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Archive for February, 2015

John Layman & Rob Guillory–Chew: Volume Six: “Space Cakes” (2012)

Posted in Alvvays, Canadian Music, Food, Graphic Novel, John Layman, KEXP 90.3 FM--Seattle, WA, Marriage Trouble, NASA, Rob Guillory, Sex, The Decemberists, Violence, Yuck! on February 18, 2015| Leave a Comment »

chew6SOUNDTRACK: ALVVAYS-Live at KEXP (December 2, 2014).

alvvays I’ve been enjoying the Alvvays album quite a lot.  They will be opening for The Decemberists this summer, so this was a good way to hear what they sound like live.

The band (pronounced Always) is from Canada and they play four songs and have a little chat.

The four songs are all on their debut album and while none of them are mind blowingly original, they scratch an itch that I have for poppy 90 s alt rock (female singer division).

Molly Rankin has a delicate voice that blends in beautiful with the washes of music (guitars and keyboards).  They remind me a bit of Lush, although less rocking.  There’s a bit more angst and yearning in her voice and lyrics.

Their hit is “Archie, Marry Me” but I find the other three songs, “Ones Who Love You,” “Dives” and “Party Police” to be just as catchy and delightful.  In fact I think the best song in this set may be “Party Police.”  The only real downside to this set is that they don’t have a live drummer.  No idea why, and it doesn’t really detract from the performance, it just makes it a but flatter than it might be.  I assume they’ll have a live drummer when I see them this summer.

[READ: January 22, 2015] Chew: Volume Six

Volume Six brings a very exciting return and a devastating loss to this awesome series.

The good news first: POYO!

The book opens with Toni (Antoinelle), Tony Chu’s sister in bed with Paneer, a man who is in love with her.  She, of course, needs to bite him to see what his future holds (which rather freaks him out).  Toni is (like her brother), cibovoyant and can read the future of everything she eats.

Toni is asked by her other brother Chow to help with a case.  A guy has out-bid him for a painting and he fears that the guy is just going to destroy the masterpiece.  As an agent of NASA surely Toni agrees she must help.  It turns out the artist is a sabopictor–his paintings taste delicious.  Of course it turns out that Chow has an ulterior motive–the guy has also stolen his cookbook, that’s all he cares about–he doesn’t care about the painting at all.  Toni is annoyed, but always happy to see her brother.

While she is visiting Tony in the hospital (from injuries suffered in book 5), Caesar walks in. Caesar used to work with Tony and he is quite certain that he recognizes Toni from somewhere (I loved this ongoing joke and that we keep flashing back to the number of times they met (and even hooked up) in their lives).

Then Toni gets called onto another case, involving mutated chicken frog (chogs) and a gangster named D-bear.Poyo-rules-the-Chew-roost-in-Secret-Agent-O31R1IQP-x-large

Of course the real excitement comes from the interlude which features POYO! the cybernetically enhanced rooster.  He is on a mission to stop Dr Albrecht Regenbigen, a ranapuliva who can recreate the meteorological phenomenon in which animals rain from the sky.

Back in our main story Poyo proves to be a great partner for Colby especially in the story of Judy Heinz-Campbell a victuspeciosian, who can craft a concoction out of food that temporarily changes your appearance (useful for supermodels and supervillains).

The final book shows the unthinkable–a wedding for Toni and Paneer?  Or something much more horrific and unimaginable.

I’m not sure I can forgive this series. Book 7 better bring something happy.

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John Layman & Rob Guillory–Chew: Volume Five: “Major League Chew” (2011)

Posted in All Songs Considered, Fantastic Negrito, Food, Graphic Novel, John Layman, Marriage Trouble, Rob Guillory, Sex, Tiny Desk Concert, Tiny Desk Contest, Violence, Yuck! on February 17, 2015| Leave a Comment »

chew5SOUNDTRACK: FANTASTIC NEGRITO-“Lost in a Crowd” (TINY DESK CONTEST WINNER 2015).

negrtitoFantastic Negrito won this year’s Tiny Desk Concert contest.  About 7,000 people submitted entries and Negrito was chosen.

On the surface this song is pretty simple–a basic blues riff and some simple percussion, but man there’s some gritty power and conviction in this performance.  The way he sings “rage” in a late verse is really great.  I also really like the way the chorus is so very different–it really changes the dynamic of the stomping verses.

A couple other things I like about this song: the drums appear to be done on a box, but they sound great and there’s a super cool piercing sound he gets when he claps.  This was a really good song and I’m looking forward to his upcoming Tiny Desk Concert.

