Feeds:
Posts
Comments

Archive for August, 2019

[NOT ATTENDED: August 14, 2019] Death Valley Girls/The Distillers [rescheduled from June 1, moved to October 7]

On June 1, I drove to Union Transfer to see Starcrawler and The Distillers only to learn:

“Brody has a herniated disc and can not stand. She’s at the hospital getting treatment now.”

So I went home with the knowledge that the show was going to be rescheduled for August 14.

Then on August 3rd, I received this email

Hello Distillers fans,

Unfortunately another member of The Distillers was recently injured and they have to postpone their Philly date again. They are dedicated to make it back to Philly and play for you!!! So all tickets will be honored. Including tickets originally purchased for the original June 1st date.

(more…)

Read Full Post »

SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Helping the Retarded to Know God” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

After an intense dance song and a trippy synth song, why not follow it up with a (mostly) acoustic song with an incredibly offensive title?

Turns out this incredibly offensive title is actually the name of a (serious) book written in 1969 (you can see it and the rather amusing contemporary reviewed on Amazon).

I don’t think the lyrics address the book exactly (although I haven’t read it).  But with lyrics like

We can hear them laughing at us
Judging all the time
I wish I could be like you
You don’t pay them no mind

It’s hard to tell.

This song is sung by Wayne in his falsetto and Edward Sharpe and the Magnetic Zeros (the whole band or just the singer, I don’t know) singing along.

After a minute and a half some processed drum beats add some texture to the song which stays mostly quiet and pretty. The Lips can sure do pretty went they want.  There’s even birds tweeting.

After five and a half minutes, the song shifts gears to a repeated refrain of

And I am trying to know you.

The song is 7 minutes long, but it never drags, which is quite a compliment.

[READ: August 1, 2019] Strangers in Paradise XXV #3

Issue 2 ended with a literal cliffhanger–Katchoo hanging off the edge of a cliff.  She’s freezing. There are dogs above and even an eagle flying at her.  She’s in a bad way until a rope comes down.

It is from Jet and Earl.  Jet figured Katchoo might do something stupid so she went to the gated house and heard the screams.

Jet explains that the home owner is an asshole, but they may need him to get any information on Stephanie.  Katchoo has put up with assholes before and she pulls out a gun of her own.  After some threats back and forth (the guy was shooting rock salt as a warning and mostly wants to know who will pay for the fence that Katchoo drove through), Jet is able to calm things enough to learn that the man doesn’t know where Stephanie is.

But he provides a small clue–Scotland.  Stephanie loved Scotland. (more…)

Read Full Post »

SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“Ashes in the Air” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

The second song sounds a lot more like The Flaming Lips (latter period).  Starting out with spacey zaps and a super fast drum electric drums beat, the song is actually slow and trippy with interweaving heavily distorted synth lines.

Wayne sings lead (with his voice modified):

You and me we were both so fucked up
You’re fucked in a good way
I’m fucked up in a bad.

After the first verse, Bon Iver’s Justin Vernon sings the echoing first lines in a highly processed almost unrecognizable voice.  This was before Bon Iver recorded his weirdo 22, A Million album so it’s safe to assume that either Wayne influenced Justin or Wayne allowed Justin to explore an arena he hadn’t before.

The song is catchy in that darkly sweet sounding style that The Lips create.  Despite the fact that the lyrics are quite dark:

We thought we could outrun them but they had robot dogs

So, yeah, The Flaming Lips in a nutshell.

It ends with those same spacey zaps fading out–a pretty solid Lips song.

[READ: August 1, 2019] Strangers in Paradise XXV #2

Issue 1 ended with Katchoo in a guy’s house.  Issue 2 opens with Katchoo hanging for dear life on the side of a mountain.

The story gives some background on the Parker Girls story.  Darcy Parker was the leader of a group of women–dangerous, deadly women who were selected for their beauty and their skills.  She mentored and paid for them and essentially owned them.  If they turned on her, they were killed with no mercy.

