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[DID NOT ATTEND: August 28, 2026] Swervedriver / Slow Fiction / The Still Out

There was a time a few years ago when the choice between going to White Eagle Hall or Underground Arts would have fallen squarely on White Eagle Hall.  It’s a gorgeous venue with great sight lines and a bouncy floor.  Not to mention a state of the art sound system.  But the last few times I’ve been there I’ve been dissatisfied.  Primarily with the parking.  But it feel busier and more crowded with less enjoyable people.  SO naturally I picked Underground Arts (which has rapidly become one of my favorite venues).

I was supposed to see Slow Fiction (who are from Chicago) when they were opened for Vundabar.  But I missed the show and therefor missed Slow Fiction.  Which is a shame because seeing them last night was amazing.  It would have been cool to see them at a bigger venue just a few weeks earlier.

I had never heard of The Still Out and, apparently with good reason.  Their bio is pretty interesting

The Still Out was formed by producers Josh Stoddard and Arjun “Arj” Agerwala in the mid 2000s in New York City. They were signed to indie label Hi-Speed Soul (Nada Surf, Afghan Whigs, Swervedriver, The Black Heart Procession) and released their album, Crystallized, which included guests Adam Franklin (Swervedriver), Jody Porter (Fountains of Wayne) and Claude Coleman, Jr (Ween). Veteran rock critic Jack Rabid ranked Crystallized #13 on his top 50 reissues of 2018, declaring of the Still Out, “Who are you and why are you so good?!”

Their songs range from anthems to lullabies, interspersing dreamy, wandering imagery with layered guitars, hypnotic bass vamps, and tight, dynamic drumming to create a wall of sound that is both melody and mayhem.

After playing shows to promote the album and opening for Swervedriver … they took a long hiatus. Josh became a sought-after video director, sound bath performer, and prolific creator while Arj focused on his career as a producer, engineer, and songwriter.  In 2021, they reunited to cover Fountains of Wayne’s “Sick Day” as part of a tribute to friend and supporter Adam Schlesinger, who died from covid. Josh himself died tragically not long after. Arj has now revived the band with the help of several talented musicians and with Josh’s harmonies and sounds helmed by Suneel Agerwala. They are continuing the Still Out to honor his beloved friend and bandmate.

So I guess I feel bad for not wanting to see them.  But I’ll give Crystallized a listen.

[ATTENDED: August 27, 2026] Slow Fiction

Slow Fiction opened for Vundabar a few months ago but I missed the show.  When I read about them, I was really excited that they were opening for Swervedriver (especially since they mentioned that Swervedriver was an influence).

When I arrived there was a lot of room near the stage but people were standing in that spread out way that prevents one from getting next to the stage.  Which is fine, unless the people you choose to stand behind are very mobile and phone abusers.  I thouht I had a really good spot, but once the band came out, I realized that I couldn’t see as well as I wanted (which is crazy when you are second from the stage).  But whatever.

The band came out and I was in front of Ryan Duffin on bass and one of the guitar players (Joseph Skimmons or Paul Knepple).  The other guitarist was on the far side of the stage.  Singer Julia Vassallo was up front and Akiva Henig was in drums in the back.

I love Underground Arts, but sometimes when a band is mixed a certain way, it’s really easy to miss something.  So for this show I was right in front of one of the guitars which was really loud (it did get turned down later) so I hardly ever heard the other guitar.  And the vocals were kind of muted for the first half.  It was fine when the guitars were quieter, but that didn’t happen all that often.

They opened with Dollhouse–a bouncy bassline, great washes of guitars and Vassallo’s delicate (too delicate in the early mix vocals).  It was like being in the 90s!  When it was over, someone shouted “shoegaze is back, baby!”

It was much easier to hear Vassallo when the guitars were playing a quieter section, but I never really got a good vibe on the lyrics.

I loved the drums (a simple snare pattern that reminded me of old school alt rock) on What the Night Told Me.

By the end of the set, the balances were better and I could hear everything pretty equally (except for that far guitar).  Interestingly, when they played the penultimate song, Heavy Metal, a much quieter song of picked guitar notes, the far guitarist sat down.  I’m not sure what he was doing, he seemed to have muted his guitar strings and may have been playing something.   Or he was just sitting there, chilling out.