[READ: January 19, 2015] Chew: Volume Five

I had been enjoying Chew so much that I’m shocked that I not only forgot about it but forgot about it for over three years!  This is the trouble with annual publications.  I’ve decided to try to find all of the series that I forgot about, so if you can think of something I’ve ignored for a while, let me know.

The good thing is that there have been four more books published since I last read them, so I get to indulge in four whole books rather than just one at at time.

As this book opens we learn that Tony Chu’s boss is super happy because he finally got rid of Tony Chu–his most hated agent.  That’s right Tony Chu is now a traffic cop and his partner, Colby, has been transferred to the USDA–and his partner is a lion.  If this whole USDA/FDA business seems weird, it is, and you need to get caught up on the series and the poultry ban. (more…)

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Grantland Quarterly, Number 11 (2014)

Posted in Advice, Afternoon Delight, Alex Pappademas, Amos Barshad, Andrew Sharp, Andy Greenwald, Baseball, Basia Bulat, Basketball, Ben Lindbergh, Bill Barnwell, Bill Simmons, Books about music, Books about writers, Bryan Curtis, Chris Ryan, Culture Shock, Daniel Kellison, Danny Chau, Dave McKenna, Death, Emily Yoshida, Essays, Football, Giannis Antetokounmpo, Grantland, Harris Wittels, History, Hockey, Holly Anderson, House of Cards, In a World, Jason Concepcion, Jason Schwartz, John Lopez, Jonathan Abrams, Jordan Conn, Katie Baker, Kirk Goldsberry, Looking, Louisa Thomas, Mark Harris, Mark Lisanti, Mark Titus, McSweeney's, Molly Lambert, Nostalgia, Philip Seymour Hoffman, Rafe Bartholomew, Rany Jazayerli, Rembert Browne, Robert Mays, Sean McIndoe, Shane Ryan, Steven Hyden, The Secret Life of Walter Mitty, Top Chef, Veep, Violence, Wesley Morris, Work of Art, Wrestling, Wu-Tang Clan, Zach Lowe on February 16, 2015| Leave a Comment »

11SOUNDTRACK: BASIA BULAT-“Tall Tall Shadow” and “It Can’t Be You” live at Polaris Music Prize (2014).

basiaSwinging to the other side of the musical world from Tanya Tagaq, Basia Bulat also performed at the 2014 Polaris.  I like Bulat a lot, she comes across as a sweet singer (no idea if she is actually sweet).  And I love that she can make really complex songs out of such random instruments (she plays autoharp, hammered dulcimer and others).

In this performance, she is fairly traditional for “Tall Tall Shadow” on the piano (although the french horn accompaniment is a nice twist), but “It Can’t Be You” on charango really highlights just what you can do with, essentially, a souped up ukulele.

“Shadow” highlights her voice which she holds for some quite long notes.  The song is really pretty with a great chorus.  “It Can’t Be You” is just her and the charango (which looks like a ten string ukulele but is Andean in origin).  It’s quite a song–her voice and that instrument are lovely.

[READ: February 4, 2015] Grantland #11

I enjoyed this issue quite a lot, even if I didn’t know who half of the people profiled were (and won’t remember them in two days time).

I am very curious why Grantland is just so obsessed with basketball than other sports.  It’s a little crazy how one sided these books tend to be.  They obviously love all sports but the preponderance of NBA articles is really staggering.

I do wish there’d be a bit more about TV and movies (and even more about the shows that I watch), but it is a fun way to learn about shows I would never watch.  And maybe that’s why I like these books so much, it’s my chance to vicariously enjoy sports without having to care about any of it (especially since it is all a year old, I never know if anything they talk about actually came to fruition or not).

This issue covers January-March 2014 (it’s fun reading about things almost exactly a year apart–to read about Oscars and Super Bowl stuff but have it be last year’s Super Bowl (especially since it too had the Seahawks) was very trippy indeed).

(more…)

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Mona Awad–“Beyond the Shore” (The Walrus, January/February 2015)

Posted in Bjork, Boredom, Canadian Content, Canadian Music, Exercise, Mike Patton, Mona Awad, Sex, Short Story, Tanya Tagaq, The Walrus on February 15, 2015| Leave a Comment »

janfebSOUNDTRACK: TANYA TAGAQ-“Uja” and “Umingmak” live at the Polaris Music Prize (2014).

tanyaTanya Tagaq won the Canadian Polaris Prize this year.  Tagaq is a Canadian (Inuk) throat singer from Cambridge Bay (Ikaluktuutiak), Nunavut, Canada who at age 15, went to Yellowknife, Northwest Territories to attend high school where she first began to practice throat singing.  Mostly I included that so I could have the word Ikaluktuutiak in a post.  She is the first native Canadian to win the prize.