The woman from issue 1, Laura, whose real name was Stephanie was a Parker Girl.  She cut a deal with the Senate to revel the details of the Parker Girl operation.  Since Darcy was now dead, she assumed she could easily hide.  But Parker Girls don’t give up. (more…)

Read Full Post »

SOUNDTRACK: THE FLAMING LIPS AND HEADY FWENDS-“2012 (You Must Be Upgraded)” (2012).

2012 saw the release of this very strange collaborative album.  Whether The Flaming Lips had entered the mainstream or if people who’d always liked them were now big stars or maybe they all just liked doing acid.  Whatever the case, The Lips worked with a vast array of famous (and less famous) people for this bizarre album.  Here it is 8 years later. Time to check in.

The first song is I believe made by Kesha (who wanted to collaborate with Wayne Coyne).  I understand it is a kind of update of The Stooges’ “1969.”  I’ll have to assume that’s true.

It starts with Kesha saying, “Coz I want my ass.  Shit.  Sorry.”  And then the stomping electronic dancey but chaotic beat starts up.  “2012 (You Must Be Upgraded)” features Kesha, Biz Markie & Hour of the Time Majesty 12.

It runs along with Kesha singing (incoherently) and Biz Markee chiming in (also incoherently).  I don’t really know what they’re saying, but it’s oddly catchy.

The middle has some psychedelic flutes and a relatively clean vocal line from Kesha.  She sings nicely and It feels like the end of the song–like its just going to fade out–but no, after a beat, the noisy dance part starts up again.  At four minutes, it’s a relatively short song on this album.  And it certainly sets the tone for what follows (which means who the hell knows what’s going to come next).

This song is so unlike The Flaming Lips, I’m not even sure what they contributed to it.  Lyrics? Music? Anything?  Who knows.  The unknown contributors are Hour of the Time Majesty 12 who are Spooki Tavi and Ashi Dala an experimental pop group who “create cartoon-like psychedelic fantasy in the dusty shimmer of east Hollywood.”  They have two albums out which I may have to investigate.

[READ: August 1, 2019] Strangers in Paradise XXV #1

I loved the Strangers in Paradise series.  Terry Moore’s art is amazing and the story was incredibly affecting.  I was really saddened when it ended in 2012.

Then in 2018 he announced that he was restarting the story–a 25th anniversary update!  Hence the XXV in the title.

I subscribed to the monthly publication issues but wanted to wait until the ten issue arc was completed before I started reading it.

Issue 1 begins with a man on a subway looking at his phone.  When he doors open, a kid grabs his phone, and takes off.  The phone gets tossed around until a woman who looks a lot like Katchoo takes out the sim card and throws the phone down.

The man calls his wife from work to say what happened.  His wife, Laura, asks about the woman who took out the sim card.  He describes Katchoo and Laura freaks out.  She kicks a hole in a wall, takes out a bug-out-bag and flees.  Shortly, Katchoo goes into the house and sees that Laura has left already. (more…)

Read Full Post »

SOUNDTRACK: CLAIRO-“Bags” (2019).

It seems like 2019 is the year of lo-fi women.  There’s a lot of great songs but great artists mining the same field of guitar-based, quietly sung catchy songs.

Clairo’s “Bags” is the latest of this style of song.

There’s a shoegaze vibe to the song both in the woozy guitars and Clairo’s distant vocals.  The melody is catchy but the big hook comes from what I assumed was a whispery, vibratoed synth line, but which a live video tells me is actually a guitar line.  It’s 11 notes long and meanders in a rather compelling way.

I’m curious what the rest of the album will sound like.

[READ: August 2019] The Fifty Year Sword

I’ve really enjoyed Mark Z. Danielewski’s meta fictional books. He makes the book itself, not just the words, part of the story.

