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[ATTENDED: July 15, 2024] Font

I saw Font (from Austin, TX) open for Chai about nine months ago. They weren’t really compatible in terms of style, but they were both a little weird an a pretty noisy.

I really enjoyed Font a lot and was a little bummed that they had, basically, one song available online.  Well a few days ago they released an actual album.  It’s not long (less than half an hour), but it’s packed with all the weirdness that makes Font awesome.

They play a great mix of catchy and really abrasive–repetitive sounds that contrast (in both time signature and style) to the drum/percussion or the great bass sound.

There’s five guys in the band: vocalist/guitarist/sound creator Thom Wadhill, guitarist/sampling savant Anthony Lawrence, bassist Roman Parnell and dual percussionists Jack Owens and Logan Wagner.

Last time, I noted

The bass wanders all over the place–in a great New Wave sorta way.  And, as it turns out the percussionist is a major component of the band.  From where I was I couldn’t really see the drummer (there was so much STUFF on stage), but I could clearly see the percussionist who had cowbells, blocks, cymbals (which he moved around to make different sound) and some bongos.  He must have been exhausted.

There were two guys up front.  One was the singer.  He played guitar and all kinds of gear that he had around him.  The other guy also played guitar although he seemed to play more of the electronic gear that was around him.  At one point the guy in front of me [Wadhill] also played the gear in front of the [Lawrence]–there was a lot of gear.

Continue Reading »

[ATTENDED: July 15, 2024] Cold Court

I saw Cold Court back in July of last year when they opened for Black Midi.  All I could find out about them then was that they were from Philadelphia.

They have an Instagram page but there’s not much on it.  And any searches reveal pretty much that they opened for Black Midi and very little else.

According to live at the Lawn Jawn (a video online), this was the lineup of the band about two weeks before the Black Midi show:

Mini Serrano (Guitar, Vocals), Josyah Lavina-Maldonado (Guitar, Vocals), Theo Shuttleworth (Bass), Jett Mann (Drums), Charlie Westlake (Saxophone, Synth), Alex Ramirez (Viola), and Joe Kuck (Percussion).

There were five members of the band for this show.

I didn’t know what songs they played last time.  And I’m not really sure what they played this time. Continue Reading »

[DID NOT ATTEND: July 13, 2024] Dr. Dog / Kevin Morby / The Teeth

I never really got into Dr. Dog but I’ve liked a bunch of their songs over the years.  And I’d always heard they were great live, so I had them on my “wanna see” list.

Back in June of 2021, Dr. Dog announced their last tour.

“It is a disturbing thing to read, I’m sure, and trust me, an equally unsettling thing to write, but it’s all good,” they wrote. “It’s important to us that you understand that this is not a break up or anything like that. We don’t know what Dr. Dog will do, we just know it won’t include going on tour, except the tour we’re announcing now, which is going to rule.”

And yet, now they were back with a new album an a live show (I don’t know if there were any other shows).

I opted not to go.  The Mann is kind of a pain to get to and I just wasn’t sure I cared enough to bother.  Continue Reading »

[ATTENDED: July 10, 2024] Mdou Moctar 

Mdou Moctar had just played Union Transfer on June 28.  A week later, he announced two intimate acoustic shows and one of them was back in Philly, practically across the street in PhilaMOCA.

I didn’t go to last week’s show but I didn’t want to miss this one:

New York and Philly! We’re doing a couple of intimate last minute acoustic(ish) unplugged shows. We can’t wait to see you! Grab tickets before they sell out! See you soon!

It was funny to have Emily Robb open for this set because she was so loud.  The show was billed as acoustic and I almost didn’t bring earplugs (which we definitely needed for Emily Robb).  Emily said that she had opened for Mdou on a previous tour and I can see when Mdou was on fire that Emily was appropriate.

