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Archive for March, 2013

McSweeney’s #14: Timothy McSweeney’s at War for the Forseeable Future and He’s Never Been So Scared (Early Fall 2004)

Posted in A.G. Pasquella, Alex Lifeson, Brent Hoff, Chris Adrian, Chris Bachelder, Claire Light, Cocteau Twins, Death, Deftones, Denis Johnson, Essays, Jessica Anthony, Jim Shepard, Jonathan Ames, Joshuah Bearman, Kate Braverman, Lawrence Weschler, Logan's Run, Malinda McCollum, Marriage Trouble, McSweeney's, Military, Nick Hornby, Omnivore, Ryan Boudinot, Sarah Vowell, Sex, Short Story, Susan Straight, T.C. Boyle, The Muppet Show, The New York Times Magazine, Travel, Unlikable main character, Violence, Wells Tower on March 12, 2013| 1 Comment »

14

SOUNDTRACK: DEFTONES-Diamond Eyes (2010).

diamondBefore releasing Diamond Eyes, Deftones had two band crises. The first was that they didn’t really seem to like each other anymore.  The previous album was fraught with tension and they barely toured.  After deciding that they wanted to remain as a band, they were invigorated and made an album called Eros.  But during the recording, bassist Chi Cheng was in a car accident and was in a coma.  As of yet he has not fully recovered.  So they shelved Eros, hired a temporary bass player Sergio Vega and set about recording Diamond Eyes.  And for whatever reason, it proved to be one of their best releases so far.

“Diamond Eyes” opens with a heavy down-tuned guitar–very abrasive–until the chorus come in and it’s their most beautiful ones yet–with soaring keyboards and  harmonies.  And then the heavy guitars come back–it’s what Deftones do so well–beauty and ugly together.  Stephen Carpenter really shines, as always.  “Royal” is a fast song with a great harmonizing chorus.  “Cmnd/Ctrl” has a shocking low riff that explodes into a  bright chorus.  “You’ve Seen the Butcher” has guitars that seem almost untuned as the song starts.  But it morphs into a kind of sexy butt-shaking chorus.  And Abe Cunningham’s drums are, of course, fantastic.

“Beauty School” is the first that doesn’t really start out heavy, it’s a got a gentle guitar intro and the first song where Vega’s bass is really prominent as a separate instrument and it creates a beautiful alternative song–great vocals throughout.  “Prince” brings in a lot of new textures to the album, including a clanging guitar sound and a great screamed chorus. “Rocket Skates” is one of my favorite songs on the record, it has a classic metal riff and the great screamed-beyond-comprehension chorus of Guns, Razors Knives and a weird little whoooo that ends the chorus.

“Sextape” is a surprisingly gentle song, opening with an echoed guitar riff and one of Chino’s most gentle choruses.  “976-Evil” has an echoey guitar and voices not unlike the Cocteau Twins.  “This Place is Death” has another great alt rock feel–a big song with bright guitars and dark lyrics.  I haven’t really mentioned Frank Delgado on keyboards and samples.  He’s been with the band since White Pony, and I feel like his presence was made notable on a few songs here and there.  But it seems like on this disc he really comes to the fore, adding new textures and sounds to the album which really fill it out.

[READ: March 12, 2013] McSweeney’s #14

After the colorful extravaganza of the Comics Issue of McSweeney’s #13, this book settles down into something more somber  The book is softcover and all white.  The cover depicts a cartoon of George Bush with both legs blown off and the caption, “I Am So, So Sorry.”  On the spine in small print: “We’re praying as fast as we can.”  It is the most context-full cover they’ve done yet and, nearly a decade away it seems like a rather mean cover, but if I remember correctly at the time it seemed apt and delicious, especially in light of the upcoming election.

Yet despite the overtly political cover, the content inside is not political or even thematic (although it is pretty dark stuff).  Nevertheless, the table of contents gives us a small joke when it says “To help you know which stories to read first, we have indicated with either a * or a † those that deserve special consideration from you, the reader.  If you see either a * or a †, do not miss that story.”  Of course every story has either a * or a † but they cleverly did not put any kind of pattern to the symbols.