This book is a novella.  Even though it’s nearly 300 pages, most of the right pages are blank and the left pages are mostly written in a poem-fashion with lots of white space.

(It’s a huge waste of paper, because the book would still work of text was on left and right, but whatever).

Neverthless, the design is really pretty.

This story has a design element that means there are a lot of colors in the book.

The conceit is that there are five orphans telling this story. Each is designated by a different colored quotation mark.  The orphans interrupt each other constantly (which is what gives the pages the look of poetry). (more…)

Read Full Post »

SOUNDTRACK: AMONG AUTHORS-Tiny Desk Contest # 878 (August 9, 2019)

A lot of the time when I say I haven’t heard of a band, tons of other people have.

But I’m expected to say I don’t know who Among Authors is because as of this performance they are unsigned and self-managed.

They make a kind of artful indie prog rock. Two lead guitars, a simple drum kit, and piano.  All centered around pianist Ian Ketterer’s amazing voice.

Out of more than 6,000 entries to our 2018 Tiny Desk Contest, Among Authors was one of the most original bands I’d seen — so much so that we invited the group to perform as part of our Tiny Desk Contest tour in Seattle. I was even more impressed by Among Authors’ songwriting and keen, spare musicianship at that KEXP-sponsored event, so I invited them to play a Tiny Desk concert. By the time their big day came, nearly a year later, they were ready — nervous, but ready.

They play three songs, each one longer than the last.

“Radio Signals” opens with just piano and Ian Ketterer’s soaring falsetto–he sounds a bit like Ryan Lott from Son Lux.  After a minute and a half Patrick Brockwell adds some gentle brushed drums and both guitarists play different intertwining melodies.

Ian Ketterer sat behind our upright piano, partially hidden by his hair and hoodie. Patrick Brockwell’s clean look provided a stark contrast, and his no-frills, perfectly placed rhythms matched his appearance. The two guitarists, Jon Livingston and Jason Ketterer (Ian’s brother), played intertwining melodies, often lifting the songs from their dimness while embracing the mystery in the lyrics.

“The Overture” opens with all of them singing oohs–they have great voices.  The guitar parts are not unlike the slower parts of Explosions in the Sky–fast high notes in repeated melodies that interweave and sound amazing.

The blurb says that these songs aren’t catchy. And that’s true.  These aren’t earworm pop songs.  Yhey are intense and inviting.  I’ve listened to this Tony Desk more than many others.  It’s impressive when Brockwell hits his low drums (floor tom, I assume) how deep it is–there’s not a lot of bass in these songs so the low notes really stand out.  And Ian’s voice is really quite amazing–he gives this his all.

“Lure” opens with lovely intertwining guitar lines.  When the main part of the song kicks in, the thumping drums and fast piano really propel the song along.  It’s fantastic.  The song runs about 8 minutes with an extended instrumental outro that is dynamite.

Just to add some even more fascinating detail to this band

Nearly a dozen years ago, at 23, bandleader Ian Ketterer had open-heart surgery. Born without a thumb on his right hand and deaf in his right ear, he plays piano and sings.

I don’t know how hard it was to overcome any of that, but he (and the rest of the band) certainly did.  I’m going to have to look for this CD.

[READ: August 2019] Exorsisters Vol. 1

I saw this book in the store during an Image comic book sale.  I loved the title and was blown away by the art.  The whole premise seemed like a lot of fun.

I love the way the story doesn’t explain the set up for several chapters, it just jumps right in at a wedding.

As a pretty redhead is about to marry a handsome blond, dude, chains comes out of the ground and pull the man into hell.

Everyone in the audience believes that she was stood up, but she saw him get grabbed by a demon.

Then we meet twin sisters Cate and Kate.  Cate is prim and Kate is a rocker.  Lagacé’s artwork is perfect from the start.  They are distinct but similar.  Her whole style is almost like an Archie comic, but less sweet.  I love it.

The girls promise to investigate.

