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[ATTENDED: November 27, 2021] The Scouts

I didn’t know if there were any opening bands for The Districts, and it turned out there were two.

The Scouts (a difficult search term, especially when combined with The Districts) are from The District’s home town of Lititz, PA.

They came out as a five piece and won me over immediately with some really solid guitar rock.  Their songs were all pretty long–about five minutes each with lengthy intros and multiple sections.

Lead singer Nathan Yager has long hair and a big beard but has a relatively restrained vocal sound (powerful but not overpowering).  He plays guitar as well and when he and Tom Hartman played together, they really brought in a nice mix of quiet and loud guitar. Continue Reading »

[ATTENDED: November 24, 2021] Jinjer

I first heard JInjer when I saw a video for their song “Pisces.”  The song starts out slow and melodic with Tatiana Shmaylyuk singing in a quiet, lovely voice.  At the one minute mark, the songs shifts to a heavy off-kilter riff and Shmaylyuk unleashes a guttural growl that you absolutely assume is from someone off screen–but it’s not.  [Check out hilarious vocal coach reaction videos].

So I wanted to see Jinjer to experience Shmayluk’s voice in person.  But I was absolutely blown away by the rest of the band.

Jinjer is from Ukraine and I don’t know how often they come to the U.S., but there were some really die hard fans there.  The band’s lineup has changed quite a lot over the years, but since 2016, the lineup has reamined Roman Ibramkhalilov on guitar, Eugene Abdukhanov on bass and Vladislav Ulasevich on drums.

Their sound is quite heavy, but with lots of moments of quieter, pretty melodies.  Indeed, they play really complicated rhythms and time changes, with terrific riffs and bass lines.  The drummer also adds a lot of percussive sounds to the songs making them a band where it’s hard to know who to watch. Continue Reading »

[DID NOT ATTEND: November 27 & 28, 2021] The Menzingers / Dirty Nil / Kayleigh Goldsworthy

I saw The Menzingers during Philly Music Fest.  I really enjoyed the set but I was in a terribly location and the sound was dreadful.  I told myself I wanted to see them again.  And there it was, just a month later at Underground Arts!

I couldn’t go on Saturday night because I had tickets to see The Districts, but then they added a 2nd show on Sunday.

But I had just gone to a show on Saturday and the previous week was just chock full of shows.  I couldn’t bring myself to go out again.  Especially since I had just seen them.

I do hope they come back again soon.  And it would be amazing of they could play a small club like that again. Continue Reading »

[ATTENDED: November 24, 2021] All Hail the Yeti / Suicide Silence

I arrived a little early for this show (for a change–TLA usually has me running late looking for parking).  And it took forever the first band to go on.  I was sure something was going on.

Then it was announced that Suicide Silence tested positive for COVID and would not be on stage that night.  I actually assumed that I’d be going home early, but no, I guess the headliner is scheduled to go on at 9:30 or whatever and that’s what they’re going to do.  Which makes sense.

So All Hail the Yeti came out with their cool stage gear and I assume played a longer set than they might normally.  Yes, it looks like they played three more songs at our show.

There are four members in the band: Connor Garritty – lead vocals;  Nicholas Diltz – bass, backing vocals; Ryan “Junior” Kittlitz – drums and  Dave Vanderlinde – guitars.  And behind each member (more or less) was a giant banner with a rune on it.  Each rune looked more or less like the initials of the band.  Which was pretty neat.

Each band member had some kind of Viking paint on.  I was in front of guitarist Vanderlinde and the top of his forehead was painted white with a rune painted on top.  Lead singer Garrity had his long hair in a pony tail and had on a kind of modified corpse paint to make his eyes really stand out.  He sand in a kind of guttural style but was clearly audible.  Bassist Diltz had long bleached blond hair an a full beard and sang in a really lovely high voice–an excellent contrast and I actually preferred his vocals.

All of this is leading up to the surprising realization that they are from California and not Scandinavia.

They had some good diversity in their sounds, with some heavy grooves and then some simply heavy sounds.  But they also had some fantastic harmonizing like on “After the Great Fire.”

The one song that annoyed me though was “Witch is Dead.”  It started out kind of fun with them singing the “ding dong the witch is dead” children’s song but in their heavy style.  I thought it was pretty fun, until he had to rhyme it with “the fucking bitch is dead,” and I felt there was a little too much misogyny going on in that line–he seemed to relish it too much.

But if I overlook that I otherwise really enjoyed their set.  Their sound was great and their look, while elaborate wasn’t too far over the top to be comical.

  1. Suicide Woods ¥
  2. Headless Valley
  3. Slow Season
  4. The Art of Mourning ¥
  5. Bury Your Memory
  6. Witch Is Dead §
  7. Before the Flames §
  8. Funeral Heart
  9. After the Great Fire ¥
  10. Mr. Murder §

[ATTENDED: November 20, 2021] Alex Silva [rescheduled from April 30, 2020]

Alex Silva was up after Patrick McMinn.  He took the left side of the stage and was basically right in front of me.

Silva is from Galicia, Spain but now lives in Maryland.

I was delighted that he was wearing a retro Froot Loops T shirt.

Much like McMinn, he mostly pushed buttons on his gear, but it was a more interested watching him work.  He also sang (and processed his voice) to create new sounds.

He introduced a bunch of his songs with personal stories and easily won the crowd over with his stories.