The colophon explains that when they were in Ireland, they met an actual Timothy McSweeney.  He had been given a copy of Issue #3 and then promptly forgot about the magazine.  But when McSweeney’s was in Galway to do a reading at the Galway Arts Festival, Timothy (Ted) McSweeney traveled from Dublin to check it out (not a short trip).  This also resulted in a letter from Mr McSweeney which is actually quite funny.

There are also illustrations in the book, although they are small illustrations and are placed on the title of each piece in the book.  All of the illustrations are old, mostly coming from the 1800s, although one dates back to 1670.  They illustrations are all technical scientific ones and don’t have anything to do with the stories. (more…)

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Big Apple Circus: Legendarium (TD Bank Ballpark, Bridgewater, NJ, March 9, 2013)

Posted in Acrobats, Big Apple Circus, Bridgewater, NJ, C., Circus, Illusion, Magic, Peking Acrobats, Set in New Jersey!, T. on March 11, 2013| Leave a Comment »

[ATTENDED: March 9, 2013] The Big Apple Circus

bigappC.s Cub Scout pack got tickets to the Big Apple Circus again this year and we decided to go.  Once again the Circus came right on the heels of Chinese acrobats, so I didn’t think I would be impressed, but once again, the circus did a very good job.  I’ll get my one gripe out of the way first.  Our seats were awful.  Not the circus’ fault obviously, but they claim that there are no bad seats.  And while ours weren’t bad (we were to the back right of the circus floor), all of the action is played to the front, so we missed a lot of the most dramatic poses, we missed the backdrops that they put up and clearly missed the overall feel of the show.  And given how many seats were empty in the good section, I was a little bummed.  Because the show itself was spectacular.

The signature character of grandma was gone, replaced by a funny clown couple (Acrobuffos), who did a lot of grandma’s interactions with the crowd, but as more of a jealous couple routine.  They were quite funny and I’m impressed that the woman had some kind of playballs in her pants making her rear enormous–and she was able to actually bounce on them.

I also didn’t realize when we went that there was a story/theme of the history of the circus or the history of New York, or some kind of history (Legendarium!).  Including a penny farthing bicycle!  So there were stories about circuses of old and some story about Broadway and arrowheads.  The ringmaster was decent but nothing special.  But again, you go for the acts, not the ringmaster. (more…)

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Dav Pilkey–The Adventures of Ook and Gluk Kung-Fu Cavemen from the Future: The Second Graphic Novel by George Beard and Harold Hutchins (2010)

Posted in "Weird Al" Yankovic, Adventure, C., Children's Books, Dav Pilkey, Funny (ha ha), INXS, Peter Gabriel, Short Books, Talking Heads, Time Travel, Zen on March 10, 2013| Leave a Comment »

ookSOUNDTRACK: “WEIRD AL” YANKOVIC-“Polka Party!” (1986).

Weird_Al_Yankovic_-_Polka_Party!Despite how much I loved Weird Al, I turned up my nose at this album when it came out.  I distinctly remember seeing it in the Ridgewood books and records store (records in the basement) where I bought my vinyl and dismissing the platter.  It’s a little unfair to have dismissed it based on the cover since Al was all about the accordion but I thought it was a serious polka album and I was too cool by half for that nonsense.  Interestingly, the album sold very very poorly, and I’m not sure if it was because of the cover.

As a result I don’t really know these songs all that well.  Those first three discs I listened to all the time but I didn’t get this one till much much later.  And it seems that four albums so quickly may have sapped some of Al;s creativity or at the very least eroded the good songs to parody (his more recent releases come every three years or so and they are really solid).