Meanwhile, we see a woman who proves to be their mom.  She bets a guy in a bar that she has done something worse than he has. We don’t hear what she has done, but she clearly beat his horrible tale. (more…)

Read Full Post »

SOUNDTRACKTY DOLLA $IGN-Tiny Desk Concert #877 [August 8, 2019]

On the year anniversary of Mac Miler’s Tiny Desk performance, Ty Dolla $ign and his band were doing a Tiny Desk Concert.  This is an except from it (the full show is supposed to be uploaded but as of April 2020 it still isn’t).

I don’t know the original at all, but what is interesting to me is the phenomenal guitar work Justus West and the always wonderful Thundercat on bass.

Last week, Ty Dolla $ign visited NPR headquarters to record a fantastic Tiny Desk concert of his own that will air in its entirety soon. But once we wrapped the taping, something special happened: I reminded Ty that he sat at the desk almost a year to the day that his friend, Mac, delivered what would be one of his final performances.

The band paused and huddled. They mulled over a few notes in a matter of seconds then gave me a signal that they were ready. The room was silenced and the cameras started rolling again.

Here’s Ty performing a moving rendition of his 2016 collaboration with Mac, “Cinderella” from Mac’s fourth studio album, The Divine Feminine. Ty’s flanked by two close friends of Mac, Thundercat on bass and Justus West on guitar, both of whom played at the Tiny Desk with the Pittsburgh-born rapper a year ago.

The rest of the band includes Cory Henry and Aliandro Prawl on keys, Mike Moore on drums and Ant Clemons on vocals.  It’s a very moving performance.

[READ: August 2019] Mind the Gap 1

I saw this book in the library and was intrigued by the title and the frankly fantastic/al looking cover image by Rodin Esquejo and Sonia Oback.

I had no idea what the story was about and I was frankly surprised by the plot and the way it was massaged.

The story opens with a woman, Jo, getting a call from her friend Elle, but it quickly gets disconnected.  Jo calls Dane and asks if Elle is with him. She says Elle sounded strange in the call and she was worried.  Soon enough Elle (Ellis) is brought into the hospital unconscious.  The next page we see her floating in an otherworld.  She can’t remember her name but she sees her body in the hospital. (more…)

Read Full Post »

SOUNDTRACK: DAVID CROSBY & THE LIGHTHOUSE BAND-Tiny Desk #876 (August 7, 2019).

I had more or less assumed that David Crosby was done with music.  He seemed more of a punchline than anything else lately.  He hadn’t put out much in the way of music in the last decade or so.  But the new Lighthouse album was getting some positive reviews.

It seems odd that he’s never been on a Tiny Desk before, but then again, he hasn’t done much lately to warrant it.  Nevertheless, here he and his band are.

Moments before the first note at the Tiny Desk, David Crosby needed the mics rearranged: He asked that his microphone be positioned evenly with the rest of his band mates, rather than in front of them, explaining that while his name is the one on the marquee, The Lighthouse Band has no hierarchy.

That band is an inter-generational ensemble, featuring Snarky Puppy bandleader and bassist Michael League, as well as guitarist Becca Stevens and keyboardist Michelle Willis, both accomplished singers and songwriters in their own right. They all first came together while the members were collaboratively writing and recording for Crosby’s 2016 album Lighthouse. Everybody sings in this band, trading lead vocals for harmonies and vice-versa in just about every combination.

The Lighthouse Band sounds fantastic and Crosby really does take a back seat to the younger musicians.

“What Are Their Names” is a political song sung in a capella style.  It is short and smart

I wonder who they are
The men who really run this land
And I wonder why they run it
With such a thoughtless hand
What are their names
And on what streets do they live
I’d like to ride right over
This afternoon and give
Them a piece of my mind
About peace for mankind
Peace is not an awful lot to ask

Crosby sings lead on “Looks In Their Eyes.”  His voice still sounds pretty good–although he’s not pushing too hard.  Becca Stevens has a wonderful high voice.

