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Archive for 2012

Thurston Moore and Patti Smith–“Patti Smith” (BOMB, No 54, Winter 1996)

Posted in Bob Dylan, Books about music, Huh?, Marriage (Happy), Patti Smith, Poetry, Poets, Religion, Robert Mapplethorpe, Thurston Moore, William S. Burroughs on July 7, 2012| Leave a Comment »

SOUNDTRACK: THURSTON MOORE-“Patti Smith Math Scratch” (1995).

I couldn’t find any archives of Patti and Thurston playing together, so the next best thing is this song named after her.

For a band as dissonant as Sonic Youth and a guy who plays as chaotically as Thurston Moore, it’s amazing how he/they are able to recreate their studio noise live.  There are dozens of versions of this song available on YouTube and while they don’t sound identical, they all sound reasonably close to each other.  And they sound reasonably close to the original studio version.

This is a pretty straightforward song: a simple riff repeated.  It doesn’t have too many crazy guitar pyrotechnics although the solo is pretty awesome.  Especially live.  No idea what the lyrics are about–much like with Patti Smith.

[READ: July 3, 2012] “Patti Smith”

This article just solidified the coolness of my job.  I’ve always enjoyed the JSTOR articles that get passed around here.  Mostly they’re esoteric studies of unexpected topics.  But this one, from BOMB magazine–who even knew JSTOR saved BOMB magazine?–has just boosted JSTOR’s coolness cred by a magnum.

This is an interview with Patti Smith conducted by Thurston Moore.  Already that’s pretty awesome.  What’s even more awesome is that the interview is done in the car while they are driving back from a show in Massachusetts–it’s just Thurston and Patti talking (although obviously edited).

The opening of the article is an introduction by Thurston, which is interesting in and of itself.  He talks about how he got to know Patti’s music (he grabbed her ankle at a concert when he was a teenager) and then how he got to know her .  I didn’t know she was from South Jersey or that she was Robert Mapplethorpe’s lover.  I also never really put together that she married someone with the same last name as her.

First off, it’s very cool to be reading an interview from fifteen years ago in which both musicians are still alive and producing great work. (more…)

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Tessa Hadley–“An Abduction” (New Yorker, July 9 & 16, 2012)

Posted in Boredom, Humiliation, Latetia Sadler, Minnesota Public Radio, New Yorker, Sex, Shoplifting, Short Story, Stereolab, Summer, Tessa Hadley, The Current 89.3--Minneapolis / St.Paul, Minnesota on July 6, 2012| Leave a Comment »

SOUNDTRACK: LATETIA SADLER–“There’s a Price to Pay for Freedom (And It Isn’t Security)” (2012).

What a treat to see Latetia Sadler as the song of the day from The Current (Minnesota Public Radio).  Latetia Sadler is the voice of Stereolab.  She has a new album coming out called Silencio and this is the first single.

It’s hard to say whether or not the song “sounds” like Stereolab, because Stereolab sounds different all the time.  But this is definitely not your bubbly Stereolab.

The song opens with some dreamy slow synths which morph into some dreamy guitars.   There’s no vocals for over a minute (which makes it seem like it might be an instrumental.  When Latetia’s voice comes in (backed by a deep male voice (very un-Stereolab) the music pulls back almost entirely and Latetia’s peculiarly inflected words [ree-uh-li-TEE] come to the fore.  It’s hard to believe that such a dreamy song would be about what the title suggests it’s about.  But how about this for a stinging (if oblique) final line: “Happy to identify with a reflection in merchandise.”

I prefer Stereolab’s bubblier music to their more dreamy, languid songs.  This one is nice, and because of her voice, it’s intriguing.  But I’d need a beat more oomph to want to get a whole record.

[READ: July 6, 2012] “An Abduction”

Tessa Hadley is rapidly turning into one of my favorite authors.  I only know her from reading New Yorker stories and I really must expand beyond these glossy pages.