Tagaq sings in a gutteral throat singing style combined with some more traditional high-pitched notes.  She has worked with Mike Patton and extensively with Björk.  Most of her songs don’t have lyrics per se, and the album that won the prize is called Animism.

This is a live broadcast of her set which has been describes as truly mesmerizing in person.  It is certainly mesmerizing in video–marveling that the woman can sound so possessed  and yet so clearly in control.

At 1:38 when the backing vocalists (who were shrouded in darkness sing out, it’s quite startling.  I don’t know when the first song ends and the second begins, but at 3:48. when the drums start a regular beat, you can hear a sense of commercial rock amidst the avant garde music.   Around 5 minutes the music drops away and when Tagaq sings briefly in her non-throat voice she sounds almost childish. But when the throaty growls returns, it’s a bit scary, frankly.

Tagaq has talked about bringing the sensuality of throat singing out into the public and by 7 minutes, the sensuality is right there on the stage.  By the end, when she is screaming her lungs out, it has to have been really intense in the theater.  And her wold howl at the end is uncanny.

Clearly not to everyone’s taste, but probably not lie anything else you’ll hear all day.  And unlike anything you’d hear at the Grammy’s.

[READ: January 2, 2015] “Beyond the Shore”

This is  brief story about competitiveness at the gym.  It’s the kind of story that is probably acted out in gyms across the country and one which shouldn’t have been all that interesting, but Awad chose an interesting setting and characters to flesh this out.

I also enjoyed that the title has nothing to do with the action of the story.  Rather, it refers to the place where they live: “Beyond the Shore, a gated-living community that has nothing to do with California (we are nowhere near California), the apartment building which overlooks the Malibu Club Spa and Fitness Centre.”  Each morning when the narrator wakes up, she can see from her bedroom window that Char, an extremely depressingly fit woman, is already working out ion the gym. And most of the time she is working out on Lifecycle One, the very machine that the narrator has signed up for in fifteen minutes.

This wouldn’t be a problem except that in fifteen minutes, the narrator, who is not in peak physical shape will get to the gym and Char will still be in mid-routine with no intention of stopping.  When the narrator approaches Char, Char says she’s almost done (even though she ‘s already over by five minutes) and then mutters a nasty name about the narrator under her breath.  Often by the time Char gets off, the narrator has but 24 minutes in her time slot before the cardio group comes in next. (more…)

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Julie Maroh–Blue is the Warmest Color (2010) [translated 2013]

Posted in Death, Dreihunderttausend Verschiedene Krawalle, Drinking, Germania, Graphic Novel, Ivanka Hahnenberger, Julie Maroh, Laibach, LGBTQ, Sex, The Rolling Stones, Translation on February 14, 2015| Leave a Comment »

Cover_Blue_Angel_MarohSOUNDTRACK: LAIBACH-Sympathy for the Devil (1988).

sympathyAfter recording Let It Be, Laibach decided to tackle another sacred cow–the Rolling Stones’ “Sympathy for the Devil.”  “Sympathy” is my favorite Rolling Stones’ songs and even so, I love this incredibly different version of that song.

The Laibach version does everything that they did to Let It Be–changing tempo, deep spoken vocals, marching beat and chanting and they do it eight times.

This is an album/EP (it’s 50 minutes long) and it features several (quite different) versions of the song as well as some recordings by Laibach side projects Dreihunderttausend Verschiedene Krawalle and Germania.

I’ve broken the track listing down by artist, although on the disc, they are interspersed a bit more which adds to the variety.

Laibach: “Sympathy for the Devil” – Done in a big bombastic style–with deep spoken words.   I love the way the horns (after the second or third verse) bring in this cool militaristic/triumphant feel.
Laibach: “Sympathy for the Devil (Time for a Change)” – This version isn’t that different.  The music is minimal–the keyboards are stripped away, although the triumphant horns seem louder and the hoo hoos seems to be more present in the mix.  There’s some wild orchestration in the middle and some very cool tubular bells at the end as well as an instrumental denouement.  I think I prefer this version.
Laibach: “Sympathy for the Devil (Dem Teufel zugeneigt)” – Features some quotes from Kennedy and is spoken in German (with sitar (!) accompaniment).  The remaining verses are done in the original deep voice.