But indeed I didn’t need them for Mdou’s set. Continue Reading »

[ATTENDED: July 10, 2024] Emily Robb

Emily Robb is a guitarist from Philadelphia.  I didn’t know much about her, but the last time she opened a show (which I didn’t attend) I wrote:

Emily Robb plays an electric guitar (and is referred to as a guitar abuser).  She has a solo album out that is an incredible amount of fuzzy guitar noise.

No vocals, no artifice, barely even a drum. It’s a totally fried, mutant offering that’ll entice the twisted seekers– a sustained, distilled meditation on the unabashed revved up freedom of rock.

She came up on stage with her guitar and pedals and amp and… played.   For forty plus minutes.

She played bluesy riffs.  She looped herself.  She played solos over those riffs.  She made noise.  She experimented with melodies and feedback.

Sometimes it was interesting.  Sometimes it was tedious.

She played a whole section in which sliding her pick up the strings was a major part of the sound. Continue Reading »

[ATTENDED: July 3, 2024] Cavetown

When I learned of Cavetown from my daughter, who played “Lemon Boy” a lot.  Even a few years later, I think the song is fantastic.  I didn’t really know all that much about him (Robbie Skinner), but I had listened to a few records.  So I assumed that the whole set would be kind of mellow and folky.  It actually seemed like an odd double bill.

But there is a sizable overlap of young trans/non-binary people who make up both audiences so even if the music isn’t similar, the tone of acceptance and respect permeates both (all three actually) bands.

I don’t normally like to be far from the stage–it takes me out of the action and makes me feel like I’m just hearing a band not really experiencing a live show.  That makes me a little insufferable I know, especially to my kids who just want to chill out and enjoy an Event.  And really, an outdoor show is more of an Event.

So, when they walked to the back of the lawn and sat on a blanket, I compromised and left the front area that we were in for Mother Mother and hung back with  them.  Although once everyone stood up, I had to move forward a little because I couldn’t NOT SEE the stage. Continue Reading »

[ATTENDED: July 3, 2024] Mother Mother

When this show was announced back in January, it was a killer triple bill.  Mother Mother, who we love to see live, Cavetown, who I’ve wanted to see live and Destroy Boys, a band that both my kids like and who my son and I have seen once and wanted to see again.

We were bummed that Destroy Boys was unable to play, but we arrived a little late so maybe we wouldn’t have seen their full set anyway.

We also didn’t know who was headlining this show–it appears that Mother Mother and Cavetown have been switching who was the headliner.  I rather hoped Mother Mother would go last because I felt like their show would be bigger and Cavetown’s would be more mellow.

But Mother Mother went on second and I think it was all for the best!  Because we rocked out to Mother Mother and  then we walked to the back of the lawn and chilled out for Cavetown’s more mellow set.  Very cool!

So this is the third time we’ve seen Mother Mother and actually the first time they weren’t headlining.  As I’ve learned over the years, a double headline bill means neither band plays a very long set, which kind of suck, tbh.  But whatever, it usually means a kind of greatest hits package as well.

Mother Mother has a new album out, which I didn’t realize until a few weeks ago.  They played a few songs from it, but the did not skimp on the big names.

The band walked out. First came bassist Mike Young (who runs all around the stage during the show and is a lot of fun to watch) and drummer Ali Siadat.  Then the applause grew louder as singers/keyboardists Molly Guldemond and Jasmin Parkin were singing the new song “Nobody Escapes.”   Finally, huge applause as Ryan Guldemond came out and the song took off.

Then everyone went nuts when they played “Arms Tonite.”  And they surprised me by playing “Hayloft II” which I think has taken on a life of its own.

The new song “The Matrix” is super fun with the completely singalonable part “fuck no.”   They segued that song into Pixies “Where is My Mind?” and I was delighted and surprised at how many very young people knew this rather old song.  Ryan asked at one point how many people in the audience were younger than the band (who celebrated 20 years this year) and scores of hands went up.  Crazy.