This story was really fantastic.  I loved how the title has one meaning–the obvious meaning, which is even stated in the story–at the beginning, but by the end, the meaning changes to something else.

And what a great opening to a story: “June Allsop was abducted when she was fifteen, and nobody noticed.”  Shocking!  Then Hadley contextualizes this oversight: “This happened a long time ago, in Surrey, in the nineteen-sixties, when parents were more careless.”  Hmm.

So Jane was home from boarding school–her older brother was studying for college, her younger sister was not yet in boarding school and still had friends locally.  So, yes, Jane was bored.  She tried her best to have fun, but was really stumped.  When her father drove down the driveway past her and she accidentally hit his car with the ball from her Jokari set (paddle ball), the only fun she was having was destroyed.  Her father drove off in a huff.

Driving past him on the road was a two-seater convertible with the top down and three long-haired boys driving.  Her dad scowled at them, but paid them no mind.  Which is a shame as they are the abductors of young Jane. (more…)

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Clark Debraski–The Book of Hi’s (2012)

Posted in C., Funny (ha ha), Monty Python's Flying Circus, School House Rock, Short Books, Short Story on July 5, 2012| 3 Comments »

SOUNDTRACK: SCHOOL HOUSE ROCK-“Interjection” (1975).

I can’t get over how much information I learned from School House Rock.  And, conversely, how kids don’t have exposure to this kind of educational material.  In part because it’s not made anymore, but also because we TiVo everything, so there’s no interstitials.  I’d love to be able to insert some of these into their shows that they like.

Interjection has got to be one of the best of the bunch (I have a top ten which is very different from the Best of CD that came out–where’s Verb?).  We were listening to this CD in the car the other day trying to get them excited about the songs (which definitely work better with the videos).  But since Clark’s story has an interjection, this was the obvious choice.

Relive the glory:

Darn.  That’s the end.

[CREATED: June 2012] The Book of Hi’s

Today is Clark’s 7th birthday!  Happy birthday, sweetheart!

I have told my kids that if they tell me stories, I will make them into books for them.  I even have a digital recorder if they want to recite stories that we can make together.  They are always coming up with stories that their toys play (mostly about jail and monsters and whatnot), but they don’t seem to want to record them for posterity.

Then one day Sarah and the kids were doing a craft that involved writing out stories (Sarah had stapled pages together).  Clark wrote this story.  And it cracks me up, primarily because I know he thinks it is very funny, but also because it is weirdly funny (if ever there was a kid who was almost ready for Monty Python, it’s this one).

He wrote it out very fast on one page of the book, so I decided to make a proper book out of it.  For your enjoyment, I present, in full, The Book of Hi’s. (more…)

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Heather O’Neill–“And They Danced by the Light of the Moon” (The Walrus, July/August 2012)

Posted in Bob Marley, Boredom, Canadian Content, Canadian Music, Coldplay, Dance, Heather O'Neill, K'naan, Marriage Trouble, Sex, Short Story, Soccer, The Walrus, Virginity (Loss of) on July 4, 2012| 1 Comment »

SOUNDTRACK: K’NAAN-“Wavin’ Flag” (2009).

Like most people in America I don’t know much about K’naan.  This is despite the fact that this song (in a modified form) was the anthem for Coca-Cola and the 2010 World Cup and was HUGE (except in America where we like one and ignore the other).  There’s an article about K’naan in the July/August issue of The Walrus.  He is a Somali-born Canadian rapper and he is looking to break into the US market.

And that’s as much as I knew of him.  So imagine my surprise upon listening to this song to realize that it is an acoustic-pop song not unlike Coldplay (lots of Whoa-ohs) set to a martial beat.

It’s a catchy anthem indeed–made perfect for an event with lots of waving flags like the World Cup.  However, the original lyrics are impressive (and talk obliquely about his life in Somalia).

