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Archive for October, 2019

[ATTENDED: October 26, 2019] MST3K Live

I didn’t realize it was exactly one year ago that I went to the previous MST3K Live experience.  How funny.

I have enjoyed both of the two previous MST3K Live shows quite a bit.  So when it was announced that they were going to do it again and this time it was going to be in New Brunswick instead of Glenside, PA, I got tickets right away (and wound up in the third row).  I only wish I had picked the other side of the stage, because Joel and the bots did their movie watching from over there.

I have been very lucky to have gotten two movies each time I’ve seen the performance.  It seem like a lot of locations get only one movie.  I’m not sure why I’ve been so fortunate.  (And State Theatre offered a discount if you bought seats for both movies!).

Last time the riffing was done by Joel Hodgson and Jonah Ray as well as many of the actors from the show.

This time things were very different.

Jonah Ray was not there.  Nor was Rebecca Hanson as Synthia Forrester.  And of course, no Felicia Day nor Patton Oswalt (not even on video).

But the big announcement was that this was going to be Joel Hodgson’s last MST3K Live tour.  I don’t know if that means there will be more, or if this is the end of them entirely. (more…)

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SOUNDTRACK: THE FLAMING LIPS-“Halloween on the Barbary Coast” (1992).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Clearly this Esquire list is not meant to be scary or Halloween-appropriate songs.  Many of them might have a Halloween-type word in the title or chorus, but since they are songs you might want to listen to all year, the’re not really holiday specific.

There are songs that have Halloween in the title, like this one.  Although this song really has nothing whatsoever to do with Halloween.  Nor is it scary in any way.  It’s just weird trippy, pre-radio-friendly Flaming Lips.

Wayne Coyne’s voice is high and the main guitar riff is fluid and kind of catchy.  After a minute, the song shifts to a kind of acoustic stomping song.

The lyric does include the line “boy you still got shit for brains/it’s Halloween on the coast again.”  Of course it also references a Christmas tree, so I guess it could be a Christmas song too?

There’s a vaguely Middle Eastern feel to the middle portion of the song, but mostly it’s just a fun, shambolic Lips song.

[READ: October 24, 2019] “Sredni Vashtar”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This has been quite possibly my favorite story in any of the Ghost Boxes.

Saki is the pen name of British author Hector Hugh Munro.  I could not get over that this story was written in 1912, as it was timeless and darkly amusing. (more…)

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[ATTENDED: October 25, 2019] Ghost

A few years ago Ghost had just popped on my radar when I saw that they were playing the Fillmore in Philly.  I didn’t go, but a friend of mine took his son and said the show was outstanding.

Before getting tickets for Starset, I had bought tickets for C. and I to see Ghost.  I had heard that their live shows were tremendous and I was pretty excited to bring him to a show like this.  When I looked for tickets, I knew we wouldn’t want GA Floor, but I didn’t know if we should go straight back or close to the stage on the side.  I chose close to the stage and I was pretty happy with the location although C. thought it would be better straight on.

I had no idea we’d be going to see two concerts in two nights.  But it was fun for him to compare the two styles of venue–club vs. arena.

Starset has a backstory and Ghost has a backstory too.  Ghost’s story is pretty fascinating.

But before getting to that I have to say that this show was spectacular.  Holy cow was it fun–the band was fantastic.  The stage set was incredible and Cardinal Copia was an amazing front man.

Now, onto the story of Ghost. (more…)

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[ATTENDED: October 25, 2019] Nøthing Møre

Before getting tickets for Starset, I had bought tickets for C. and I to see Ghost.  I had heard that their live shows were tremendous and I was pretty excited to bring him to a show like this.  When I looked for tickets, I knew we wouldn’t want GA Floor, but I didn’t know if we should go straight back or close to the stage on the side.  I chose close to the stage and I was pretty happy with the location although C. thought it would be better straight on.

I had not heard of Nøthing Møre before this show.  I rather wish I had looked them up beforehand, because part of their live show was really cool and I wish I had known it was coming so I could have appreciated it more.

But as it turned out, I was not quite in the mood for them.

Traffic was fine (I loved having the Arena only 45 minutes away and would totally go back).  Parking was a little tricky (I’ll know better if there is a next time).  We walked in with a few minutes to spare. (more…)

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SOUNDTRACK: KATE BUSH-“Under Ice/Waking the Witch” (1982).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Esquire didn’t pick this song, but the inclusion of Kate Bush yesterday reminded me of this pairing of songs which I find incredibly creepy–especially late at night wit headphones.

This comes from side two of the Hounds of Love album.  Side Two is a suite or a story called The Ninth Wave.  Kate makes full use of sound effects and vocal panning so that you can hear the voices all around your head as they whisper, call or threaten.