They played two songs about having “Problems” including the super fun “Burning Pile.”  Ryan Guldemond really has his banter down well and when he asked if anyone was having a hard time in life, he commiserated and told them to throw everything that was bothering them on the burning pile.  It was a really sweet moment and I love how Mother Mother has really embraced the community that TikTok has built up around them.

The new song “Explode!” is also super catchy–the whole album is really good.  All the fans love the O My Heart album the most, so they played seven songs from it.  Including “Sleep Awake” a slow, pretty song that Ryan said was the first song he wrote for his big sister to singer. Molly has a lovely voice and I love the way the song was really quiet to start and then got huge.

The band left briefly and then came out for an acoustic medley.  They played six songs from their earlier albums and it was really fun hearing the crowd react to the snippets of each song.  Sadly, someone passed out (I guess) during “Ghosting” (my favorite song in the medley) and they stopped it but did not resume it.  But at least the person was fine (and so were we).

They stayed acoustic for “Oh Ana” “Wrecking Ball.”  I said last time that I really want to see them rock out “Wrecking Ball,” but it is more or less an acoustic song so it makes sense that they would play it that way most of the time.

Then they busted out “Verbatim” and the crowd went nuts.  And they went even crazier for “Hayloft” of course.  Jasmin usually gets a solo moment during the set–it had been “Girl Alone” but for this tour they mixed it up and she sang a beautiful rendition of Lana Del Rey’s “Video Games” before they segued back in to Hayloft to end the show.

When we saw them last time the show was explosive in lights and everything else.  It’s a little harder to overwhelm with lights when it’s 7PM and you’re outside.  But the lighting was still pretty cool–minimal but cool.

It’s also funny how much of a festival-like atmosphere an outdoor show has.  People just seem looser and more prone to doing wild things when outside.  It wasn;t my mafvoirte Mother Mother show, but it was a lot of fun.

 

 

July 2024, Mann Center October 2022, Fillmore February 2022, TLA
Nobody Escapes € Verbatim ⊗ Seven ⇔
Arms Tonite ♥ O My Heart ♥ O My Heart ♥
Hayloft II ⇔ Bit by Bit Let’s Fall in Love ≠
The Matrix € / Where Is My Mind? (interlude /Pixies cover ) Infinitesimal ≠ The Stand
Problems Body of Years ♥ I Got Love ⇔
Burning Pile ♥ Creep (Radiohead cover) Problems
Explode! € The Stand ∇ Body ♥
Back to Life § Back in School ‰ It’s Alright §
Body ♥ Burning Pile ♥ Sick of the Silence ⇔
Sleep Awake ♥ Problems Arms Tonite ♥
Dirty Town ⊗ / Neighbour ⊗ / Wisdom ♥ / Ghosting ♥ / Little Pistol ≠ / It’s Alright §
(Acoustic, Ghosting interrupted due to a medical issue in the crowd)
Sick of the Silence ⇔ Life ⇔
Oh Ana ⊗ [acoustic] It’s Alright § Pure Love ⇔
Wrecking Ball ♥ [acoustic] Arms Tonite ♥ [acoustic] Ghosting ♥
Verbatim ⊗ Body ♥ [acoustic] Bit by Bit
Hayloft ♥ / Video Games (interlude Lana Del Rey cover) Wrecking Ball ♥ [acoustic] Wrecking Ball ♥ [acoustic]
Oh Ana ⊗ Oh Ana ⊗ [acoustic]
Hayloft ♥ / Girl Alone Verbatim ⊗
Hayloft II ⇔ Hayloft ♥ / Girl Alone
encore Hayloft II ⇔
Ghosting ♥
Dirty Town ⊗
Burning Pile ♥

€ Grief Chapter (2024)
⇔ Inside (2021)

§ Dance and Cry (2018)
‰ No Culture (2017)
≠ The Sticks (2012)
∇ Eureka (2011)

♥ O My Heart (2008)
⊗ Touch Up (2007) [originally called Mother released 2005]

 

[ATTENDED: July 3, 2024] Meet Me @ the Altar

When this show was announced back in January, it was a killer triple bill.  Mother Mother, who we love to see live, Cavetown, who I’ve wanted to see live and Destroy Boys, a band that both my kids like and who my son and I hhave seen once and wanted to see again.