Out of the darkness, I came the farthest Among the hardest survival
Learn from these streets, it can be bleak Accept no defeat, surrender, retreat

So many wars, settling scores Bringing us promises, leaving us poor
I heard them say ‘love is the way’ ‘Love is the answer,’ that’s what they say

And yet the chorus is pretty uplifting:
When I get older I will be stronger They’ll call me freedom just like a wavin’ flag And then it goes back, and then it goes back And then it goes back, oh
Chorus aside, these lyrics aren’t exactly going to sell product, so it’s not surprising that the Coca Cola Celebration Remix has changed some lyrics:
Saying forever young Singing songs underneath the sun Let’s rejoice in the beautiful game
And together at the end of the day, we all say
Although this lyric could have been in either version
In the streets our heads are liftin’ As we lose our inhibition
Celebration, it surrounds us Every nation, all around us
And the chorus remains the same.
The remix is a bit more interesting musically.  The original is just him on an acoustic guitar with some drums.  It reminds me of Bob Marley (and references “Buffalo Soldier”).  The remix has a really cool drum intro.  It’s beefed up throughout as well.  I guess it’s easy to say it’s a sell out (but well, duh), but it’s still as catchy as the original without being too obnoxiously overproduced.  And heck, maybe people learned a bit about Somalia from it.  Stranger things have happened.

[READ: July 4, 2012] “And They Danced by the Light of the Moon”

Some stories are one thing at heart.  No matter how much you gussy them up and make them look all fancy, they’re always going to have heavy metal T-shirts under their formal wear (I should know).

And so it with this story set in the 70s in the Quebec town of Val de Loups (the fact that it is set here changes enough of the story that although the story is not atypical, it is at least in an unfamiliar setting (to me)).  Jules knows that he is in love with Manon.  Manon doesn’t know anything about love.  Jules is an only child, living in a trailer park, trying not to get beaten by his father. Manon is the youngest of 11 children (her mother kept trying until she had a girl).  She is beautiful with golden ringlets and a magical laugh and she is under the constant supervision and protection of her ten massive brothers (one is a wrestler, three work in the mines).

Jules is an intelligent boy who always gets in trouble.  He’s a class clown because he likes it when people pay attention to him, although he doesn’t really have any friends per se (when he gets in trouble, they aren’t there with him).  His last prank was an invitation to the aliens–spray painted in the school parking lot.  This gets him kicked out of the upcoming dance (even though he did a lot of the getting it setup).  He’s really bummed because Manon said she’d go with him.  Manon likes him because of the way he can roller skate.

Despite not being allowed into the dance, they meet up outside the building and go to a house in town where Jules is plant-sitting.  With the right music, the right lighting, the right setting, this would be a joyous romp of explored sexuality and post-dance bliss.  But this is Val de Loups, where no one leaves, where everyone is trapped. (more…)

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Tony Abbott–The Secrets of Droon: Books 29-31 and SE#5 (2007-2008)

Posted in Adventure, Children's Books, Demons, End of the World, Fantasy, Funny (ha ha), Ghosts, Juliet, Magic, Mystery, Supernatural, Threats, Time Travel, Tony Abbott on July 3, 2012| Leave a Comment »

SOUNDTRACK: JULIET-“My First Hardcore Song” (2012).

Lars from NPR (I’m just going to call him Thor from now on) pointed me to this song.

Juliet is 8 years old and while she didn’t write the music, she sings all the words (and one assumes wrote the lyrics, right?).  Juliet can scream with the best of them.

And, of course when she opened up the pit, it made me want to get our pit ready at home, too….

There have been replies and haters, but none can compare to the original.  Juliet has destroyed out Old Skull as my favorite pre-adolescent hardcore band.

ooooooooooooooooooooh.  Oh.

[READ: April 2012] The Secrets of Droon: Books 29-31 & SE#5

Droon grows more and more exciting with each book.  I have high hopes that we may finish this series before Clark’s school is over (sometimes it’s fun to set little goals for ourselves, even if they are meaningless).  [Since this is being published after he finished school, I know whether this came true or not, but you’ll have to wait to find out].

