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Archive for December, 2019

SOUNDTRACK: THOR HARRIS, DUMB NUMBERS-“Carol of the Tubular Bells” (2019).

I really like Joyful Noise Records.  They release some really beautiful music as well as some really out there stuff.  They are the home of Kishi Bashi and Ohmme as well as a number of other terrific bands. But they also release lots of noisy chaotic bands (call it joyful noise perhaps).

For 2018 they released JNR Holiday Party, Vol. 2 and eclectic bunch of holiday songs.

This song was recorded by Thor Harris & Dumb Numbers with David Yow, Ohmme, and CJ Boyd.

Thor Harris is, well, his Wikpedia page says he is “an artist, sculptor, musician, painter, carpenter and handyman.”  Musically he is a composer and percussionist who plays every instrument in the universe (on his last album he was credited with marimba, flute, vibraphone, voice, organ, duduk, tubular bells, gongs ,etc.”

Dumb Numbers is the project Adam Harding whose musical style has been described as doom, sludge, and “swooning feedback pop.”  He has worked with all kinds of people including David Yow, singer of The Jesus Lizard.

That’s the background for this nearly three minutes of bizarreness.

The song starts with a toy piano playing Carol of the Bells.  Soon enough, OHMME sing beautifully the actual song, including the ding dong ding dong.  Meanwhile the counterpoint vocals (normally “Hark how the bells, Sweet silver bells…”) features David You singing “Don’t go insane, don’t go insane” to that melody.

That’s all that Yow sings, over and over for nearly 3 minutes.  And he clearly starts to go a little insane.  His vice fades to a whisper, turns into a rant, and sometimes even gets back on track to the timing.  Meanwhile OHMME sounds really beautiful.

Around 2 minutes in, Yow seems to have lost it entirely, mumbling incoherently until he screams “look out mama, there’s a….”

OHMME stop singing and then the melody of “Carol of the Bells” suddenly morphs into Mike Oldfields’ “Tubular Bells” and the song takes on a whole new tone.

As the song fades Yow screams “Faaaaaaaaalllllllll on your knees.”

This is the song you play when you want everyone to leave your Christmas party.

You can watch Yow sing over the backing track here.

[READ: December 16, 2019] “Show Me Your Dantes”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story was delightfully surreal.  I am very intrigued that it is an excerpt from an upcoming novel which is the second of a trilogy about  character named Prin.  Initially I thought Prin was a woman, because, why not.  But that was quickly settled, when it was obvious Prin was a forty-year old man.

The excerpt starts with Prin being interviewed by a Charlie Tracker.  Charlie asks him what he knows about this job and Prin says that if he got the job he would be working with Charlie but would be working for Hugh, Charlie’s son.

The story seemed to be pretty normal–a man getting interviewed–until Charlie says he is impressed that the Prin wore new shoes to the job interview, “most of the professors I’ve met over the years show up in shoes they stole from hobo camps.”  Since I didn’t know when this story was set I didn’t know how literal that was meant to be. (Apparently not at all).

As the interview gets going Charlie offers to let Prin see “the finest private collection of Dante manuscripts and Dante memorabilia in the United States.”   Charlie is a little disappointed that Prin wasn’t more excited about that but Prin says he’d be more excited if he knew what this position was all about.

Charlie gives a lengthy and affecting explanation of how he got into Dante (it had to do with the Vietnam war and a very disturbing scene).  We also learn about Charlie’s business background and how he succeeded after the war. (more…)

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SOUNDTRACK: SPACEFACE-Holidazed EP (2018/2019).

Last year, Spaceface released a single of “Christmas Time is Here” from A Charlie Brown Christmas.  It was trippy and cool with lots of echoing guitars and keys.  I guess it came from this EP, which I only learned about this year.

Although i see that some of the songs on this EP came out in 2019, so Spaceface is messing about with time this year.

The first song is “Christmas Party (Naughty & Nice)” credited to Spaceface, Andy Clockwise and Swimm.  Swimm is a band that “makes music with the concepts of weightlessness and fluidity as the common elements in their genre-blurred sound.”  Andy Clockwise and Chris “Cookie” Hess (from Swimm) do the vocals on the track.    The song opens with jingling bells.  Then a big fat fuzzy riff kicks in and the song takes off.  Angelic group vocals sing the chorus and then the music fades out as the spoken word part comes in.  With statements like “it seems like this year we might be able… to party” and “we’ll have a merry Christmas after all as long as Jake can share his adderall,” that must be the naughty side.  While the nice side has the angelic voices singing “your presence is the only present we need.”  It’s pretty catchy and that cool opening riff comes back at the end to finish it off.