300.000 V.K.: “Sympathy for the Devil (Anastasia)” or “Anastasia” – Sirens open this song as pianos lull us into a sense of peace before the chaos of sampled music and loud beats takes over.  Even though it has really nothing to do with “Sympathy” the “oh ohs” from the Laibach version are also sampled.
300.000 V.K.: “Sympathy for the Devil (Soul to Waste)” – Vocals slowed down even more, sounding deeper than Laibach (in fact he kind of sounds like Andre the Giant).  I’m not even sure what he’s saying in the beginning (the “Sympathy” lyrics do kick in properly at some point).  It does have the same feel as the Laibach version but faster and even more dancey.  The female backing hoo hoos are a nice lightening touch.  There’s also a rocking guitar solo.
300.000 V.K.: “Sympathy for the Devil (Soul to Waste – instrumental)” –Just an instrumental dance version of the above, probably the least interesting on the disc.  Twice as long as the non instrumental version.

Germania: “Sympathy for the Devil (Who Killed the Kennedys)” – This song opens with an interviewer asking if someone has a theory about who killed Kennedy.  The answer is a sullen no.  This interviewer pops up throughout the song repeating the questions and then asking about mixing drugs.  There are all kinds of samples buried in the mix (I hear “All You Need is Love”).  The lyrics are whispered by a female vocalist while the original Jagger vocals are played quietly behind her.  The deep male voice comes in too.  The music is kind of a discoey dance version of the Laibach bombast.
Germania: “Sympathy for the Devil (Who Killed the Kennedys – instrumental)” – Only has a little of the spoken word business–it is basically just a dance remix.

So even though these versions are all basically variations on a theme (and yes 50 minute scan get a little maddening), the variety is pretty impressive (especially since they reuse many of the parts in the different versions).  No one is going to love this version more than the original, but all these years later, I still think it’s pretty cool.

To see the original Laibach version in all its glory, check out this video which I’ve not seen before:

 

[READ: January 17, 2015] Blue is the Warmest Color

I was intrigued enough by Maroh’s Skandalon, that I wanted to check out her earlier book, Blue is the Warmest Color.  I had no idea that it was a really big deal or that it has been made into a movie.

This book, which was translated by Ivanka Hahnenberger, is about a woman who is sure of her sexuality until she meets a woman who changes her mind.

The book is incredibly moving and touching, and it is told in a way that gives you the (sad) end right up front, although the end is not exactly what you think it is.  It’s incredibly well done.

As the book opens up, we see that a woman is riding a bus to go to her lover’s house.  There are superimposed words from her lover’s diary which says that when the woman on the bus (Emma) reads these words, the writer will be dead.  As the first sequence ends, we read: “I love you Emma, you are my life.  Signed Clementine.”  Emma has gone to Clementine’s parents house (where Clementine was living) to retrieve the diary.  Her parents are not happy with Emma.  And they seem to blame her for Clem’s death.

The book is kind of a visualization of Clementine’s diary from when she received it on her 15th birthday until her final entry. (more…)

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The First World War A|Z: From Assassination to Zeppelin–Everything You Need to Know (2014)

Posted in Downton Abbey, Laibach, Rammstein, The Beatles, War, World War I on February 13, 2015| Leave a Comment »

wwiSOUNDTRACK: LAIBACH-Let It Be (1988).

220px-LaibachletitbeBecause Let It Be doesn’t end with The Beatles.  In 1988, Laibach, the Slovenian industrial band covered the entire Let It Be album (except for the title song).  Laibach are something of a proto-Rammstein, full of bombast and loud voices, stomping beats and despite the Slovakian heritage, a very Teutonic feel.

Opening with “Get Back,” the song is a stomping industrial march.  The lead singer (I have no idea who the members even are, as they don’t say much about themselves on the record).  I’ve always enjoyed this version, and I kind of assumed that the whole album would be similarly bombastic.

However, after the bombast of the first song, “Two of Us” opens with a crooning voice singing a long.  It’s a nice change.  The music is industrial and loud–but the keyboard riff is also cool. and different.  Most of the songs are unrecognizable as the original, but I think “Dig a Pony” may be the most unlike the original.  The chorus melody is very different and I barely recognized it.  The high notes of “because” are done in a low bass spoken word.  It’s quite a change.

“Across the Universe” is genuinely pretty with two female singers and a harpsichord.  “I Me Mine” has very similar vocals although the music is very different–with strings and stomping drums.  “Dig It” is a nonsense song on the original, but Laibach have a fun (if that’s the word) making it more of a real song with lots of shouting.  “Maggie Mae” is a folks song that The Beatles recorded.  Laibach call it “Maggie Mae” but instead record tradition German songs “Auf der Lüneburger Heide” & “Was gleicht wohl auf Erden.”