Book 29 is Pirates of the Purple Dawn.  One of the fun things about Droon is that old enemies keep coming back.  In this book, an old enemy Ving, king of the hawk bandits of Tarkoom, comes back (from book 11!).  But this time, he has brought his twin sister Ming with him.  I enjoyed that although they are twins they not only don’t really like each other they’re not all that alike–Ving hates the water and Ming is in charge of a group of pirates!  They plan to bring dragons back from the past to destroy Droon.

The book opens up in a funny/tense way.  Eric is in school but he is dreaming of Droon.  And then he starts talking in his sleep–telling the whole class about Droon and even firing a fireball at the blackboard!  This gets the kids in class very excited–one even wants to go on a field trip to Eric’s house to see Droon herself!  And things grows even more chaotic when Galen’s twin Nelag shows up and confuses things tenfold.  When the kids finally get to Droon, they journey to the land of Jabar-Loo.

After this funny intro, things get more serious.  There is a Purple Dawn, which means a rift in time (which means Clark will have a slightly hard time grasping everything).  This means that they have to go see Portentia the oracle who was around for the first Purple Dawn.  Things grows even more serious when the pirates kidnap Keeah–as if  the kids didn’t have enough to worry about.  And what about that green mist and the vision that Eric had? (more…)

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William Gaddis–[Week 2] JR [#OccupyGaddis pages 75-149] (1975)

Posted in #OccupyGaddis, Big Books, Books about music, Built to Spill, Death, Death Cab For Cutie, Huh?, Marriage Trouble, Modest Mouse, Neil Young, Religion, Sex, William Gaddis on July 2, 2012| 3 Comments »

SOUNDTRACK: BUILT TO SPILL-“Carry the Zero” (1999).

For a time, before the bands each took off, I lumped Built to Spill, Death Cab for Cutie and Modest Mouse into a pile of bands I really liked but wasn’t always sure who was who.  They each have melodic sections, noisy sections and high pitched singers.  (It also turns out that both Modest Mouse and Death Cab for Cutie cite Built to Spill as a big influence).  The big difference between the three is that Built to Spill’s Doug Martsch is a guitar god—he does amazing solos which is why his songs are so long (their Live album features a 20 minute version of Neil Young’s “Cortez the Killer.”

I have no real idea what this song is about, but I love it.  It’s catchy and fun with a great melody.  And, in this case it kind of ties in to JR, because JR is all about making money but his basic math is shaky.  In the same way, carrying the zero won’t do anything in basic math.  Although “you have become a fraction of the sum” is a nice refrain.

This was the song and album that introduced me to Built to Spill and I love it.  Great 90s alt rock.

[READ: Week of June 25, 2012] JR Week 2

And since there are no paragraph breaks, week two picks up mid-flow.  However, this proved to be a good breaking point because almost the entire read for this week is about Mrs Joubert and her class on their field trip to the New York Stock Exchange.  And Edward Bast is steamrollered into doing (and paying for) everything.   Gaddis’ style completely allows for the miscommunication and ease with which Bast is overtaken by Joubert and Gibbs.  While it certainly calls into question Bast’s ability to stand up for himself, it also shows how easily one can be pushed into doing things (although in real life I suspect you’d just say “wait a minute, I can’t,” at some point).  It’s still very funny and the action moves along so quickly that it works perfectly with the flow.

The scene begins with Mrs Joubert herding the kids onto a car and then talking to Mr Bast.  He apologizes for what happened yesterday,  Of course, he is talking about his disastrous TV meltdown but she thinks he means the loss of the bag of money and its turning up 3 pennies short.  Through a series of unsubtle hints from Mrs Joubert, Mr Bast winds up joining their trip to the city.  He had business to conduct in Manhattan so he was going in anyway, but now he’s roped in with the kids.  There’s a lot of sexual tension on this trip–the boys are watching women bend over and Mr Bast keeps pressing his body again “her unyielding thigh.”

