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[DID NOT ATTEND: September 12, 2023] The Lemonheads / Willy Mason

I rather enjoyed The Lemonheads’ anniversary of It’s a Shame About Ray.  I thought I might also really enjoy the anniversary of Come On Feel the Lemonheads.

They are playing in Asbury Park one night and then Philly the next.  I would have rather enjoyed going to the Asbury Park show more than the TLA.  I’m sure it would be a lot of fun–and he seems to have cleaned up his act somewhat.

But when I asked my wife if she wanted to go, she said no. And, while I like that album a whole lot, I think I may have had my fill of Evan Dando.

Willy Mason is a folk singer with a deep voice.  I listened to a little of one song and didn’t like his vibe at all.  So that kind of helped me decide not to go to this tour.

[DID NOT ATTEND: September 12, 2023] Palm /Body Heat

Palm is a band I discovered by accident (they were opening for someone) and who I really bonded with.  Their music is weird–catchy (sometimes) obnoxious (sometimes) and always challenging (and yet somehow addictive).

They are ending their life as a band and they announced a show in Philly, which I quickly grabbed a ticket for.  It sold out and they added a second show two days earlier.

Since I had a ticket to the Thursday show, I didn’t feel the need to see the Tuesday show as well.  There are different opening acts for this show.  Continue Reading »

[DID NOT ATTEND: September 10, 2023] Superchunk / Cable Ties

I’ve seen Superchunk twice in the last half dozen years or so.  The put out one of my favorite shirts (it looks like wordle).  Their shows are filled with energy and fun and the band is always on fire.

Somehow, I don’t see quite how that translates to Ardmore Music Hall, a smaller venue with no room for Mac to jump around.  Plus, I feel like after both shows I’ve seen everything I need to from them.

Cable Ties are a band from Melbourne Australia.  Their blurb says

frenetic lead lines tethered to a hypnotic rhythm section. They take the 3 minute punk burner and stretch itpast breaking point. Suddenly the garage rock gives way as primitive boogie, kraut and post-punk take things way out to the horizon

I like their sound quite a bit, although I’m on the fence about their singer.

I am, however, quite taken with the whole rock scene from Australia, so I’m sure they’d win me over.

[ATTENDED: September 8, 2023] Beck

My wife and I have seen Beck three times now and his shows are always fun.

It’s interesting that his shows tend to be pretty short–he does a lot of co-headlining tours.   He also doesn’t tour that often–3 tours in 9 years.

Beck has put out a couple of albums in the last decade or so, but he didn’t play anything from his most recent album (Hyperspace) or the mellow Morning Phase.  And only one song from Colors.

The show focuses a lot on Modern Guilt and Odelay–he told us that this was the first tour that the Odelay band had played together since that album: guitarist Jason Falkner (who played on the last tour andwas amazing), bassist Justin Meldal-Johnsen and drummer Joey Waronker (were both new to me). On the top row was longtime keyboardist Roger Joseph Manning, Jr. and percussionist Ian Longwell (new to me and excellent).

The set was a mix of big hits and some weird older cuts.  This being the third time we’ve seen him, this show was almost like a mashup of the last two tours.

Like the first time we saw him, he opened with Devil’s Haircut followed soon after with The New Pollution.  Notable was that bassist Meldal-Johnsen was a maniac, adding in all the weird backing vocals and deep growls.  He also bounced around and was having a great old time.

On the way home I told my wife that I was so happy for her because he played just about everything she wanted to hear–not always the case with concerts. Continue Reading »

[DID NOT ATTEND: September 9, 2023] The Flaming Lips

I saw this tour in Philly just a few days ago.  I didn’t realize that this tour was popping by the Wellmont until I had already gotten my Philly tickets.  I thought about grabbing this date and selling my Philly one but I as afraid that that Jersey metalheads would be too rough.  Turns out the Philly metalheads were super rough.  So maybe this one would have been better.

After seeing the show, I half considered getting a ticket for this show as well, just so I would know where to stand when Dave and Scott throw their stuff into the crowd.  I could probably get a lot closer too.

Plus, now that I know they play a (slightly) different set list each night, it might have been fun to see this show agin.

But I won’t be going for a second time this week. If it had been a little further away I might have done it.

[DID NOT ATTEND: September 9, 2023] Sleep Token / A.A. Williams

I had never heard of Sleep Token until about a week ago when Shevy Marie, the woman who plays all of the women in Ice Nine Kills’ live performances, announced that she would be touring with Sleep Token.  I have no idea in what capacity.  Ad when I looked up to see where  the tour was taking this band, I found out that they were playing Union Transfer and the show was sold out.  In fact, the whole tour appears to be sold out. Wow.