I really enjoyed their set a lot and would definitely like to see them again, with headlining, or opening (again) at Union Transfer.

 

  1. Dollhouse ∏
  2. Junior Year ∏
  3. Satellite ∏
  4. What the Night Told Me ∏
  5. bottle episode ∏
  6. ninetynine ∏
  7. Suitcase Ψ
  8. Brother §
  9. Heavy Metal ∏
  10. Turning Down Flowers ∏

Ψ new (2026)
∏ Dollhouse (2026)
§ single (2024)

 

 

 

[DID NOT ATTEND: August 27, 2026] Pinkshift / Kulfi Girls / Hit Like a Girl

I’m pretty sure I didn’t hear about this show until it was too late to go.  Because this is a killer lineup.  I’m a little off Pinkshift because I’ve seen them a bunch (the last show wasn’t quite as fun as the earlier ones for whatever reason).

If I had known it was a 5 year tour for their Saccharine EP, I definitely would have tried to go.  But I had had tickets for Swervedriver that night and I was really excited to see them since it was the 30th anniversary of the Rise album.  You can’t go to every show.

The real reason I wanted to go to this show is to see Kulfi Girls.  I recently ried to see them and wound up leaving before they went on because I felt crappy.  This is the fourth time I haven’t been able to see them for one reason or another.  I know that they;r e ayoung enough band that I’ll get to see them again, but come on!

Hit Like a Girl is from Philly. They are a project created by Nicolle Maroulis and meshing sonic influence like midwest emo, hardcore, synth pop, and alternative.  Their new album’s first song sounds like country and the second song is screamed synth punk.  Crazy.  I’ll bet they were fun.

 

[DID NOT ATTEND: August 23, 2026] Faetooth / Latter / Bosses

I didn’t know Faetooth at all, but I saw that they were opening for Die Spitz in October and headlining this show in August.  I didn’t really think about going to this because I figured I’d see them with Die Spitz.  Then my friend Max said that a bunch of them were going to see the show, so I investigated more.  I couldn’t go, but it got me more excited to check out Faetooth, whom they said were really good.  The band describes themselves as a fairy-dOoM trio from los angeles.  The group is composed of Ari May as guitarist and vocalist, Jenna Garcia as bassist and vocalist, and Rah Kanan on drums and have been around since 2019.

Latter was the middle band and Max said they enjoyed them even more than Faetooth.  I’m listening to their (shirt) album now and it’s really cool.  Slow but intense.  Heavy and intense.  LATTER is a Chicago-based experimental noise rock project formed by Jon Alvarado and Meredith Haines, known for dynamic live performances.  Haine’s vocals are screamed in a way that I really like–clear but raw.

Bosses are also from Chicago.  Originally conceived as a solo project by singer and guitarist Harlee Young, Bosses is now a five-piece featuring erstwhile members of Old Coke and Dead Sun.  Their bio says the group takes influence from grunge, shoegaze and early 2000s alt rock. Layering melodic, ambient leads over distorted rhythms, bosses creates a sound that is heavy, atmospheric, and highly emotional.

Sounds like a great night.

[DID NOT ATTEND: August 22, 2026] Rhys Darby

I love Rhys Darby in every role he has been in.  Although I had no ide he actually did stand up.

When I saw that he was doing two shows at Helium (an early and a late), I grabbed us tickets for the early show, thinking it would be fun to see a show and maybe grab a Philly bite afterwards.  We told my daughter that we were going out and she made plans with her friends. And then, day of, the whole day got away from us.  It’s one thing to plan to go out to a show around dinnertime, but it’s another thing to do it midday.  And we were involved in doing stuff and we both decided that it was too much work to go out.  Particularly to Helium (if it had been the Met or something we probably would have gone).  So we stayed home.

And, while I’m still al little bummed we didn’t see Rhys in person, I’d say we made the right decision.

[DID NOT ATTEND: August 21 & 23, 2026] Rush

Rush concerts part 2.  It’s crazy that I could have seen them six times.