“I’ve got a Feeling” is done like a rally.  There is cheering and shouting and the lyrics are delivered in a dramatic spoken word (complete with Oh Yeahs).  The audience cheers and responds.  After nearly 4 minutes, the cheering continues, but they throw in a steel drum melody of “The Long and Winding Road” (I wondered how they would handle that pretty song).

I don’t really like the original of “1 after 909” but I like the way this one is done.  It’s very heavy and rocking with some crazy guitar solos and a refrain of “Smoke on the Water.”  “For You Blue” is transformed into an stomping synth version with the vocal melody popping up during the synth line.  After 4 minutes of the song, there’s a circus-like rendition of the melody to end the disc.

This is a vastly different rendition of the Beatles album, one that many people will find unpleasant, but I actually knew this version before the original and it will always be fun to me.  It’s also interesting how 20 years later, Rammstein would become very successful performing a very similar style of music.

[READ: February 10, 2015] The First World War A|Z

Sarah and I had recently begin watching Downton Abbey (I know, only four years late).  During the season that focuses on World War I, I realized that I was woefully ignorant about details of this war.  I’m also surprised there hasn’t been more made of its centennial–I’m sure a bigger deal was made in Britain.  At the same time, I saw this book at work and it seemed like a good way for me to fill in the gaps.

I am amused and confused that the subtitle says “from assassination to zeppelin” when in fact it is actually from “ace to zeppelin” but I guess assassination is more catchy?

Anyhow, this book was put together by the Imperial War Museum, the British Museum which was founded while the war was underway–such was the significance and unprecedented nature of the war that it was deemed worthy of having a museum while it was still going on.

This book is basically a tiny encyclopedia about the war written in a imaginable digest sized book.  It’s only 178 pages, so it is perfect for people who want to learn some details without getting terribly bogged down in the trenches (sorry) of the detail. (more…)

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Raina Telgemeier–Smile (2010)

Posted in Biography, Funny (ha ha), Graphic Novel, Humiliation, Parenting, Paul McCartney, Raina Telgemeier, Set at School, Teeth, The Beatles, YA Books, Yuck! on February 12, 2015| Leave a Comment »

smileSOUNDTRACK: THE BEATLES–Let It Be…Naked (2003).

220px-LetItBeNakedI talked about this once before and mentioned how I was anticipating a huge difference between this version and the original.  But really, most of the changes are quite subtle.  Reading a bit more about it, it seems like McCartney mostly wanted to fix “The Long and Winding Road” and then took the time to tweak little things (he fixes some bum notes for instance).

This seemed like a chance for Paul to take the record back from Phil Spector, although I guess Spector didn’t really do all that much to the album—he really only tweaked four songs: Across The Universe, I Me Mine, Let It Be and The Long And Winding Road.  And so Paul removes Phil’s hand on those–and those are really the most notable changes.  As for the rest of the disc, he took out all the chatting between and silly songs (Dig It and Maggie Mae) and adds “Don’t Le Me Down,” from the rooftop concert.

I assume that if I were a Beatles die hard, I would immediately notice all of the changes on this disc.  But, for a casual listener, here’s what I noticed: “Get Back” is even shorter than the original.  “Dig a Pony” is the same rooftop, although it seems to be mixed better.  “For You Blue” has a bit more acoustic guitar but is otherwise not too different.

“The Long and Winding Road” has the most notable changes.  The strings and chorus are removed.  The dramatic BUH BUH before the chorus is still there–almost more pronounced on the organ.  I like this version more than the original, although I have to say it sounds an awful lot like Wings or McCartney solo in this version.

“Two of Us” doesn’t sound all that different—a little cleaner maybe.  “I’ve Got a Feeling” sounds a bit cleaner too–apparently it is a composite of the two versions from the rooftop concert.  “1 after 909” sounds about the same–a little cleaner and with out the Danny Boy at the end.  This version makes it sounds even more like an “old” song since the rawness of the recording has been removed.

“Don’t Let Me Down” was not on the original.  This version was taken from the rooftop concert.  And it sounds great here.  Strange that it wasn’t included in the first place.  “I Me Mine” removes the chorus and overdubs, and sounds a bit more rocking.  “Across the Universe”–I like this version a lot better.  It’s much cleaner and really lets the music shine, rather than there being so much echo on it.  “Let It Be” is stripped down as well, and the guitar solo sounds a little different.

In general, I like this version better, although I do miss the funny bits a little.  This feels more like a record than a soundtrack to a film.  But again, the changes aren’t that substantial overall.