Then, in May it was announced that Destroy Boys would no longer be opening

In a joint statement, Mother Mother and Cavetown shared, “Destroy Boys will no longer be able to join our summer tour due to a medical issue. We’ll be sad to miss them and wish them a speedy recovery.
We are really excited to welcome Meet Me @ The Altar to the tour in place! Can’t wait to see you all soon.”

It turned out that this bummed my son out and kind of soured him on the show a bit.  I have seen MM@TA twice and knew what to expect.  I actually thought they’d be a lot of fun since their opening set is usually a condensed form of bangers an covers.

Well, we arrived a little later than I wanted to and then parking was pretty tough. I was frankly shocked by how many people were there so early (on a Wednesday).  People looked like they’d been camping out forever by  the time we strolled in.

We could hear them from the parking lot, so we could hear most of their set, but by the time we got into the venue and found our places, we were easily more than half way through their set. Continue Reading »

[ATTENDED: June 30, 2024] Grails

My friend Eleanor told me about this show and I immediately grabbed a ticket.

Grails opened with a mellow almost spooky instrumental with Jesse Bates playing synth and flute.  Alex Hall did something with his phone in front of his guitar’s pickups.  I wonder what app he was using.

Then the whole band kicked in drummer Emil Amos (who was incredible but who I couldn’t see very well because of the keyboard in front of me) played a delicate rhythm.  I stood almost in front of Ilyas Ahmed who played guitar in so many different styles, he was marvelous to watch.

And there was a keyboard player in the back who I literally never saw but who was playing low end and waves of sounds.

As the song progresses, Bates played slide guitar–a pretty melody  over the waves of music.  And the song builds and builds.

Through the course of the night, there were excellent bass lines, some wild drums, and more flute.

The whole night set was terrific.  The moods and emotions that they conveyed through these instrumentals were terrific.  What was interesting/amusing was the videos the venue showed behind the band. I don’t know if the band had any say in the video but I enjoyed screen shots like “Rivers turn to blood” and what looked like someone having a psychedelic trip.  At one point during a quiet moment I saw Amos look up at the screen and chuckle.

The set ended with Origin-ing–a fast bassline with some terrific starts and stops as the band was totally in sync.

It was a great show and I’m so glad I got to see them live.

  1. Word Made Flesh
  2. Sisters of Bilitis
  3. Immediate Mate
  4. New Prague Ψ
  5. Burden of Hope ß
  6. Belgian Wake-Up Drill
  7. Lord I Hate Your Day ß
  8. Evening Song
  9. Sad & Illegal
  10. Origin-ing
∇ Anches En Maat
ß The Burden of Hope
≡ Black Tar Prophecies, Volume II
∞ Burning Off Impurities
Ψ Chalice Hymnal
♠ Doomsdayer’s Holiday
♦ Redlight

[ATTENDED: June 30, 2024] Grails

I saw Soma play at a church in Asbury Park.  The night was an evening of cool video projections and transcendent music.

I really enjoyed their set which was based around sacred music inspired by Krishna.  At the church I really couldn’t see them because lights were low so the projections on the walls would show up better.

At this show the whole band was visible and I enjoyed seeing the vast array if instruments they played–including two double-barrelled flutes and a shell (I’ve never seen anyone blow into a shell to make a sound before).

The music has a trance-like element with repetitive phrases, chanting and simple percussive beats.  At this show a woman sat cross legged on the floor as soon as they started.  And a guy on the side occasionally burst out in joyous affirmation–which I thought was weird, but which the bands seemed to find normal.

There are two main vocalists and virtually every song is a call and response in which the rest of the band (and crowd) sing along.  I enjoyed watching everyone playing their instruments up close and seeing the random assortment of instruments that they were playing as well–so much percussion. Continue Reading »