Up next is “Single Star” featuring “LABRYS on vocals (Penny from Broncho).”  I unpacked this to discover that Penny Pitchlynn’s solo project was called Labrys and she is now in Broncho.  A quiet echoing guitar flows through the song as Penny’s low key voice sings the lyrics

A single star is lighting our new way,
but is it fate? A shadow’s doubt outshines your quiet truth
A single star’s bluish halo hue, brings promise of truth
Unbroken yet fickle as a flame

It doesn’t feel overtly Christmasy, although the lyrics do tend tin that direction.  But the addition of jingle bells in the chorus do give it a holiday feel.

There is also “Wish To Come True” which is the demo of “Single Star.”  It’s a lovely instrumental version of the song.

The EP also includes the original “❇Christmas Time Is Here❇” as well as the instrumental version by Spaceface and Kwka (Mike Fridman) which ares till trippy and wonderful.

This is a nice leftfield Christmas EP–a trippy addition to your holiday party.

[READ: December 15, 2019] “Executions and Horses”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

I’m going to use Jarman’s description of the story to summarize it, because I couldn’t do it justice.

“Executions and Horses” is historical fiction set during the Red River Rebellion.  Riel’s shooting of Thomas Scott at Fort Garry is often viewed as his big mistake and that Riel was hanged in 1885 because of this shooting. The Prime Minister said Riel will hang though every dog in Quebec howl.  This still echoes in Canadian politics.

I couldn’t do it justice because I don’t really know this period in history very well at all and I really didn’t know what was going on for much of the story.

The story is elliptically written and, although the death of Thomas Scott is a central moment to the story, the focus is really on someone with nothing to do with the story.  I actually assumed the narrator was a woman, although re-reading the story there is no indication of that and I think perhaps the narrator is a man.  Which means that the lesbian/outsider subtext I assigned to the story is totally false.

Rather, I guess it is just a guy who fancies Gertie the Outside Woman who “walks her manic chicken on a length of twine.”  He is following Gertie’s backside, but also wondering if they put Scott’s half-alive body under the river ice. (more…)

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[ATTENDED: December 14, 2019] Kevin Devine & The Goddamn Band

I have seen Kevin Devine twice.  The first time was in 2017 when he opened for Frightened Rabbit.  The second time was earlier this year when he did a brief solo tour with John K. Samson.  The second show was so good–he was so full of energy as a headliner, that I knew I’d see him again.  But I really wanted to see him with The Goddamn Band (hilarious name).

When it was announced that Kevin and the Goddamn Band would be playing a short tour celebrating the tenth anniversary of the 2009 album Brother’s Blood, I bought tickets immediately.  I didn’t even know the album, I just wanted to see the whole band.  And holy cow was it a great choice.

Kevin has a fantastic stage presence–he bonds with the crowd instantly (even when I first saw him as an opening act and had no idea who he was, he just owned the stage).  He invites the audience to sing and the audience does.

And with the whole band, that interaction was even greater.  Kevin joked with the band members, soloed off of them and made the whole show like a party.

The crowd was totally into it–singing along to nearly every song.

It was a fantastic show.

I have since listened to the album a bunch and the songs are really great–but this live show was something amazing.  The band feeds off of each other, making every song bigger, richer, with more noise and jamming.  They clearly love playing with each other and were having a fantastic time. It was wonderful. (more…)

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[ATTENDED: December 14, 2019] An Horse

I feel like I’d heard of An Horse, but didn’t really know all that much about them.  It turns out they are a duo from Australia: Kate Cooper on guitar/vocals and Damon Cox on drums/backing vocals.  They’ve been around for ten years but have only released their third album this year.

I listened to them a bit before the show and liked what I heard.  But I was in no way prepared for how great they would be live.

Kate Cooper is a fantastic front woman.  She is funny, vibrant and she totally rocks.  Damon Cox is a fantastic drummer–playing interesting patterns, using different kinds of mallets and also singing backup.

I have seen a lot of rock duos recently and I’m always impressed with how big they can sound with just two people.  An Horse doesn’t sound big exactly, but they sound totally full.  You never feel like something is missing.  Their songs aren’t especially complex, but the way they both play, it never feels like “only” guitar and drums. (more…)

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SOUNDTRACK: SHARON VAN ETTEN-“Silent Night” (2009).