[READ: January 10, 2015] Smile

I had heard of this book–I’d heard that it was a huge sensation.  Of course it wasn’t really on my radar of books, so I wasn’t really sure what it was about.  I read an interview with Telgemeier recently which made the book sound really interesting so I decided to check it out (and was frankly surprised that there was a copy in the library).

And I really liked the book a lot.  From the little I knew about it, I assumed it was just her life with braces (and from the interview, I gathered that her little sister was really a pain–she apparently is a big presence in the sequel).  Well, the sister is a pain, but that’s mostly in the beginning of the book (the sister is very funny and they tease each other mercilessly).  Yes, the book is about braces, but it ‘s about much more than that.

Oh and it’s also autobiographical, which was pretty obvious.

So, Raina is in 6th grade and she is scheduled to get braces.  She is freaked out about this, of course, because everyone makes fun of people with braces.  (Although they never made fun of me and I understand they don’t anymore, but we’ll see if my kids need them).  Although she has lots of friends, so they should support her. (more…)

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Simon Rich–Spoiled Brats: Stories (2014)

Posted in Fantasy, Fears, Fiona Apple, Funny (ha ha), Guster, Humiliation, Morality, New Yorker, Religion, Sex, Short Story, Simon Rich, The Beatles, Yuck! on February 11, 2015| 2 Comments »

spioiledSOUNDTRACK: THE BEATLES-Let It Be (1970).

letOf all the fascinating details about Beatles releases, I don’t think any are more fascinating than the details about Let It Be.  I’m not even close to understanding everything that went on here.  But in a nutshell, it seems that they went into the studio to record an album called Get Back. They were even going to film the whole things.  It got scrapped.  Some members quit the band then rejoined.  And then they recorded Abbey Road.

And then the band did a concert on a rooftop (almost exactly 46 years ago!).  And soon after they broke up. Then some producers decided to release Let It Be as a soundtrack to the documentary made about their recording.  They used some of the material from Get Back and some from the rooftop concert and then Phil Spector got involved and put all kinds of strings on everything and then the album was released in the UK on my first birthday.

There’s lots of snippets of dialogue which seem designed to make it feel like a soundtrack (which it doesn’t).  There’s really short snippets of songs, there’s raw live songs, there’s overproduced string laden songs.  It’s kind of a mess.  But in there are some good songs too.

“Two of Us” is a pretty folkie number that I like quite a lot although I first became familiar with it from a Guster cover (which is pretty fine.  I never quite understood the title of “Dig a Pony,” but it’s a big weird sloppy song. It’s kind of fun to sing along to—especially the falsetto “Beeeecause.”  This song was recorded from their rooftop concert and it feels rawer than some of the other songs.

“Across the Universe” is a lovely song.  Evidently Lennon didn’t contribute much to Let It Be, so they threw this on to give him more content.  I actually know this more from the Fiona Apple version (which I think is actually better than this processed version). I don’t really care for the strings and echoes feel on this version. “Dig It” is a short piece of nonsense. It was exerted from a lengthy jam but for some reason only this little snippet was included on the record–it sounds odd here.

“Let it Be” is quite a lovely song. I don’t really care for the Phil Spectorisms that were done to it—the strings and choruses seem a bit cheesy.  At the same time, the guitar solo (which is quite good) sounds too raw and harsh for the song.  “Maggie Mae” is a traditional song, another bit of fun nonsense.  I like “I Me Mine,” it’s rather dark and the chorus just rocks out.  “I’ve Got a Feeling”, was also recorded on the roof, so it feels raw.  There’s some great guitars sounds on it. Evidently it was initially two songs, and Lennon’s part (the repeated “everybody” section) was added to it.

“One After 909” sounds so much like an early Beatles song–very traditional rock and roll (which means I don’t really like it).  Although the version is raw sounding (it was also recorded from the rooftop) so that’s kind of cool. Huh, Wikipedia says “the song was written no later than spring 1960 and perhaps as early as 1957, and is one of the first Lennon–McCartney compositions.”   “The Long and Winding Road” is where all the controversy comes from.  McCartney hated what Phil Spector did to his song.  He HATED it.  And I have to agree.  It sounds nothing like the Beatles–it sounds very treacly and almost muzaky.  It feels endless.  At the same time, I’m not even sure if the song is that good–it’s so hard to tell after all these years. I think it kind of rips off the transition in “Hey Jude” which was used to much better effect.

“For You Blue” is a simple blues. I like it better than most of the Beatles’ blues, perhaps because of John’s slide guitar (and the funny comments through the song–which makes it seem like the band actually liked each other).  “Get Back” ends the disc as a fun rollicking romp.  I really like this song, although I’m surprised at how short it seems–I thought there was a lengthy outro.  The end of the song (and the disc) has John asking if they passed the audition–lots of fun going on in this contentious recording session.