“Living with a Hernia” I like because the video is funny, although I did not care for the original.  “Dog Eat Dog” is a Talking Heads style parody and it’s really good–sounds a lot like the Talking Heads, although I’m not sure it’s all that funny (at least not any funnier than a Talking Heads song). Sometimes the original songs that Al parodies are so bad that I don’t want to like the parodies.  “Addicted to Spuds” is one of those songs.  The parody is very funny, but I hate the original so much that I can’t entirely enjoy this song.  “One of Those Days” is another of his earlier generic rockers (piano and simple structures that don’t lend itself to a lot of fun) and lyrically, it’s a little blah.  “Polka Party!” is what the album was named for and it’s another medley of tracks.  Peter Gabriel’s “Sledgehammer” sounds so different here, totally removed from it’s original music.  It’s amazing, though, how many of these original songs I didn’t know (what was going on in 1986?).  I do like the little sneak of INXS.  This song is also the first one where Al’s lyrics became racey because of the songs that were so popular (“Nasty,” “Venus”).

“Here’s Johnny” is  parody of  a song I don’t know at all although I can tell immediately that he sounds just like the original–he manipulated his voice perfectly.    “Don’t Wear Those Shoes” is another blah song.  Al tends to use really over the top violent imagery but it’s  unfortunate when it seems to be the only thing funny in a song like this one.  “Toothless People” is a parody of “Ruthless People” which I don’t even remember being a song.  I don’t even remember the movie being all that popular.  I couldn’t even tell who the original was by even though Al is putting on a good voice (it was Mick Jagger).  “Good Enough for Now” is a decent country song–pretty funny, and yet really not that far from country songs that you hear now (and maybe then, too–I’m not much of a country fan).

The lackluster side 2 is utterly redeemed by the fantastic and awesome “Christmas at Ground Zero” a stellar and hilarious song about nuclear panic it even includes a sample from Ronald Reagan (in the video).  Outstanding.

Overall this disc is pretty disappointing   Al took two years to make the next one and whatever he did on the break certainly worked because the next album was Even Worse!

[READ: January 22, 2013] The Adventures of Ook and Gluk Kung-Fu Cavemen from the Future

This is a pretty surprising book.  It is drawn by George and Harold who made the hilarious Super Diaper Baby which was based on an incredibly childish premise.  But this book, even though the spelling is awful like when George and Harold make comics, is book is pretty smart and intense.  And very Zen.

So Ook and Gluk are cavemen.  They are in a tribe whose king is King Goppernopper (the fact that everyone gets his name wrong cracks me up, I love that kind of juvenile joke).  Goppernopper hates Ook and Gluk (the fact that he gets their names wrong and his minions help him to pronounce it is very funny as well).  Ook and Gluk rescue a dinosaur who is trapped in quicksand (and yes there is a scientists disclaimer that cavemen and dinosaurs did not live at the same time, but George and Harold offer a disclaimer that the scientist is dumb and their story tells the truth).  And the dinosaur and her baby (Lily) make the King look foolish.   The King promises revenge.

Which he gets in Chapter Two when a Goppernopper from the future comes back in a time machine to 500,001 B.C and steals natural resources from the cavemen (to sell at a huge profit in 2222 AD.  Future Goppernopper traps Ook and Gluk in the future and King Goppernopper promises to bring the rest of the cavemen to the future to work as slaves. (more…)

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Dav Pilkey–Captain Underpants and the Preposterous Plight of the Purple Potty People (2006)

Posted in "Weird Al" Yankovic, Adventure, Boredom, Children's Books, Dav Pilkey, Devo, Funny (ha ha), Mad Scientists, Quiet Riot, Yuck! on March 9, 2013| Leave a Comment »

potty

SOUNDTRACK: “WEIRD AL” YANKOVIC-Dare to Be Stupid (1985).

dareAfter In 3-D, Al came out with Dare to Be Stupid the following year.  It wasn’t quite as big a hit as In 3-D, even though it had the Madonna parody as well as a couple of really great originals–“One More Minute” and “This is the Life” (as seen sometimes in Johnny Dangerously–not on the VHS version for legal reasons, although it is on the DVD).

“Like a Surgeon” wonderfully skewers Madonna–Al doesn’t often do women’s songs, but this one fits his range very well.  “Dare to Be Stupid” is a Devo parody (well, more tribute as this is no weirder than any Devo song).  It’s a frenetic and wild song telling yo to do all the things that you were told don’t do.  Okay I can hear you now.

“I Want a New Duck” is a really lame lame parody.  It’s weird and while he fills out the nonsense pretty well, it sounds like he came up with the idea because nothing else sounded like Drug (the original is pretty stupid too, so there ya go).