So, having missed the MSG shows, and really knowing I wasn’t going to go to any of them, I kept my eyes on the Philly shows.  Those did not sell out entirely and I did keep watching those special seats to see of the prices ever went down.  And they just never did.

By this time we were back from vacation and were not quite on crunch time for bringing our daughter to school.  But initially I had a ticket to a show the night before this (and didn’t go because of the weather) and we had a ticket to a comedian the following night (but didn’t go because we’re lame).  Nut in all honesty, a Friday night going to Xfnity Mobile Arena sounds like a nightmare.  You’d have to leave at like 4.  Insanity.

So really that only left the 23rd.   But by the time that show came around I had accepted that I wasn’t going to go so I didn’t even look.

And despite the massive accolades from strangers and relatives (Montreal), I’m really not that bummed I missed out.  It sounds like it would have been fun, but I really don’t feel like I missed out.

And good for me.  Plus, there’s always that DVD.

~~~~~~

In high school and some of college, Rush was my favorite band.  No questions asked. My best college friend and I bonded over the band.  I didn’t go to enough shows during college–why didn’t I drive to Binghamton with him?

Since college I have listened to them a lot less, although i did really enjoy all of the albums they put out.  And I was super psyched to see their final tour before Neil died.

Geddy and Alex said they would never be Rush again and it sounded like they were both content to play music with other people and do their hobbies.  And then this was announced.  I wasn’t upset (it’s not like The Who or Slayer who have farewell tours all the time).  And I Was really excited that they had replaced Neil with Anika Nilles–if only because it upset so many people that there was a “girl drummer.”

When the shows were first announced I didn’t intend to go.  I didn’t feel it was necessary even if it had been over a decade since that last show.

And then I saw the prices.  Jaysus.  I have local friends who are much bigger Rush fans than me and they were jumping in paying $500/$600 a ticket, which is crazy–but was nowhere near the high end of prices.  As the dates grew closer and I heard great things about the shows, I kept my eyes on tickets.  Despite the immediate crush of sales, I don’t think all of the nights sold out.  And I’d also heard that dynamic pricing tends to get cheaper the day of the show.  Of course, that would still mean driving all the way into New York for a pain in the ass trip to MSG.

Ultimately, I decided not even investigate tickets.

And let’s see.  The 28th, I had a ticket to see Metric.
The 30th, I could have gone, but we were going on vacation two days later and that felt like a huge time commitment–this was the only day I seriously considered though.
And Aug 1 & 3 were were on vacation.

Back in the day, a Rush show was exactly the same night after night.  Possibly even note for note.  But this tour, they have been mixing up setlists like crazy and, while I’m not mad that I missed all the shows, I would have been really bummed if I went to one of the nights and the setlist was better on a different night.  I mean, let’s be honest, any Rush setlist is a good one, but …  The 30th featured all of 2112, which was pretty cool.

Plus, I’ll BET they release a show or two on DVD.

 

 

[DID NOT ATTEND: August 21, 2026] Kiwi Jr. [FREE AT NOON]

I was supposed to see Kiwi Jr. open for Nap Eyes back in 2022, but the show was cancelled.  Back then I thought:

Kiwi Jr. is a fun Canadian band, recently described as “clever, easy-going jangle pop” that I’d really like to see live.

For some reason I thought I thought they were a more punk pop, but they’re really not.  And I think when I listened to them this time I was a little disappointed they weren’t more punky.  But really they’re cool–synthy and more than a little fun.

I grabbed a ticket for this Free at Noon because I knew I couldn’t make their show that night at Johnny Brenda’s.  But sometimes just thinking about a Free at Noon is exhausting.  I woke up tired and just didn’t have the wherewithal to go to work and then do the show.  Which is a bummer because the show sounded great (as you can hear below).  Continue Reading »

[DID NOT ATTEND: August 21, 2026] Kiwi Jr. / 2nd Grade / Log Flume

Three years ago I could have seen almost this exact same show at the exact same place.  Kiwi Jr and 2nd Grade both played Johnny Brenda’s.  Kate David opened then and Log Flume opened tonight.  I went to see Sunset Rubtown instead (which I enjoyed).   Kiwi Jr. has been getting more attention this time around and even played a Free at Noon earlier today.  I wish I’d gone, but i didn’t feel up to the midday trek to Philly.