Before “Other Half Rule” Crosby says that this is a song about asking women to take over the world–you couldn’t possibly do any worse.  Michael League sings lead (his voice is much better than Crosby’s).  Becca and Michelle sing the second verse and sound terrific together.  The design of this song is very CSN&Y and you can certainly hear their voices in the harmonies.  I also really like the part where Becca plays a lead riff on the electric 12-string in between strums from Michael.

Then they play the classic “Woodstock” with a new arrangement but still wonderful harmonies.  This is a fantastic song in any version and this version is pretty great.

[READ: August 2019] Snotgirl Vol. 1

I loved Bryan Lee O’Malley’s Scott Pilgrim books.  The whole story was funny and the artwork was great.

This series is written by O’Malley, so it has a lot of the really funny moments like Scott Pilgrim did.  But it is drawn by leslie Hung, so the style is very different.

Hung’s drawing style is quite pretty, which befits the character-a fashion blogger.  Now, Scott Pilgim took O’Malley’s style and made the humor exaggerated.  Hung’s more pretty style is a contrast to O’Malley’s content.  It kind of works, although it almost deemphasizes the humor.

So what we have is a story about a vapid LA fashion blogger and, honestly, its not that interesting.  Scott Pilgrim was a loser, but his story was funny and interesting.  But Lottie might be too vapid to be interesting. Lottie’s biggest problem is that she has allergies (hence Snotgirl).

Is it possible to build a story around that?  Possibly not.

It starts with O’Malley’s humor as he introduces the characters.  Each woman gets a tag:

Lottie Person; Fashion Blogger; Style: effortlessly chic; Age: 25 3/4

Then her two best friends:
Megan Foster “Normgirl”; Style: boring, normie; Age 23? 27? don’t care
Misty Sutton “Cutegirl” Fashion blogger; Style: too cute; Age ???

She has to give everyone a nickname because she can’t keep anyone straight otherwise.

Then we see the first crisis of Lottie’s life.  Her ex-boyfriend Sunny Day is now dating her former intern, Charlene.  Charlene is younger, but thankfully not cuter.

While Lottie is freaking out about this she meets a pretty woman, Caroline, who orders the same weird coffee as her.  Lottie calls her “Coolgirl.”  Coolgirl knows of Lottie and follows her blog.  Coolgirl is an aspiring fashion blogger herself (good grief how many are there?).

Coolgirl is so cool, she forgot her phone and she’s living her life anyway.  Who does that?

Lottie goes to her allergist, but it’s a new fellow, a hot young guy who gives her a new experimental drug.

That night she meets Coolgirl at the bar (Lottie doesn’t normally go out). She has an allergy attack and runs to the restroom to hide her snot and take her new pills.  But Coolgirl barges in on her to se that she’s okay.  She laughs and calls Lottie “Snottie.”  Lottie seems to black out and when she wakes up, Coolgirl is dead on the floor.

But the next day (Lottie has no memory of getting home) there is no word of a dead girl anywhere in the news.  She;s pretty freaked out until her new intern, Esther Dumont (Style: my intern; Age unpaid) arrives to make all of Lottie’s problems go away.  [It’s staggering to think that Lottie would have an intern].

Lottie goes out for coffee with her “friends,” the haters club.  Charlene works at this coffee shop.  [I love that Charlene looks like Heather my favorite character from AP Bio, although this is from 2017, so its clearly a coincidence].  Charlene puts Lottie milk in her coffee (Lottie is lactose intolerant, of course) and that’s the last straw.

Then there’s a new character introduced, a detective.  His name is John Cho (no relation to the beloved actor).  Hes 27, and rising star with the LAPD. Now that he’s been made a detective he can unleash his greatest skill: Fashion!  This is such a wonderful O’Malley joke and delivery, that I wish it paid off more.  Cho is a huge fan of Lottie’s blog and believes her to be perfect in real life.  Their paths will cross later.