But then there’s the sublime “One More Minute” a hilarious doo wop “love song” in which the backing band really shows off what they can do.  “I’m stranded all alone in the gas station of love and I have to use the self station pumps” is absolutely hilarious and a completely under appreciated line.  “Yoda” is a good parody, one that has not only held up but has been resurrected with the new Star Wars franchise.

I never understood why they did a cover of George of the Jungle, but I never watched the show so it doesn’t have any meaning for me.  “Slime Creatures from Outer Space” is a goof of a sci-fi song which doesn’t quite match the absurd heights of “Nature Trail to Hell.”  Al says that “Girls Just Want to Have Lunch” is his least favorite parody (the label asked him to do Cyndi Lauper) and it’s really not very good–again, the song was too goofy to mess around with that much, but even in his recording it’s not very convincing (and he returned to the hand farts) the way that he and the backing vocalists are singing even sounds like they are disdainful of the song.

“This is the Life” was commissioned for Johnny Dangerously and he really ups his game for it–lots of genre jokes and a really good quality of recording.  “Cable TV” is a pretty uninspired song about TV (which is surprising given how many songs he has written about TV) which has an awful sax solo–joke or not it’s bad.  “Hooked on Polkas” is the second of his mashups of songs.  The banjo version of “Sharp Dressed Man” is cool as is the use of the sounds from Yes’ “Owner of a Lonely Heart” there’s also some pop metal Twisted Sister and Quiet Riot–and where else would you hear Quiet Riot next to Frankie Goes to Hollywood?

All in all some hits and misses.  And yes, maybe this stuff was funnier  in the 80s?

[READ: February 22, 2013] Captain Underpants and the Preposterous Plight of the Purple Potty People 

I can’t believe how much I enjoyed this story   The first few Underpants books were silly and a funny way to make a story about a guy in his underwear.  But as the series has progressed it has gotten far more complex with fascinating twists and recurring characters (and how does he keep a storyline fresh in his head three years later?).

So Booger Boy Part 2 actually ended in the middle of a cliffhanger (but this one is not a Part 3 because the Booger Boy is no longer relevant).  Rather, when we left George and Harold they were in the purple potty time machine with Sulu the hamster and Crackers the pterodactyl and they were hurtling…. somewhere.

When they exit the potty, they are in the library, but the library is full of books!  The exact opposite of their own school library (and the librarian is even holding a copy of Mommy has Two Heathers.  In fact everything is the opposite–the school is encouraging creativity  the teachers are nice and Principal Krupp is happy to see everyone   It’s really weird.  Especially when the boys see themselves across the school.   And they turn out to be…evil!  Yes Evil George and Evil Harold look like normal George and Harold do, but they do things that are evil (they change sign letters to read anarchy rules…yipes). (more…)

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Truus Matti–Mister Orange (2011) [translated 2012]

Posted in Art, Children's Books, Foreign Books, Historical Fiction, Laura Watkinson, Marriage (Happy), Michael Chabon, Muse, Piet Mondrian, Queen, Short Books, Translation, Truus Maffi, U2 on March 8, 2013| Leave a Comment »

mister orangeSOUNDTRACK: MUSE-The 2nd Law (2012).

2ndlawMuse are over the top.  No question about it.  And that’s why I like them so much.

So when the new album opens with crunchy guitars that give way to keyboards that sounds not unlike a Bond movie, it’s not really surprising.  The first verse is fairly mellow, building until Matt Bellamy hits some crazy high notes and the heavy bass guitar kicks in.  But unlike some previous albums, this one is not all heavy heavy guitar rock.  There’s some electronic elements as well.  Especially on the single “Madness” (which was debated about on the alt rock station I listen to, wondering if it was too dance-oriented).  The song uses a dub format for repeating the Muhmuhmuhmuhmuh madness, but the verses are so catchy it’s hard to resist.  It also has a major Queen feel (a common complaint about them, although it’s not like Queen are still making music).  For Muse, this song is kind of understated until the big verse at the end when Bellamy can really soar.  “Panic Station  has a big thumping bass and drum along with some screams that sound out of an 80s metal band but there are horns that give it a dancey feel–always a contradictory outfit, Muse.