The side begins with the gentle “And Dream of Sheep” which shows a young woman falling asleep (later we find it’s not as innocent as it seems).  This segues into “Under Ice” which begins with slow string notes that sound like someone skating.

Kate’s voice is deep, slow and echoey as she sings about skating on the ice.  You can hear a voices calling, but she doesn’t heed them:

I’m speeding past trees
Leaving little lines in the ice
Cutting out, little lines in the ice
Splitting, splitting sound
Silver heels spitting, spitting snow

and then in a more tremulous voice (with great watery sound effects) followed by a chorus of voices:

There’s something moving under
Under the ice moving
Under ice through water
Trying to
It’s me
Get out of the cold water
It’s me
Something
It’s me
Someone, help them

The two minute song segues into “Waking the Witch” which opens with a whispered “Wake up!” and an early morning wake up call while voices from all over the headphones try to get you to wake up–some more gently than others.

After a minute or so of this the song becomes an intensely scary four minutes.  A voice of someone, pleading, but garbled and cut up–perhaps under water? It is a nightmarish attempt at communication when a deep scary male voice states (with Kate singing the parenthetical)

You won’t burn (red, red roses)
You won’t bleed (pinks and posies)
Confess to me, girl (red, red roses, go down)

With a pretty melody, a voice whispers Spiritus Sanctus in nomine.  It cuts to another chopped up and manipulated voice praying “Bless me, father, bless me father, for I have sinned.”

The deep voice returns in accusation:

I question your innocence
She’s a witch
(Help this blackbird, there’s a stone around my leg)
Ha, damn you, woman
(Help this blackbird, there’s a stone around my leg)
What say you, good people
(Guilty, guilty, guilty)
Well, are you responsible for your actions?
(This blackbird)
Not guilty (help this blackbird)
Wake up the witch

As the four minutes fades off, we hear a helicopter flying through the air and a man shouting

Get out of the waves!
Get out of the water!

The story continues from there and gets a bit more positive, but man, the cinematic detail of this is staggering. Apparently she was finally able to stage this suite when in 2014, she performed her first concerts since 1979.  I would have loved to have seen that.

[READ: October 23, 2019] “The Distributor”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

This has been quite possibly my favorite story in any of the Ghost Boxes.

Richard Matheson wrote I am Legend and many episodes of The Twilight Zone and this story was the epitome of dark suburban paranoia come to life.  It is also scarily timeless and, aside from some of the words used in the story, could easily have been written today. (more…)

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[ATTENDED: October 24, 2019] Starset

I had taken C. to a couple of live shows before and he had been to see Ice Nine Kills with his friends.  But this was my first time taking him to see a club concert.

This was going to be a long night too.  Four bands!  With the opening band going on at 7 and Starset ending around 11 (and it was a school night!).

C. has been a fan of Starset since their first album came out.  I had not heard of them and I’m not sure where he came upon them, but he really liked their debut Transmissions.

And I can say that now that I know more about them, they would have been a band that I would absolutely loved and been utterly obsessed with back in high school as well.  Their back story and concept is pretty intricate, so I won’t bother trying to do justice to it here.  Suffice it to say their albums are concept albums.

I also love that he didn’t like the second album, Vessels, as much because it was too poppy (not his words, but I think that’s what he meant).  When I had talked about getting tickets to them the last time (I think we’d just missed them come to the area, he said it was okay as he didn’t like that album that much).  But that the third album was back to the cool stuff again so he was pretty excited when I told him I’d gotten us tickets.

He wanted his friend to come along, but it being a school night and us not getting home until 12:30 made it impossible for his friend to come.  So it was just us. (more…)

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[ATTENDED: October 24, 2019] Palisades

I had taken C. to a couple of live shows before and he had been to see Ice Nine Kills with his friends.  But this was my first time taking him to see a club concert.

This was going to be a long night too.  Four bands!  With the opening band going on at 7 and Starset ending around 11 (and it was a school night!).

Palisades was the biggest of the three supporting bands.  They had also toured with Starset on Starset’s last leg of the tour.  There were definitely a lot of fans there for them. A few of them in front of us left after their set. (more…)

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[ATTENDED: October 24, 2019] Hyde

I had taken C. to a couple of live shows before and he had been to see Ice Nine Kills with his friends.  But this was my first time taking him to see a club concert.

This was going to be a long night too.  Four bands!  With the opening band going on at 7 and Starset ending around 11 (and it was a school night!).

After A Brilliant Lie, some people moved around and we were right in the middle for Hyde.

When I looked up this concert I saw that  lot of people were more excited about Hyde than anyone else.  Someone even suggested that Hype might play solo–just him and his guitar.