So, who are they?  Interestingly, no one know.

Sleep Token are a British alternative metal band from London, formed in 2016. The group are an anonymous, masked collective led by a frontman using the moniker Vessel. They have been categorised under many different genres, including alternative metal, post-rock/metal, progressive metal and indie rock/pop.

There’s obviously so much for me to like about this band–masked singers, calling their shows “rituals”, toying with heavy metal, Shevy Marie.  Although when I listened to a few songs I didn;t really like them all that much.

Well, it being sold out saved me the worry.

A.A. Williams is a singer from

The first thing that comes up when searching for her is a cover of Placebo’s “Without You I’m Nothing” which is even more gothy than the original.  It’s good and moody.  Her other stuff is similarly moody and gauzey with a healthy dose of goth.  Or as Kerrang says

a stunning work of minor-chord perfection that announced its author as a genuinely exceptional talent. A perfect expression of beautiful melancholy that touched that same delicate, isolated, rainy-night nerve as Anathema, Nick Cave and Deftones at their most understated,

I’ll bet this show is really good.

[ATTENDED: September 6, 2023] Mr. Bungle

Back in 1991 when the self-titled Mr. Bungle album came out, it was the perfect release for the era of weirdo music.

Sure, Mike Patton was the singer from Faith No More and they had a couple of huge hits, but he was a weird dude to be sure and Mr. Bungle is where he came from.

I enjoyed that self-titled album a ton and really liked their follow ups as well.  Each album was weird and genre-bounding.

Then in 2020, they “reunited” for a re-release of one of their early demos, The Raging Wrath of the Easter Bunny.  This “Demo” version was a reworking of that album (and other songs) and featured Scott Ian (Anthrax) on rhythm guitar and Dave Lombardo (Slayer) on drums!

I was pretty excited for it.  And then when I heard it I was a bit let down because it was pretty much all hardcore and speed metal without much of the genre hopping that I loved about the band.   True, there were some great tracks on it, and it rocked really hard, but it wasn’t what I was expecting.

When Mr. Bungle announced that they were going to tour, it turned out to be a tour of this album.  I was torn about whether I wanted to go.  But it didn’t matter because the tour was only in Brooklyn and California, so the heck with that.

But recently, they announced they were running through some of these lesser East Coast cities and Philly was a stop (as is Montclair, NJ!).  I was torn between being really excited–any opportunity to see Mike Patton is a good one.  Plus Dave Lombardo is a master.  I have never seen Anthrax and seeing Scott Ian live would be pretty awesome.  Finally, Trey Spruance is a weird, amazing guitar player.  Sorry Trevor Dunn, I had no thoughts about you. Continue Reading »

[ATTENDED: September 8, 2023] Phoenix

Wolfgang Amadeus Phoenix is a fantastic album–wonderful French synth pop with insanely catchy choruses.

When they were announced as  co-headliner with Beck, I was pretty excited to check them out.  I didn’t know anything about their live show, but I figured I’d know a bunch of songs.

We arrived at the Mann Center and got to our seats about three minutes before Phoenix came on.  And what timing because they opened with the amazingly catchy “Lisztomania” which got everyone on their feet and singing along.  This pairing seemed to work really well as it felt like people were there for both bands and not just one or the other.

The stage was set up like a frame.  And as soon as the song kicked in, the frame was revealed to be a digital screen.  And Phoenix had a ton of fun with this setup.  Each song had a video or a scene behind it.  And most of them looked completely realistic.

So the band was playing in an opulent room, or on a classical ruin or a deserted wasteland.  Or, there were optical illusions floating around behind them.  It was amazing.  And it looked incredible.

I was also surprised at how many songs I didn’t know.  I just assumed it would be hit after hit.  And maybe it was an I just don’t know the hits.  But they played three songs from their debut album United which I had never heard of.

The band was set up so that on the ground level there were four of them: Thomas Mars – lead vocals ; Deck d’Arcy – bass, keyboards ; Laurent Brancowitz – lead guitar, keyboards ; Christian Mazzalai – guitar.  Granted I’m not sure who was who–I don’t think I’ve ever even seen a picture of them before.  On the upper level were the two touring musicians: Robin Coudert – keyboards, percussion ; Thomas Hedlund – drums.  These two were amazing to watch, especially Hedlund who was an absolute maniac on the drums.  In fact, I tend to think of Phoenix’s music as being not all that interesting drumwise–it’s pretty standard beat-keeping for the drums.  But Hedlund was great–fills, standing up and crashing the drums.  And when Coudert played snare along with him it was so loud!