“Prelude” sounds indeed like a prelude to what proves to be “Survival” it is big and anthemic (as Muse tends to be).  It is uplifting and, as one may recall, it was the official song of the 2012 London Olympic Games (which is fitting it’s all about winning).

“Follow Me” slows things down a bit in the beginning, but it of course comes back with lots of bombast (this is Muse after all) but there’s also elements of electronica (is that  dubstep sound?) and backing vocals that remind me a lot of U2.  “Animals” has a kind of slinky bass line that wends its way through the song’s guitar solos.  By the end of the song it has grown much heavier with shouting crowds and a furious double bass drums.

“Explorers” is a ballad that grows and retracts.  “Big Freeze” has another big chorus. It’s followed by “Save Me,” a gentle ballad with harmonies.  Then “Liquid Freeze” picks up the pace a bit.  This is all leading to “The 2nd Law: Unsustainable” which is my favorite weirdo song in ages.  It is so crazy over the top and audacious that I love it.  It opens with crazy strings and a fast talking jittery computer voice.  And when she reaches the word “unsustainable,” the song goes absolutely bonkers, with crazy sound effects–I would assume most people hate this track, but I think it is very cool.  The final track “The 2nd Law: Isolated System” is a kind of denouement for the whole album–a piano ballad of 5 minutes that has a bit of a dance feel to it.

I can’t get over how much I enjoy this record.  It’s definitely not as heavy as past muse records, but it has some great experimentation and Bellamy absolutely knows a great melody.

[READ: March 8, 2013] Mister Orange

I was walking past the New shelves in the library and this book caught my eye (who says placement isn’t important?).  Something about the title and the cover design was really appealing.  I looked at the blurb–it’s about an American kid during WWII.  I wasn’t really sure I wanted to read that, but then there was a line about an artist and comic books.  I immediately thought about The Adventures of Kavalier and Clay which is also about comics in the 1940s (although this book is NOTHING like that one at all), and I decided to grab it.  Besides it was only 150 pages.

Well, I never would have guessed that the book is a historical fiction novel about Piet Mondrian, one of my favorite artists of all time.

So the story is about a boy, Linus, and his family living in New York City in 1943.  His oldest brother, Albie has volunteered for the war.  His mother is disappointed in him as she believes that all war is wrong and that nothing good every comes from war.  She is so disappointed, in fact, that she does not hang the blue star that all families with soldiers are given to hang in their windows.  Linus wonders if she is not proud of her son for fighting for what he believes in, but his mother says “Flags are for celebrating, and there is nothing to celebrate about war.”  She doesn’t even let him go to the parade for the departing soldiers.

When Albie leaves, the rest of the family is stuck waiting for word from him.  But life goes on at home and with Albie gone, that means that everyone moves up in responsibility (and shoes get handed down).  Simon (now the oldest at home and a sullen teenager) takes on Albie’s work at the newspaper, Linus picks up Simon’s grocery delivery route (their family owns a grocer’s shop) as well as Simon’s shoes, which are way too big, and Max takes over looking after the youngest children: Sis and Willy.  For the most part we follow Linus as he learns the new route and learns a bit more about the city. (more…)

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400,000 views

Posted in Paul Debraski on March 7, 2013| Leave a Comment »

Sometime today I hit 400,000 views.  The real landmark is of course 500,000.  Given the rate of views per day and the amount of time it took to go from 250,000 to 400,000 I’m anticipating hitting 500,000 on December 10, 2013.  Let’s see if I’m right.