Then we get our first really big scene with JR.  In this scene he and a friend (unnamed as far as I can tell) are going through all of their free mail publications and doing trades.  Everything the boys try to trade is a load of crap (a word count on “crap” would be very high indeed). So the kids start looking through their brochures: K’ung-p’a, piano lessons, rare coins, scientific method builds powerful muscles,government surplus (a Tank that turns out to be an airplane gas tank (ha)), How to Make Big Profits Overseas, selling shoes, etc.  There’s some very funny back and forth as smart-assed kids will do (he really has young kids’ dialogue down very well), like :What are you gonna do where it says “married” or what are you gonna do when it says shoe size and you put yours? (more…)

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Ben Lerner–“The Golden Vanity” (New Yorker, June 18, 2012)

Posted in Ben Lerner, Books about writers, Drinking, Drugs, Fears, New Yorker, Nirvana, Thou, Unreliable narrator on July 1, 2012| 1 Comment »

SOUNDTRACK: THOU-“Something in the Way” (2011).

Sometimes you hear a  cover version and you really don’t know what to think.  Maybe you hate it from the very beginning.  And then maybe it does something and you kind of hate it a little more.  And then suddenly it turns the corner and who knows what they’re doing.

This song opens almost ponderously slowly.  I guess it’s not that much different from the original , but it feels so really slow.  And then, when they get to the “something in the way” part, the band kicks in with really heavy squalling feedback and cookie monster vocals shouting “Something in the Way.”  And I kind of didn’t like anything.  But then came the surprise.  the “oooh” part was sung very straight and melodically.  The song reverts back to the original slow vocals section and you realize that the singer sounds an awful lot like Cobain himself. And the second time when the chorus comes in, you expect it and while you may not like the cookie monster vocals, the juxtaposition to the sweet “oohs” is strangely cathartic.

Not for everyone by a long shot, but very interesting nonetheless, especially the way the feedback squalls and wheedles.

Thou has done a number of Nirvana covers evidently.  There’s a cover of “Anuerysm” in this live show (in which they acknowledge that the fans aren’t there to see them).  The music is spot on, but man, those vocals are hard to handle.

[READ: June 29, 2012] “The Golden Vanity”

As yesterday’s story was about “the husband,” today’s story is about “the author” (have short story writers run out of names?).  The author has just written a very successful book in which the main character tries very hard not to be nervous in social situations.  The author himself gets nervous in social situations.  When people know he wrote the book they scrutinize him to see if he gets awkward in social situations…which makes him more awkward…etc.  It’s a pretty funny concept.

The opening section has the author meeting the librarian.  He’s put in an awkward situation because his hands are full when she waves.  So he gets emabrassed and scowls.  Then he thinks she assumes he is scowling at her.  He gets through the encounter with advice from his shrink.

The next scene jumps quickly (I wonder what happened to the librarian) to his medical condition.  The author has to have his wisdome teeth out.  He spends a lot of the story wondering is he should have a local or a twilight anesthetic (which costs $3,000 more and calls for an I.V.). He wonders aloud a lot to his friend Liza, who tolerates his neuroses and enjoys talking about them, even though she says things like “We’re not talking about this again.”

The evening before the surgery (he of course chose the I.V.) he went on a date.  Well, not really a date (he liked to say that), but friends going out together with a single woman there to meet him.  Naturally this made him nervous too.  But he and Hannah hit it off (lots of drinks helped).

There’s a whole section devoted to waiting room art which I appreciated quite a bit.  Who decies what to buy?  It’s not like the doctors would come out and look on it and admire it, right?  This sort of melds with a discussion about the preserved letters of famous writers.  Do libraries buy emails?  Do they buy the letters of young writers as a security upon further greateness?  These ideas are pretty theoretical yet the way it is written keeps it inetersting. (more…)

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Kurt Vonnegut–Deadeye Dick (1982)

Posted in Adventure, All Songs Considered, Bea Sandler, Bombs, Consumerism, Corporate skewering, Culture Shock, Death, Food, Funny (ha ha), Futility, Hitler, Kurt Vonnegut, LGBTQ, Marcella Hazan, Marriage Trouble, Morality, Play (Drama), Short Books, Six Organs of Admittance, Utopia, Violence on June 30, 2012| Leave a Comment »

SOUNDTRACK: SIX ORGANS OF ADMITTANCE-“Even If You Knew” (2012).