They did an amazing job of mixing up the setlist.  With several songs from Wolfgang up front including in a mashup with a United song, Too Young/Girlfriend.

Phoenix has a new album out with some great songs on it, and they waited before playing them.  It took five songs to bust out “Alpha Zulu” Ooh ha, saying Hallelujah!   Followed soon after by “After Midnight.”  Then they moved on to “Armistice” (yet another song from Wolfgang).  The slow repetitive middle was a perfect lead in to the following song which I understand is a Phoenix live favorite

It is known as “Sunskrupt” and it’s a mashup of “Love Like a Sunset” from WAP and “Bankrupt” from Bankrupt.  The video behind them was incredible.  It started with a man lying on a grassy spot.  The camera then zoomed out and the distance was listed on the side (10,000 meters, 100,000 meters). It continued to pull back, into outer space, through the milky way to over a million light years away.  The the song hit a climax and the song picked up with the camera zooming back in, all the way to the man again and then closer and closer–.o1 millimeter down to millionths of an ångstrom, where I’m assuming we could see a red blood cell?  It was amazing.

Someone had been holding up a sign for “Funky Squaredance,” an early song that I didn’t know.  Well, they played a medley of that with another early song.  On stage came a personification of death who Mars sang to.  When the song ended, death was holding his head! Crazy

They played the super catchy “Tonight” from the new album and then one more new song before playing another medley from Bankrupt and then getting the entire crowd psyched for a terrific sing along of “1901.”

It was fantastic.

And just when we thought the show was over, the band started playing an instrumental (Identical) and Thomas Mars headed out to the audience.  I assumed he would stop before he got to us, but he climbed over the seat back, literally right next to my wife (we were both too surprised to get any good pictures).  Then he climbed all the way to the back of the seated area and walked around up there until he came back down the other side and then climbed on some people’s shoulders in the main front area.

What a show.  I can’t imagine the stops they pull out of they are the headliners!

 

  1. Lisztomania ψ
  2. Entertainment $
  3. Lasso ψ
  4. Too Young µ / Girlfriend ψ
  5. Alpha Zulu @
  6. Ti Amo
  7. After Midnight @
  8. Armistice ψ
  9. Sunskrupt! **
  10. If I Ever Feel Better µ / Funky Squaredance µ
  11. Tonight @
  12. Winter Solstice @
  13. Rome ψ
  14. Trying to Be Cool $ /Drakkar Noir $
  15. 1901 ψ
  16. Identical (reprise) @

ψ Wolfgang Amadeus Phoenix (2009)
µ United (2004)
@ Alpha Zulu (2022)
$ Bankrupt! (2013)
♥ Ti Amo (2017)
** Mashup of “Bankrupt” and “Love Like a Sunset”

[DID NOT ATTEND: September 12, 2023] The Spirit of the Beehive / Mary Jane Dunphe

I saw The Spirit of the Beehive six years ago and they were outstanding live.  I’d never heard of them before that show but they blew me away with their set which was a great mix of shoegaze and noise.  I said then that I’d like to see them headline a show.

Well, here they are.  But it’s the same night that we have tickets to see Beck and Phoenix.  So, sorry SOTB.

It turns out that the show has sold out, so they didn’t me anyway.

Mary Jane Dunphe is a poet and musician who tells stories–not through direct narrative but through embodied presence and performance, through cinematic and fragmented memory, the wild transmission of feeling. Her versatile songwriting has garnered critical acclaim in past projects such as the visceral punk of Vexx and Gen Pop, the minimal dream pop of CCFX and CC Dust, and the lonesome country-rock of The County Liners–and now Dunphe’s debut solo album, Stage of Love, is the start of a captivating new chapter.

I listened to a couple of her songs and I like the big fat synth sounds she uses but I don’t really like her voice.  I feel like I wouldn’t enjoy her set.

 

[DID NOT ATTEND: September 8, 2023] The Tallest Man on Earth/Andrea von Kampen

Last year, after many failed attempts, I finally got to see The Tallest Man on Earth–Kristian Matsson, a Swedish folksinger with a great guitar picking style and a deep powerful gritty voice.

It was a fun show only marred by the very vocal drunks behind me who talked during the show and then sang along really loudly to the words they knew.

I thought it would be fun to see him again–and to hopefully be in a different spot than the drunks this time.  So I grabbed a ticket.  Completely not realizing that I had already purchased tickets to see Beck/Phoenix tonight.

Alas.

Andrea van Kampen is an American folk singer.  She has a gentle fingerpicking style and a nice voice that reaches to a powerful falsetto.