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Dav Pilkey–Ricky Ricotta’s Mighty Robot (originally published as Ricky Ricotta’s Giant Robot) (2000), Ricky Ricotta’s Mighty Robot vs the Mutant Mosquitoes from Mercury (2000), Ricky Ricotta’s Might Robot vs the Voodoo Vultures from Venus (2001)

Posted in Adventure, Boredom, Children's Books, Dav Pilkey, Funny (ha ha), Mad Scientists, Martin Ontiveros, Robots, Short Books, The Flaming Lips, Yo Gabba Gabba on March 7, 2013| Leave a Comment »

ricky1.2

SOUNDTRACK: THE FLAMING LIPS-“I Can Be a Frog” on Yo Gabba Gabba ( 2010).

gabbaThe Flaming Lips make songs about all kinds of things.  This track, from Embryonic, always had a feel of a kid’s song.  So much so that when they modified it for Yo Gabba Gabba, they merely changed the word “She” to the more inclusive “You.”

You can be a frog / You can be a bat / You can be a bear / Or you can be a cat

This version sounds very similar to the record, but it’s really fun to see the guys playing on the hugely cartoonish instruments.  I also like when they pull back to show DJ Lance and his pals  dancing along (they dance very well for creatures in large costumes).

I’ve always been a little sad that my kids didn’t like this show.

 

[READ: February 22, 2013] Ricky Ricotta Books 1-3

Ricky Ricotta is a book series that Dav Pilkey created (with Pictures by Martin Ontiveros) in the middle of the Captain Underpants series (the guy never rests!).  He has nine books planned for the series (one for each planet).  This series is aimed at a younger audience than the Captain and is less “naughty.”  Ricky is a mouse who wishes he had a friend.  He is also picked on by bullies at school.  His parents tell him that one day something big will happen to him.  And indeed, one day something big does happen to him.

The evil mad scientist Dr Stinky has created a robot and wants it to destroy the earth.  But the robot doesn’t want to.  So the evil scientist blasts it with a laser ray.  Ricky sees the whole thing and he kicks a kickball at the scientist, making him drop and smash the ray gun.  Ricky and the Mighty Robot become friends.  Indeed the robot becomes Ricky’s best friend.  The robot immediately gets the bullies to stop picking on Ricky (without harming anyone).  And Ricky is happy for the first time.

But soon Dr Stinky is back for revenge.  He blasts the classroom iguana turning it into a huge, vicious monster which goes on a rampage.  Mighty Robot and the iguana fight (in Flip-O-Rama!).  By the end of the book the bad guy is punished and the iguana is restored to its normal self.  There is no indication of a continuation of the story (like in Captain Underpants), although we know from the back of the book that he has a while series planned. (more…)

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Alexander Maksik–“Deeper Winter” (Harper’s, March 2013)

Posted in Alexander Maksik, Beer, Culture Shock, Deftones, Harper's, Short Story on March 6, 2013| Leave a Comment »

Harpersmaerch13

SOUNDTRACK: DEFTONES-“My Own Summer (Shove It)” single CD 1 (1998).

shoveitThis is a four track single (it’s out of chronological sequence, but it does follow the B-Sides release, so lighten up!).

Obviously, “My Own Summer” is awesome.

The other three tracks are live from Amsterdam.  The sound quality is not as great as I would like–Chino’s voice is mixed strangely and he seems to be “above” the music–almost like he is rapping to prerecorded music. It’s especially notable on “Lotion” which I don’t especially like here–it doesn’t really sound like the song so much as a guy talking over background.  It’s better on “Fireal-Swords,” but what’s most notable about the song is that in the middle of it, while the band are still playing, he talks to the crowd and asks them to be a little gentle to some guys (I can’t imagine the context) at least for the rest of this song, okay?

In the final song, “Bored” the band sounds great–and Chino’s vocals distortions are incredible (and incredible in how consistent they are–does he have pedals or something).  But in this case, in the middle of a verse, the band completely stops when Chino sees a kid on the ground.  He asks if the guy’s okay and you can hear the relief in his voice when you find out he’s just looking for his shoe.  So they bring the kid on stage and tease him a bit and then let him stage dive off as they pick up at the next chorus–from zero to ten –like nothing happened.  Cool.

It was very impressive to hear genuine concern from such a loud and screamy band.

[READ: March 5, 2013] “Deeper Winter”

This is a story about an illegal immigrant.  And what’s interesting about it is that there’s no “message” one way or the other about illegal immigrants.  Eduardo is just a guy looking for a job and a place to stay.