Later that night at a party Charlene and Sunny Day are there. Charlene is wearing one of Lottie’s old dresses (Esther the intern sold it to her).  Lottie gets right in her face and yells “Take everything. Take my dress, take Sunny, you’re nothing but a stalker and worse than that, you’re a fake!”

But when Charlene says she saw Lotte go into the bathroom with the pretty girl and she knows what Lottie did, well Lottie can’t deal and she pushes Charlene into the pool.

And yet just as things seem their worst, Lottie gets a text from Cool girl.  She is at the party too.  She’s not dead.

On New Year’s Eve, Lottie goes out.  Charlene is there and she drunkenly pulls up her dress at Lottie and says, “I’m wearing your panties!”  There is a buzz around the room until Lottie has to tell everyone that they are not hers, she designed them.

Moments later, Lottie is talking to Charlene on the roof.  Charlene is in tears and Lottie feels like she wants to help this crazy girl.  But as the new year chimes in Coolgirl sees the two of them and jealously pushes Charlene off the roof.

What kind of story is this?

I found this book really hard to read.  Not because of the text girl speak (although that was annoying) but because the characters are so unpleasant and dull.  The first few chapters were meant as exposition I guess, but they were expository of characters that were hard to distinguish and seem ultimately irrelevant.

And again, the concept that Lottie’s biggest concern is allergies is hard to imagine as the basis for a story.

I’m not dying to read the other two books, but I want to give O’Malley the benefit of the doubt.

 

Read Full Post »

SOUNDTRACK: BAS-Tiny Desk Concert #875 (August 5, 2019).

I’ve never heard of Bas, but he performs a surprisingly upbeat-sounding set of songs for lyrics with so many curses.

Bas, the Paris-born, Queens-bred MC delivered an energetic and comical set.  Just like his lyrically impressive and sometimes dance-inducing Tiny Desk — peep his headbanging and seated sambas throughout — Bas always balances his bravado with a relatable sense of humility.

The four songs are from his third studio album, Milky Way.

“Barack Obama Special” starts with this fascinating lyric:
This one is dedicated to
My bitch ass neighbors, haha, yeah
‘Cause I’m living better now, better now
Bitch I’m living better now
Yeah
I had to move ’cause neighbors so racist

But he makes sure to clarify

“My new neighbor’s mad cool. So shout out to Peggy.  Peggy be picking up my mail when I’m on tour.  I don’t want her to watch and be like I thought you was such a nice young man.”

The song segued into “Purge” which starts with a simple but cool sounding guitar riff from Nathan Foley.  Sweet keys are sprinkled over the top.  Mereba and Justin Jackson provide gentle backing vocals.  Ron Gilmore adds some very cool bass lines from the keys throughout all the songs.

“Designer” has some cool off tempo synth lines and ends with a ripping distorted Prince-like guitar solo.

The song finishes with a bouncy instrumental section and Bas says, “I feel like I just won the whole circuit in Mario Kart.  Where’d you get that music from?  Don’t get me sued.  Nintendo coming for us.”

Ron Gilmore then plays a fun little circus music riff and Bas says, “Nintendo cut the check!”

Throughout the set, Johnathon Lee Lucas on drums is a lot of fun to watch as he’s got a whole array of drums and pads to play.

They are having so much fun they almost forget to play the last song “Tribe.”  This one ends with another nice instrumental jam which Bas says went on for much longer than they rehearsed–that was cool.

[READ: August 1, 2019] This Bridge Will Not Be Gray

Dave Eggers has written all kinds of books through his career.  This was his first children’s book (with cut-out art by Tucker Nichols).

Eggers is from San Francisco and he loves his home city.  This book is a love letter to the Golden Gate Bridge and the area that inspired it.

I honestly had no idea about any of the information in this book, so it was educational for me as well.

