speech.

One can only hope that in reality the vile creatures also

had no idea of the mighty change that had overtaken and transformed his prey.

Tayia’s power and will merged with the will of the sword creating beautiful arcs of pink.  She fights effortlessly, including a full page scene of her dance/kick. (more…)

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