There’s been quite a lot of songs coming out for Amazon Soundtracks lately.  This Christmas song comes from Eric Paschal Johnson’s short film The Letter.

There have been probably hundreds of recordings of “Silent Night,” one of the few Christmas songs that I feel should not be tampered with. It’s a beautiful song and if done right can be incredibly moving.

Sharon’s version is really fascinating to me.  It’s not especially traditional.  Indeed, it feels very contemporary.  The music is a kind of throbbing bass note, almost like a slow, dance song.  It pulses and changes pitch, but all quite slowly.

And yet, the song doesn’t feel like a dance song.  Sharon doesn’t sing it like a pop song at all.  Rather, she sings gently in a deep register–very earnestly.  After a verse, a second vocalist comes in and adds some dreamy backing vocals.

For the third verse, a simple drum rhythm is added.  The song is now much fuller than when it started and yet it’s not all that different.

It’s really quite a lovely update to the song and an all around excellent version.

[READ: December 14, 2019] “Natural Light”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

This story played around with linear reality in a number of ways.

It opens with the narrator telling us her mother is dead, but that she keeps getting emails from her.

She wanted me to know that a small penis size was not an indictment against my future happiness….  She needed some money for an emergency that had unfolded, totally beyond her control, somewhere at an airport in Nigeria.

The narrator could not bring herself to flag the spam.

She also continued to wear her wedding ring even though they had been divorced for a year.  Her husband had said more than once “I can’t imagine t he man who would have an easy time living with you.”  There are a few instances where the ex-husband comes up in the story which really flesh out what’s happening.  The ring wasn’t a hope for reconciliation.  Rather, it was a reminder that her unhappiness was not only a chemical dysfunction. (more…)

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SOUNDTRACK: PEARL JAM-“History Never Repeats” (1995).

On December 2, Pearl Jam announced that their fan club holiday singles will be released to streaming services.  Their first holiday single was released back in 1991.  It was “Let Me Sleep (Christmas Time).” They are rolling out the songs one at a time under the banner 12 Days of Pearl Jam.

These releases are coming out as a daily surprise.

I was not aware of this recording at all.  It is, indeed, the Split Enz song.  It was recording during a Pearl Jam show on March 24, 1995 in Auckland, New Zealand.   It must be during a quiet middle section, because it’s just Eddie with Neil Finn & Tim Finn live at the Mount Smart Stadium.

It is a bare-bones version with just voices and one electric guitar.  Neil Finn plays guitar and sings the first verse.  Eddie takes the second verse.  Tim Finn sings the third verse.  All three share  backing vocals and the chorus.

It’s a rare treat to hear an old recording like this, especially one of a song they’ve not played since.

[READ: December 13, 2019] “The Infinite”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

I really like César Aira’s stories.  He’s a fascinating guy and insanely prolific.

He has written nearly a hundred books.  Most of his novels are quite short, so I’ve never really thought of him as writing actual short stories.  This one comes from his collection The Musical Brain: And Other Stories which was translated by Chris Andrews.

The unnamed narrator says that as a kid he played some extremely strange games.  I love this line, “They sound made up when I explain them, and I did, in fact, make them up myself.” (more…)

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[ATTENDED: December 12, 2019] Strand of Oaks

In 2016, Timothy Showalter played his second Strand of Oaks Winter Classic at Boot and Saddle.  I got a ticket for the third night, not really knowing what to expect.

It turned out to be a fantastic night of music and togetherness.

I missed the next year but went last year to Winter Classic IV.  Which was also great.

There was no way I was going miss Winter Classic V.  This year I went for the first night of the three.

The other two shows had opening acts announced, but there was none announced for my night.

I didn’t think we’d get an extra long show (Tim doesn’t do extra long shows).  Instead we got a cool improv by his partner for the night, Mike “Slo-Mo” Brenner. (more…)

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[ATTENDED: December 12, 2019] Mike “Slo-Mo” Brenner

I was pretty excited to go to the fifth Strand of Oaks Winter Classic (this is my third).  I chose the first night of the series because I was going out on Saturday as well. The other two shows had opening acts announced, but there was none announced for my night.

When I arrived, my friend was there up front (of course) and I managed to get up next to her.  She told me that the opening act was going to be Mike “Slo-Mo” Brenner.  It was apparently decided just before the show started.