I found his music to be very enjoyable

[ATTENDED: November 20, 2021] Dan Deacon [rescheduled from April 30, 2020]

The only thing I knew about Dan Deacon was his outrageous “remix” of “Call Me Maybe” in which he looped the entire song on top of itself some 147 times.  It was weird and irritating and funny.

And then a little while later he did a Tiny Desk Concert and it blew my mind and I knew that I wanted to see him in concert.  That was six years ago.

I finally got to see him live and it was everything I imagined.

I don’t really know Deacon’s music.  That’s not strictly true, I know a lot of his early self-released stuff which is really weird.  His newer stuff is less weird, but still unusual–but his albums are usually beloved.  And he has amassed a huge fan base.

Deacon is an unlikely electronic music hero, but hero he is.  He is heavy (he joked about how he should have gotten in shape for this tour), balding and wears glasses.  But he’s got a great sense of humor and an amazing gift for music.  He has a college degree in electro-acoustic and computer music composition.  And he has played in all kinds of bands throughout his career (from ska to grindcore).   But it’s his electronic music, often with his voice pitch-shifted to beyond cartoon level, that makes the night. Continue Reading »

[DID NOT ATTEND: November 24, 2021] The Lemonheads / Hey Rocco / Soft Kill / Larlene

I saw Evan Dando play a bunch of Lemondheads songs solo at a tiny venue in Jersey City.  He seemed kind of wasted, but he sounded great and I had a wonderful time.

I was genuinely interested in checking out this show (in which he had a full band), but it was scheduled for the same night as Jinjer who I really wanted to see live.

I see that he and the band played 35 songs that night.  It must have been a blast.

I had not heard of Soft Kill or Hey Rocco.

Soft Kill is a post-punk band from Portland who on their Facebook pages call themselves “sad rock”, a new musical subgenre.  That does not make me want to see them, that’s for sure.

Hey Rocco is a grunge band that formed in 2009.  I’m curious what that sounds like.

Markit Aneight was there to record the bands

Larlene apparently played instead of Soft Kill and here’s there full show

Hey Rocco

Lemonheads

[ATTENDED: November 20, 2021] Patrick McMinn [rescheduled from April 30, 2020]

I was really excited to finally get to see Dan Deacon that I didn’t really think about opening acts.

Traffic was a little worse than I expected and I wound up walking in during Patrick McMinn’s set.

The original opening act was scheduled to be Ed Schrader’s Music Beat.  I’m not sure why he wasn’t on the list anymore.

What amused me most about the stage was that it was set up with three table with laptops and such on them.  On the far right table (facing the stage) McMinn was standing bathed in blue lights.

I had never been to an electronica show before, so I didn’t really know if it was going to be literally all knob twiddling.  And it was, more or less.

But McMinn also plays trumpet and for the final two songs he played nice trumpet melodies into his processor and then proceeded to alter and mix them  to fit into the beats he was creating.

While it is certainly interesting to watch someone create music on the fly like that, the addition of a nice visual like the trumpet certainly adds a fun element.

The set didn’t blow me away or anything, but it was enjoyable introduction to the evening.

[ATTENDED: November 21, 2021] Nada Surf [rescheduled from May 28, 2020 and April 18, 2021]

This is my third timing seeing Nada Surf and I decided that S. needed to see them as well.

This was the third time for this show and I was delighted that it finally happened.  And at the nearby (relatively) White Eagle Hall.

My plan was to not get too close to the stage, but we were so early that it was hard not to get too close (especially as the taller guys start filling in the gaps).

The one difference for this show was that bassist Daniel Lorca was not there.  He had hurt his leg and had to miss the tour.

Friends, we sadly have to report that Daniel can’t be with us for the November US tour due to knee and ankle injuries he recently suffered. In his place will be the band’s longtime friend Ed Valauskas of The Gravel Pit. Here’s to a speedy recovery!

I wasn’t familiar with The Gravel Pit, but Valauskas did a great job.  Although I did miss Lorca’s dreadlocks and unique bass sound.

Their set was an excellent mix of songs from throughout their nine song career.  It was interesting that they essentially played all of the songs that the previous time I saw them in 2020 (one of the few bands I saw in 2020), but they added all of the new songs on top of it.   So this concert was six songs longer! Continue Reading »

[ATTENDED: November 21, 2021] Pom Pom Squad S.G. Goodman [rescheduled from May 28, 2020 and April 18, 2021]

Initially the opener for this show was supposed to be S.G. Goodman who had a song with a lot of airplay on the WXPN.  I liked it and then I got sick of it, but was interested in seeing her.

But when she was replaced by Pom Pom Squad I was pretty thrilled.

I had seen a Pom Pom Squad video some time ago and I loved their 90’s grunge sound and attitude.  They seemed like a bit of an odd fit for Nada Surf who is a bit more mellow, but it seemed like they were maybe going set the tone for Nada Surf a bit more.

The band was initially a solo project for Mia Berrin, but have expanded to include an unnamed bassist, Shelby Keller on drums and Alex Mercuri on lead guitar.

I had recently read Rock Stars on the Record and Mia Berrin was interviewed in it and she said her favorite album was Live Through This by Hole.   That totally makes sense given their overall sound.  However, Mia, who is in her early twenties, seems relatively drama free at the moment. Continue Reading »