For instance, I did not realize that the passageway between the bay and the ocean was called The Golden Gate.  Thus, that’s why the Bridge is named that, not because it was supposed to be gold. (more…)

Read Full Post »

SOUNDTRACK: iLe-Tiny Desk Concert #874 (August 3, 2019).

It’s not very often that you hear a song that is all percussion.  But the first song of this set is only percussion and (Spanish) vocals.

iLe is a singer in the Puerto Rican band Calle 13.  Her most recent solo album Almadura:

is filled with metaphors and allegories about the political, social and economic conditions in Puerto Rico.

When vocalist Ileana Cabra Joglar and her band visited the Tiny Desk, they’d just arrived from the front lines of the historic demonstrations taking place in Puerto Rico. Two days earlier, they were part of a crowd of tens of thousands who were on the streets calling for the resignation of embattled Gov. Ricardo Rosselló. (Rosselló recently stepped down, effective August 2.)

Right from the start, it was clear what was on iLe’s mind in her song “Curandera” — “I am a healer / I don’t need candles to illuminate / I bring purifying water to cleanse / Removing pains so they never return” — as congas and percussion shook the room with an Afro-Caribbean beat.

This is the song in which all of the band members play percussion–primarily congas although Ismael Cancel is on the drum kit.  While everyone plays congas, it is Jeren Guzmán who is the most accomplished and who plays the fast conga “solo.”

In the chorus of the slow-burning “Contra Todo,” iLe sings about channeling inner strengths and frustrations to win battles and remake the world. Her lyrics are rich with history, capturing the spirit of the streets of San Juan even as she stood, eyes closed, behind the Tiny Desk. Her entire performance is a startling reflection of this moment in Puerto Rican history.

“Contra Todo” has a rich deep five string bass from Jonathan Gonzalez and two trombones (Joey Oyola and Nicolás Márquez). Two guitars (Bayoán Ríos and Adalberto Rosario) add a kind of percussive strumming and a quiet song-ending riff.  Jeren Guzmán plays the congas with mallets, something I’ve never seen before.

By the time iLe and her band launched into “Sin Masticar,” they’d already captured the full power of protest, as their musical arrangements raged with the intensity of a crowd joined by a shared cause and pulse.

“Sin Masticar” has a super catchy chorus, perhaps the best way to get people involved in a protest.

[READ: August 2019] Midnight Light

Two years ago Dave Bidini co-founded The West End Phoenix, a newspaper that is for people in Toronto’s West End.  It’s print, it’s old school, and it’s pretty awesome.  I don’t think I’ve ever been to the West End, but I find the writing and the content to be interesting and really enjoyable.

It’s no surprise that Bidini has worked in journalism and loved and hated it.

I’ve always loved newspaper: the smell of the ink and the rough of the newsprint weighted in my hands, their broadsheets flapping like Viking sails.  When I was a kid, our family read them all–the Globe and Mail, the Toronto Star, The Sun, and before that The Telegram–at the kitchen table with each person drawing out whatever they needed: comics, sports, business, entertainment (and yet never Wheels, the Star’s automotive supplement).

He started writing before he picked up a guitar.  When he was 11 he submitted a poem about a hockey player to The Sun‘s “Young Sun” section.  It was accepted and he won a T-shirt.

In 1991, he was asked to write a regular column for a Star satellite weekly called Metropolis.  The day his first piece was to be in print he waited at the nearest newsbox for the delivery man.

But he had no stamina and fewer ideas and he was eventually let go.  Which led to writing books.  But he still wanted to write for the paper and then he remembered: Hey, Yellowknife had a newspaper.

This book is about journalism.  But it’s also about the Canadian North.  And while the journalism stuff is interesting–and the way it ties to the North is interesting too, it’s the outsider’s perspective of this region of the world (that most people don’t even think about) which is just amazing to read about–the people, the landscape, the conditions.  It’s fascinating. (more…)

Read Full Post »

« Newer Posts - Older Posts »