Lars from NPR’s All Things Considered picked this as his summer music preview song.  I don’t know a thing about Six Organs of Admittance, but their discussion of this song makes it seem like this is atypical for the band (which has a massive output).  Evidently they’re usually more droney sounding. But man, this song is pummeling and wonderful.

It’s seven minutes long and opens with a simple, plodding heavy bass riff.  The vocals are kind of whispered and strained.  But then comes the guitar solo–a raging piece of distortion that complements the bass.  And that’s just the first three minutes.

The second half of the song features a quieter section–the bass is quieter, while the guitar noodles around and the vocals play over the rhythm.  The song slowly builds again, and by the last minute or so there’s another fierce guitar solo. Until the song is exhausted by the final distorted notes.

This is some beautiful noise.  And, no I have no idea what the band’s name means.

[READ: June 27, 2012] Deadeye Dick

Deadeye Dick is the last Vonnegut book that I was completely unfamiliar with.  I had no idea what it would be about.  So I didn’t realize until very late in the book, and then I looked online and confirmed that this book is set in the same location as Breakfast of Champions, Midland City, Ohio.  Indeed, some of the same characters appear in this book as appeared in that book.  But more about that later.

Vonnegut is not known for his happy books.  Misanthropy is pretty rampant in his pages.  But this book is one of his bleakest books yet.  The story concerns the Waltz family–Rudy (the protagonist) and his brother Felix are the only children of Otto and Emma Waltz.  Pretty early in the story we learn that Rudy is a double murderer.  Yipes!

As with most Vonnegut stories, this one is told in a convoluted and non-linear fashion.  He foreshadows (and really just casually mentions) a lot of crazy things that are going to happen in the book.  Like the fact that Midland City is going to be devastated by a neutron bomb.  In fact, his preface (like with many of his prefaces) tells us a lot about what’s in the book and who the characters are based on and the fact that there is a neutron bomb (but the reality of a neutron bomb is different from what he says).  There is something about knowing this information ahead of time that impacts the way you read the story.  Whether you think maybe he’s not telling the truth about what will happen (can the narrator really be a double murderer?) or maybe somehow the foreshadowing makes it even worse when it actually happens–the revelations are perhaps more deliberate.  But the style–a recursive style in which he says what happens and then he goes back and fills in the details, makes the events that much more powerful.

The funny thing about this story is that a lot happens to the characters in the beginning of the story and then not too much happens to them after that.  But that early stuff is pretty exciting and it has an impact all the way through. (more…)

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Paul La Farge–“Another Life” (New Yorker, July 2, 2012)

Posted in All Songs Considered, Drinking, Drugs, Marriage Trouble, New Yorker, Paul La Farge, Sex, Short Story, Unreliable narrator on June 29, 2012| Leave a Comment »

SOUNDTRACK: EAST OF THE WALL-“False Build” (2011).

Viking picked this song back in September of 2011 as his song of the week (or however often he posted then).  I’d never heard of East of the Wall, despite their New Jersey pedigree.  (I know I don’t know every band from New jersey, but usually by the time a band has three records out I’ve at least heard of them).

This song is just over five minutes long and the vocals don’t come in until about three an a half minutes.  By the time the vocals come in, we’ve had three or four different stylistic changes.  And, by  the time the vocals have been with us for a minute it’s possible that there are four vocalists in the band.