Well, Mike “Slo-Mo” Brenner was accompanying Tim Showalter for these shows (it was just the two of them during the Strand of Oaks set).  So, I guess it was decided last minute to let Slo-Mo do a twenty minute improv before the main show. (more…)

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SOUNDTRACK: PEARL JAM-“Gimme Some Truth” (2001).

On December 2, Pearl Jam announced that their fan club holiday singles will be released to streaming services.  Their first holiday single was released back in 1991.  It was “Let Me Sleep (Christmas Time).” They are rolling out the songs one at a time under the banner 12 Days of Pearl Jam.

These releases are coming out as a daily surprise.

“Gimme Some Truth” was written by John Lennon during the Nixon administration.

Pearl Jam played this song live a bunch of times during the George W. Bush administration.  They had played it twice before recording this version at the Groundwork Benefit, Key Arena, Seattle. October 22, 2001.

It’s quite a faithful cover.  The original has angry guitars and Lennon’s growly voice. Although the original has a very distinctly Beatles-sound from the guitars (Which is obvious, but still somewhat surprising).  Even Lennon’s guitar solo has that Beatles sound.  The Pearl Jam version doesn’t have that feel at all–it sounds very much like a Pearl Jam song.

In fact, Eddie and the guys updated the lyrics for the George W. Bush administration.  I’ve listed both sets of lyrics at the bottom of the page.

The song is catchy and passionate and, frankly, is even more applicable now with the Liar in Chief’s administration literally incapable of saying a true word.

[READ: December 12 2019] “The Sacred Family”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

I have read a number of stories by Rachel Kushner.  I tend to enjoy them, although this one was more thought-provoking than interesting.

The story concerns a man, Hauser, who is warden at a women’s prison.  (more…)

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SOUNDTRACK: PEARL JAM-“I Believe in Miracles” (2003).

On December 2, Pearl Jam announced that their fan club holiday singles will be released to streaming services.  Their first holiday single was released back in 1991.  It was “Let Me Sleep (Christmas Time).” They are rolling out the songs one at a time under the banner 12 Days of Pearl Jam.

These releases are coming out as a daily surprise.

Recorded in Santa Barbara California on October 28, 2003 this is a song that the band has played many times live.  I actually forget that its a Ramones song because of how un-Ramones their version is.

They do play it loud and rocking, but this version is a quieter, acoustic version. It’s also kind of slow so you can hear all the words.

There’s two lengthy acoustic guitar solos (very different from the Ramones) as well.  And of course, Eddie sounds nothing like Joey Ramone.

Despite the different style of play, this cover is quite faithful to the original.  But this acoustic version is particularly cool and the crowd is really into it.

[READ: December 11, 2019] “The Wild Man of Mississippi”

This year, S. ordered me The Short Story Advent Calendar.  This is my fourth time reading the Calendar.  I didn’t know about the first one until it was long out of print (sigh), but each year since has been very enjoyable.  Here’s what they say this year

The Short Story Advent Calendar is back! And to celebrate its fifth anniversary, we’ve decided to make the festivities even more festive, with five different coloured editions to help you ring in the holiday season.

No matter which colour you choose, the insides are the same: it’s another collection of expertly curated, individually bound short stories from some of the best writers in North America and beyond.

(This is a collection of literary, non-religious short stories for adults. For more information, visit our Frequently Asked Questions page.)

As always, each story is a surprise, so you won’t know what you’re getting until you crack the seal every morning starting December 1. Once you’ve read that day’s story, check back here to read an exclusive interview with the author.

Want a copy?  Order one here.

I’m pairing music this year with some Christmas songs that I have come across this year.

I know Jack Pendarvis exclusively from McSweeney’s issues–particularly from the Letters columns–and The Believer.

I’m a little sad to say that overall my impression of his writing is not great.  I wrote this a long while back:

Pendarvis writes my least favorite piece in The Believer.  His monthly column Musin’s & Thinkin’s is a faux hillbilly column that is purposefully absurd and in my mind really really forced.

However, I did enjoy some of his short stories, which seem to be, not exactly parodies, but anachronistic tales that play around with the expectations of formula.

This story continues in that vein.

The titular Wild Man of Mississippi is an author and he is very much aware of his persona as The Wild Man of Mississippi.

As the story starts he is heading to near the Canadian border to read to a college class.  He couldn’t fit into his peacoat and had his tailor move the buttons: “an identifying feature of peacoats seemed to be the faraway buttons.  Well, fuck that.”

The tailor was late and thanked him for his patience.  How presumptuous to think he had patience.  After several other small indignities, he is booked on American Airlines–not his first choice. (more…)

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