The story opens with Eduardo and his Uncle Luis at a Dodgers game.  Luis is telling him that he has to move out because he and his lady want to get married and have the place to themselves.  Eduardo understands, he knew the place was only temporary for him.  Luis feels bad, but he has already gotten in touch with a friend in Idaho who can get him a job and give him a place to stay.  He also gives Eduardo a down parka and a bus ticket.

Eduardo sets out on a quiet Sunday morning bus.  They stop briefly in Las Vegas and then they’re off to the north.  When the bus arrives, Miguel is there to pick him up.  Miguel’s mother is very excited to see Eduardo (Eduardo of the Angels she calls him).  She reveals that she and Luis were an item a long time ago and she thinks of Eduardo as family.  They give him his own room and tell him that he’ll be working with Miguel on a construction site–working for Johnny Danilo.

Eduardo is a quick study and learns the fine art of roofing so that when the job is finished (it’s a big job and takes awhile), Danilo lets him put on the finishing caps–something of a rite of passage.  There’s plenty of work upcoming, so Danilo invites Miguel and Eduardo to keep working for him.  Eduardo becomes friendly with Danilo and his son Leo.  Eduardo even shows Leo how to pitch like Fernando Valenzuela.  But one day when Eduardo returns home, Miguel and his mom have taken off–they left Eduardo’s things but cleared out everything else.  Eduardo has no one to turn to except Danilo. (more…)

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Colm Tóibín–“Summer of ’38” (New Yorker, March 4, 2013)

Posted in Babies, Cocteau Twins, Colm Tóibín, Deftones, Duran Duran, Helmet, Irish Writer, Morrissey, New Yorker, Sex, The Cardigans, The Cars, The Cure, The Smiths, War on March 5, 2013| Leave a Comment »

CV1_TNY_03_04_13Chast.inddSOUNDTRACK: DEFTONES-B-Sides & Rarities (2005).

220px-Deftones_-_b-sides

Deftones released this B-sides collection after Deftones.  It contains mostly covers.  They also later released an album called Covers which has all of these covers and some new ones.  Covers was released on Record Store Day and is really hard to get now.  The covers that are extra to that CD are: “Drive” (originally by The Cars), “Caress” (originally by Drive Like Jehu), “Do You Believe” (originally by The Cardigans), “Ghosts” (originally by Japan) and “Sleep Walk” (originally by Santo & Johnny).   Despite those interesting songs, B-Sides and Rarities is no slouch.

“Savory” is a cover of a song by Jawbox.  Chino’s voice sounds so utterly different here, I completely don’t recognize him.  It’s not the most impressive start to the collection as even after a lot of listens the song still hasn’t really stuck for me, but it’s also one of the few songs I didn’t know beforehand.  (It turns out the cover was actually by the band Far (with the members of Deftones playing as well)).  But it was the Cocteau Twins cover that really blew me away.  The Cocteau Twins, an ethereal lighter than air band get a very respectful treatment here.  “Wax and Wane” has a pretty heavy bass line which Chi produces (with cool effects on it), and while Chino doesn’t try to ape Elizabeth’s Fraser’s voice, he does a great job in her register (how he figured out the words, I can’t imagine). Lynyrd Skynyrd’s  “Simple Kind of Man” gets the Deftones treatment with whispered/creepy vocals in the first verse and a big loud chorus.  The cover of Helmet’s “Sinatra” is very heavy (I don’t know the original but I know other Helmet songs) but it doesn’t sound quite like Helmet–a perfect Deftones take on the band, with very low tuned bass strings.  The second biggest surprise comes from their cover of Sade’s “No Ordinary Love.”  I don’t know the original, but I do know about Sade and this song keeps all of the funky bass and the slinky sexiness of a typical Sade song.  But it adds an interesting slightly sinister vibe that really makes the song stand out.

The band performs a great spooky gothy cover of The Cure’s “If Only Tonight We Could Sleep” (at what I gather is a live tribute show) complete with that weird Middle Eastern sounding guitar and the cool splash cymbal.  It’s followed by a great cover of The Smiths’ “Please Please Please Let Me Get What I Want” and he does a surprisingly good Morrissey.   Their cover of Duran Durans “The Chauffeur” was the first cover that I had heard by the band and it was the first time I thought about how cool a Duran Duran song could sound: win-win.