So it’s not the best career ending disc, although I guess as a soundtrack it’s pretty good.  I’ve never seen the film, and I’m kind of curious to after having walked through all of these Beatles albums.

[READ: January 19, 2015] Spoiled Brats

I probably read too much Simon Rich too close together, but it’s so hard to resist him.  I’ve said before that I enjoy his shorter pieces the most, but there were some longer ones in this one which were really good as well.

This is the first book where I thought that Rich went a little too dark (although not as dark as Sarah thought he did).  That’s sort of the point of the book, though, to look at people (especially people named Simon Rich) who are horrible human beings.

“Animals” [New Yorker, April 10, 2013] opens from the point of view of a class hamster.  He is tormented by the children in the class and he knows that when Simon Rich is supposed to feed and give them water that their lives might just be over.  The Simon character is hilarious, and it’s nice to see that revenge is sweet.

“Gifted” wonders what if a child isn’t so much gifted as Satanic–how many euphemisms will be used for this one child?

“Semester Abroad” is the diary of a girl who has gone abroad–to another planet.  And how her insensitivity is handled during an intergalactic crisis.  I enjoyed this one a lot. (more…)

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Julie Maroh–Skandalon (2014)

Posted in David Homel, Drinking, Drugs, Graphic Novel, Julie Maroh, René Girard, Sex, The Beatles, Translation on February 10, 2015| Leave a Comment »

skandSOUNDTRACK: THE BEATLES-Abbey Road (1969).

220px-Beatles_-_Abbey_RoadWithout knowing the history of The Beatles and their recordings, you’d never know the acrimony that was created by this record and Let It Be.  This record doesn’t really seem all that different from their other records, but it in part caused the band to break up.

The opening of “Come Together” is unique in music, it sounds so unusual and so unlike the Beatles.  I love it.  This song seems to be psychedelic in lyrics but very standard rock in music.  It’s a cool mix.   “Something” is a beautiful song (I had no idea it was written by Harrison!)

“Maxwell’s Silver Hammer” is another goofy Paul song–he really was quite silly.  I like it, it’s fun.  But the other Beatles hated it–Lennon said it was “more of Paul’s granny music” and left the studio for two weeks.  Harrison was also tired of the song, adding “we had to play it over and over again until Paul liked it. It was a real drag”. Starr was more sympathetic to the song. “It was granny music”, he admitted, “but we needed stuff like that on our album so other people would listen to it.”

Even though “Oh Darlin!” is not usually my style (doo wop), I really like the song a lot–probably because of how raw McCartney gets his voice by the end.  “Octopus’ Garden” is of course a goofy fun song–Starr wrote it.  It takes some of the seriousness out of the album, but it’s always fun to sing along to.

“I Want You (She’s So Heavy)” is quite a shocking song especially after “Octopus.”  I’ve always liked the way the end cuts off seemingly in the middle of nowhere–even Clark last night listening to it said That was weird about the end.  It’s a fairly simple song (there are hardly any words), with a bluesy section a kind of prog rock section and it goes on forever.

“Here Comes the Sun” is a song that I knew as a kid which I never connected to the Beatles until I was in college.  My mom loved the song, but didn’t really like the Beatles, so I’ve always just assumed it was some folk song.  It’s a really pretty song (by Harrison).

“Because” has an interesting chord progression and is very cool with the multilayered voices.

“You Never Give Me Your Money” is a fun bouncy song that begins as a mellow piano song and then turns very jaunty.  Then comes some great guitar solos and a rocking ending.  This song begins what is considered the medley at the end of the album.  This song itself has so many parts that it could be a medley itself.  The remaining songs are all between 1 and 2 minutes all blend into each other.

Starting with “Sun King” which is quite pretty with lovely harmonies and Italian lyrics at the end.  I never knew “Mean Mr. Mustard” was called that.  It’s a bouncy song about a nasty guy.  It quickly jumps to the fast “Polythene Pam” which is barely over a minute.  Then come four songs written by McCartney, “She Came in Through the Bathroom Window” a super catchy song with great harmonies–it’s just under 2 minutes long and it merges into “Golden Slumbers” which I always assumed was just the introduction to “Carry That Weight” (as they always seem to get played together on the radio–which makes sense since together they are 3 minutes long).  The medley ends with “The End” which features a Ringo Starr drum solo and a rocking guitar solo.

At the end of the album and not part of the medley is “Her Majesty” a 38 second song.