I knew I wouldn’t be going to this show mostly because I was sort of saving the night in case I scored a ticket to see Rush.  Which I didn’t.  And really, I was pretty happy to stay home.  Our daughter was leaving for college soon and I wanted to have a few extra nights with her.

But I do hope this lineup comes back again. Sorry Kiwi Jr.

2nd Grade are an indie band from Philly.  They are a gentle boppy indie pop band.  Super catchy and poppy with delightful harmonies and a childlike quality (as befits their name).  Most of the songs are around two minutes.

This is still true with their newish 2024 album–the longest song is 2:39.  But the songs are not hardcore blasts.  They are actually pretty complicates with multiple parts. They just do what they intend to do and then end. Continue Reading »

[ATTENDED: August 19, 2026] Modest Mouse 

I saw Modest Mouse open for The Flaming Lips last year.  I was right up front and really enjoyed the intensity of the show.  I asked my wife if she’d like to see them since she never had (this would be my 9th time).  The last 3 times I’d seen them were album tours (Lonesome Crowded West and Good News For People Who Love Bad News) and the opening set with the Lips.  So this would be the first time seeing them in a while when they were just doing new stuff.

And it was a LOT of new stuff.  This makes sense as this was a tour for their new album.  They played 8 songs from the album.

But they played a nice mix of newer and older songs.  In between nearly every song there was an older one.  Some were popular (Fly Trapped in a Jar) and some were deep cuts (Broke, from a 1996 EP).  What was fun about these older songs is that the band dropped from a large 7 piece band to a trio, like on those early albums.

I’m always fascinated by the Modest Mouse crowd because the people around me seemed to know the words to all of the older songs.   And I feel like Modest Mouse is pretty abrasive, so I am always surprised at the amount of fans that they have.  But they do have some really catchy songs (radio friendly ones) like Ocean Breathes Salty–this was only the second time I’ve seen them play it!  And it was the first song of the night that my wife recognized.

There was a dude next to me who seemed to know a lit of the new album as well.  Although I think we all recognized Picking Dragons Pockets since its getting a bunch of airplay.

The crowd went nuts when they played Bury Me With It (as they should) and I was super excited when they played 3rd Planet (the opening track from The Moon and Antarctica–a song I cannot believe I’ve never seen them play live before).

One of the songs my wife wanted to hear was Float On (of course).  I warned her that they may not play it (they did play it the last two times I saw them).  Indeed, the previous show started with 4 “hits.”  But Modest Mouse mixes up their setlists quite a bit, and there were few hits to be had tonight. Continue Reading »

[DID NOT ATTEND: August 20, 2026] Emm / Bentley Robles / Kyle Payne

I recently came across Emm on my feed and was intrigued–a powerful voice–sometimes she simply screamed–and a wild stage show.  I made a note that I wanted to see her live.  And then a few days later she announced a show at Nikki Lopez.  I hadn’t heard of Nikki Lopez (although I have since been there). I was looking forward to seeing this future star in a really small venue.  Although I did wonder how she would do a huge stage show in this small venue.

Damien Demax Official recorded her set.  She came out with an elaborate costume and two backing dancers.  She sang two backing tracks, although she did play guitar from time to time

But on the day of the show, the rain and storms were insane.  All day it was torrential and scary and the storms were threatening Philly that evening.  So, even though I wanted to go, since I wasn’t entirely sure what I was getting into, I decided against going.

According to the video, the show looked fun and was pretty short.  There was some audience interaction.

I hadn’t heard of Bentley Robles but I listened to a few songs and found him to be an energetic pop singer.  Not really my thing but fun.  He seemed very flamboyant which I assumed would lead to a fun show.

Damien Demax Official recorded Bentley’s set which was rather understated (unlike his cool outfit).  He sang to his backing tracks.  He has a great voice and charisma.  There’s a funny intro that he says he broke up with the guy he wrote the next song about–it’s the first time he’s singing his hit about someone he doesn’t like anymore.  He looks like a fun performer. Continue Reading »