There are some reinterpretations of Deftones originals as well.  “Change (In the House of Flies)” works very well in the acoustic format–sounding somehow more dramatic.  “Teenager” has a trippy Twin Peaks vibe when it opens.  This is the “Idiot Version” with guys from Idiot Pilot joining the Deftones.  It doesn’t sound all that different from the version on White Pony and yet I really didn’t recognize it out of context.  “Crenshaw Punch/I’ll Throw Rocks at You” is the heaviest thing on the album, with loud abrasive guitars.  It was a B-Side from Around the Fur.  My least favorite track is “Black Moon” which is a sung by B-Real from Cypress Hill.  I liked Cypress Hill a lot back in the day, but there’s something unsatisfying about this pairing–or maybe it’s just that this songs really sticks out on the disc.  The acoustic “Digital Bath” is trippy and very cool–it’s amazing when they strip down their songs, which are usually so abrasive and heavy and they still manage to sound great.  “Be Quiet and Drive (Far Away)” is another acoustic piece with a remix by DJ Crook.

More than just a stop gap or a collection of misfit tracks, this is a really cohesive Deftones album and actually a great place to start for people trying to ease their way into the band.

[READ: March 3, 2013] “Summer of ’38”

This story is about Montse.  Montse is an old woman with three children.  Her husband died some time ago and she is by herself.  Her daughters come to visit her but she doesn’t like to be a bother to them.  On this occasion, her daughter Ana says that she met a man who is writing a book about the war and he would like to talk to Montse to see if she has any recollections of the time (she was a teenager in 1938).

Montse doesn’t want to talk to the man, she says she won’t remember anything and why doesn’t he write the book without her.  But the man arrives anyway.  When he asks her questions, she says she knows nothing about the war.  But he says that a retired general (for Franco) is coming to their town to show the writer war locations.  The general says he remembers Montse’s name and would like to meet with her.  His name is Rudolfo Ramirez.  She says she barely remembers him and that maybe she’s even thinking of someone else.

The writer says it’s not a big deal but is she would like to meet with him he will be at the cafe on Saturday for a casual lunch. She gives a reluctant maybe and the writer leaves. (more…)

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The Golden Dragon Acrobats present Cirque Ziva (RVCC Arts, Branchburg NJ, March 3, 2013)

Posted in Acrobats, Branchburg, NJ, C., Golden Dragon Acrobats, RVCC Arts, Set in New Jersey!, T. on March 4, 2013| 1 Comment »

[ATTENDED: March 3, 2013] Cirque Ziva

zivaIt’s Chinese Acrobat time again!  One year ago we saw the Peking Acrobats at RVCC and this year it’s time for the Golden Dragon Acrobats!

The Golden Dragon Acrobats performed a series of exciting and amazing feats on stage.  It was not quite the spectacle of last year’s Peking Acrobats, although there were many similar elements.  The Peking Acrobats were completely over the top.  Cirque Ziva felt a little smaller but with more flash in costumery and sets.

ziva1It opened with a series of…wheels?  Round cage-like apparatus that you climb in and roll around–C. and I actually saw these in a Jackie Chan film recently–they seemed to be a part of Chinese military training (somehow).  But the Golden Dragon Acrobats did much more than Jackie did with them.  With different sizes and numbers of participants they used these wheels to wondrous effect–spinning and rolling and climbing on and off.  It was mesmerizing.

And then it was time for the women to show off.  The first item was called “Thousand Hands.”  Six identically dressed women (with super long golden nails) stood one behind the other and then their arms spread out in a wild and wonderful array.  They worked in beautiful synchronicity and it looked amazing.  For Peking we were upstairs in the balcony, and being able to see all six women from the top spoiled the effect somewhat, it was much more impressive here.  Then they moved onto more, amazing contortions (see the poster above which I don’t even understand even though I saw her do it).  They did both group formations and an individual performance (and we all agreed the woman was mind blowing and a little gross). (more…)

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