I had no idea who Hyde was, but based on that (erroneous) information I assumed he might be a metal guy doing some mellower songs.

Boy was I wrong. (more…)

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[ATTENDED: October 24, 2019] A Brilliant Lie

I had taken C. to a couple of live shows before and he had been to see Ice Nine Kills with his friends.  But this was my first time taking him to see a club concert.

This was going to be a long night too.  Four bands!  With the opening band going on at 7 and Starset ending around 11 (and it was a school night!).

Despite leaving pretty early, between traffic, getting pizza on the way there and parking (dad was trying to be cheap and find street parking, but eventually had to give in and pay), we walked in about 2 songs into A Brilliant Lie’s set.

It was certainly a surprise to walk in and hear a band playing “Africa.”  It was even more of a surprise to hear them later say “Weezer can go away now, because, surely they were only playing this because Weezer re-popularized it, right?”  However, A Brilliant Lie’s version was pretty great–heavier and less exactly like the original.  They even did a “everybody get down” middle section and encouraged everyone to sing along (for better or worse). (more…)

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SOUNDTRACK: KATE BUSH-“Get Out of My House” (1982).

A lot of the music I listen to is weird and probably creepy to other people, but I don’t necessarily think of songs as appropriate for Halloween or not.  So for this year’s Ghost Box stories, I consulted an “expert”: The Esquire list of Halloween songs you’ll play all year long.  The list has 45 songs–most of which I do not like.  So I picked 11 of them to post about.

Most people who know Kate Bush know her songs that have broken the Top Ten.  But if you dig deeper into her catalog, Kate has some really intense and really creepy songs.

I was pretty delighted to see this on Esquire’s list because it’s a pretty deep cut, it seems like a surprising choice and because it gives me chills.

It starts with thumping drums, a plucked string melody (dulcimer?) and a guy making a kind of hee-hawing sound in the distance.

And then the lyrics.  Good old gothic horror:

When you left, the door was
(slamming)
You paused in the doorway
(slamming)
As though a thought stole you away
(slamming)
I watched the world pull you away
(Lock it)
So I run into the hall
(Lock it)
Into the corridor
(Lock it)
There’s a door in the house
(slamming)
I hear the lift descending
(slamming)
I hear it hit the landing
(slamming)
See the hackles on the cat
(standing)
With my key I
(lock it)
With my key I
(lock it up)

The next part has Kate speaking in a funny voice (and in French) in your left ear before the “chorus” (such as it is) features Kate singing the main lyrics quietly and slowly while the recurring refrain is her shrieking and gasping at he top of her lungs (but recorded so it sounds far away) “Get Out of My House!”

The middle of the song gets more frantic.

This house is full of m-m-my mess
(Slamming)
This house is full of m-m-mistakes
(Slamming)
This house is full of m-m-madness
(Slamming)
This house is full of, full of, full of fight
(Slam it)

Midway through the song, while repeating “Get Out of my House!” the dulcimer returns playing a bouncy melody while a man’s voice whispers creepily in your right ear:

“Woman let me in!
Let me bring in the memories!
Woman let me in!
Let me bring in the Devil Dreams!”

Kate replies:

I will not let you in!
Don’t you bring back the reveries
I turn into a bird
Carry further than the word is heard

The man counters:

“Woman let me in!
I turn into the wind.
I blow you a cold kiss,
Stronger than the song’s hit.”

Kate concludes:

I will not let you in
I face towards the wind
I change into the Mule
“I change into the Mule.”

She turns into the Mule and starts braying and hee-hawing, which then transforms into the man who did it at the beginning of the song.

That’s not quite the end, but I’m not even sure what’s going on as the song ends–voices keep muttering something over and over.

It’s five and a half minutes of confusion and creepiness.  Perfect Kate Bush.

[READ: October 23, 2019] “It Feels Better Biting Down”

Just in time for Halloween, from the people who brought me The Short Story Advent Calendar and The Ghost Box. and Ghost Box II. comes Ghost Box III.

This is once again a nifty little box (with a magnetic opening and a ribbon) which contains 11 stories for Halloween.  It is lovingly described thusly:

Oh god, it’s right behind me, isn’t it? There’s no use trying to run from Ghost Box III, the terrifying conclusion to our series of limited-edition horror box sets edited and introduced by Patton Oswalt.

There is no explicit “order” to these books; however, I’m going to read in the order they were stacked.

I don’t know Livia Llewellyn, but if her other stories are anything like this, she must have a wonderfully bizarre body of writing.

This story starts off fairly conventionally.  Twin sisters wake up to the sound of a lawnmower. (more…)

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