It opens with some clean guitars playing an open (but slightly off) chord progression.  Over that comes a slightly distorted guitar and a bass playing mostly the same notes but just enough to be notably different.  Then add some drums so the song is builds very nicely.  The solo gets more and more complicated and when the drums rumble in for a climactic progression…the songs shifts into a kind of loud heavy rock/almost funk.  A new more angular solo plays over the funk riffs and it all works wonderfully.  Then the song becomes a rapid fire snare drum metal song and that’s where the vocals kick in.  I assume this is all one vocalist but who knows.  For the sake of argument I’ll pretend they are all different.

The first vocalist is a screamer–hard to understand but fitting in perfectly with the now heavy riffs.  He doesn’t say much before the second vocalist comes in.  This section of the music is mellow and kind of prog rocky and the vocalist fist perfectly–actually crooning along with the melody.  Until vocalist three comes in with a kind of cookie monster vocal which is interspersed with a different cookie monster vocalist.  By the quarter to 5 moment the first vocalist comes back, and there’s more screaming until the song ends.  It’s chaotic and cool and keeps you on the edge of your seat.  I wonder what they’re singing about.

Wow.  If I’m this exhausted writing about it, imagine how they must feel playing it.  I’m going to have to check out more from them.

[READ: June 28, 2012] “Another Life”

This story is disconcerting in that the first paragraph is a page and a half long.  And it works very well stylistically.  The whole first paragraph concerns a man (the husband) as he returns from a party for father-in-law.  He’d rather not have gone to at all, but since he is also sick and on medication, he takes the opportunity to leave early.  He arrives back at the hotel and sits down to read Rousseau’s Discourse on the Origin of Inequality.  (Holy crap!).  He can’t focus on the book so he decides to go down to the hotel bar (with the book) just to mix things up.

There are a few people in the room, but he sits alone at the bar.  The bartender (whose name is later revealed to be April P) is very nice and chats as she serves him.  She sees his book and asks what he’s reading.  He’s a bit embarrassed, because she’s never heard of Rousseau.  But she says that she reads everything and her favorite is Emily Dickinson.  He is thrown by her choice of authors and by the fact that he can’t think of anything clever to say about Dickinson.  He fumbles a bit.  She remains nice but is clearly unimpressed. (more…)

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Tony Abbott–The Secrets of Droon: Books 26-28 and SE#4 (2006)

Posted in Adventure, Ben Folds, Children's Books, Demons, End of the World, Fantasy, Funny (ha ha), Ghosts, Magic, Mystery, Over the Hedge, Supernatural, Threats, Tony Abbott on June 28, 2012| Leave a Comment »

SOUNDTRACK: BEN FOLDS-“Rockin’ the Suburbs [Over the Hedge version]” (2006).

I love Ben Folds. And I love this song.  But it is not in any way kid friendly (he threatens to cuss on the mic and he does–a lot).  So I was surprised to hear these distinctive opening chords when Over the Hedge‘s credits rolled.

But Ben has nicely changed all of the lyrics to make it more relevant to the movie (it’s still funny for adults, and in fact, kids may not even get all the jokes: “around the block one more time…cause I can’t tell which house is mine”  “they got better looking fescue right across the cul de sac.”

It’s cool that he was completely able to change the song (the meaning is now entirely different) yet still have it retain that snarky attitude of Ben Folds.  True the grown-up version is funnier, but this one is still good.  Not least of which is from the crazy rant by William Shatner.  Shatner is the neighbor “Bill” who complains about their dog and threatens that he knows karate.  It’s quite funny (if perhaps a little exhausting to listen to more than two times).

I like that the end of the song includes the really heavy section (that really only makes sense with the original lyrics).  A perfect example of change that works.

[READ: April 2012] The Secrets of Droon: Books 26-28 & SE#4

As I mentioned in the last post I am completely hooked on Droon.  And my son is very excited that we are getting close to the end!  What will we do?  The series itself has always been good, but it keeps getting better, with the stakes getting higher and higher.  And with Sparr being a good guy now, everything is different!  There are only three books before the Special Edition this time–it’s a strange non-pattern he’s got going on.  The Special Editions are longer and SOME of them written in a different way, but sometimes they just seem like longer books. (more…)

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