Abbey Road is a pretty near perfect album.  There’ s a couple of goofy songs which kind of undermine the intensity of the record, but they are also really fun to sing along to, so that makes it okay in my book.

[READ: January 7, 2015] Skandalon

Maroh wrote and illustrated this book (translated by David Homel) about a rock star and his attempts to deal with (or not) the increasing fame he gets.

The artistic style she uses is really interesting–I assume it is all painted with very heavy paints.  It is occasionally “sloppy” but it is always effective and quite powerful in the images it creates.  It also reads very European to me, which I find interesting (given that she is in fact French).

As the book opens, we a singer Tazane on stage with his adoring fans.  And then, at a pres conference he plays up his diva act and walks out on a question he finds impertinent.

In the tradition of the Wall and Jim Morrison, Tazane tries harder and harder to get a reaction out of his fans, or maybe just to alienate the  fans and the press. He sings songs with lyrics like “I feel nothing about people.  I feel nothing about myself.”  And his “public image” (a phrase he hates) gets damaged every time he speaks. (more…)

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Akhil Sharma–“A Mistake” (New Yorker, January 20, 2014)

Posted in Akhil Sharma, Culture Shock, Fears, New Yorker, Short Story, The Beatles, Yellow Submarine on February 9, 2015| Leave a Comment »

CV1_TNY_01_20_14Blitt.inddSOUNDTRACK: THE BEATLES-Yellow Submarine (1969).

I220px-TheBeatles-YellowSubmarinealbumcover‘ve enjoyed listening to the Beatles lately, but I’ve been marveling more at how they were (I assume) pressured into releasing songs almost constantly (this is their tenth album in six years).  So, this album, a soundtrack to the film, came out six weeks after The Beatles.  Six weeks after a double album which was still on the charts (still #1 in the US) this album came out.

Even though it sold very well, I imagine it has to be the least-listened to Beatles album (even though it is the other vinyl Beatles album that I own, which I got when I was a kid).

There are 13 tracks on the disc.  Two are repeated Beatles songs. Four are “new” songs (meaning they were thus far unreleased, but they were recorded a while back) and the rest are orchestral songs from the movie, composed by George Martin.

The repeated songs are “Yellow Submarine” (from Revolver, although obviously it makes sense here) and “All You Need is Love” which was just recently released as a single (and on Magical Mystery Tour in the US and which works fine in the movie).

The new songs include: “Only a Northern Song” written by George Harrison.  It was recorded during the sessions for Sgt. Pepper.  I didn’t know anything about the song, and I thought the lyrics were kind of, um, dumb?  But now I see that they were written because Harrison was angry about being a contracted songwriter to the Beatles’ publishing company, Northern Songs: “It doesn’t really matter what chords I play/What words I say or time of day it is/As it’s only a Northern Song.”  The song itself is kind of unusual.  It opens with a big organ sound. Then with the lines saying it doesn’t matter what chords the play, the backing music is pretty out there–not quite wrong, but certainly off.

Harrison got a second song (this has to be the most songs per disc for Harrison).  “It’s All Too Much.”  It also starts with an organ.  It’s the only psychedelic song on the album (and has Indian overtones).  It was recorded during Sgt Pepper and was supposed to appear on Magical Mystery Tour.  I like the song, but at 6 and a half minutes, it’s a bit long (the original mix was 8 minutes!)

“All Together Now” is a goofy song.  It’s clearly something written in five minutes–the lyrics and melody are so simple–but man is it catchy and fun to sing along to.   The final new song is “Hey Bulldog.”  I really like this song a lot and I’m bummed that it’s kind of overlooked on this soundtrack.  The riff is really hard rocking (even on piano) and I like the silliness with the barking and whatnot at the end.

The second side was the orchestral songs.  Most of them are about 3 minutes long.  If you know the film, they’re fun to listen to to revisit the visuals, but they’re not what you get a Beatles album for.  Of course, I always listened to sides one and two of my records, so I must have listened to the score three or five dozen times back in the day.

[READ: June 10, 2014] “A Mistake”

This was one of the 2014 New Yorker stories that I thought I had posted about but which I just found in my drafts pile.

This is the story of a boy from India who has emigrated to America with his family.

As the story opens we learn that the boy’s father always wanted to leave India, he felt he could do better in America, although the boy’s mother had no interest in leaving her home.

There’s some very funny lines about the father.  Like “I used to assume that my father had been assigned to us by the government. This was because he appeared to serve no purpose…all he did was sit in his chair in the living room, drink tea and tread the paper.  Often he looked angry.”  But then his father left for America and a year later called for them. (more…)

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